The Holy Roller (Movie Review)

Plot Summary

Luke is a struggling pastor with no real congregation.  Thus, inspired by the rantings of a homeless man, he decides to take his ministry to the streets.  There, he crosses paths with a desperate bar owner, Simon, who’s in need of some quick cash to pay off his gambling debts.  Inspired by a prosperity-preaching televangelist, Simon convinces Luke to start a church in his bar to raise the funds he needs, using a message of prosperity.  However, things don’t go as planned, and Luke discovers what real ministry is about.

 

Production Quality (2 points)

The Holy Roller has a surprisingly fine production, including good video quality, camera work, and audio quality.  The soundtrack is also fine, although there are a lot of musical montages.  Sets, locations, and props are mostly realistic and appropriate.  The only other issue to point out here is the choppy editing that includes too much fluff content and too many odd cuts.  However, despite these issues, this is a pretty standard production that looks good on the surface.

Plot and Storyline Quality (0 points)

This obviously quirky premise is meant to be a comedy, but it really just comes off as very forced and dry.  The humor is too off-the-wall and awkward to be funny.  It’s really trying too hard to be something it’s not, and it seems like satire is purposely eccentric, even though it falls flat.  Besides this, there is too much forced drama as the story rushes along at a breakneck pace that leaves no room for character development.  This leaves the characters very shallow and empty.  The fast pace of things also stunts any sense of reality and leaves the viewer disoriented and confused, without any ability to relate the struggles of the characters.  Basically, this is a dramedy that skates on top of everything so quickly that it’s over before you know it.  Actually, that might be a good thing.

Acting Quality (1 point)

This amateur cast seems like they are acting purposely awkward most of the time as they struggle to get their lines out.  Emotions are either too dorky or too forced.  However, there are some good moments here, and there would have been more if there had been better coaching.  Some things just weren’t meant to be, I guess.

Conclusion

Small church films like The Holy Roller struggles for identity and specialty in a sea of a myriad small church films vying for attention and views.  Unfortunately, not many of them actually make it to the next level, and most of them get stuck where The Holy Roller gets stuck: in shoulder-shrugging mediocrity.  The status of these sorts of movies can only be ‘better luck next time.’

 

Final Rating: 3 out of 10 points

 

The Ride: A Christmas Eve Parable (Movie Review)

Plot Summary

When a burned out and bored taxi driver picks up a troubled character late at night on Christmas Eve, he just wants the night to be over.  However, as the night goes on, the taxi driver becomes more intrigued and even concerned about the nature of his passenger’s journey.  He tries to engage the passenger in conversation, but this is mostly unsuccessful.  Will he be able to get through to him before it’s too late?

 

Production Quality (2.5 points)

As an early film from Vertical Church, The Ride demonstrate production efficiency and quality, even in a shorter film.  Even before The Resurrection of Gavin Stone, this church has been committed to high quality films.  This is evident in this film’s great video quality, audio quality, and camera work.  The soundtrack is also creative.  Sets, locations, and props are appropriate for the film.  The only nitpick to point out here pertains to the editing, as there are a few dead scenes that stand out in the short film.  But this isn’t much to notice, and this film is presented in a very professional fashion.

Plot and Storyline Quality (1 point)

Though sometimes it is better to make a short film for a small idea, it is possible that The Ride is one instance in which this was not the case.  It seems like there was more content that could have been included in this plot, especially since the two main characters that are focused on are fairly well developed.  This is done through efficient dialogue that builds their backstories realistically.  The circumstances therein are believable and realistic.  Both serious and comedic moments are presented effectively.  However, as previously mentioned, we really wanted to see more from these characters, and perhaps other ones as well.  Moreover, it seems like this plot was written to be a short film, which is perfectly fine.  On the whole, this story shows just what Dallas Jenkins is capable of.

Acting Quality (3 points)

Rather than settle for only using inexperienced cast members from the local church, Dallas Jenkins and his team cast more experienced actors for the main roles.  Kirk B.R. Woller and Brad Heller are excellent in their respective roles.  This is possibly Brad Heller’s best role outside of Mom’s Night Out.  Overall, though this is a tiny cast, there are no acting errors to point out here.

Conclusion

Sometimes starting out small is better.  Dallas Jenkins made feature length films before this one, like Midnight Clear and What If, yet the former of these was not very good.  It’s possible that with the creation of short films, Dallas and his team were able to hone their skills better and produce a much better film in The Resurrection of Gavin Stone.  Moreover, as it is, The Ride demonstrates a lot of positive aspects that will make it an enjoyable film for many people this holiday season.

 

Final Rating: 6.5 out of 10 points

 

The Trial [2010] (Movie Review)

Plot Summary

After Kent “Mac” McClain’s wife and sons are tragically killed in a car accident, he just wants to end it all.  However, he is interrupted by a phone call and is given a new purpose by the person on the other end: to revive his law practice by taking on a special capital punishment case.  So he assembles a team and begins investigating, but the deeper he digs, the more fishy and complicated things become.  Mac soon finds himself not only fighting for the life of his defendant, but for his very own.

 

Production Quality (2 points)

The good thing is that Robert Whitlow does not settle for low to average quality productions when it comes to bringing his books to the big screen.  Video quality and camera work are very professional.  Sets and locations are realistic.  Audio quality is good, although the soundtrack is pedestrian.  Finally, the editing is sometimes effective in being suspenseful, but other times it is too choppy and exposes some missing time.  It seems like there is content missing that was cut from the original take due to length.  However, this is not done very well, as will be highlighted next.  But in the end, Whitlow, Gary Wheeler, and crew know how to put together a respectable production.

Plot and Storyline Quality (1.5 points)

Whitlow clearly knows legal procedure and is the right person to be writing legal suspense.  The premise of this plot is therefore realistic and is filled with fairly believable, down-to-earth characters and pretty good dialogue.  However, as previously mentioned, there needs to be more useful content included and few melancholy scenes.  Also, Whitlow has a tendency towards overdone drama, which is also present in The Trial.  Finally, there are a few too many coincidences in this plot and a rushed cheesy end that happens because it needed to.  The cheesy villain is given too much time to monologue about their evil plan, although it’s unclear why they did what they did.  All in all, this is once again a respectable effort, but perhaps not the best Whitlow book to choose for a movie.

Acting Quality (2.5 points)

Acting is this film’s strongest suit as each cast member fits his or her character perfectly.  There is also a presence of clear acting coaching, which is likely the influence of Gary Wheeler, a student of the Kendrick brothers.  Although there are some minor errors that keep this section from being perfect, this casting job shows how it’s done.

Conclusion

The saddest part about this film is that, based on the market availability of Christian movies, films like The Trial seem really good.  In reality, this should be the baseline of quality, not the improvement.  While it is not good enough to be Hall of Fame, The Trial is good enough to be interesting, although it may not capture the attention of many audiences.  Gary Wheeler has a lot of potential as a creator and needs to keep trying until he makes that breakthrough to greatness.  He has great hope for the future.

 

Final Rating: 6 out of 10 points

 

Jimmy [2013] (Movie Review)

Plot Summary

Jimmy Mitchell is a special boy.  Though he is afraid of water, he is able to see angelic beings known he calls ‘Watchers’ all over his small mountain town.  His father is a defense attorney and his mother is a clerk at the local courthouse, so Jimmy is not unfamiliar with the legal process.  But he is still unsure of what to do when he overhears one of his father’s clients planning to commit a crime, even though he has been recently acquitted.  Jimmy must determine whether or not he is going to overcome his fear to do the right thing no matter what.

 

Production Quality (2 points)

As is the custom for Whitlow Films, the production quality of Jimmy is above average.  The camera work is solid and the camera work is mostly good.  The video quality and sound quality are good, but not great.  The sets, locations, and props are authentic.  Overall, there is not much else to be said here—the production of Jimmy is neither extremely negative nor game-changing.  However, it is a step above most Christian films and is likely the best they could have done with the resources available.

Plot and Storyline Quality (1.5 points)

Adapted from another Robert Whitlow book, the plot of Jimmy is solid for a down to earth small town story.  The characters are true to life and their emotional struggles are real.  Unfortunately, the book’s plot is more dynamic than that of the movie’s.  The adaptation is not fully complete and the movie seems subdued and muted.  There is nothing glaringly wrong with the plot of Jimmy, but it just doesn’t make it past the average mark.  In addition to this, to no one’s surprise, Whitlow elected to use the alternate ending of the novel for the movie.  We felt that the alternate ending is what makes the book as creative as it is.  Without it, the storyline seems incomplete.  Therefore, as is reflected by the score, Jimmy is reduced to an average plot.

Acting Quality (2.5 points)

The acting is the strongest point of this film.  The film is well-cast and the actors and actresses are well coached.  The only thing that keeps this portion from being perfect is its lack of excellent quality.  The acting is great, but not excellent.

Conclusion

Jimmy is a heartwarming film that portrays special needs people in a very good way.  Though Robert Whitlow sometimes tends to be too sensational, Jimmy avoids this pitfall.  It contains creative conceptions of what special needs people may experience.  The bottom line is that the important message of this film should not be missed: all people deserved to be treated as humans created by God.  Thankfully, this message is not marred by awful production like many Christian films.  It is only too bad that Jimmy was not dynamic enough to make the Hall of Fame.

 

Final Rating: 6 out of 10 points