The Bible Epic Miniseries: New Testament (Series Review)

Plot Summary

After being exiled and invaded time and again, the nation of Israel longed for the long-awaited Messiah Who would save them from their troubles.  Yet when the Messiah appeared, few even acknowledged His coming and some tried to thwart His birth.  As Jesus grew, He began His earthly ministry, choosing His followers from the least expected places.  Even still, many ignored His deity and others tried to undermine His work.  But He loved every person equally and demonstrated His power through miracles and authoritative teaching.  In the end, Jesus gave Himself up, taking on the sins of the world and dying with them so that the price would be paid for all who would accept it.  After raising from the dead, Jesus instilled new hope in His followers and commanded them to take the message to the ends of the earth.  Today, we still feel the effects of His earthly ministry as we have the great privilege to take part in His continuing work.

 

Production Quality (1.5 points)

For the most part, money is once again well spent when it comes to production in The Bible New Testament episodes.  Sets and locations are mostly authentic and costuming is historically realistic.  The surroundings are overall a plus, setting new standards for Bible entertainment.  The camera work is excellent in all aspects.  The musical score is pretty good, but there are some unnecessary sound effects throughout.  CGI is overused to cut corners.  But the biggest detractor of this series’ production is the editing.  This aspect does not improve in the New Testament, and is actually worse since less time is covered.  Even when the show finally sticks with the same cast of characters and surroundings, the editing is just as choppy as before.  Mark Burnett and company put on a good show on the surface, but this series’ beauty is only skin deep.

Plot and Storyline Quality (1 point)

The final six episodes of The Bible are painful to watch.  As previously discussed in Son of God, there are many glaring errors.  The characters are lofty and inaccessible—dialogue is wasted and seems robotic.  Huge creative license is taken to the point of inserting useless historical events in order to fill time.  Rather than develop the characters, sensationalism and violence eat away at the runtime.  Jesus is portrayed as a lofty zen master who disturbingly becomes surprised when things happen or when he ‘sees’ something that’s going to happen.  The disciples are like cardboard cutouts, even beyond the scope of Jesus’ earthly ministry.  I’m all for highlighting the role of women in Jesus’ earthly ministry, but Mary Magdalene is given far too much screen time, stealing lines from the disciples and defying historic events.  We don’t even get to hear or see her backstory—she just appears as some kind of repeater for Jesus.  Other historical inaccuracies crop up as well, including altered versions of Biblical accounts.  As mentioned in Son of God, this entire series was written for a few well-crafted scenes, including the calling of Levi\Matthew, the adulterous woman being brought to Jesus, and the torture\crucifixion sequence that holds elements very similar to that of The Passion of the Christ.  The final episode is perhaps the most painful as viewers are strapped in for a maddening ride through the rest of the New Testament, hopping from one high point to another in a matter of minutes.  To reiterate, with less historical scope to cover in the same amount of time as the Old Testament, the New Testament episodes should have been better—they were actually worse.  It all makes for a disappointing end to a series that otherwise had a great idea.

Acting Quality (1 point)

The acting quality also significantly diminishes in the New Testament, while keeping up with previous errors, such as the cardinal sin of Bible entertainment once again—the overuse of British and Caucasian actors and actresses.  Line delivery is lazy throughout the New Testament and real emotions are either nonexistent or over the top.  Actors and actresses are given more screen time in the New Testament, but it doesn’t help.  Coaching was definitely needed.

Continuity Quality (1.5 points)

The overall continuity of the New Testament is slightly more seamless than the Old Testament, but it still fails to deliver a driving purpose to the audience.  Overarching first century Judaic themes exist, such as the anticipation of the Messiah, the Roman oppression, and the religious system, but there is little else noticeable.  What is missing is the connection of Jesus to prophecy and Old Testament events, and the theme of forgiveness of sins only through Him.  Jesus is portrayed more as a community organizer disrupting a religious system than the Son of God.

Conclusion

As The Bible came to a close, a lot of things were left undone.  Millions of Americans watched this series, and we can’t help but feel that they were cheated of knowing what the real Bible truly contains.  Besides the gritty feel of the series, there is little that can cause viewers to feel connected to the characters and the struggles they went through.  If there ever was a time that Americans (including those who claim the name of Christ) needed to know what is actually in the Bible and how real it actually is, it is now.  The Bible promised to do this, but it did not deliver.  It’s no wonder that co-producer Roma Downey said afterward that they weren’t concerned with historical accuracy as much as they were concerned with making an emotional connection.  Yet in this ill-advised quest, true emotional connection was never made because viewers are still left wondering if they can ever be like those seemingly inaccessible characters from Bible times.  The people of the Bible were just like the people of today, yet Burnett and Downey portrayed them otherwise.  In doing so, their mission failed.

 

Final Rating: 5 out of 14 points

 

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The Bible Epic Miniseries: Old Testament (Series Review)

Plot Summary

In the beginning, God created the heavens and the earth.  He created everything, including humans.  But humans sinned against him and rejected His plan for them over and over again.  Yet despite human rebellion, God still had a plan to redeem mankind, and this plan was to be fulfilled through the nation of Israel, the descendants of Abraham.  But when the Israelites continued to disobey Him, He punished them and sent them into exile and captivity.  Nevertheless, God’s plan for humanity marched forward as those who loved Him awaited the coming of His promised Messiah, the One Who would save them all.

 

Production Quality (2 points)

Production is definitely the strongest point of The Bible.  With a strong budget, almost everything was left on the field—almost.  Camera work is excellent, including the video quality.  The sound quality is great and the musical score is compelling.  Everything about this miniseries was intended to be epic and dramatic, and production-wise, this is mostly accomplished.  Yet there are still concerns.  Special effects are overused and CGI usage is too obvious.  The editing is the biggest error that plagues this series.  From the beginning, Mark Burnett and company likely bit off more than they could chew.  Some episodes are edited within themselves better than others, but most of them are far too choppy for anyone to truly grasp what needs to be grasped.  As a ‘season’, the Old Testament is a roller coaster of plot and character confusion, as will be discussed next.  In short, big money requires big results, and things just did not measure up in the Old Testament.

Plot and Storyline Quality (1 point)

The Bible began with a great idea: telling a wide audience the main message of the Bible.  However, the message is lost somewhere among magnified violence, historical inaccuracies, ninja angels, inaccessible characters, hasty dialogue, and a long, winding labyrinth of time than attempts to span thousands of years in just six hours of television time.  The audience is tossed from one high point to the next without being able to appreciate the characters or even understand what actually happened in the Bible.  Just as one character is introduced, they are dispensed as time races forward to another popular story.  Narration and location titles attempt to bridge gaps of time, but it just comes off as lazy.  As previously mentioned, the characters look like real people, but they don’t act or talk like it.  Dialogue is swept along in a maddening tide of events and excessive violence.  The only positives that can be brought up here are the central concept of the series—bringing the Bible to life—and the fact that Biblical events are portrayed as real historical events, not interesting and fluffy ideas from kid’s books.  Yet plenty of historical license was taken with the plot in order to make it suit runtime.  Throughout the series, meaningful spiritual messages are stripped away and replaced with humanistic ideas that seem to indicate that stuff just happened without any real working of God.  In the end, in trying to do everything, not much was actually accomplished.  Cramming more than half of the Bible into roughly six hours was never a good idea.

Acting Quality (1.5 points)

As usual, The Bible commits the cardinal sin of Bible entertainment: British actors and actresses.  A few here and there is one thing—it’s hard to have a fully authentic cast—but when nearly every character is so obviously Caucasian, it gets silly.  For the most part, the acting is pretty good.  Some actors and actresses are better than others, and frankly, some of them barely get a chance to do anything.  But overall, the acting can’t be considered as anything more than average.

Continuity Quality (1 point)

The Old Testament already has a continuous theme and driving purpose, yet this was not adapted in the miniseries.  Each episode seems largely isolated from the others, like the events before Christ were just unconnected and random.  However, there is some mention of continuity, such as the nation of Israel and promise of the Messiah, that saves this section from being zero.  But we expect much more than this from a historical narrative that is already laid out.

Conclusion

The Bible is just another prime example of what could have been.  The money was there, but with such funding and a spot on a national network comes compromise, unfortunately.  However, one good thing does come out of this miniseries: it hopefully shows someone that the Bible is real and gritty, not a collection of nice stories that happened a long time ago.  Burnett definitely set the standard for realism in Bible entertainment.  Hopefully there is now no turning back from this point.  The Bible was a cultural phenomenon for a time, but it is hard to discern what its true legacy will be.  Had a more meaningful message been adapted, lasting good could have been accomplished.  Yet it is left as a below average series that could have been better.

 

Final Rating: 5.5 out of 14 points