When Hope Calls, Season 1 (Series Review)

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It’s like When Calls the Heart on an obscure streaming service!

Plot Summary

When Lillian and Grace, two orphan siblings, agreed to travel to a new town to run an orphanage, they had no idea what would be in store for them. Of course, they probably could have made an educated guess since they went from Hope Valley to a basic copy of this fantastical borough. This new town has equally important aspects as Hope Valley, such as the obligatory town doctor, the expected general store, and of course, a predictably hair-gelled Mountie just waiting to get hitched. What else could fans of When Calls the Heart want besides another series on the cable channel rather than on a streaming service nobody uses?

Production Quality (1.5 points)
The budget for When Hope Calls (WHC) is clearly lower than When Calls the Heart (WCTH), and this is most strikingly obvious in the poorly constructed town set that looks like a bunch of clapboard buildings plopped in the middle of a mowed-over field. The structures’ false fronts are also too much. This aside, must like WCTH, WHC is limited to just a few select sets, props, and locations, and there are some cheap special effects on top of this. Nonetheless, the production is aided by typically fine video quality, audio quality, and camera work, even if the soundtrack is pedestrian and boring. The editing tends to lag at times, such as leaving scenes running too long, but this production is overall just average.

Plot and Storyline Quality (0 points)
Much like its parent show, not very significant happens throughout the course of the WHC “plot.” The only remotely interesting elements are used up by the third episode as the series devolves into typical small-town romance nonsense. If it’s possible, the characters are much more blank and cardboard in WHC than in WCTH even if they are less sappy in the former. This is created by a lot of stiff and awkward attempts at conversations as some characters seem to be mysteriously concealing things that are never revealed while others seem to wonder why they are even there. The dialogue is very stock and phoned-in, which creates wooden characters, and the so-called comedic elements are beyond cheesy. Any struggles the characters experience can’t be adequately related to because they seem so plastic and forced. Elsewhere, the town setup is shockingly unrealistic on a historical level, and the Christian themes are very shoehorned in. In the end, with no driving purpose or actual point, the first season’s story is basically just a lot of trumped-up drama with nothing substantial to back it up.

Acting Quality (1 point)
In keeping with Michael Landon Jr.’s common practices, the cast of WHC appears to be as fake as WCTH’s (except not as over the top). This includes how they interact with each other as well as what they look like. On appearances, none of them look historically accurate except for some slight attempts at realistic costuming. When it comes to acting, line delivery seems laborious for some cast members while others seem bored with their roles. Emotions overall seemed forced and unnatural. Some cast members show potential in different roles but don’t live up to their full potential. In the end, this section’s rating is basically expected.

Continuity Quality (.5 point)
As previously mentioned, the best potential for engaging continuity is quickly discarded in the beginning and replaced with drab procedural recurrences. In the middle and at the end of the season, many of the episodes run together and feel like the same thing is happening over and over again. Then, this is culminated with an awkwardly forced climax and alleged cliff-hanger ending in the final episode. Basically, this season doesn’t have much going for it.


What else is there to say? Shows like When Hope Calls have a specific purpose in mind and do whatever it takes to fulfill that purpose. The storylines are predetermined, the production is as cheap as possible, and the cast is as pageantry as expected. All of these criteria are tailor-made for a reason, so we have to commend MLJ and company for at least being consistent in their poor novel adaptations. Why not try to capitalize on the success of a series like When Calls the Heart? However, what is it ultimately accomplishing besides creating more sub-par Christian entertainment?

Final Rating: 3 out of 14 points


The Music in Me [2015] (Movie Review)

Plot Summary

When Jessica leaves the small town she grew up in to pursue her musical dreams, she never thought she would get a second chance with the people she once knew.  But she is given that second chance when she is down on her luck and offered the position of choir director at the church she once called home.  Little does she know that she can turn their whole music program around, plus get a well-groomed man on the side.


Production Quality (2 points)

Up Entertainment has proven that they know how to fund and executed a production, even if their plots continually suffer for creativity.  Video quality, camera work, and audio quality are all on professional standard in The Music in Me.  However, the ‘original’ soundtrack that includes the main actress singing is awful.  Also, sets and locations are sneakily limited.  Some other small shortcuts are taken, but the editing is mostly fine.  In the end, Up has borrowed from the Hallmark model and has learned how to churn out made-for-TV films that look pretty good on the surface.

Plot and Storyline Quality (.5 point)

Though there are some half-hearted attempts to develop the characters and there is like one character that’s not stereotypical, everything else from The Music in Me has already been done on Hallmark, ten times over.  It’s the same old prodigal character returns to their hometown shtick, with all of the predicable character molds to fill.  Dialogue is very stock and there are too many attempts at forced comedy.  The Christian message is plastic and trite; it seems like this film is only Christian because it needs to reach a certain audience.  In the end, there is nothing new here, this is business as usual, same old, same old, move along, nothing to see here…

Acting Quality (1.5 points)

Though there is a slight air of professionalism among this cast, they all look fake, like they were just rejected from a Hallmark audition.  Did we mention that the singing is grating?  The singing, especially from the main actress, is grating and cringeworthy.  Besides this, it seems like a lot of these performances are phoned in.  Like we said, there’s nothing new here.


Up has the ability to do something different, to stand out from Hallmark by using their money to fund a creative plot.  But no, they choose to fall into the same old patterns.  Sometimes they try, like with Love Finds You in Charm, but this time they have not.  Perhaps one day someone will be able to use a platform like this to produce a great idea that is actually worth watching on TV.  I wonder how long we’ll have to wait for that to happen.


Final Rating: 4 out of 10 points