Grandma’s House [2016] (Movie Review)

Plot Summary

Grandma Margie’s family is a wreck even though she is always praying for them and imparting her fundamentalist wisdom to them.  She lets any and all of them come to live with her in her huge house–as long as they abide by her strict rules.  She aims to fix them up from their problems before sending them back out into the evil world.  With so many things going on in her house, she can hardly keep up, and neither can we.


Production Quality (2 points)

Surprisingly, this film, which by all outside factors seems like a small church film, has an above-average production quality.  This is manifested in good video quality and good camera work, as well as professional audio quality, even if the soundtrack is very generic.  There are some random dark scenes, however, and sets, props, and locations are fairly limited by the nature of the plot and the resources available.  The editing can be oddly choppy at times despite the fact that there are useless filler scenes throughout.  Some scenes seem cut short while others drag on too long.  With the sheer amount of content shoved into this film, it’s no wonder things get confusing.  However, on the whole, this production is better than expected.

Plot and Storyline Quality (0 points)

Grandma’s House is a forum to push a very close-minded and fundamentalist worldview on the audience that has an offensive view of women and a slew of quick fixes for all of your neighborhood problems.  While the movie takes an honest look at real family issues and other realistic problems, it refuses to probe the reasons behind the wrong actions and instead settles for cheap spiritualized platitudes and Bible-verse-bandaging.  The story assumes that people just need to stop acting bad and start acting legalistic in order to be ‘fixed.’  Thus, each character is designed to represent an issue rather than a person, which makes them empty and simplistic.  Dialogue is mostly expository and issue-pushing, and there is too much heavy-handed narration.  In the end, everything is fixed without any good explanation or realistic understanding of how issues progress.  

Acting Quality (1.5 points)

While most of the cast members in this film are average in their performances, Loretta Devine is particularly annoying, similar to her infamous Caged No More role.  Other cast members are not the worst at acting, but they are not the best either.  There are some attempts to coach them, but there are just too many extreme emotions, including yelling and screaming outburst.  At times, line delivery comes off as too practiced, but there are enough good moments here to justify an average score.


Movies like this one know what they want to push on their audience or simply tell some specific audience what they want to hear.  It’s fine to want to discuss important issues in the context of a film, but treating people like pawns or one-dimensional problems doesn’t do any service to your cause.  Most people will see right through such attempts, which will only further contribute to the negative image of Christianity that films like Grandma’s House seek to reinforce for some reason.


Final Rating: 3.5 out of 10 points



Caged No More (Movie Review)

Plot Summary

Aggie never thought it would turn out this way.  She had always cared for Elle and Skye, the daughters of the family whose house she cleaned.  But when they disappear along with their father, Aggie feels like she has to care for the distraught mother left behind.  However, when the mother commits suicide, a string of events are set into motion that alert Aggie to sinister activity that Elle and Skye might be caught up in.  Therefore, she takes a leap of faith to get the help she needs in order to get her girls back.  As the journey takes her across two continents, Aggie clings to faith in God and to the hope that she will find her girls again.


Production Quality (.5 point)

It seems like the creators of Caged No More had good intentions, but not the resources to pull it off properly.  They likely bit off a larger portion than they could chew.  At least the video quality is clear, which is something most new Christian movies are finally getting right.  The audio quality is passable.  The camera work is okay; sometimes it tries to be too ‘dramatic’ and it comes off wrong.  However, the lighting is very inconsistent.  Some scenes are very dark, seemingly on purpose, but it doesn’t make any sense.  What’s more, the sets are too limited for this scope of a plot.  The surroundings are fairly realistic but sometimes seem empty.  Speaking of scope, the editing of this film is deplorable.  As will be discussed next, Caged No More is a collection of spliced together sequences forced to fit together.  In short, while the effort is applaudable, the delivery is frustrating to watch.

Plot and Storyline Quality (.5 point)

Caged No More is built on a very choppy plot that is patched together with constant narration that either reminds us what just happened or explains something that happened off screen.  There is no coherence between subplots, and the one interesting subplot is wasted and underdeveloped.  The storyline contains too many leaps in logic and is based far too much on coincidences and happenchance.  The characters are thin and empty, crafted with stiff and cardboard dialogue.  It’s really a shame that this review has to be so negative, because the genre this film is trying to break into is interesting.  The idea behind this film is quite interesting, but it is very much wasted potential.  Between the vague ending and the rushed plot, this film felt like it was just speeding to the sequel, but it gave us nothing to be interested in for in the sequel.  At this rate, there is little purpose in creating a sequel; money would be better spent on a remake.

Acting Quality (.5 point)

These cast members seem like they mean well, but they have been thrown into the mix with little to no coaching at all.  Emotions are very overdone and not believable.  Line delivery is forced and awkward.  Kevin Sorbo playing two different characters just doesn’t work at all.  Christian ‘celebrities’ are shoehorned into the cast only for the sake of having their name on it.  In short, there is some potential here, but it is not tapped.


Caged No More is a sad production in many ways.  It really could have been a great genre-breaking work based on an important topic, but it fell very short of the mark.  It pretends to be something bigger than it is.  Buried inside of it are good ideas, but they will likely be wasted as this movie is forgotten over time.  We desperately need different genres of Christian\inspirational films, but this is not the way to go about it.  Human trafficking is a highly important topic that needs to be exposed, but this isn’t the way.  I hope a lesson can be learned here that will make a difference.


Final Rating: 1.5 out of 10 points