The Chosen, Season 2 (Series Review)

Producer of Bible-Based TV Show 'The Chosen' Shares S2 On-Set Update

Plot Summary

After Jesus launched his public earthly ministry and took it to the next level by going to Samaria, the disciples thought that everything would be easy for them. However, things don’t pan out the way that they expect as they struggle with group dynamics, dark pasts, and outside opposition. In the end, as Jesus prepares for a sermon that will take His ministry to the next level, the disciples have to come to terms with what their new life means and what the Messiah has come to truly accomplish.

Production Quality (2.5 points)

Many aspects of the production of Season 2 have greatly improved from Season 1, most notably the camera work, sets, and locations. However, for the most part, this talented team retained the authenticity and grittiness that was captured in Season 1 despite having more to work with. Camera work, video quality, and audio are all top-notch. Sets, locations, and props are realistic and culturally accurate. There are virtually no editing problems, so the only minor nitpick here is the fact that a few key moments are lacking the soundtrack that has come to be one of the core tenets of The Chosen. It’s unclear why this was the case, but it takes the wind out of the sails in certain circumstances. Nonetheless, this is another top-quality production that’s worthy of a high score.

Plot and Storyline Quality (2.5 points)

It’s undeniable that the writers of The Chosen put much effort into making sure that the narrative is engaging and as accurate as possible. Season 2 is full of relatable and deep character arcs that portray the human experience and progress in realistic ways. Dialogue and conversations are excellent although slightly lacking some of the philosophy that we grew to love in Season 1. In Season 2, we get to watch a plausible interpretation of how the disciples might have interacted and how outside groups like the Pharisees and Romans may have approached Jesus in His early earthly ministry. There’s no doubt that the creators took the storytelling of the series to the next level by building intrigue and backstory for the outside events that were likely surrounding Jesus’ earthly ministry. For the most part, all characters are depicted as nuanced and motivated by various factors rather than all good or all bad. Further, the world-building in this season is superb as the writers demonstrate firm commitment to exploring and portraying the first-century Jewish culture in which Jesus lived. The main contention in this section that prevents a perfect score is the somewhat disjointed ending to the season. Some leaps in logic are taken to force a certain point, and the core philosophy of the show is temporarily abandoned just so certain moments can happen. This conclusion seems out-of-place compared to the rest of the season, which is disappointing since it’s the last thing that is seen. Nonetheless, there is still plenty to celebrate in this season as this plot is still very high quality.

Acting Quality (2.5 points)

For the most part, The Chosen, Season 2 picks up right where the first season left off in the acting department. Sporting an extremely talented cast of culturally authentic members, the learned accents enhance the realistic experience. Nearly 95% of all performances are very strong, including emotions and line delivery in key moments. However, there are a few missteps that keep this section from being perfect. For instance, Noah James is expected to do a lot more than his acting range allows him to do, which is a drag. Other scenes are obviously one-takes due to extenuating circumstances, so this is an unfortunate fact. In the end, however, this section still receives a very high score due to loaded talent.

Continuity Quality (3 points)

The writers of The Chosen are clearly skilled in establishing setups and payoffs in their narratives. In Season 2, character arcs and storylines are also superb. No scene is wasted, and logical reasons are given for why things happen. As previously mentioned, the world-building of this series is unparalleled as the viewer is drawn into an authentic experience in first-century Judea. There are virtually no errors in this section.


The Chosen, Season 2 receives one x-factor point for attention to detail and making everything count. However, unlike the first season, this follow-up seasons does not receive the other x-factor point for rewatchability. It was evident during the lead-up to this season that Season 2 would be one that sets up many future events, and this assertion was definitely true. Set-up is necessary, but it doesn’t always produce rewatchability. Nonetheless, we respect what is being done here since it will hopefully make future seasons even better. One word of caution that we have to offer is that, much like Jesus’ ministry in the series is becoming more popular, as The Chosen increases in real-world popularity, especially among the Christian elite, the creative team will face an even more daunting task of avoiding the accidental creation of an echo chamber. We love The Chosen and everything that they are doing, and there were many enjoyable moments that make Season 2 worth your time (and land the season on the Hall of Fame). Because we care about The Chosen and the team behind it, we feel the need to offer a small warning about the future of this series: don’t let it go the way of all Christian projects. Stay committed to being different and doing what God wants you to do.

Final Rating: 11.5 out of 14 points


Cowboy & Indiana (Movie Review)

Cowboy and Indiana" movie set to premiere June 8 in West Monroe

Plot Summary

Tyler Hughes used to be a big-time rodeo cowboy, but he got down on his luck through a series of bad choices. Now, he’s in and out of court, which where he gets sentenced to be a special mentor for “troubled kids.” Accompanied by his former girlfriend-turned-social-worker, what could go wrong as Tyler plays white savior for a kid from the “other neighborhood”? Also, several other characters do some stuff with bull riding in this incredibly long film.

Production Quality (2 points)

Production is easily Cowboy & Indiana‘s strongest suit. Camera work, video quality, and audio quality are all professional except for some slightly inconsistent filming techniques. Lighting, sets, locations, and props are all acceptable, however. The soundtrack is somewhat interesting, and the only issues with this section pertain to editing. This aspect is a bit uneven at times, but it’s not enough to pull this area below the average mark.

Plot and Storyline Quality (.5 point)

Besides being a white savior plot, the premise of Cowboy & Indiana is so trumped up that it doesn’t even seem legally sound or realistic. This causes some subtly racist undertones and a lot of patriarchal message-pushing that treats women like they’re incapable of making decisions without men around. In addition, the characters are very thin due to poorly developed dialogue and conversations, wasted scenes and sequences, excessive sports montages, and silly coincidences that make the story go where it wants to go. This narrative steering creates very steep character arcs that aren’t justified and strip the movie of any central purpose or themes. Despite some good flashbacks and acceptable dialogue in the screenplay’s second half that keeps this section from being zero, it’s just too little, too late. By the time the conclusion rolls around, it seems like the writers tried to make up for lost time by forcing things forward at a rapid pace, which produces a rushed epilogue with tons of expository dialogue that patches everything up at a breakneck speed. Needless to say, the small amount of positive in this portion just isn’t enough.

Acting Quality (1.5 points)

At least the acting of Cowboy & Indiana is basically average. There’s nothing too bad or too good about it. Emotional and line delivery are just right down the middle with some being less than acceptable and the rest being fine. Overall, however, this rounds out an underwhelming effort.


It’s clear that this film was based on a lot of random ideas, some of which were better than others. Nonetheless, there are just too many eyebrow-raising elements here, such as the shaky legal basis. The veiled racism and patriarchy are also obvious concerns to contend with. Even without these problems, the sheer amount of content is simply overwhelming for anyone. Thus, during the creative process, it’s better to slow things down and invite God into the situation to see if you’re even meant to move forward with your project.

Final Rating: 4 out of 10 points