When Hope Calls, Season 1 (Series Review)

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It’s like When Calls the Heart on an obscure streaming service!

Plot Summary

When Lillian and Grace, two orphan siblings, agreed to travel to a new town to run an orphanage, they had no idea what would be in store for them. Of course, they probably could have made an educated guess since they went from Hope Valley to a basic copy of this fantastical borough. This new town has equally important aspects as Hope Valley, such as the obligatory town doctor, the expected general store, and of course, a predictably hair-gelled Mountie just waiting to get hitched. What else could fans of When Calls the Heart want besides another series on the cable channel rather than on a streaming service nobody uses?

Production Quality (1.5 points)
The budget for When Hope Calls (WHC) is clearly lower than When Calls the Heart (WCTH), and this is most strikingly obvious in the poorly constructed town set that looks like a bunch of clapboard buildings plopped in the middle of a mowed-over field. The structures’ false fronts are also too much. This aside, must like WCTH, WHC is limited to just a few select sets, props, and locations, and there are some cheap special effects on top of this. Nonetheless, the production is aided by typically fine video quality, audio quality, and camera work, even if the soundtrack is pedestrian and boring. The editing tends to lag at times, such as leaving scenes running too long, but this production is overall just average.

Plot and Storyline Quality (0 points)
Much like its parent show, not very significant happens throughout the course of the WHC “plot.” The only remotely interesting elements are used up by the third episode as the series devolves into typical small-town romance nonsense. If it’s possible, the characters are much more blank and cardboard in WHC than in WCTH even if they are less sappy in the former. This is created by a lot of stiff and awkward attempts at conversations as some characters seem to be mysteriously concealing things that are never revealed while others seem to wonder why they are even there. The dialogue is very stock and phoned-in, which creates wooden characters, and the so-called comedic elements are beyond cheesy. Any struggles the characters experience can’t be adequately related to because they seem so plastic and forced. Elsewhere, the town setup is shockingly unrealistic on a historical level, and the Christian themes are very shoehorned in. In the end, with no driving purpose or actual point, the first season’s story is basically just a lot of trumped-up drama with nothing substantial to back it up.

Acting Quality (1 point)
In keeping with Michael Landon Jr.’s common practices, the cast of WHC appears to be as fake as WCTH’s (except not as over the top). This includes how they interact with each other as well as what they look like. On appearances, none of them look historically accurate except for some slight attempts at realistic costuming. When it comes to acting, line delivery seems laborious for some cast members while others seem bored with their roles. Emotions overall seemed forced and unnatural. Some cast members show potential in different roles but don’t live up to their full potential. In the end, this section’s rating is basically expected.

Continuity Quality (.5 point)
As previously mentioned, the best potential for engaging continuity is quickly discarded in the beginning and replaced with drab procedural recurrences. In the middle and at the end of the season, many of the episodes run together and feel like the same thing is happening over and over again. Then, this is culminated with an awkwardly forced climax and alleged cliff-hanger ending in the final episode. Basically, this season doesn’t have much going for it.

Conclusion

What else is there to say? Shows like When Hope Calls have a specific purpose in mind and do whatever it takes to fulfill that purpose. The storylines are predetermined, the production is as cheap as possible, and the cast is as pageantry as expected. All of these criteria are tailor-made for a reason, so we have to commend MLJ and company for at least being consistent in their poor novel adaptations. Why not try to capitalize on the success of a series like When Calls the Heart? However, what is it ultimately accomplishing besides creating more sub-par Christian entertainment?

Final Rating: 3 out of 14 points

Christmas Child (Movie Review)

Plot Summary

Jack Davenport loved his adoptive parents, but he always wanted to know who his real parents were.  So when his adoptive father dies and Jack finds a clue in his belongings that could speak to Jack’s biological parents, he decides to go to a small town in Texas that could hold some answers for him.  He and his wife have grown distant from each other, so she lets him go without telling him that she is carrying their first child.  Jack hopes to find what he is looking for, but that he doesn’t know is that the answers he is looking for are not what he thinks.

 

Production Quality (1.5 points)

Christmas Child is a fairly respectable production.  It sports good camera work and professional audio quality, though the soundtrack leaves something to be desired.  Sets and locations are engaging and realistic.  However, there is some low video quality throughout.  The editing is also an issue as some scenes lag longer than they should while others are understated.  Overall, this is an average production that seemingly could have been better.

Plot and Storyline Quality (1.5 points)

Max Lucado is well known for his poignant plots, but Christmas Child was probably not the best one to choose to make a movie out of.  It’s basically just a typical small town plot filled with stereotypical characters that fit into molds.  However, the characters are at least down-to-earth and believable and their struggles are accessible.  There are some interesting elements and portions of dialogue, but the plot is reliant on too many coincidences.  Overall, this is very safe and pedestrian plot with no real plot twists than many will find enjoyment in.

Acting Quality (2.5 points)

The casting and acting is this film’s strongest suit.  The cast clearly knows what they are doing and have been coached well.  However, there are some lackluster lines and emotions that keep this section from being all that it could be.  Yet this should be an example of the baseline for acting in Christian films.

Conclusion

Many people love Max Lucado and will enjoy this movie.  There is nothing glaringly wrong with the movie, but we feel that Lucado has more to offer than this.  It’s always nice when movies portray people as regular and realistic, but Christmas Child as a whole is perhaps too slow for some audiences.  In short, as we have said before, this sort of movie should be commonplace in Christian film, not the exception to the rule.

 

Final Rating: 5.5 out of 10 points