Sergeant Major Kurt Roberts is called home from his duty when his teenage daughter, Zoey, is in a car accident that leaves her in a coma. Since her prognosis is unknown, Zoey is allowed to go back home to stay until she comes out of her coma. Under the care of her parents and an in-home nurse, Zoey lays in a coma for months. Then her nurse decides to bring in an old friend to experiment with his new brain machine that can communicate with people who are in comas. What could go wrong?
Production Quality (0 points)
It’s unbelievable that so-called productions like this are even funded. Even so, what did they spend the money on, because there is no quality whatsoever here. Camera work is very shaky, video quality is underwhelming, and lighting is poor in most scenes. The sets are limited to basically one house and some outside scenes. Audio quality is also inconsistent and the soundtrack is generic. There is no editing as pretty much all of their empty ideas are included. Essentially, this is not a production that needed any funding, especially since they wasted it.
Plot and Storyline Quality (0 points)
What is happening here? The story starts as a half-baked idea about a girl laying around in a coma and three other characters caring about what happens to her and then suddenly transforms into an off-the-wall sci-fi concept, complete with Fauston’s special brain machine that can communicate with someone who’s in a coma. Before this point, hardly anything happens and there is a lot of off-screen content. The medical premise is strange and has a lot of plot holes. Despite the fact that there are basically five characters in this plot, they are extremely empty and wooden. Dialogue does nothing to develop them, even though they sit around talking all the time. Basically, besides being bizarre and childish in an attempt to be creative, A Calling of Courage was barely justified as a plot as there is really no content to speak of here. Thus, there is no point in any of this.
Acting Quality (0 points)
With basically five to seven cast members, one of which lays in a bed a majority of the film, there is not much to work with here. The cast members are robotic and empty in their line delivery and in their emotions. We can’t relate to them as real people. Also, there is an odd portrayal of military service members. In short, like the rest of this horrific mess, the acting has nothing to offer.
As we will see this week, the theme of Faith House Pictures is having the bare minimum resources required to slap together a half-baked movie just for the sake of making it. Their model seems to be to acquire the funds necessary to have basically one set, less than ten cast members, and the cheapest possible production equipment, and combine this with a tiny plot idea that includes some eccentric element(s). There is no justification for Faith House Pictures to exist, and yet they do.
Final Rating: 0 out of 10 points