Movie Renovation: Wildflower

See original review here.


Production Improvements

Much like other movies that need renovations, Wildflower has a very professional production.  As expected, the only issue that needs improvement here is the editing, as it is quite choppy.  However, this is related to the plot, so if this had been rectified, the production would have been nearly perfect.

Plot and Storyline Improvements

Wildflower is one of the most frustrating plots to witness.  It is billed as a unique psychological thriller, and at first, it seems like it has a lot of potential.  However, the more it goes on, the more disappointing it becomes due to narration and overly obvious elements.  The mystery factors and intended elements of surprise are crippled by the poor presentation of the story.  It tries to become too complicated and involved without properly developing the characters or even what the psychological concept behind this plot is trying to convey or model.  For example, the flashbacks\dreams of the protagonist are intriguing, but what about other elements of trauma?  In a similar vein, the antagonist of the story is too obvious, and the scope of the psychological elements are too limited.  Also, the artistic elements of this film are creative and interesting, but there are times when the plot gets lost in them.  This plot could have been greatly improved with a more well-charted psychological journey without narration, in order to preserve the element of surprise in the plot twists.  A more pertinent study of the effects of trauma and causes of dissociation would have made this movie a lot more realistic.  Of course, allowing the characters to develop naturally through substantial dialogue and flashbacks is always a must in a psychological plot.  Finally, the actions and motivations of the characters need to be better explained without so much reliance on coincidences and vague ideas.  There was tons of potential here; it just needed to be better developed.

Acting Improvements

For the most part, this cast was very professional, even with a fairly difficult script to work with.  Much like the plot affecting the editing, improving some of the dialogue would have likely improved some of the lines that the cast members didn’t have much to work with.  However, there were some underwhelming moments that could have been improved, as well as some overly dramatic sequences.


We absolutely need more psychological thrillers in Christian film, but they need to be well-constructed, well-thought-out, and well-researched.  Trauma and dissociation are great topics to explore, but they need to be grounded in reality and not vaguely presented.  Also, narration rarely helps a movie, and the motivations of characters need to be demonstrated through deep dialogue and engaging flashbacks.  Moreover, we believe that Nicholas DiBella has tons of potential as a film maker and will continue to improve in his career.



Wildflower [2016] (Movie Review)

Plot Summary

Chloe has a dark secret that haunts her, but she doesn’t quite know what it is.  She is plagued by nightmares and flashbacks of something that lurks below her consciousness, but she cannot quantify it.  She also does not want to talk to anyone about it except her trusted friend Rebecca.  Chloe has pushed everyone away, including her mother.  But when she is faced with something she cannot reconcile, she will have to reach out to someone before it’s too late.

Production Quality (2.5 points)

The Faith Street Films team has consistently shown a commitment to quality productions—this is evident again in Wildflower.  Camera work is professional, as is video quality.  Audio quality is error-free and the soundtrack is superb and enhances the experience.  Sets and locations are good as well.  The only problem to point out here is editing.  Some scenes are unnecessarily long while others are cut too short.  As will be discussed next, too much of the same thing happens.  But overall, this is a great production that shows great promise.

Plot and Storyline Quality (1 point)

Wildflower is a much-needed Christian psychological thriller, but it’s extremely frustrating to watch, knowing all that could have been.  For starters, the heavy-handed narration throughout doesn’t allow the plot to develop naturally.  Great issues are raised here, but the characters are stunted by too much narration and not enough dialogue.  Though there are excellent psychological elements and flashbacks, the plot is based too much on coincidences.  Overall, we know that the creators mean well and is was great to try something different, but without deeper development, the storyline and its characters are left only halfway finished.  We would love to see this concept remade in some way.

Acting Quality (2 points)

Though this cast is relatively small, they do a fairly good job pulling this off.  They are mostly believable, but there are some underwhelming performances that seem to hold this film back from being all that it could be.  Emotions are mostly realistic, but there are some overdone elements that distract from the story.  In short, this is an above-average effort that had the ability to be better.


It is always disappointing to see a downgrade from Hall of Fame, especially since King’s Faith was enjoyable.  We love psychological thrillers, but Wildflower left us wanting for more.  The issues portrayed in this film are important and need to be discussed, we fear the way they are packaged in this film will turn people off.  We sincerely wish this plot could be reworked so that it could reach its full greatness.  Nonetheless, Nicholas DiBella and his team are certainly talented and we can’t wait to see what they have planned next.


Final Rating: 5.5 out of 10 points


Full disclosure: We were provided by the creator with a copy of this film in exchange for a fair and honest review


The Book of Daniel [2013] (Movie Review)

Plot Summary

Taken from their cherished hometown Jerusalem as young men, Daniel and his three friends must learn to navigate their new culture, Babylon, without compromising their Jewish faith.  Even when it appears as though all hope is lost, Yahweh continues to give Daniel and his friends opportunities to influence their own captors for the better.  As Daniel’s life progressed, he was given more and more chances to influence world politics by simply serving and obeying Yahweh.  The life of Daniel is one that can be modeled by Christians of all generations and cultures.


Production Quality (.5 point)

Unfortunately, The Book of Daniel falls into the infamous Biblical film traps when it comes to production.  The sets and costuming scream church play and demonstrate a severely limited budget combined with lack of attention to historical authenticity.  There are no outside sequences, except for one, that are not replaced with extremely obvious CGI.  There are also some annoying special effects.  For what it’s worth, the camera work is not horrible and the editing is passable, even though the story is very choppy.  In summary, PureFlix Bible productions leave much to be desired.

Plot and Storyline Quality (.5 point)

It is commendable to cover all the stories in the Biblical book of Daniel in one movie and to transpose it with Daniel’s God-given influence over historical monarchs.  But in this pursuit, the viewer gets lost in a very disjointed storyline.  There is simply too much content and not enough character development.  We at Box Office Revolution continually wonder why Biblical characters always have to be portrayed in the movies as inhuman and lofty—they were regular people!  The dialogue of The Book of Daniel also reminds one of a poorly written church play, very robotic.  The bottom line is that while there was a mountain of potential to be found in this sort of plot, it was never unearthed.  We are only left with a pathetic attempt.

Acting Quality (1 point)

While the acting is not glaringly bad, it is overly theatrical and overly practiced.  There are little to no emotions expressed.  Again, it gives off the impression that Bible characters were not real people, but like talking wax figures.  We believe that if these actors had been afforded better lines and better coaching, something more could have materialized.  But alas, we are once again left wondering what could have been.


Bible movies need to be made, but not like this.  So many audiences need to know what is in the Bible, but films like The Book of Daniel only serve to further turn people off, making them think that the Scriptures are boring and full of inaccessible characters we can’t relate to and fantastical events that will never happen again.  The truth is, nothing could be more of a lie.  The Bible has many historical and realistic narratives full of flawed and believable characters that need to be depicted on the big screen properly.  We look forward to the day when this will happen.


Final Rating: 2 out of 10 points