The Dream Motel, Season 1 (Series Review)

Watch The Dream Motel | Prime Video

Plot Summary

Jesse and Matteo are angels who have been assigned to do various tasks on earth, one of which is to fix up an old motel in rural Georgia so that they can win the spiritual war of owning buildings around the world. If the angels can own enough buildings, they can apparently lead more people to salvation, but if the demons in disguise keep taking over God’s properties, they’ll somehow be able to bring more darkness to the earth. Can Jesse and Matteo stop them one motel guest at a time?

Production Quality (1 point)

Although the video quality and camera work are mostly fine in The Dream Motel, save for a few shaky action shots, there aren’t many other positives to point out here. Audio quality is too inconsistent, including annoying background sounds, and there’s basically no soundtrack at all. Also, outdoor lighting is fairly poor, and the sets, locations, and props are often cheap to the point of not even representing what they’re supposed to represent. Further, there’s no real editing or transitions throughout the season, and there some awkward fadeout moments. To top things off, there are bad special effects throughout, which rounds out a mediocre effort.

Plot and Storyline Quality (0 points)

Besides the fact that The Dream Motel is a boring stock plot based on robotic dialogue and wooden characters, the world constructed in the premier and finale episodes makes no sense at all for a number of reasons. For one, it’s unclear from Scripture whether or not angels have emotions or free will to wrestle with various philosophical issues like these characters do. For another, why would God need magical locations around the world to do His bidding, and how could demons steal them without His allowance? How are atheism and secularism powerful enough to halt Christ’s will? Why would demons even have an interest in stealing magic buildings rather than actual people? These premise problems aside, the villain is stupidly obvious, some of the characters seem unnecessarily outraged at logical things, the narrative incorrectly portrays realistic circumstances involving HIPAA protection, and it’s downright creepy to have smiling angels tell humans private things about the people. It feels like this storyline exists outside of reality even though scenes drag on as lines are painfully dragged out of the characters, who talk in circles to fill the runtime, and although boring activities of daily living, expository dialogue, and off-screen content make The Dream Motel seem like most poorly crafted Christian entertainment. With basically no personality or motive for the characters and far too many coincidences to hold up the plot, this series is just a collection of disasters.

Acting Quality (0 points)

Having very stilted and overly practiced acting is almost a given when it comes to Rossetti Productions, and The Dream Motel doesn’t disappoint. Using the patented Rossetti style of basically reading lines for a church play, the cast members exhibit forced wooden emotions that make the viewers think that the actors and actresses don’t actually care about what they’re doing. Some cast members seem unnatural or even uncomfortable in their roles, and a portion of the theatrical annunciation is off-kilter. Many scenes feel like one-takes as some actors and actresses appear to forget their lines in some instances and awkwardly grasp for something to share that can fill the blank silence. Essentially, there’s nothing positive to note in this section.

Continuity Quality (1 point)

Following a predictably typical series model, The Dream Motel offers premier and finale episodes that depart from the norm while all the between episodes are standard recurring dramas that introduce characters only to discard them before the credits roll. Concepts explored in the pilot aren’t returned to until the last episode, which concludes with a cheesy cliffhanger ending. While this section isn’t all bad due to some recurring subplots among the main characters, it’s still a run-of-the-mill offering with missed opportunities for continuity.


There are just so many things wrong with The Dream Motel from the get-go. Basically a redux of The Encounter, only with angels, this Rossetti series is based on illogical and questionable concepts yet still commits errors beyond this. Even the best ideas can be easily derailed by poor storytelling, low production quality, and abysmal acting. With so much experience under their belt and a trailed of wasted opportunities, it’s hard to know where the Rossetti Productions team is headed at this point, but this series is definitely not worth your time.

Final Rating: 2 out of 14 points


The Christmas Reunion (Movie Review)

Plot Summary

When a group of four unlikely friends from high school reunites in the small town of Cave City, Kentucky, for a brief Christmas reunion, they suddenly get stranded by the snow and are forced to recount the old days they had together.  However, Cave City is falling apart at the seems as it gets bought up by some Eastern Syndicate – even the old diner!!  Will they ever be able to save the small town from ruin?

Production Quality (1 point)

In this 2016 production, there are many elements that should not be for one this new.  This includes poor audio quality that sometimes echoes, as well as a cheesy holiday soundtrack that sometimes overpowers the scenes.  There are also very cheap and limited sets, locations, and props, including an overpowering amount of Christmas decor.  The only good areas of this production that keep it from being zero points are the fine video quality and camera work.  However, the editing is fairly poor, and the use of special effects is cheesy, which keeps this at a one-point production.

Plot and Storyline Quality (0 points)

In keeping with his past script-writing practices, Chip Rossetti includes 
extremely stilted and unnatural dialogue throughout this story that makes the characters seem like robots.  Another commonly used Rossetti theme that’s present in this film is the heavy-handed small town values that are under attack by big city corporations.  Paired with this are 
constant return-to-small-town conversations and plenty of exposition through conversations that might as well be narration.  All of these elements severely cripples any potential for character growth and reduces it to a church play feel.  Besides this, there is really little to not plot potential here at all as the characters are cardboard cutouts instead of people.  Instead of trying to develop the characters, the storyline seems to grasp at anything it can do to fill time with except for actually developing characters, and this includes poorly constructed flashbacks.  As extremely convenient dialogue forces the plot along, the audience is forced to listen to the message that small town values fix everything even while big city evils try to destroy them.  Essentially, there is little interesting to mention here.

Acting Quality (1 point)

In keeping with the way the lines are written, the delivery of them is also extremely practiced and measured, as if the cast members are robots.  Acting is either overdone or underwhelming, and while it’s fine sometimes, it’s mostly very wooden and stilted.  There is such a thing as over-coaching, and Chip Rossetti’s teams have consistently done this in nearly all their films (except Fathers).


Chip Rossetti has an unusual production model to say the least.  He advertises 3-5 movies throughout the year, and one of them might be released, but the rest disappear into the black hole while one or two other random films pop up on PureFlix on Demand with no warning or marketing.  We have to give it to Chip, however: he never gives up on making more films.  Nevertheless, all of this film-making experience should have amounted to something better than a two-point half-baked Christmas film by now.  There’s something to be said for doing the same thing over and over again with no results.

Final Rating: 2 out of 10 points