Malibu Dan the Family Man, Season 2 (Series Review)

Plot Summary

Just in case you didn’t get enough stereotypical PureFlix stupidity from the first season of Malibu Dan, the old gang is back with a new ‘season’ that they refuse to call a season for no reason.  This collection of new episodes (totally not a season) offers more of the same stick-your-finger-down-your-throat humor we had from Season 1, only with an even cheaper production setup and a smaller cast.  It’s basically like the second season of Hilton Head Island: nobody asked for it and nobody cares that it’s here.


Production Quality (1 point)

Now that we’re on the topic of Hilton Head Island, the Whites and company borrowed their horrible green screens that make everyone and everything have an obvious outline, like they’re cardboard cutouts.  Oh wait…  But I digress.  As previously mentioned, this non-season of Malibu Dan has even fewer sets than the first and even more reuses of the same old ones.  This gives it an overall cheap feel, and it goes without saying that the ‘blooper episode’ is virtually indistinguishable from one of the other episodes because it merely depicts the cast acting like idiots, which is what the other episodes are all about anyway.  Did we mention that this new non-season of no one’s favorite sitcom contains another endless and obnoxious laugh track that cues every five seconds whether the scene is supposed to be funny or not?  Basically, the only thing keeping this entire mess from 0 points or less is the fine video and camera quality, in conjunction with professional audio work.  But that theme song gets annoying over and over again.  As a whole, there isn’t much good to say here.

Plot and Storyline Quality (0 points)

What could be done in a new non-season that wasn’t done in the first season?  This new batch of episodes that’s totally not a season is virtually indiscernible from the other season, but it’s actually possibly worse due to the painfully-forced so-called comedy that contains nothing funny whatsoever.  Basically, this collection of fingernails-in-the-chalkboard creations is just as mindless and ridiculous as regular TV shows that PureFlix and their audience would complain about.  Malibu Dan no better than something typical you would see passing by on cable TV as it has just as little potential and just as little hope for any.

Acting Quality (0 points)

Whenever the old PureFlix gang gets together (see Hitting the BreaksHolyman Undercover, and Me Again), they are content to act like imbeciles.  The only consolations this second season cast provides to us is that Jennifer Lyons makes a long-overdue cameo to continually make a fool of herself and that Carey Scott reprises his insultingly fake European accent from Holyman.  Steered by the comedic anti-genius of David A. R. White and the sadistic mind of Tommy Blaze, Malibu Dan offers more of the same absurd and zany acting from the expertise of Brad Heller.  What’s surprising is that Kevin Downes still puts up with this nauseating experience when he has much better things to do.  The constant funding of this insanity is beyond us.

Continuity Quality (0 points)

The second season of Malibu Dan takes on the typical mistakes of sitcoms, besides not developing characters properly, by repeating the same thing over and over again in each episode with no continuity between them.  Episodes exist in its own isolated universes as each one appears to have no bearing on another.  It seems like they were all filmed in one day with no story-boarding, which is a likely method that has been employed by PureFlix in the past.


With not much else to say, it’s time to address the obviously elephant in the room (no, it’s not David A. R. White dressed up again).  What’s the point of randomly pretending that this collection of new episodes isn’t a new season?  It’s a very common practice to release an entire season at once with streaming series like this one.  Nevertheless, one must take a step back from this mess that’s so easy to make fun of in order to examine what the true state of Christian series is.  What are we really accomplishing?  Is there any true inspirational or culture-changing value to things like Malibu Dan?  I can’t even foresee a monetary gain in it.  This begs the question “What is it even for?!?!?”  The only answer we can discern is that it’s just another outlet for the twisted comedy desires of White and Blaze, which further goes to show the true darkness behind the PureFlix giant.  Needless to say, let’s hope Kevin Downes wipes this from his memory (again) and is able to help the Erwins produce a truly good TV series next year.


Final Rating: 1 out of 14 points



Malibu Dan the Family Man, Season 1 (Series Review)

What DARW does best

Plot Summary

Malibu Dan and Holidae Sinclair run the southern California early morning show Good Morning Malibu.  Dan is always getting himself into comedic scrapes, while Holi is always looking for a better media offer.  They work with a goofy but likeable crew, but most of all, Dan considers himself to be a devout family man.  What else could go wrong in Tommy Blaze’s latest zany comedic endeavors?


Production Quality (1.5 points)

Much like Hitting the Breaks, Malibu Dan the Family Man is a sitcom with an average production, which means it comes with that annoying laugh track again.  There are also other sound effects used now, however.  Another annoying aspect of the sitcom genre is the use of ridiculously fake backgrounds and cheaply limited sets, as well as a total lack of actual locations.  Props are fine, however, as are other standard production elements, such as camera work and video quality, which keep this production from being totally worthless.  However, the editing also suffers from lack of creativity as it is quite choppy.  In the end, however, these few production positives are the only ones that exist in this unnecessary series.

Plot and Storyline Quality (0 points)

If Tommy Blaze and company were so desperate to make another sitcom, why not just make another season of Hitting the BreaksMalibu Dan is really no different—just some rearranged characters and different cast members.  Who would have noticed if some cast members changed for a new season of Breaks?  As it is, Malibu Dan includes the same old tired and ridiculous messages Blaze and David A. R. White have been hanging out to dry for years, such as an absurdly stark gender divide, their patronizing view of Generation Y, and the endless pursuit of media fame and stardom.  As usual, David A. R. White is the bemused husband\father who gets himself into a comedic venture that solves itself in twenty minutes or less.  Everything is the same, and there is nothing new in PureFlix.

Acting Quality (0 points)

With the same old egotistical PureFlix cast members—the Whites, Brad Heller, Kevin Downes, Gregg Binkley—Malibu Dan throws in a few more, such as comedy staple Victoria Jackson and Erik Estrada with a few more plastic surgeries since the last time we saw him.  Regardless of the changes, the zaniness and the over-the-top non-subtlety is still present and still makes for an eye-rolling experience as the leadership of Blaze continues to push ‘Christian’ comedy to the limits of absurdity.  The other cast members are swept along in the wave of nonsense and must wonder how they got stuck with this crew.

Continuity Quality (0 points)

Sitcoms are not made for continuity.  There are no story arcs or character arcs as each episode exists within its own twenty-minute bubble in which all conflicts introduced are promptly and easily solved in time to tack a trite Christian antidote onto the end.  Thus, no points can be awarded here.


As long as the PureFlix faithful continue to garner funding for these frivolous projects, they will keep making them to satisfy their longings to parade themselves around like idiots in the name of Christian entertainment, ever in the pursuit of fame and stardom, just like the characters they portray.  They are as shallow as the comedy they create, but as un-ignorable as David A. R. White’s bombastic displays of idiocy.  They project themselves as the leaders in Christian film and the saviors in a dark world of Christian persecution, but if this is all we have to lead us, it’s no wonder so many people scoff at Christian media.


Final Rating: 1.5 out of 14 points


Christian Mingle (Movie Review)

Plot Summary

Gwyneth Hayden is very lonely in life.  All of her dates so far have been flops and she is tired of seeing people her age getting married while she still has no prospects.  So, in a stroke of desperation, after seeing a television ad for the dating service Christian Mingle, she decides to give it a try.  However, she has to bend the rules, since she has never actually become a Christian.  Her false persona is successful, however, as she receives a contact from a Christian man about her age.  As they meet, Gwyn finds herself actually liking him, thus causing her to sink deeper and deeper into her deception.  In the end, will the truth or love win out?  Or both?

Production Quality (2.5 points)

Christian Mingle is a very complicated movie to review.  For starters, the production quality isn’t really that bad.  There are some shades of an independent film feel, but the only real problems pertain to some strange lighting in some outdoor scenes and to some editing issues.  The camera work is pretty good.  Some of the sets could use improvement.  However, some of these errors could be excused if this movie is looked at in a different light.

Plot and Storyline Quality (1.5 points)

Box Office Revolution maintains that Christian Mingle is intended to be a satire of Christian films.  Corbin Bernsen did not used to be a Christian filmmaker, and it’s possible that this film is based on his experiences within the Christian realm.  It is not overtly branded as a satire, but the dialogue, the plot, the character portrayal\development is too obviously bad for it to be anything but a satire.  The characters are caricatures: the desperate single woman, the nice Christian guy, the Southern Christian parents, the nice Bible study girl, the crazy boss.  There are few Christian themes in the movie, and the ones that are presented are so over-the-top ridiculous that it is satirical.  The dialogue is absurdly comedic and there are off-the-wall tongue in cheek references (some of which are actually a bit funny).  The biggest problem is its predictable ending that doesn’t fit with the rest of the narrative’s themes, but rather than completely skewer this movie for its horrid nature, BOR chooses to applaud an attempt at satire without completely supporting it.

Acting Quality (1.5 points)

After a second look, the acting of Christian Mingle is actually quite ingenious since it adequately portrays how the characters are supposed to be.  Some of it is a bit over-the-top and half-hearted, but this is somewhat purposeful.  Quite of the few of the cast members actually assume their absurd roles well, but there are also some unrealistic emotions and lazy line delivery throughout that keeps this section from being all that it could be.  However, this rounds out an overall above-average effort.


Some may be surprised at the unusually high rating for this film, but BOR at least found it entertaining.  What is truly sad is that not only are the events portrayed in this film possible due to online dating services, but that a satire of Christian films is even possible or funny.  Christian films should not be a laughingstock, but some of them are—Christian Mingle exposes this.  It also shines light on the fact that some have experienced disingenuous behavior among Christian circles as well as unfair expectations to act certain ways in order to be accepted.  Despite its formulaic ending, Christian Mingle does offer a fairly good model for how to highlight issues in Christian society through the use of comedy.

Final Rating: 5.5 out of 10 points