Christmas Oranges (Movie Review)

Plot Summary

Rose is an orphan girl who lives in Mrs. Hartley’s orphan home.  However, when Mrs. Hartley and some of the children die of illness one fateful month, all of the orphans are sent to other places.  Rose and some of her friends are sent to live in the orphanage of the angry Mr. Crampton, who has strict rules and doesn’t want children messing around with his stuff.  However, the more Rose learns about Mr. Crampton, the more she learns that he is hurting during the holiday season and needs someone to love him.

 

Production Quality (2 points)

As usual for John Lyde and his creative teams, Christmas Oranges is a professional production.  This is evidenced by good video quality, audio quality, and camera work.  The soundtrack is somewhat generic, but it is fine for the genre.  Locations are mostly fine, even though there are few of them, but the sets are limited in scope.  There are also some random scenes that are poorly lit for no clear reason.  However, on the flip side, the editing is surprisingly effective.  On the whole, this is a high quality effort that has become commonplace from this group.

Plot and Storyline Quality (1.5 points)

In a different turn from other stories from John Lyde and company, Christmas Oranges has a uniquely substantial plot that contains the accessible struggles of relatively believable characters.  Though there is narration that hurts things, the child characters are actually pretty good, even if the orphan premise is slightly cheesy.  There are also some silly ‘kids’ sequences and montages, along with some strawman characters.  However, for the most part, the dialogue and the ideas therein are mostly meaningful and do their best to avoid cliched Christmas concepts involving orphans.  Probably the best element of this storyline is its use of realistic character backstories to humanize the ‘bad’ characters.  On the whole, while this movie did not go as far as it could have, it is still enjoyable and is worth a watch.

Acting Quality (2 points)

While most of the cast members are definitely professional, this section still tends to be a mixed bag.  Some cast members seem to be overdoing their performances just a bit.  However, on the whole, emotions are realistic, and line delivery is on point.  As a side note, costuming is historically authentic.  Overall, this rounds out a very professional effort.

Conclusion

The Covenant Communications\Paulist Productions\Mainstay Productions collaboration has been working for years to make respectable films, and for the most part, they have succeeded.  However, they have been plagued by an inability to get over the last proverbial hill that stands between them and film greatness.  Nonetheless, they have all the tools necessary to do so.  Thus, we believe that sometime in the near future, they will finally break through and make that dynamic film that has alluded them for years.

 

Final Rating: 5.5 out of 10 points

 

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December 21, 2017January 2, 2019 by Box Office Revolutionary Categories: Christmas, Historical, Inspirational, Movie ReviewsTags: 2012, 5.5 points, Abigail Hiller, Abigail Scott, Aiden Beagley, Aimee Lynne Johnson, Anne Burton, Annie Milne, Bailee Michelle Johnson, Barry Evans, Ben Sowards, Benjamin Lyde, Bill Gillane, Brandon Avery, Brooke Wight, Bruce Newbold, Caitlin E.J. Meyer, Cate Allen, Christian Vuissa, Christmas, Cooper Daniel Johnson, Covenant Communications, Danna Louisa Wilson, Danny James, Demitria Cline, Edward Herrmann, Elizabeth Hales, Emily Hallows, Ethan Hunt, Ethan Lyde, Ethan Scott, Grace Hallows, Hannah Hunt, Historical, Inspirational, James Schafer, Jaren Riley, Jaxon Hunt, Jenny Krompel, Jill Adler, John Lyde, Joshua Hunt, Juliette Lyde, Kelsey Carter, Kenneth Applegate, Kenzie Carter, Kimball Stinger, Koleman Stinger, Linda Bethers, Lisa Spurrier, Madalynn Wight, Maggie Scott, Mainstay Productions, Max Moody, Michael Hughes, Nancy Stafford, Norma Olsen, Paul D. Hunt, Paulist Productions, Ron Brough, Rylee Kaye Stones, Sage Adler, Sahara Yasmin Krompel, Sally Meyer, Savanna Kylie Lewis, Stephanie Breinholt, Sydney Peebler, Taryn Bedore, Thomas J. Post, Tyler Doyle, Yolanda Wood Leave a comment

He Knows My Name (Movie Review)

Plot Summary

Ever since Rebekah’s father died tragically, Rebekah’s mother has not let her do much of anything.  Rebekah wants to go with her neighbor Isaac to see the miracle-working man named Jesus, but Rebekah’s mother doesn’t trust anyone.  Rebekah is only left to listen to her blind grandfather’s stories about being an innkeeper with no room for a young pregnant couple from Bethlehem.  One day, Rebekah finally gets her chance to meet Jesus and her life is changed forever.

 

Production Quality (2 points)

He Knows My Name demonstrates production improvement over No Ordinary Shepherd.  There is still some odd lighting in some scenes, the sets, locations, and props are all very high quality, especially the realistic locations.  Likewise, video quality and camera work also demonstrate high quality, along with the audio quality and soundtrack.  There are really only some minor production errors to address here which typically pertain to some editing concerns.  The presence of one too many lagging scenes raises some small issues, but it’s not enough to derail this production.  Improvement is what we look for across time, and this film shows it.

Plot and Storyline Quality (1 point)

Again, we wonder if the plots of No Ordinary Shepherd and He Knows My Name could have been combined somehow, yet this film clearly has a good message and effort behind it.  This second installment is more well-thought-out than the first as the characters are slightly more accessible and less lofty than before.  However, the portrayal of Jesus has still not improved as he seems like a character on another plain of thought from the others.  The dialogue, especially Jesus’, still tends to be a bit archaic and isolating, but there are better attempts here.  Overall, this seems like a more true-to-life story than the first, and it shows a continued effort to improve, which is all we can ask for.

Acting Quality (2 points)

The acting also shows improvement, even though the cast members are still completely culturally authentic.  Yet the realistic costuming is still present and the cast members appear to be more well-coached than before.  There are some small trip ups pertaining to theatrics, but on the whole, this upward trend is encouraging to see.

Conclusion

In many ways, this unofficial short film series plays out more like a miniseries should.  This why I have to wonder if it would do better in a miniseries format rather than a short film format.  Miniseries’ certainly receive more attention than short films.  Besides, we really don’t have a notable Bible miniseries on the market.  With the advent of more streaming service options, there is really no reason why we don’t have more series’ like this.  Perhaps one day we will.

 

Final Rating: 5 out of 10 points

 

November 9, 2017January 3, 2019 by Box Office Revolutionary Categories: Biblical, Historical, Movie ReviewsTags: 2015, Aimee Lynne Johnson, Barry Evans, Bible, Biblical, Bruce Newbold, Chris Donahue, Covenant Communications, Darin Southam, Dashiell Wolf, Don Lusko, five points, Historical, James Schafer, John Lyde, Koleman Stinger, Mainstay Productions, Marybeth Sprows, Mason D. Davis, Melanie Stone, Melissa Cannon, Paulist Productions, Ron Brough, Sally Meyer, Tatum Chiniquy 1 Comment

The Cokeville Miracle (Movie Review)

Plot Summary

When a madman and his wife entered a small Wyoming elementary school and took everyone inside hostage for an astronomical ransom, it seemed like all hope was lost.  As the hours ticked by and tensions rose, no one could have predicted how it all would end.  The crisis escalated and a seeming tragedy struck, but no one in Cokeville was prepared for what happened next.  The children of the school claimed a miracle had occurred, but many were skeptical at first—until they saw the evidence for themselves that God was at work.

 

Production Quality (1.5 points)

The Cokeville Miracle is a raw production effort that starts out, unfortunately, very cheap-looking and drab.  This mostly pertains to some poorly lit scenes, some grainy video quality, and some poor special effects.  However, as the movie goes on, all production elements improve.  It’s clear that this team stayed within their means and did not over-exhaust their resources.  By the second half of the film, there are virtually no production errors, making this a very unique production.  Overall, it comes out as average, and since the production does get better as it goes, the film is saved from total disappointment.

Plot and Storyline Quality (3 points)

We always say you can never go wrong depicting real life on the big screen, as long as it’s depicted properly.  The story of the miracles at the Cokeville Elementary School in 1986 is one that is worth portraying, but also difficult to portray since such a portrayal could easily become sensational and unrealistic.  However, this was not the case with this film.  Each character is realistic and believable—even the villains—and dialogue is effective in building the characters.  This type of story is not easy to craft properly, yet The Cokeville Miracle unfolds exquisitely and makes you stay until the very end.  Historical authenticity is preserved as this story makes everyone, even skeptics, think about the nature of modern day miracles.  In short, this is a film well-worth your time.

Acting Quality (3 points)

For an ‘amateur’ cast with not much notoriety, the cast of this film gave a slam dunk performance.  There are no acting errors here, even where there were potential pitfalls, such as villain acting and child acting.  Care was taken to preserve the original people who experienced this crisis firsthand.  Emotions are believable and line delivery is effective.  This rounds out a job well done.

Conclusion

While we would have loved to see higher production quality, this team did everything they could do with what they had, and that’s really all we ask of film makers.  Whatever God has given you, do the best you can with it.  The Cokeville Miracle proves you don’t need a big budget or big names to make a great movie.  All you need is a good story and the care enough to tell it properly.  ‘Little’ films like this one put ‘big’ ones to shame and demonstrate true greatness.

 

Final Rating: 7.5 out of 10 points

 

February 24, 2017January 11, 2019 by Box Office Revolutionary Categories: Drama, Hall of Fame, Inspirational, Movie Reviews, SuspenseTags: 2015, 7.5 points, Aiden Beagley, Alan Peterson, Alexa Rae, Anika De Leeuw, Anson Bagley, Barta Heiner, Caddis Adams, Caitlin E.J. Meyer, Chandra Allen, Channon Voyce, Chris Clark, Christian Davis, Christina Torriente, Emily Hallows, Emily Wadley, Excel Entertainment Group, Grace Hallows, Heather Brown, Historical, Inspirational, Jasen Wade, Jillette Dayton, Joshua Cooper, Kali Garrett, Karlee Broschinsky, Ken Eklof, Kimball Stinger, Koleman Stinger, Kymberly Mellen, Liz Christensen, Mason D. Davis, Matt Hale, Nanci Wudel, Nathan Stevens, Paul D. Hunt, Rick Macy, Rob Gardner, Ron Tanner, Samuel Goldwyn Films, Sarah Kent, Shaunna Thompson, Shawn Stevens, Skye Grace Herzog, Skyler M. Day, T.C. Christensen 2 Comments