Natalie McClay is a selfish businesswoman who wants what she wants when she wants it. However, when her high-dollar lifestyle demands that she get a roommate to share her rent, she has no idea what to expect. When Iris walks into her apartment, Natalie’s whole world is turned upside down. Natalie tries to do everything she can to discredit the eccentric new optimist in her life, the harder she tries, the more her friends like Iris. However, when Natalie goes too far with her mistreatment of her quirky roommate, there are far-reaching consequences, more than Natalie could have imagined.
Production Quality (2 points)
It’s clear that Laughing at the Moon had an adequate budget since the production is quite good, including great video quality and professional camera work with an artistic touch. Similarly, the audio quality and soundtrack are fine, and sets, locations, and props are well-used and well-constructed. At times, the editing is passable, but other times, it’s a bit choppy as some scenes cut off without warning, which suggests that there was a lot more content than they had space for. Also, there are some slight continuity errors between some scene, which seems like an unforced error. However, in the end, this is an above-average production that lays a good foundation for the future.
Plot and Storyline Quality (1.5 points)
Laughing at the Moon makes some good attempts at comedy that’s actually funny at times, but sometimes, it’s awkwardly forced, and there tends to be a bit too much quirkiness in some scenes. One of the best thing about this plot is its focus on the human tendency to convince oneself of one’s own superiority over others, especially those who do not fit into societal molds, and this is definitely a story that needs to be told, even if this version is a little (purposely) offbeat at times. The characters are pretty good, but they are hampered by mentions of off-screen content, which lends further credence to the possibility of a quick editing job that chopped out important scenes due to too much original content. Even still, the use of flashbacks throughout the narrative is very effective to establish one of the main characters’ traumatic memories, yet sometimes, it feels like a lot of the scenes are randomly strung together and loosely connected with musical montages that tend to waste time. However, the dialogue in the middle of the plot is pretty good at establishing some believable characters, and there are some very timely themes explored, such as being fake vs being authentic. None of the characters are perfect and each has their own unique flaws. One other weakness of the storyline is the somewhat steep character arcs that occur due to the slightly rushed ending, but there’s a very good point at the end that is worth watching. In the end, Laughing at the Moon is a mixed bag that is pretty good in and of itself; it also shows great potential for future projects.
Acting Quality (2 points)
For the most part, the cast members of Laughing at the Moon naturally and easily assume their respective roles. While emotions can be a bit overstated at times, they are mostly fine, and line delivery as a whole is on point. As a side note, this is one of Erin Bethea’s best roles to date. In summary, this is an above-average acting job that rounds out an above-average film.
This movie boasts a very good idea that’s presented in a fresh way, and the main thing holding it back from the Hall of Fame is its choppy presentation. Thus, Laughing at the Moon deserves some level of remake whether it be a new film about similar concepts or a series format for the original film because this creative team may be better at making Christian series. Either way, it should be interesting to see what this team produces next.
Final Rating: 5.5 out of 10 points