Doug Holloway’s charter plane business is struggling, and his marriage is strained by busyness. On top of all of this, he receives word that his biological father is having medical complications and may be ruled psychologically incompetent. When Doug arrives at his father’s house, he discovers that he is half-crazy and is obsessed with solving his theory of the universe before he dies so that he can know whether or not God exists. Will he find out before it’s too late for him?
Production Quality (1.5 points)
The Theory of Everything begins as a very rough production, including some unusually crazy camera work and strangely poor lighting. There are also some odd sound effects and an odd soundtrack. Another strange element is the unusual use of overlaid and disorienting audio throughout. This goes without mentioning the wild cuts and transitions that make for a confusing experience. However, the good thing is that there is production improvement throughout, even though it has a lot of strange elements in the beginning. These factors are hard to overlook, but at least the production becomes more palatable as it goes on. Ultimately, it is an average production that needs some further work.
Plot and Storyline Quality (.5 point)
The best thing you can say for this plot is that it is trying to be different. However, in doing so, it is too confusing. It includes random Christmas elements and a lot of other random ideas that need severe organization. At times, there are far too many things going on at once. Thus, the story tends to lack focus and overall purpose. The characters begin flat, but they do become more realistic as the story finds a better focus in the second half. For the most part, dialogue is fine. However, despite the improvement near the end, things become too rushed, which is a product of the whirlwind beginning. In the end, it comes off as an incomplete idea in need of some serious direction and reorganization. While this was a creative idea, unfortunately, it needs a major rewrite in order to become understandable.
Acting Quality (2 points)
Like the other elements of this film, the acting begins a bit raw and under-coached, yet it shows definite improvement as it goes on. The cast members settle into their roles better as the movie progresses, even though there are some annoying arguing sequences. Yet for the most part, emotions are realistic and line delivery is on point, thus rounding out an above average section.
Regardless, this film cannot shake its rocky start, and it thus falls short of what it could be. However, these ideas are good enough to be used in a different context, with better production quality and a more organized storyline. Thus, The Theory of Everything joins the ranks of films that are almost there and are thus in need a remake or a redo.
Final Rating: 4 out of 10 points