The Taker’s Crown (Movie Review)

Plot Summary

When the legendary King Wiglaf becomes stuck in a time period not his own, he is tasked with finding the Titan thief Tome and procuring the Taker’s Crown before Tome can get to it.  It’s said that whoever holds the Taker’s Crown has immense power, but in order to get to it, Wiglaf must find his old friend the Maverick.  Along the way, he is accosted by the two troubled children of Tome, one of whom he tries to befriend.  Will Wiglaf be able to find the Crown before it’s too late?

 

Production Quality (1 point)

As a first-time production, The Taker’s Crown is an ambitious project that appears to have bitten off more than it can chew.  Video quality is fine, and the soundtrack is okay, yet the positives are limited to those two elements.  Camera work is much too shaky and there are a lot of weird camera angles.  Audio quality is inconsistent, with some overdubs and overdriven audio.  Sets and locations are fairly limited for the idea that is trying to be conveyed here, and props are downright laughable.  Finally, editing is quite bad as the film is very hard to understand and extremely difficult to follow.  Unfortunately, though a commendable effort was here, a successful follow-through was not.

Plot and Storyline Quality (.5 point)

The Taker’s Crown is intended to be the first in a series, and it’s trying to portray a large-scale fantasy idea.  This basic idea is the only thing that keeps this story from being zero, because while it’s a good idea, the intended epic nature of it does not come across in any way.  It was touched on in the production critique, yet setting this fantasy\sci-fi idea in some random woods, a street corner, somebody’s house, a random field, and a playground does not convey what the writers want to convey.  Besides this, the characters are extremely thin and one-dimensional.  Who are these people and how do they fit into this vague fantasy universe?  What is this universe and how does it work?  Is it an alternate world, a parallel universe, or a time travel concept?  These unanswered questions don’t even touch the fact that the dialogue is ridiculous and the plot progression is forced and predictable.  This film was basically written for the prologue and the epilogue and kills time in between them.  Maybe there’s a great idea in store for this series, but it’s certainly not evident in this installment.

Acting Quality (0 points)

Casting a collection of Crystal Creek Media retreads is not exactly the way to create a winning acting formula.  Tim Kaiser, Jared Withrow, and Tiffany Burns need some serious pointers when it comes to emotions and line delivery.  Elsewhere, this cast is very lacking in direction, though it’s not like they had any lines to work with.  Overall, this movie is a mess and needs a total rework.

Conclusion

We will air on the side of believing that Whiteshore Films has better things in store for this series, even though this is not entirely evident right now.  Wherever this series is going, hopefully it can only get better.  As it is, this film is predominantly a wreck and doesn’t have much going for it.  If this idea is going to succeed in the future, the premise needs to be explained way better, the production needs to be improved, and the cast needs to be revamped.  Perhaps then it will be a worthwhile series.

 

Final Rating: 1.5 out of 10 points

 

Advertisements

The King’s Messengers, Season 1 (Series Review)

Plot Summary

Anwaar Osem and David Sutherland are on the run from the powerful force that has taken over the American government and has sent its enforcers to capture and kill those who resist their anti-Christian rule.  As they hide in the woods, they decide to record the truth about Christianity for all the world to see, even though the enforcement tries to stamp it out.  Will they be able to spread the truth and save people’s lives before it’s too late?

 

Production Quality (.5 point)

Despite a somewhat strong beginning and several years of production experience, this Crystal Creek series is not what it should be.  Camera work is very shaky throughout, like a camcorder is being used.  Video quality is fine, but there are way too many scenes filmed in the dark.  Audio quality is also below standard as sound effects that sound like they came from Final: The Rapture are included.  The soundtrack is also underwhelming.  Sets, locations, and props are severely limited and cheap-looking.  Finally, editing in this series is very poor a lot of unnecessary scenes and sequences are included, seemingly just to make the ‘episodes’ longer.  In short, a 2017 production should be much higher quality than this.

Plot and Storyline Quality (0 points)

Though there are plenty of potentially interesting and creative ideas at the heart of this series, they are never properly developed.  This season overall lacks focus as it relies on a very vague and unexplained dystopian premise and stock suspense dialogue.  There are far too many unrelated and empty characters that are put through unrealistic circumstances.  The subplots are overall disjointed and any ‘twists’ that are employed are actually quite cheesy.  Finally, the end of this season is very confusing and really doesn’t inspire one to want a second season.  It’s very difficult to see the justification for this so-called series.

Acting Quality (1 point)

Can someone explain to us why Daniel Knudsen consistency uses an obviously fake British accent?  It’s very off-putting and annoying.  Elsewhere, this is a typical Crystal Creek cast with a few new additions that have some talent.  However, acting coaching is still lacking as a lot of the line delivery in this series is monotone and phoned in.  Emotions are difficult to grasp.  It’s possible that this cast could do better with coaching, however.

Continuity Quality (0 points)

Each so-called ‘episode’ is basically just the same plot over and over again.  Thus, there are no character arcs or real plot twists, as previously mentioned.  The format this ‘series’ is placed in makes it more like a movie than a season, since the breaks between the episodes are totally arbitrary and unnecessary.  They all run together, thus creating zero continuity.

Conclusion

We are certain that the Crystal Creek Media team means well, so we hope they will accept constructive criticism and use it improve in the future.  They have the drive to make movies and series, which is good, and they have the means to consistently produce them, though not very well.  They definitely like to build strong messages in their stories, but they need to build strong stories to hold their message properly.  They need to pool their resources to make one good production rather than a collection of bad ones.  Finally, their acting pool is limited, but they can be worked with if better coaching is employed.  We know all of this is easier said than done, but it’s so worth it in the end.

 

Final Rating: 1.5 out of 14 points