Selfie Dad (June 2020)

Coming June 12, 2020 from Kappa Studios

Writer(s): Brad J. Silverman

Director(s): Brad J. Silverman

Producer(s): Michael Curlyo, Amy Hunter, Patrick G. Ingram, Karen Long, Paul L. Long, Mike Sullivan, Geno Taylor

Cast: Michael Jr., Chonda Pierce, James Denton, Karen Abercrombie, Jamie Grace, Johnny Pacar, Dahlia Waingort, Shelby Simmons, Jalon Christian, Shelley Dennis, Emily Tosta, Pat Finn, Charissa Saverio, Maurice Hall, Peter A. Hulne

Plot summary:

Spiraling uncontrollably into a mid-life crisis, Ben Marcus, a reality TV editor, is convinced he can only be happy by fulfilling his lost dream of being a comic. Ben posts his stand-up comedy to a YouTube channel, and the videos fall flat until his tweener son posts Ben failing miserably on a home improvement project. Much to his teenage daughter’s embarrassment, this video goes viral, launching Ben into a new career as Selfie Dad. Soon Ben is an award-winning, social media comic phenomenon! Problem is, no amount of success seems to bring Ben satisfaction. Through an odd relationship with studio IT guy Mickey, a brash 25-year old studying to be a pastor, Ben is unknowingly mentored into daily Bible reading. As Ben gets serious about the Word, his heart is forever changed.

Mountain Top [2017] (Movie Review)

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Plot Summary

Mike Andrews retired from his law career to follow what he thought was God’s call to be a pastor. However, that all changed when Muriel Miller came to his office to ask her to represent her eccentric husband who has gotten himself in trouble with the law due to his self-proclaimed spiritual gift of prophecy wherein he has visions of the future. Through a set of unusual circumstances, Mike agrees to represent Sam Miller pro bono, which sends the lawyer-pastor on a wild ride that he never expected to experience and that will forever change his life.

Production Quality (2.5 points)

Gary Wheeler and his team are well-known for their professional productions, and Mountain Top is no exception. There are virtually no concerns to note in this instance, which entails the use of effective camera work, high video and audio qualities, and well-utilized sets, locations, and props. The only minor nitpicks to note are the somewhat generic soundtrack and the minuscule editing issues that are mostly due to the expansive plot. However, this is an overall nearly perfect effort.

Plot and Storyline Quality (.5 point)

The Level Path creative team has always had the right idea of adapting Christian novels into films, and Robert Whitlow has wisely sought dramatizations of his books. However, it’s unclear whether or not Mountain Top was the best choice of source material. While the psychological elements that make up the core basis of the plot are interesting, they are also a bit over the top and far-fetched since one of the main characters claims to have many supernatural visions covering a wide range of topics and issues. There’s never been historical precedent for any Christian being able to receive so many special revelations in their lifetime. Besides this, the character receiving the dreams is basically perfect and inaccessible as a person. Additionally, the sheer number of characters in this storyline is overwhelming for the audience and makes for a choppy presentation. They crowd each other out and cause dialogue to be inadequate at developing who they are. The many interlocking subplots are difficult to effectively follow and are better suited for a series if this idea must be portrayed in entertainment. However, there are simply too many convenient turns and coincidences that push the narrative along as the writers seek to cover as much ground as possible while at the same time including wastefully slow sequences. Due to Whitlow’s legal expertise, this aspect of the plot is mostly realistic, and it’s commendable to explore the existence of miracles in the modern world, but Mountain Top treats God’s power like a magic charm, which causes its premise to be simply too unbelievable. There was some potential here, but it was squandered in pursuit of sensationalism.

Acting Quality (2 points)

It seems like Mountain Top endeavored to include nearly every recognizable Christian cast member in one film, and it’s not a bad thing to have experienced cast members. There are actually only a few acting concerns here and there, such as some bland moments, but the sheer number of actors and actresses may mask potential weaknesses. In the end, emotional and line deliveries are at least average, if not better, with only a handful of small issues. In the end, this rounds out a basically average offering.

Conclusion

Wheeler and his team have always been so close to the Hall of Fame, and they do many things the right way. Adapting Christian novels and being committed to professional productions and experienced casts are a winning model on paper. However, many of their films still lack meaningful connections with their audiences and require deeper and more meaningful purposes in order to be truly successful. Perhaps, in the coming days, the Level Path team will finally make a breakthrough.

Final Rating: 5 out of 10 points

Discarded Things (2020?)

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Movie Trailer: Discarded Things from Gerry Martin on Vimeo.

Currently in post-production from Earth Mother Entertainment

Writer(s): Karen Abercrombie, Tara Lynn Marcelle

Director(s): Tara Lynn Marcelle, Joanne Hock

Producer(s): Karen Abercrombie

Starring: Sharonne Lanier, Ian Grey, Alexandria Benford, Silvia Dionicio, Madison Bailey, Jemarcus Kilgore, Thomas Ford, Karen Abercrombie, Cameron Arnett

Plot summary: When the life of Grace Wyatt, an esteemed music professor, is disrupted by tragedy, she finds herself thrown out of her lavish academic world and into the harsh reality of teaching at-risk youth

Extraordinary [2017] (Movie Review)

Plot Summary

Dr. David Horton is known as a great professor in Lynchburg, and his ‘running’ class is extremely popular.  His reputation is that he helps all of his students by connecting with them on a personal level.  Dr. Horton is also a marathon enthusiast, but his passion often takes away his time from his family, which is something his wife greatly struggles with.  Much to her chagrin, David embarks on a dangerous cross-country marathon for two months, even though he is secretly battling health problems.  Will his health and their marriage survive the trek?

 

Production Quality (2 points)

Liberty University has all of the toys and resources an independent film maker could dream of, yet they consistently settle for just above average productions.  There’s no doubt that Extraordinary has some great cinematography, even if it’s mostly a collection of American landmark shots.  Nevertheless, camera work is excellent, and video quality is great.  Sets, locations, and props also make this production a mostly good experience.  Editing is standard, and on the surface, this is a well-produced film.  However, beneath the surface, there are some head-scratching inclusions, such as silly production gimmicks and weirdly bad special effects.  These elements are reminiscent of film school professors playing around to see what they can do with what they have.  However, most audiences will likely look past these issues and see the above-average production that it is.

Plot and Storyline Quality (.5 point)

Based on a true story, the Liberty University team had a lot to work with, even though they have struggled in the past with storylines.  However, in Extraordinary, the Curlee\Schultze team continued their issues with very thin and empty plots and characters.  Though this is based on real people, they clearly had no idea how to craft realistic characters as the story does not translate well at all.  The characters are empty due to dialogue that is full of title-dropping, pedestrian platitude-pushing, and repeated content.  Many scenes are basically filler with no substantial contribution to the overall plot.  There are one too many ‘funny’ scenes, and the majority of the movie is packed with musical montages and dramatic moments that have no meaning.  In the end, though the basic idea behind this story was great, the film version leaves the audience with no real focus or purpose as it tried so hard to drive the point home that it fell flat.

Acting Quality (1.5 points)

Acting coaching and casting is another area the Curlee\Schultze team struggles in, which is a shame since they claim to be prodigies of the Kendricks.  The lead actor of this film is particularly weak and awkward, and several supporting cast members are annoying.  Kirk Cameron is beyond obnoxious, and Shari Rigby struggles without better directing.  However, there are enough good areas here to make this section at least average; one has to consider that this cast didn’t have many substantial lines to work with.  Nonetheless, the Liberty University team continues to disappoint.

Conclusion

Scotty Curlee and Stephan Schultze have the film world at their fingertips, yet they constantly settle for half-measure and expect you to deal with it because at least it’s a Christian movie or something.  Unfortunately, they are consistently wasting the time and money of Christian audiences as all of their marketing is for nothing but a quick cash grab.  Extraordinary is another example of a squandered opportunity because Curlee and Schultze refuse to retain a truly talented screenwriter (like Sean Morgan) and have demonstrated time and again their lack of regard for improvement.  Now we can just wait with bated breath for their upcoming Trump film.

 

Final Rating: 4 out of 10 points

 

My Name is Paul [2013] (Movie Review)

Plot Summary

What if the story of the Apostle Paul took place in the near future, when the government cracks down on religious freedom and forces the true Christians underground?  Paul seeks out Christians to bring into custody to further his status among the government, but a profound experience causes him to turn around and change his ways by joined the very people he once tried to stamp out.  Now he is on the run from his former employers and the Christians are wary about trusting him.  Will the Way be able to prevail in the face of grave opposition?

 

Production Quality (2 points)

It is clear that many attempts were made in this film to craft a very professional action-based production, which is something we rarely see in Christian film these days.  Video quality is what it should be and camera work is great, especially in the action scenes.  Audio quality is mostly good and the soundtrack is intriguing.  However, sometimes there are some oddly lit scenes, as if the producers are trying to be too artistic, and the indoor sets sometimes suffer from lack of creativity.  Yet the outdoor locations are very well-constructed.  The editing sometimes leaves something to be desired, as some scenes lag too long while others are cut short.  But in the end, this is a commendable effort and one that will hopefully yield even better fruit in the future.

Plot and Storyline Quality (1 point)

It’s definitely not easy to take on such a large Bible-story-set-in-the-future concept, especially with all of the characters that are involved.  Sometimes it’s too awkward for the writers to try to force parallels; it might have been better to keep the associations looser.  However, there is still lots of good plot content—perhaps too much content for a film less than two hours long.  This is a highly complex story that sometimes gets lost in itself and may have been better suited for a miniseries, since there are a lot of ideas crammed into such a short time frame.  This is a good problem to have, yet it leaves too many disjointed subplots in its wake.  The characters are pretty good, even if they are limited in scope.  The biggest red flag to raise here is the very confusing and isolating ending that is hard to explain or understand.  In the end, this story desperately needed to be a series in order to be truly effective.

Acting Quality (3 points)

The casting and acting is clearly the strongest point of this film, as there are no errors to speak of.  This is a very large cast, yet they are all very talented and cast very appropriately.  Emotions are believable and line delivery is on target.  The cast members make this film as good as it is.

Conclusion

We realize it’s hard to make an independent series or miniseries, but with the PureFlix on Demand platform, things have been made easier.  More budding film makers need to take advantage of this resource to boost their brand so that we can see some actually worthwhile Christian series come to light.  Regardless, with some production tweaks, more funding, and continued casting success, this creative team is going to go big places.

 

Final Rating: 6 out of 10 points

 

2016 Box Office Revolution Awards

Every year, movies are released and cast members show off their talents.  Writers and directors showcase their creativity.  Films are separated into roughly three groups: the truly talented, the potentially great, and the others.  At Box Office Revolution, we believe it is our prerogative to annually recognize those movie makers and players who have the ability to bring revolution to Christian entertainment.

 

Reader’s Choice Movie of the Year: Providence

Runners-up: God’s Not Dead 2, Priceless, Risen

 

Staff Choice Movie of the Year: Priceless

Runners-up: I’m Not Ashamed, Risen, Heaven Bound, The Matchbreaker

 

Staff Choice Actor of the Year: Joel Smallbone

Runners-up: Joseph Fiennes (Risen), Danny Vinson (Heaven Bound), Michael Joiner (Heaven Bound), Wesley Elder (The Matchbreaker)

 

 

Staff Choice Actress of the Year: Masey McLain

Runners-up: Bianca Santos (Priceless), Christina Grimmie (The Matchbreaker), Nancy Stafford (Heaven Bound), Karen Abercrombie (God’s Compass)

 

Staff Choice Director of the Year: Kevin Reynolds (Risen)

Runners-up: Ben Smallbone (Priceless), Adam Drake\Torry Martin (Heaven Bound), Wesley Elder\Torry Martin (The Matchbreaker)

 

Staff Choice Writers of the Year: Marshal Younger\Torry Martin (Heaven Bound\The Matchbreaker)

Runners-up: Chris Dowling\Tyler Poelle (Priceless), Kevin Reynolds\Paul Aiello (Risen), Rene Gutteridge (Heaven Bound), Wesley Elder (The Matchbreaker)

 

Staff Choice Soundtrack of the Year: Priceless

Runners-up: Risen, Heaven Bound, The Matchbreaker

2015 Box Office Revolution Awards

Every year, movies are released and cast members show off their talents.  Writers and directors showcase their creativity.  Films are separated into roughly three groups: the truly talented, the potentially great, and the others.  At Box Office Revolution, we believe it is our prerogative to annually recognize those movie makers and players who have the ability to bring revolution to Christian entertainment.

 

Reader’s Choice Movie of the Year: War Room

Runners-up: Woodlawn, Beyond the Mask, Old-Fashioned

 

Staff Choice Movie of the Year: Woodlawn

Runners-up: War Room, Old-Fashioned, Beyond the Mask

 

Staff Choice Actor of the Year: Caleb Castille (Woodlawn)

Runners-up: T. C. Stallings (War Room), Sean Astin (Woodlawn), Andrew Cheney (Beyond the Mask), Rik Swartzwelder (Old-Fashioned), Nic Bishop (Woodlawn)

 

Staff Choice Actress of the Year: Priscilla Shirer (War Room)

Runners-up: Karen Abercrombie (War Room), Kara Killmer (Beyond the Mask), Elizabeth Roberts (Old-Fashioned)

 

Staff Choice Directors of the Year: Andrew Erwin\Jon Erwin (Woodlawn)

Runners-up: Chad Burns (Beyond the Mask), Rik Swartzwelder (Old-Fashioned), Alex Kendrick (War Room)

 

Staff Choice Writers of the Year: Paul McCusker\Stephen Kendrick\Brennon Smith\Aaron Burns\Chad Burns (Beyond the Mask)

Runners-up: Rik Swartzwelder (Old-Fashioned), Jon Erwin\Todd Geralds\Quinton Peeples\Mark Schlabach (Woodlawn), Alex Kendrick\Stephen Kendrick (War Room)

 

Staff Choice Soundtrack of the Year: Woodlawn

Runners-up: War Room, Old-Fashioned, Beyond the Mask

God’s Compass (Movie Review)

Plot Summary

As Suzanne Waters is giving her official retirement address from her position as a school principal, something happens that night that alters the path of her life and the path of her family.  Her daughter-in-law does into labor while en route back home and is saved by a would-be car thief.  Suzanne’s busy son, an ER doctor, has allowed himself to become swamped with work so much that he barely has time to care for his wife.  Everything changes for them when their baby is born with a potentially life-threatening condition.  As Suzanne tries to support her son and daughter-in-law, she also seeks out the now-arrested criminal who saved the life of her grandson.  Through God’s leading, she does the unthinkable and takes a huge step of faith that changes her life forever.

 

Production Quality (2 points)

Having good quality production elements was obviously a key focus of new filmmakers Stephan Schultze and Scott Curlee.  They used their somewhat limited resources wisely and focused on amplifying their strengths.  The video quality is fairly good throughout, as is the sound quality.  The camera angles are sometimes artistically enhancing and sometimes a bit odd and confusing.  There is some obvious CGI throughout, but it is not completely negative.  The soundtrack is very frustrating because it is sometimes very good and other times non-existent; it needed to be more consistent.  The sets and locations are simple yet realistic.  The editing is good considering the small scope of the plot.  Overall, this is an average production, but it’s really good for a freshman voyage.  Schultze and Curlee stuck to the basics and didn’t get too crazy, which is the most you can ask from new filmmakers.

Plot and Storyline Quality (1.5 points)

As previously mentioned, the plot is small in scope and little bit too simplistic.  But there is also a creative element that underlines the story and is revealed through creative flashbacks.  Without these flashbacks, the story would be very drab.  Psychological elements such as these should be used more in Christian film, since they make the movie more than what it would have been in their absence.  The characters are few in number, but they are mostly well developed.  We would have liked to see a little more development since there aren’t very many, but they are adequate as they are.  The dialogue is simple yet believable.  There is only one minor twist in the plot, but everything that happens to the characters is very down to earth and accessible by all audiences.  The purpose behind the plot is clearly communicated without being too obvious—the same goes for the Christian message.  In the end, going with a simple plot to begin with is a good idea so you don’t get too far ahead of yourself.  We realize that complexity comes with time and experience, and we also know that God’s Compass will still be popular as it is in many Christian circles.

Acting Quality (2.5 points)

Having a solid cast in a rookie film is key.  Schultze and Curlee accomplished this.  Though it is small in size, they carry the movie on their shoulders.  Karen Abercrombie and T. C. Stallings remain to be solid cast members.  Jazelle Foster and Joey Ibanez show a lot of potential for the future.  Line delivery and emotional delivery are professional throughout.  The major drawback to this cast is Erin Bethea, as she is awkwardly inserted into the cast for no particular reason or function.  Also, Robert Amaya seems downplayed; it seems like he could have had a larger role.  Otherwise, this is a great casting job.

Conclusion

God’s Compass is a solid beginning to a promising film career.  ‘Solid’ is a word that can easily define this film.  It takes time and experience to make a groundbreaking film, especially when the budget is limited.  Schultze and Curlee did the right thing with a direct to DVD release and they made the right waves in the right places with Compass.  With more creativity coming down the pipe from Liberty University’s film department, we heartily expect even greater things in the future.

 

Final Rating: 5.5 out of 10 points

War Room (Movie Review)

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Plot Summary

Elizabeth Jordan, on the surface, has an ideal life—a good job, an expensive house, a husband with a high salary, and a nice daughter.  However, something isn’t right, something is just missing.  She can’t really seem to get along with her husband anymore, he seems distant and preoccupied with other women, and she barely knows her daughter anymore.  Everything changes for Elizabeth when she meets her new realty client, Miss Clara.  Miss Clara subtlety pricks into Elizabeth’s personal life just enough to make Elizabeth interested in finding out what Miss Clara’s secret to happiness is.  After talking long enough, Elizabeth discovers that her life is not alright and that Miss Clara’s secret weapon is worth a try.  The secret weapon?  A war room, or a prayer closet.  Miss Clara teaches Elizabeth to fight for herself and for her family on her knees so that God can fight for her rather than her fighting for herself.  Little did they know that the battle had only begun.

 

Production Quality (3 points)

In the same vein as Courageous, the production quality of War Room is high.  Despite this being the first Kendrick movie away from Sherwood Baptist Church, nothing in the area of production quality changed between Courageous and War Room.  While there are no real action scenes in War Room, the diversity of sets is still present.  The soundtrack fits into the film neatly.  The editing and the production give the movie a close to home feel, which seems to be what the creators were going for.  In short, this is business as usual for the Kendricks.

Plot and Storyline Quality (2 points)

The plot of War Room follows a typical non-linear Kendrick plot with minor twists and turns—one that defies conventional plot structure.  In the beginning, the plot depicts realistic struggles of accessible characters paired with a clear Christian message, which is a hallmark of the Kendrick brand.  Dialogue is mostly effective in building character motive and driving character arcs, and the message is obviously a powerful one, but there is a point where the storyline of this film overstays its welcome through multiple moments that seem like the end and through stop-and-start sequences that lag on a bit too long with the purpose of driving home how the characters have become seemingly perfect.  Thus, while there is plenty of good in this plot and while there is no doubt of the film’s success, we needed a bit more realism in the arcs of the characters.  However, the message of War Room is still worthwhile.

Acting Quality (2.5 points)

In the first movie away from the Sherwood acting pool, there are no concerns here.  The actors behave just as all actors do under the tutelage of a Kendrick movie crew.  The delivery of lines is solid and the emotions are believable.  This type of movie is heavily dependent on the acting quality, and they did not disappoint.  A continued under-appreciated aspect of Kendrick films is their commitment to diversity of casting.  This is huge, since Christian movies should be better than mainstream movies.

Conclusion

The Kendricks have a brand, and they are sticking with it.  War Room feels like a redux of Fireproof with better cast members and a less textbook message, but the up-and-down career of the Kendricks continues in this rendition.  They know their audience, they have the marketing skills down, and they have the name recognition to basically do whatever they want from here on out and still have box office success.  War Room takes another spot on the Hall of Fame, but we have to wonder if the Kendricks will branch out in their post-Sherwood career or if they will continue to churn out more high-quality but safe films.  We are banking on the latter, but we will be looking for them to do something more creative in their next film.

 

Final Rating: 7.5 out of 10 points