Hilton Head Island, Season 2 (Series Review)

Plot Summary

Following the critically denounced blockbuster debut season of Hilton Head Island, which is the world’s first ever Hope Opera, the second season appeared on PureFlix On Demand in a similar fashion as the first with no warning or marketing to proceed its release.  Nevertheless, the second season picks up at the cliffhanger where the first left off–only this time, the cast is smaller and the green screens are more obvious.  Daniel Trisk has woken up from his partially fake coma, and he’s taking the Isle News Network back over (as if anybody was watching it in the first place).  As he shakes up the staff and whips people into shape, we actually get some looks at what they actually play on their fake channel.  However, as usual, there’s a lot of trumped-up intrigue and fake drama that will have you rolling your eyes along with us.

 

Production Quality (1 point)

The second season of this ridiculous excuse for entertainment is just as cheap – probably cheaper – than they first season.  Although video quality is fine, the camera is constantly shifting around even though every shot is already as tight as possible to hide the fact that this nonsense was entirely filmed in a set.  This set was complete with a very poorly constructed green screen that gives the characters special outlines and sometimes bleeds through objects on camera.  The only parts that aren’t filmed in front of a green screen (there might have been one real set in there somewhere) utilize the exact same stock footage sequences we saw from the first season – including the ones of the false exterior of the network building that’s used about 4843928 times.  The rest of the stock footage has nobody in it, as if this island is completely abandoned save for our favorite main characters (some of which have already left the show).  Since the stock footage takes up nearly half of each very short episode, there’s little that can be accomplished.  Elsewhere, the soundtrack is cheesy and generic, and every scene feels like it begins just as characters start doing things rather than having it flow into things that are already naturally happening.  Finally, the introduction sequence was seriously made on Windows Movie Maker.  That’s about it for this section.

Plot and Storyline Quality (-1 points)

Where to start?  How about with the weird Christian worldview that earns this section a negative point?  As if Wink Martindale weren’t a bad enough TV preacher impersonator, we get strange lectures from the very white, awkward, and geriatric patriarch of the Trisk family about how Christianity is all about legalism and behavior modification (the token black woman gets to say a few things about this topic too).  All of the dialogue is overly dramatic, and Bible verses are used in bizarre ways.  In typical soap opera form, the ‘story’ is chock-full of forced and fake drama as the subplots fragment all over the place and as conversations are used to dump information onto the audience, especially when explaining where the missing cast members went.  There’s still so much going on here that there is no chance for any character or plot depth, as if the writers even knew how to do that in the first place.  The ‘plot’ jumps from one thing to the next as the characters are just stand-ins and representations of issues and circumstances.  Nearly 60% of the plot takes place in the context of phone conversations, and Christian tropes and trite lessons inserted awkwardly into so-called stories.  In typical PureFlix fashion, young people are portrayed in insulting ways as the series basically has no grasp on reality.  A lot of ‘good’ characters are questionable at being ‘good’, and the ‘bad’ characters are total strawmen to the point that it’s not even funny.  Basically, I think you can get the picture that there’s nothing good here and that there’s not even an ounce of potential in this garbage.

Acting Quality (0 points)

To say the least, this ever-shrinking cast exhibits some of the worst acting possible.  Line delivery is forced down your throat like cast members are saying lines through a strainer.  Attempts at emotions are like fingernails in a chalkboard.  A majority of the scenes appear to be one-take as cast members awkwardly stand around making annoyingly stereotypic movements and just mindlessly recite lines.  This doesn’t even cover the fact that this cast is extremely fake-looking, and the makeup work is atrocious.  It’s really no surprise that this cast is smaller than the first season (even Donna Mills had something better to do), but we can’t even do without Carey Scott’s stiff and wooden performances.  As a side note, most the time, it seems like Anna Zielinki is trolling – it’s either that, or she’s a terrible villain.  Further, there are basically no extras in this cast, which lends further to the portrayal of Hilton Head Island as a ghost town.

Continuity Quality (1 point)

Although there is some continuity between episodes, there is still little to no organization in this series.  It’s nearly impossible to accomplish anything substantial in incredibly short episodes that are replete with stock footage.  It’s also too easy to make mindless 20-minute episodes, especially when this second season is half the length of the first.  However, for all the die-hard Hilton Head Island fans, Season 2 provides us with yet another forced cliffhanger ending that’s designed to make you want another season (if they have any cast members left by then).

Conclusion

PureFlix makes garbage and just keeps trucking along.  You can’t fault them for having drive.  They try new things and attempt to pander to their audience for quick cash grabs.  Even still, I greatly fail to see the market for this ‘Hope Opera’.  There’s definitely an untapped market for good Christian series, but this ain’t the way.  This is the last thing you want in a Christian series unless you have nothing better to do with your free month of PureFlix On Demand.

 

Final Rating: 1 out of 10 points

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Hilton Head Island, Season 1 (Series Review)

Plot Summary

The powerful Trisk family funs the influence ISLE News Network, and they are headed up by the patriarch Daniel Trisk.  However, when he has a sudden stroke on air, the entire empire is threatened.  Victoria Trisk, wife of Daniel, wields her power over the family while her husband lays in a coma.  Everyone in the family has a secret to guard, and each one of them wants the upper hand in the ISLE News Network business.  Will they remember their Christian faith and learn what really matters in the midst of all their conspiracies?

 

Production Quality (1 point)

Though there are attempts at making this ‘hope opera’ series a good production, many of them fall flat.  Beginning with a disorienting opening sequence and continuing with time and location captions, this series commits quite a few errors.  Though location footage is excellent, we never see the characters go to any of those places and instead are forced to watch them awkwardly stand around in cheap and limited indoor sets and in front of painfully obvious green screens.  Issues like these seem to suggest the PureFlix team didn’t know what they were doing with this series, even though video quality, camera work, and audio quality are fine.  The soundtrack is mostly generic, and there is a lot of awkward editing throughout, including lingering scenes and fadeouts.  Unfortunately, a lot of this series’ production is a cover for shortcuts and cheaply done work.

Plot and Storyline Quality (.5 point)

This ‘hope opera’ also commits pretty much all of the clichés that exist in the severely limited genre of soap operas.  Everything is overly dramatic for no reason, and every conflict seems forced and trumped up, as well as the premise itself.  It feels like this series exists in some alternate world, like a child’s play world, rather than the real world.  Most, if not all, of the characters are annoying and impressed with themselves as most of their dialogue is filled with information dumps of things that happened off screen.  For that matter, there is a lot of talk about these characters doing media work, but we rarely see any of it.  The Christian themes therein are extremely forced and plastic; however, near the end of this season, things take a sudden turn towards remotely interesting rather than the previous fingernails-in-the-chalkboard style they were going for.  Unfortunately, this is too little too late as too many loose ends and unnecessary subplots are introduced in the latter half of the season.  Though there are some interesting attempts at creating flawed characters, it’s just not enough to save this series from itself.

Acting Quality (1 point)

The cast of Hilton Head Island is perhaps among the most plastic-looking and fake-looking we have ever seen, including Hallmark casts.  The makeup work in this film is freakishly awful and out of place.  Besides this pageantry, as previously mentioned, cast members stand around awkwardly like they don’t know what to do.  Their line delivery is unnatural and stilted, while emotions are very wooden and forced.  A lot of the time, they are trying way too hard, especially in scenes that are supposed to have high emotion.  However, there is some improvement noted throughout that keeps this section from being zero.  As a side note, why did Bradley Dorsey choose this mess to restart his acting career with?

Continuity Quality (1 point)

Most of the time, episodes break and transition in the oddest ways.  Also, the same old transition sequences are used over and over again between scenes.  Though there are some attempts at character backstory, many concepts tend to recycle and repeat themselves throughout this series.  There are also way too many subplots going on for any hope of organization to exist.

Conclusion

Once again, PureFlix tries to breach new territory in the Christian entertainment world, and once again, it’s a swing and a miss.  We definitely need a series that has intrigue, conspiracy, and flawed characters with no clear heroes, but this is not the way to do it.  The soap opera mentality is doomed to failure from the start, and the plastic Christian message of this series is laughable, not to mention the utter pageantry embarrassment that this cast is.  Better luck next time, PureFlix.

 

Final Rating: 3.5 out of 14 points

 

Boonville Redemption (Movie Review)

Plot Summary

Melinda was always told that she was an illegitimate child.  Her mother is superstitious and has a secret she is trying to hide as she is under the thumb of the ruthless Maddox, Melinda’s stepfather.  When Maddox sends Melinda away to Melinda’s grandmother, Melinda sees a whole new outlook on life, including insights into who her father really is.  She discovers that everyone in the small western town of Boonville is hiding a secret, and only courage and faith will help them to disclose what they need to disclose.

 

Production Quality (2 point)

Since there is a lot of mainstream experience on the production team, the production of Boonville Redemption is understandably professional.  Video quality, camera work, and audio quality are all what they should be.  The soundtrack is pedestrian, but the sets and locations are historically realistic.  The biggest errors to highlight here pertain to editing, as there are a lot of abrupt transitions and choppy sequences.  There is too much content that has been crammed into the 100-minute runtime of this film.  Basically, this film is professional on the surface, yet it lacks the necessary substance to be any better than it is.

Plot and Storyline Quality (0 points)

Though Boonville Redemption attempts to explore a unique plot style and genre, it does so in all the wrong ways.  Constant narration from the unnecessarily omniscient Pat Boone doesn’t leave anything to chance and makes sure the ending is obvious in the beginning.  Pretty much every character is a cheesy stereotype, especially the ridiculously monologuing villain.  The characters that have potential to be good are barely given any screen time, probably due to the large number of characters in general.  Though there is a lot of content, as previously mentioned, time is frivolously wasted on very unnecessary sequences.  Any good parts are very rushed and are drowned out by too many quirky elements.  Everything culminates in a gag-inducing “it’s my diary” climax sequence that really just puts the icing on this rotten cake.  Unfortunately, while this could have been a creative and interesting story, it falls very much short of expectations.

Acting Quality (2 points)

The good news is historical costuming is realistic, although there are some minor shades of Michael Landon Jr. frontier makeovers present.  The acting is mostly professional with only some minor errors, such as some overly dramatic moments.  If Edward Asner, Richard Tyson, and Pat Boone were removed from this cast, it would have been perfect.  But at least this casting job is somewhat palatable.

Conclusion

Boonville Redemption demonstrates mainstream professionalism in the production and acting departments, but the plot severely suffers from lack of creativity and forceful delivery.  Throwing a bunch of big name cast members into a well-funded production does not equal a good movie.  The story seems like it had too many writers in the story room, but that isn’t really the case.  Essentially, writers need to trust their audiences to figure things out rather than have Pat Boone tell them what to think about stuff.  Also, the last thing we needed was the Pat Boone credits number, but who really cares at this point?

 

Final Rating: 4 out of 10 points