The Green Grass (Movie Review)

Plot Summary

Shawn is a successful businessman, but his family is coming apart at the seams. He doesn’t even know his wife and children anymore, and he doesn’t even know how close he is to losing it all. While Shawn is chasing after the next big thing, will he forfeit his faith and family, or will he come back to God before it’s too late?

Production Quality (1 point)

Between loud background noises, echoes, and overdriven audio, this production leaves much to be desired. There is also barely any soundtrack. Camera work, video quality, and lighting are acceptable, as are the sets, locations, and props. However, at times, there are some tight shots that cut things off, and the editing is very choppy, including awkward cuts, poor transitions, and continuity errors between scenes. As a whole, this production gets worse as it goes, which leads to a low score.

Plot and Storyline Quality (0 points)

From the beginning, awkward narration is forced upon the viewer. There are also too many characters to focus on such that it’s unclear who the protagonist is. The narrative consists of random scenes about unrelated events, and there are no obvious themes other than a fixation on edgy content. Although realistic, the situations that characters find themselves in could be more tastefully presented. Dialogue is very robotic, and the plot is full of loose ends and tangential ideas that have no organization or purpose. There are too many ridiculously dramatic scenes where everybody shows up to reveal secrets like a soap opera, and constant emotional turmoil wears on the audience. Despite the characters’ imperfections, they need a lot of development. Near the end, all characters suddenly become instantly good for no good reason at all, and problems are easily solved without realistic consequences. As such, the character arcs are extremely steep. Though the Christian message is restrained at first, this quickly devolves into really obvious conversations that spoon-feed lessons to the viewers. Due to all these concerns, no points can be awarded here.

Acting Quality (1 point)

The acting of The Green Grass is incredibly stilted and wooden. Most of the scenes are overly rehearsed. Emotions are cardboard, and line delivery is mechanical. There are also instances of extreme yelling and screaming. Though some cast members are okay, this isn’t enough to prevent a low score for this section.

Conclusion

There’s really no point in making a film like The Green Grass. Between poor production quality, a plot with no potential, and low-quality acting, there was really no reason for this screenplay to be made. The only hope is that movies like this are no longer made in the future.

Final Rating: 2 out of 10 points

August 17, 2021 by Box Office Revolutionary Categories: Drama, Movie ReviewsTags: 2 points, 2019, Andrew Dozier, Aris Rogers II, Ben Woods, Christina Garza, Deon Gibson, Drama, Emily Pedone, Jorge Diaz, Kibwe Dorsey, Kris King, Lee Lee Lapointe, Machela Boone, Marc De Stefano, Mary Leonard, Matthew Williams, Renard Edwards, Stephanie D. Sanders, Stephen Richardson, Terri Blakney Beach, Tiffany Q. Edwards, Yavette Green Leave a comment

Grace of the Father (Movie Review)

Plot Summary

When a family’s mother dies, the father decides to move with his kids back to his wife’s birthplace. Tired of being under the thumb of a ruthless land owner, they want to have a farm of their own like the mother always wanted. However, the adopted son doesn’t want to live their new life and promptly leaves when he’s old enough. Will he come to his senses and return to the family who loves him?

Production Quality (1 point)

Despite acceptable camera work and video quality, the lighting in this production is inconsistent, including some dark indoor scenes and weird soft light in random places. Audio quality is all over the place due to poor microphones, background echoes, loud background sounds, and a generic soundtrack. Special effects are very cheap, and production elements, such as sets, locations, and props, don’t adequately portray what they’re supposed to represent. Nonetheless, some slight production improvement in the film’s second half is enough to earn a point for this section.

Plot and Storyline Quality (.5 point)

Although the characters in Grace of the Father are slightly realistic at times, they mostly tend to be stereotypical due to obvious dialogue and circular conversations. The perfect Christians have unrealistic responses to tragedies and seem unaffected by a key family death, choosing to rely on mindless platitudes and exhibit random emotional outbursts that don’t fit the contexts. Elsewhere, it’s difficult to know what to focus on as the random subplots are simply strung together, causing the narrative the aimless wander in purposelessness. Valuable time is wasted on musical montages that accomplish nothing, and the story meanders all over the place without giving the audience a reason to be interested in it. However, in the final fourth of the plot, a slightly interesting twist is revealed that could have been interesting. Nonetheless, it’s not enough to redeem the other pointlessness in the movie, and many viewers will never make it far enough to see the ending. Thus, only a small score can be granted here.

Acting Quality (1 point)

For the most part, the acting in this film is passable even though the emotions tend to be flat and unrealistic. There’s nothing particularly dynamic or awful about these performances. However, they trend negative as the movie progresses. Therefore, only a point can be warranted here.

Conclusion

Lazarus Filmworks consistently puts out screenplays but has never been able to hit the average mark. They seem to mean well in what they do, but there’s always too many things holding them back from better ratings. Grace of the Father is no exception to this tendency, and there’s simply no more room in Christin entertainment for subpar efforts. In the future, creative teams like this one need to reassess their current direction and see where God wants them to go in the future. Collaboration is likely the best option for most creators.

Final Rating: 2.5 out of 10 points

September 23, 2020 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2.5 points, 2015, Caleb Emery, Darren Dowler, David A. Russell II, David Carleton, De Miller, Drama, Elizabeth Corbett, Inspirational, Isabel Myers, John Denny, Kibwe Dorsey, Lazarus Filmworks, Leja Apple, Mark Gould, Matt Connors, Matt Hyland, Michael Joiner, Nick Mazzini, Phyllis J. Chapman, Prodigal, Ron Foos, Ryan Carter, Sallie Glaner, Sue Miller, Susan Hashley, Susan O'Gara, Suzanna Leigh Leave a comment

Home of the Brave [2020] (Movie Review)

Plot Summary

Drew Thomas returns from active duty and wants to get back to normal, but he finds it difficult due to the trauma he experienced overseas. Nonetheless, he goes right back to working for a nonprofit he started with his brother and friends. Before they realize it, their paths are unintentionally crossing with group of local police officers who want to see change come to their city. They must all come to grips with how God wants them to act and react to the difficult circumstances they are placed in.

Production Quality (1.5 points)

Home of the Brave has some good and some bad aspects in its production. The video quality and camera work are acceptable, but audio is very poor at times, including loud background sounds and an inconsistent generic soundtrack. The sets, locations, and props are mostly average, however. Possibly one of this section’s worst aspects is the extremely choppy editing, which involves some weird fadeouts and abrupt transitions between scenes. Though this could be due to the large amount of content within the film, this rounds out an overall middle-of-the-road effort.

Plot and Storyline Quality (.5 point)

At its very core, Home of the Brave is trying to do way too much at once. It feels like an entire season of a series was crammed into less than two hours as there are many, many characters who seem like they have potential yet crowd each other out due to the sheer number of them. The plot tries to cover too many topics at once, and in doing so, short-circuits any hope for meaningful themes even though there could have been some. Some of the dialogue is actually pretty good and shows a lot of potential, but the narrative is just a long string of scenes and sequences, some of which seem totally out of place and context. Certain circumstances that characters find themselves in seem very staged and contrived only to force the storyline to go in a certain direction that the writers wanted it to go. As such, characters are pawns in the plot, and many scenes are very unnecessary and waste time. There are far too many coincidences throughout the screenplay, and it all leads to a very rushed ending where mostly everything is fixed in unrealistic ways. In the end, although there was plenty of potential in this movie for a thought-provoking story, it got in its own way by biting off more than it could chew.

Acting Quality (1.5 points)

For the most part, the acting in Home of the Brave is most okay. It could be a bit better than it is, but it’s not horrible. Emotions and line delivery are a bit forced in dramatic scenes, and many instances are fairly bland. Thus, the mixed aspect of the acting in this film makes this an average section.

Conclusion

This screenplay had a lot going for it, but it needed to be slowed down and planned in a more efficient way. The creators needed to strongly consider turning it into a miniseries so that the full weight of their ideas could have been felt. As such, a remake may be in order. In the end, Home of the Brave can be a learning experience for all movie makers: don’t try to do too much at once.

Final Rating: 3.5 out of 10 points

June 27, 2020 by Box Office Revolutionary Categories: Drama, Movie Reviews, SuspenseTags: 2020, 3.5 points, Andrew Dozier, Ariel Santerelli, Aris Rogers II, Ben Woods, Carrie D. Gibson, Deon Gibson, Drama, Garnet Jones, Jeremy Woods, Jorge Diaz, Kibwe Dorsey, Kyle Marra, Lee Lee Lapointe, Lisa Brave, Marc De Stefano, Matthew Williams, Rebeca Donovan, Ryan Clark, Sammy Cash Bennett, Shaila Velazquez, Shellita Boxie, Simone Farrell, Suspense, Terri Blakney Beach, Tiffany Edwards, Tyson Brown, Victoria Baxter, Wade Williams Leave a comment

The Glass Window {The Troubadour} (Movie Review)

Plot Summary

Stuart Wright is a successful businessman in New York, but the untimely death of his father grinds his fast-paced life to a halt.  Confused about his direction in life, he decides to visit his father’s favorite place in the Bahamas to try to clear his head.  However, all he ends up doing is drinking himself to sleep.  One morning, he wakes up in another man’s makeshift house, and this man proceeds to change Stuart’s outlook on life by sharing with him the true love of Christ.

 

Production Quality (1.5 points)

Unfortunately, The Glass Window begins as a fairly rough production.  This includes some shaky camera work and inconsistent lighting.  There are also some odd sound effects and cheap sets and locations at first.  The soundtrack is generic, and there are several disorienting flashbacks in the beginning.  However, this production makes a concerted effort to improve as it goes on, especially when it comes to the international locations and cinematography.  Camera work calms down, as do the sound effects.  Further, the editing is relatively fine throughout.  In the end, this is an average production due to the latter improvements.

Plot and Storyline Quality (1 point)

Much like the production, this story begins very predictably with a city character who is forced to return to his backwoods small town that contains all of the cliched elements and dialogue imaginable from this concept.  It’s also basically another prodigal character plot, and it contains several Bible verse clichés.  However, this trend totally changes up in the middle as the story turns into something totally different.  There are many interesting ideas contained within the second half of this plot, even though are somewhat randomly presented.  The Christian message is very good, but it tends to be a bit spoon-fed.  There are very interesting parallels here, but they need deepening.  Also, there are some plot holes in the second half due to the wasted time in the early parts of the film.  Nevertheless, it is a very creative idea with a slightly unexpected end that is likely worth a watch.

Acting Quality (2 points)

Once again, the acting begins fairly rough as the cast members tend to be stiff, overly practiced, and stoic at first.  However, they demonstrate good effort and definitely improve in all aspects in the second half of the movie.  Emotions are mostly realistic throughout, thus making for a good section.  In the end, it many ways, it seems like this film was made in two halves by totally different teams.

Conclusion

The Glass Window joins the ranks of Christian films that contain ideas that are worthy of a remake.  It’s obvious that this creative team has a lot of potential and just needed some further direction when starting this film.  They definitely knew where they wanted to go, but they had trouble starting the journey.  However, they showed that improvement in the middle was possible, which also shows potential for the future.

 

Final Rating: 4.5 out of 10 points

 

December 30, 2017January 2, 2019 by Box Office Revolutionary Categories: Inspirational, International, Movie ReviewsTags: 2011, 4.5 points, Alison Burns, Brandon Cordero, Curtis Graham, Greyhouse Films, Howard Anderson, Inspirational, International, Jeph Cangé, Jeremy Marr Williams, Jeremy Williams, John C. McWhirter, John Hotchkiss, Jonathan VanDyke, Joni Adahl, Kibwe Dorsey, Larry Anderson, Naima Imani Lett, Naima Lett, Tim Fowler, Tim Paskert, Tyler Martinolich Leave a comment

God, Where Are You? (Movie Review)

Plot Summary

When Sony Boone, a famous professional boxer, inadvertently kills his opponent in a fight rage, he is immediately disgraced and barred from the world of professional sports.  Thus, he loses everything he holds dear: his career, his fiancé, and his worldy possessions.  Driven to the streets as beg a homeless person, Sonny is suddenly offered a free meal at a mysterious diner by a mysterious man named Malachi.  Malachi offers Sonny a second chance at life, but Sonny is extremely skeptical at first.  Will Sonny give God a chance to turn his life around before it’s too late?

 

Production Quality (1.5 points)

At the beginning, God, Where Are You? is just like the other cheap productions put out by Lazarus Filmworks, such as Daniel’s Lot and A Letter for Joe.  This include poor audio quality, a random use of black and white, and some dark scenes.  Also, the camera is sometimes focused on the wrong things while people talk off screen.  However, the other camera work is fine, and the video quality is stable throughout.  The sets, locations, and props are surprisingly good and appropriate, and the soundtrack has an interesting feel to it.  Though there are odd quick cuts throughout the film, as it goes on, there is concerted improvement in all areas.  Even though it started out rough, this film is a milestone for the Lazarus team in production quality.

Plot and Storyline Quality (1 point)

At first, the story is hard to follow as it seems like everybody in this plot’s world is obsessed with a random disgraced boxer who’s now a homeless guy.  Things are rough at first through some obvious dialogue and forced situations, but this storyline is a definite improvement of their past failures, A Letter for Joe and Daniel’s Lot.  The middle of the film is very interesting as it contains a very good message and interesting psychological elements.  However, sometimes it is based too much on coincidences, and the premise is a bit vague at times.  There seems to be an odd underlying attitude that is difficult to quantify, and the big inevitable twist at the end is sort of predictable.  Though problems are seemingly easily fixed in the end, this story gets an E for Effort and shows that any creative team can improve despite previous failures.

Acting Quality (2 points)

For this cast, the Lazarus team looked outside of their circle of friends and found some professional cast members that make this one way better than previous casts.  However, there are some overly practiced and forced lines, as well as some overdone emotions.  Nevertheless, they are definitely trying to make this a well-acted movie, and there is concerted improvement throughout in this area as well.  In the end, this is at least a marginally enjoyable movie.

Conclusion

All we ask of Christian film makers is that they use the resources God has given them responsibly and efficiently and that they show improvement over their careers.  Surprisingly, the Lazarus Filmworks team has done this in God, Where Are You?  Though there was a time when it seemed like they would never break through, they flipped the script and tried something different.  Now they have a chance to use this film to become even better movie makers in the near future.

 

Final Rating: 4.5 out of 10 points

 

December 30, 2017January 2, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2014, 4.5 points, Angela Doggett-Brown, Ben VanderMey, Brooks Braswell, Daniel Dennis, David A. Russell II, David Raizor, De Miller, Donna Devito, Elizabeth Corbett, Gary Upleger, Gerald Doggett, Harvey Armstrong, Jack Schladetsch, JaeNedy Roman, Jayden Leite, Jeremy Kaminsky, John Denny, Karyn Grace, Kibwe Dorsey, Lazarus Filmworks, Mark Miller, Mary Armstrong, Michael Santi, Michael W. Pflug, Nancy McConnell, Nicolas Mazzini, Phyllis J. Chapman, Sebastian Gunderson, Steve Austin, Sue Miller, Susan O'Gara, Tanya Christiansen, Tracey Goode, Victor Jones, Wade Williams Leave a comment

An Encounter With the Messiah (Movie Review)

Plot Summary

What if Jesus came in the modern day and ministered to everyday people and the circumstances they dealt with?  This is a different take on the story of Jesus that follows the lives of recast Biblical characters in a modern setting to show that Jesus can touch anyone and reach anyone, regardless of background or era.  He is still affecting people’s lives today.

 

Production Quality (1 point)

It’s really hard to understand how and why these sorts of productions are made.  When the budget is low, is it worth making a feature length film?  While video quality is mostly fine and the soundtrack is creative in this film, there are plenty of errors here.  Lighting and camera work are inconsistent and cheap, and the audio is sometimes too loud and disproportionate.  Flashbacks are black and white for no reason and sets, locations, and props are relatively cheap.  Finally, as usual, the editing is poor and allows the storyline to jump all over the place with no real continuity.  In the end, first-time productions are somewhat forgivable, but they’re still frustrating to watch.

Plot and Storyline Quality (.5 point)

Creating modern takes on Bible stories is always a problematic idea because parallels and paraphrases are usually forced to fit and cause awkwardness, which is also the case in An Encounter with the Messiah.  It’s a commendable and understandable idea that has a lot of potential, but it’s not executed correctly and is too hard to follow.  There are too many confusing transitions and disconnected subplots as the story speeds along to hit the high points.  There are also too many characters and tons of wasted time; thus, it’s difficult for the story to hold the attention as it is very flat and isolating.  The one redeeming quality is the interesting ending but it’s hard to get to and doesn’t do enough to redeem the other issues.  In the end, this is a nice idea, but not good enough.

Acting Quality (1 point)

Though this cast sometimes puts in effort, they are often half-hearted or overly dramatic.  Line delivery and emotional delivery are all over the place.  There is some good here, but not enough to make a difference in this film.

Conclusion

Films like An Encounter with the Messiah so easily slip through the cracks of Christian film, and it’s a shame when the creators seem to mean well.  But when potentially interesting ideas are not packaged properly, it sends the film down a completely different trajectory.  It’s hard to make your film stand apart when so many typical issues plague it.  But perhaps there will be second chances for film makers that have trouble getting started.

 

Final Rating: 2.5 out of 10 points

 

August 8, 2017January 8, 2019 by Box Office Revolutionary Categories: Biblical, Movie ReviewsTags: 2.5 points, 2015, Alye Nicole Merritt, Alyssa Major, Bible, Biblical, Carolyn Gibson, David Koepfinger, Deon Gibson, Jay E. Washington, Jeremy Rosado, Joe Butler, Jorge Diaz, Kibwe Dorsey, Kyle Marra, Mollyanna Ward, New Vizion Media, Tiffany Edwards, Vago Light, Wade Williams, Will Cruz, Yavette Green Leave a comment

The Investigator [2013] (Movie Review)

Plot Summary

Sergeant James Buanacore loved his job as a leader on the police force, but when he got caught up in a street fight that ended with a gang member shot to death, he is pressured to retire from his post to mitigate bad publicity.  At the same time, tragedy strikes his family and blindsides him, which causes him to lose his faith in God.  Thus, James’ brother gets him a job as a baseball coach and criminal justice teacher at a local private Christian school to help him find new meaning in life.  But what James finds there is students searching for hope and a corrupt leadership, so he sets out to use his investigative skills to determine whether or not Jesus was a historical figure.

 

Production Quality (2.5 points)

For a slightly unknown independent Christian film, The Investigator has a surprisingly good production.  Video quality is great, but the only issue in this production is the odd camera work that is sometimes employed.  Otherwise, audio quality is professional, as is the soundtrack.  Sets, locations, and props are well-funded and appropriate.  The editing is quite good and is successful in most ways.  If it weren’t for the unusual camera usage, this would have been a perfect production.  In the end, this is an excellent example of how an independent production can succeed.

Plot and Storyline Quality (1 point)

The Investigator has a lot of interesting ideas and takes big risks in breaching less-discussed topics such as corruption in private Christian schools.  However, the story is all over the place and is somewhat disorganized as a lot of ground is attempted to be covered.  The circumstances portrayed are realistic and honest, and the characters are actually quite believable and realistic, but the organization of this story is greatly lacking.  The creativity here needs some serious honing and better development.  Too much time is wasted on sports montages and unrelated scenes.  In the end, this is a very unique plot, so it’s a shame it couldn’t have been better.  Yet it does show potential for the future.

Acting Quality (2 points)

This is a semi-professional cast, and they post mostly good performances, but emotions tend to be too extreme at times.  Line delivery is nearly perfect and it’s evident that acting coaching is present.  Only a few minor problems hold this portion back.

Conclusion

There is a lot of good content packed into this film, but there is perhaps too much that is included here.  It’s great to deal with the issues of tragedy, corruption, and apologetics, but in this disorganized fashion, it’s difficult to follow.  Yet the production and the acting successes show that independent films can be professional if the proper resources and effort are put towards them.  Regardless, it should be interesting to see what this creative team comes up with next.

 

Final Rating: 5.5 out of 10 points

 

July 31, 2017January 8, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie Reviews, SportsTags: 2013, 5.5 points, Annie Kidwell, Arthur L. Braddy III, Bernard Broyles, Calvin Wang, Carlos M. Garriga, Christoff Marse, Curtis Graham, David Sanborn, Dayton Sinkia, Evan Brady, Gabriel's Messenger Films, Inspirational, J. Elijah Cho, Jeph Cangé, Joe High, John Sanders, Karla Dieseldorff, Kevin White, Kibwe Dorsey, Kurt DeVries, Logan Alderman, Luigi Pulcini, Michael Allen Long, Mitch Nunes, Mollyana Ward, Nick Augeri, Nicole Abisinio, Pam Nunes, Parton Dunham, Rebecca Galarza, Richard A. Romano, Robert Romano, S.J. Gerges, Sports, Tony Jasica, Wade Williams Leave a comment

The Turnaround [2017] (Movie Review)

Plot Summary

After Marquise tragically loses both of his parents, he is raised by a family friend and tries to find his way through life.  His parents had always taught him the Christian faith and how to live, but he is confused about Christianity since he feels like God took them away from him.  He is tempted to get involved in drugs with a friend since he cannot seem to find stable income elsewhere.  But he is also in love with a pastor’s daughter, and the pastor sees great potential in Marquise and wants to disciple him.  Which path will Marquise ultimately choose?

 

Production Quality (1.5 points)

The Turnaround has a better production than you might expect, but it still commits some rookie errors.  Video quality and camera work are fine.  The audio quality is good except for the awkward soundtrack that sometimes overpowers the scenes.  Sets, locations, and props are average but demonstrate effort.  The biggest problem with this production, besides the useless time subtitles, is the extremely choppy editing that leaves the audience very disoriented and confused.  Scenes jump from one thing to the next with no warning, which hampers the experience.  Overall, this is an average production that has clear areas for improvement.

Plot and Storyline Quality (0 points)

As previously mentioned, the scenes cut back and forth so quickly and jump all over the place so much that the story is next to impossible to follow.  It is difficult to see how the characters and their situations relate to each other, except for some loose associations.   There is probably an interesting story in here somewhere if it were ordered and organized better.  In the aftermath of the confusion, characters are left under-developed due to empty and wanting dialogue.  There are too many unrelated subplots interspersed with random narration.  It feels like there were too many people writing these ideas and not enough people organizing them in a way that would help the audience appreciate them.  Essentially, this is a nice try but no success.

Acting Quality (2 points)

The acting is actually the strongest element of The Turnaround and keeps it from being in the complete basement of Christian entertainment.  The only real problem to point out with the acting is the fact that there are too many scenes that have people talking over each other.  Otherwise, emotions are mostly believable and line delivery is acceptable.

Conclusion

The Turnaround, though it has some good elements, is one of those films that will easily be forgotten due to otherwise avoidable errors.  We believe that the creators of this film meant well, but in order to make this sort of plot work, the characters have to be realistic and accessible by the audience.  The characters are what make audiences interested in the movie, so without them being properly developed, little interest is generated for the film.  Perhaps the creators will heed this advice in the future.

 

Final Rating: 3.5 out of 10 points

 

July 8, 2017January 8, 2019 by Box Office Revolutionary Categories: Inspirational, Movie ReviewsTags: 1st Dibz Productions, 2017, 3.5 points, Albert Alcantara, Alencia Singleton, Alexa McGrory, Alvin Aki, Amanda Marquis, Benjamin Bernard, Beverly Otis, Bonnie Cobb, Brandon Shade, Carl Gilbert, Charlie Ivon Maisonet, Christina Carmona, Christine Jones, Cynthia Webster, Daniel Augustin, Dayana Rincon, Debbie Seiber, Demetria George, Dewayne Colley, Diana Lovell, Dominik Hopkins-Payden, Dynell Ma'aseia, Edward Wilson, Emelyn Stuart, Emmett Hunter, Erik Grey, Germaine Brooks, Heather Walker, Hisham Abul Fotouh, Inspirational, Ivan Pagan, Jamel Jackson, James C. Hunter, Jasmine Yampierre, Jay Gourdine, Jim Huss, Jimmy Dempster, Kelly Haser Pickens, Kibwe Dorsey, Lorenzo Carswell, Melannie Sanchez, Mellissa Thomas, Michelle Viana, Milton Dorta, Mina Ownlee, Moises Shephard, Nicole Abisinio, Phil Bernardin, Robert Wayne Harris, Robyn Jones, Sallie Glaner, Scott Webster, Sean Nelson, Sh'Kia Dennis, Sharlyne C. Thomas, Sonya Hunter, Taisha Perez, Tiffany Edwards, Tracy Wiu, Tre Brooks, Troy D. Williams, Vincent DeMarco, William Roebuck, Yolando Dorta Leave a comment