Every year, movies and series are released, and cast members show off their talents. Writers and directors showcase their creativity. Films and series are separated into roughly three groups: the truly talented, the potentially great, and the others. At Box Office Revolution, we believe it is our prerogative to annually recognize those entertainment creators and players who have the ability to bring revolution to Christian entertainment.
Hannah is a country music star who loses her cool during an interview due to sensitive questions about her past. This prompts her to take time off from the show business, but her father’s sudden death forces Hannah to return to the hometown that she wants to avoid. There, she has to confront the darkness of her past and come to grips with what her choices have done. Hannah wants to run from God, but He won’t give up on her.
Production Quality (2.5 points)
The Collective Development team has come a long way with production quality during their time in the field. Lost Heart is an example of continuing improvement, which is all we really ask of entertainment creators. As such, there are few errors in this section. Video quality, audio quality, and camera work are all professional. Though the soundtrack is a bit generic at times for a music-themed film, the sets, locations, and props are well-constructed. The editing is overall fine with a few minor errors. In the end, this is all deserving of a high score.
Plot and Storyline Quality (1.5 points)
Much like Wild Faith, Lost Heart has a high amount of potential in the plot category. It includes a realistic portrayal of entertainment life, which is supported by a very effective use of flashbacks to establish character motive and experiences. This is coupled with a surprisingly realistic view of small towns and hidden family problems within them. Despite the many interesting concepts explored in this narrative, it’s almost too much for one story, making it hard to focus on one thing. Lost Heart feels more like a series than a movie and has the authentic and believable characters necessary for such a venture. They’re crafted with great dialogue that helps the audience to connect with them. However, this section isn’t without its downfalls. Convenient turns and coincidences help important plot points get unnecessarily kicked down the road, and sometimes, things happen in the narrative simply because the writers wanted them to. While the story’s conclusions are good, they seemed to be arrived at in unnatural ways. It’s good to write the ending before the beginning, but it has to be properly set up with logic and reason. Unfortunately, Lost Heart loses more and more focus as it goes, leading to a climax scene that’s a bit over the top and unbelievable. This nosedive in the screenplay’s second half kept it from being placed on the Hall of Fame, but this area of the film still warrants a good rating.
Acting Quality (2 points)
In the film’s beginning, the acting is a bit raw. Emotions seem forced at times, and some of the yelling and screaming gets annoying. It would have better if these performances were more subtle and natural, but as a whole, the acting does get better as the movie goes on. There are many good cast members with DJ and Josh Perry being standouts. In the end, this area justifies an above-average score, which rounds out another screenplay that could have been much more.
Lost Heart is another high-potential idea from the Collective Development team. However, like other projects, this one just doesn’t make the cut due to a handful of small yet avoidable errors. This committed group of creators has progressively improved since their former days, which is rare in this business. Nonetheless, they seem to have plateaued and need stronger narrative outlining to help push them across the finish line. Bringing better storytellers into their fold will help them to finally achieve the next level.
Longinus was raised by the Magi, but he never fully believed the stories they told of the Messiah as he rose through the ranks of the Roman army. he was at the pinnacle of his career, but an injury led to blindness, forcing him out of service. As he languished in darkness with a servant to guide his daily activities, he never dreamed that his life would be forever changed when he helped end a seemingly meaningless crucifixion of the One they called the King of the Jews.
Production Quality (2 points)
Over time, DJ Perry and his creative have definitely improved their production skills as The Christ Slayer demonstrates good camera work, effective camera angles, and professional video quality. The audio quality is also fine for the more part, and the soundtrack is culturally authentic. While the sets, locations, and props are great, the outdoor scenes are better since some of the indoor shots are a bit too dark and disorienting. Some of the editing could have been more consistent and understandable, but on the whole, this production is adequate and shows commitment to improving.
Plot and Storyline Quality (1.5 points)
The Quest Trilogy has taken many different turns, and at this point, the ending is better than the beginning. At its inception, some parts were hard to grasp and a bit too abstract, but the unique turn in The Christ Slayer definitely helped things. This is a unique extra-Biblical plot that gives a fresh perspective on the events surrounding the Crucifixion and the Resurrection, and it sports the typical abstractly creative concepts of the CDI team. The spiritual elements from Forty Nights and Chasing the Star are included in this third installment, but they are presented in more accessible fashions. Similarly, the psychological themes of The Christ Slayer are fairly well-utilized, and integration of Biblical accounts is creatively woven together with the main plot. There are a few drawbacks, however, that keep this plot from being all that it could be. For instance, there are quite a few slow scenes that tend to be too artistic such that the audience has trouble understanding them, and some of the characters’ dialogue is a bit archaic and drawn-out. There are some expository conversations that replace better character development, and sometimes, the Jesus character is a bit too ethereal and inaccessible, but as a whole, this is a fine Easter plot that demonstrates unique storytelling.
Acting Quality (1.5 points)
Probably the brightest spot of this film’s cast is the awesome idea to cast a special needs cast member in a role that doesn’t over-emphasize his condition. Treating him as a regular actor is a huge step forward for disability rights, so this creative team’s decision to do this shows a deeper care for inclusion in the arts. Elsewhere in this cast, some of the main cast members are good while some could use more efficient coaching to avoid being too theatrical and dramatic. As a whole, the acting is average, but it could have been better if emotions were more accessible. In the end, The Christ Slayer is a good end to the Quest Trilogy.
DJ Perry and company have a lot going for them, so it will be interesting to see how they will be able to collaborate with other talent in the future. Throughout their careers, they have only gotten better as they have adapted and changed, which is encouraging to see. Sometimes trilogies end worse than they begin, so since the Quest Trilogy has ended on a good note, this will hopefully be a springboard to better things in the future for CDI entertainment.