The Ride {Rodeo} [1997] (Movie Review)

Plot Summary

Smokey Banks was one of the best bull riders in the field before he became consumed with alcohol and gambling.  After he finally hits rock bottom by getting himself in trouble, he will have to decide whether or not he wants to go to jail or if he wants to work at a troubled boys ranch teaching the residents how to be cowboys.  One of the boys, much to Smokey’s chagrin, becomes very attached to the fallen athlete and convinces Smokey to teach him how to ride a bull.  Little does Smokey know that his life will be forever changed as a result of coming to the ranch.

 

Production Quality (1.5 points)

For a late 1990s production, in keeping with usual Worldwide Pictures quality, The Ride is at least average, which was good for the time period.  The opening sequence is effective and seems like the most effort was put into it.  Camera work is good for the genre, though video quality is slightly grainy.  Audio quality is fine, but the soundtrack is generic.  Sets, locations, and props clearly had a lot of time put into them to make the film look realistic.  Yet the editing of The Ride is an issue as the film jumps around too much and confuses the audience.  Overall, this movie is passable and will be enjoyable to some audiences.

Plot and Storyline Quality (1 point)

This plot is a slightly typical fish-out-of-water plot featuring a spoiled and famous ‘city’ character being forced to live in the ‘wilderness’, yet it is fairly well done.  The characters therein are quite stereotypical, however, and fit into predetermined molds.  There is also not enough plot content as time is used on too many filler scenes.  Nevertheless, most of the dialogue is good and there are attempts to be meaningful.  But in the end, the plot progression is quite predictable, including many expected scenes and a silly romantic subplot.  In short, this is a fine effort, but it comes off a little bit lazy and phoned in.

Acting Quality (1 point)

For a supposedly professional cast, these performances are not what they should be.  There is far too much yelling and emotions are too extreme.  Line delivery is forceful and robotic throughout.  However, performances do improve in the second half of the film, although it is a little late.

Conclusion

Worldwide Pictures had stronger films than The Ride.  This one was perhaps before their prime and before they had fully honed the skills of quality film making.  The good thing is that they did not stay at this lower quality for very long.  But it’s a shame that they stopped making films after Last Flight Out, because, as pioneers in the field, they could have continued to adapt and change and still be a force to be reckoned with.  Perhaps they will once again take up film making as a mode of evangelism one day.

 

Final Rating: 3.5 out of 10 points

 

The Omega Code 2: Megiddo (Movie Review)

Just wait until I turn into a monster…

Plot Summary

Stone Alexander always craved power and always knew that he was meant for something bigger.  As he grew up and rose through the ranks of the military, he was ruthless and unfeeling.  His own family never understood him, especially his brother.  The older he became, the deeper he became involved in darkness and evil.  Stone quickly became a raving, power-hungry madman committed to do anything to achieve world domination.  Ultimately, it comes down to the differing choices of the two brothers and how they affected humanity.

 

Production Quality (1.5 points)

Needless to say, The Omega Code 2: Megiddo has better production than the previous installment, The Omega Code 1.  Sets, locations, and props are all fairly professional and camera work has improved.  Video and audio quality are also improved, and the soundtrack is intriguing.  However, there are still cheesy special effects and confusing crossfades.  Editing is overall okay, but there is too much useless footage that drags down the film.  In the end, this is just an average production.

Plot and Storyline Quality (.5 point)

Though it portrays an odd view of the Thousand Year Reign, this story shows an interesting side to the development of the antichrist.  Thus, it jumps back in time to before the first movie ever began and works its way up to where the first film left off.  However, it does fill in missing parts from The Omega Code 1, which becomes sort of a crutch to ‘fix’ the first film.  Also, this filling in is not done in the best way as it relies on information dump dialogue, time jumps, and of course, over-dramatization and sensationalism.  There is, as usual, an addiction to creepy and weird spiritual elements and a fixation on the demonic.  This story gives tons of attention to Satan and barely any to Jesus and Christianity.  Finally, similar to the first one, as this movie goes on, it gets stranger and stranger until it boils down to a very bizarre ending that leaves you scratching your head.  When all is said and done, the plots of the two Omega Code films are the same—ridiculous.

Acting Quality (1.5 points)

Acting somewhat improves between the two films, but there are still problems here.  Lines are sometimes overly practiced and emotions are often over-the-top and extreme.  However, not all is bad here and there are some bright spots.  In the end, this portion is also just average.

Conclusion

What was ever to be gained from The Omega Code series?  Megiddo barely has any reference to the original dubious premise of printing out codes supposedly hidden in the Torah.  It’s highly unlikely anybody but white evangelical Christians will ever see these disasters, but if anybody else did, they would probably find a good laugh and then forget about them.  The creepy obsession with the demonic in these films does nothing but fuel sensationalism and the messaging only preaches to the choir.  In short, these films are utterly useless and have no part on Christian entertainment.

 

Final Rating: 3.5 out of 10 points