The Chosen, Season 2 (Series Review)

Producer of Bible-Based TV Show 'The Chosen' Shares S2 On-Set Update

Plot Summary

After Jesus launched his public earthly ministry and took it to the next level by going to Samaria, the disciples thought that everything would be easy for them. However, things don’t pan out the way that they expect as they struggle with group dynamics, dark pasts, and outside opposition. In the end, as Jesus prepares for a sermon that will take His ministry to the next level, the disciples have to come to terms with what their new life means and what the Messiah has come to truly accomplish.

Production Quality (2.5 points)

Many aspects of the production of Season 2 have greatly improved from Season 1, most notably the camera work, sets, and locations. However, for the most part, this talented team retained the authenticity and grittiness that was captured in Season 1 despite having more to work with. Camera work, video quality, and audio are all top-notch. Sets, locations, and props are realistic and culturally accurate. There are virtually no editing problems, so the only minor nitpick here is the fact that a few key moments are lacking the soundtrack that has come to be one of the core tenets of The Chosen. It’s unclear why this was the case, but it takes the wind out of the sails in certain circumstances. Nonetheless, this is another top-quality production that’s worthy of a high score.

Plot and Storyline Quality (2.5 points)

It’s undeniable that the writers of The Chosen put much effort into making sure that the narrative is engaging and as accurate as possible. Season 2 is full of relatable and deep character arcs that portray the human experience and progress in realistic ways. Dialogue and conversations are excellent although slightly lacking some of the philosophy that we grew to love in Season 1. In Season 2, we get to watch a plausible interpretation of how the disciples might have interacted and how outside groups like the Pharisees and Romans may have approached Jesus in His early earthly ministry. There’s no doubt that the creators took the storytelling of the series to the next level by building intrigue and backstory for the outside events that were likely surrounding Jesus’ earthly ministry. For the most part, all characters are depicted as nuanced and motivated by various factors rather than all good or all bad. Further, the world-building in this season is superb as the writers demonstrate firm commitment to exploring and portraying the first-century Jewish culture in which Jesus lived. The main contention in this section that prevents a perfect score is the somewhat disjointed ending to the season. Some leaps in logic are taken to force a certain point, and the core philosophy of the show is temporarily abandoned just so certain moments can happen. This conclusion seems out-of-place compared to the rest of the season, which is disappointing since it’s the last thing that is seen. Nonetheless, there is still plenty to celebrate in this season as this plot is still very high quality.

Acting Quality (2.5 points)

For the most part, The Chosen, Season 2 picks up right where the first season left off in the acting department. Sporting an extremely talented cast of culturally authentic members, the learned accents enhance the realistic experience. Nearly 95% of all performances are very strong, including emotions and line delivery in key moments. However, there are a few missteps that keep this section from being perfect. For instance, Noah James is expected to do a lot more than his acting range allows him to do, which is a drag. Other scenes are obviously one-takes due to extenuating circumstances, so this is an unfortunate fact. In the end, however, this section still receives a very high score due to loaded talent.

Continuity Quality (3 points)

The writers of The Chosen are clearly skilled in establishing setups and payoffs in their narratives. In Season 2, character arcs and storylines are also superb. No scene is wasted, and logical reasons are given for why things happen. As previously mentioned, the world-building of this series is unparalleled as the viewer is drawn into an authentic experience in first-century Judea. There are virtually no errors in this section.


The Chosen, Season 2 receives one x-factor point for attention to detail and making everything count. However, unlike the first season, this follow-up seasons does not receive the other x-factor point for rewatchability. It was evident during the lead-up to this season that Season 2 would be one that sets up many future events, and this assertion was definitely true. Set-up is necessary, but it doesn’t always produce rewatchability. Nonetheless, we respect what is being done here since it will hopefully make future seasons even better. One word of caution that we have to offer is that, much like Jesus’ ministry in the series is becoming more popular, as The Chosen increases in real-world popularity, especially among the Christian elite, the creative team will face an even more daunting task of avoiding the accidental creation of an echo chamber. We love The Chosen and everything that they are doing, and there were many enjoyable moments that make Season 2 worth your time (and land the season on the Hall of Fame). Because we care about The Chosen and the team behind it, we feel the need to offer a small warning about the future of this series: don’t let it go the way of all Christian projects. Stay committed to being different and doing what God wants you to do.

Final Rating: 11.5 out of 14 points

Romance in the Outfield: Double Play (Movie Review)

Review: Utah-made 'Romance in the Outfield: Double Play' strikes out in the  rom-com department — The Movie Cricket

Plot Summary

Kenzie and Tyler used to be in love, but after their falling out, they haven’t spoken for years. However, a string of coincidences has now thrown them back together, and they’ll have to decide what they’re going to do about it. Also, Tyler’s sister has her own relationship issues to sort out.

Production Quality (1.5 points)

For the most part, this film’s production is acceptable, including fine camera work and good video quality. Lighting is okay throughout, but there are some background echoes along with an inconsistent soundtrack. Sets, locations, and props are somewhat limited in scope, but the editing is at least average. As a result, these factors produce a run-of-the-mill score for this section.

Plot and Storyline Quality (0 points)

As a sequel to a movie that no one can remember, Romance in the Outfield: Double Play expects the viewers to understand what’s already happened in this narrative. However, this is poorly communicated, leaving the plot purposeless. It feels like every scene is constructed to happen just because the writers want them to, therefore producing blank characters with vanilla and cardboard dialogue. Lots of time is wasted on long and meaningless sequences that use the characters as pawns in a stupid romance agenda. Ridiculously fake conflicts fuel the romantic tug-of-war, and extremely convenient situations force strangers into baseless relationships with each other. The most absurd romance tropes are presented in the most infantile ways until the story mercifully ends, leaving the audience without anything substantial or useful. Thus, no points can be awarded here.

Acting Quality (1 point)

On the whole, the acting in this screenplay seems unsure although it’s not all bad. Oftentimes, line delivery is too muted, and the emotions are quite mechanical. With nothing truly dynamic yet some potential, only a point is warranted in this section.


Romance in the Outfield: Double Play is essentially a follow-up just for the sake of it. There was nothing in Pitching Love and Catching Faith that justified a sequel, especially when the sequel just rehashed the same narrative while still somehow leaving the audience mostly in the dark as to what the first installment was about. This failure was difficult to pull off, but this creative team did it effortlessly. In the end, a lack of effort is this film’s biggest downfall and the reason why it didn’t need to exist.

Final Rating: 2.5 out of 10 points

Pitching Love and Catching Faith {Romance in the Outfield} (Movie Review)

Plot Summary

Heather and Tyler meet on a softball field in the heat of a game and of course don’t like each other at first until they are randomly thrown together in a quirky relationship in which Tyler doesn’t want to kiss her until the right time.  Heather makes it her goal to kiss him, but she soon discovers that his faith is more important than she realized.


Production Quality (1.5 points)

As a freshman production, this confusingly-titled movie is pretty good.  Video quality is professional, as is the camera work, even though there is some unnecessarily poor lighting.  Audio quality is fine, but the soundtrack leaves something to be desired.  Sets, locations, and props are fine but slightly limited.  Finally, the editing is too amateurish, including very choppy cuts and transitions that make the viewing experience confusing.  But in the end, this is fine for a first-time effort.

Plot and Storyline Quality (0 points)

It seems like this film with the long title was pitched (haha) to Hallmark, UP, INSP, or even the abysmal ION in the hopes of a TV deal, but there were no home runs (lol).  It has all the trademarks of Hallmark cheesiness, including a cheap Christian message and the most juvenile romantic plot ever.  Every romance cliché and conversation in the book of stock romances is used in this film.  The plot progression is so predictable that it seems like someone wrote it in their sleep.  Their nothing new or creative here as two empty and cardboard characters are inevitably thrown together into a plastic romance full of forced drama, fake breakups, and an unhealthy obsession with kissing.  Maybe even Hallmark was tired of this.  Then again, maybe not.

Acting Quality (.5 point)

Though this cast is not all bad, it is a small cast, thus amplifying the errors.  Most cast members are very awkward and flat.  Many of them are unsure in their line delivery, while emotions are forced and stiff.  This is definitely not a good way to top off a textbook romance movie.


It seems like a Christian message was slapped onto this film just to sell it to a certain market.  There’s really no other reason why it should be considered Christian.  Regardless, there is nothing whatsoever creative about this movie.  Thus, there is zero justification for its creation as it clutters an already-crowded field and genre.  The last thing we need is more of these plastic romances.  But last time I checked Hallmark, there’s still plenty more to come.


Final Rating: 2 out of 10 points