The Takeover [2013] (Movie Review)

Plot Summary

Jadin is an overconfident businessman (?) who trips all over himself and finds himself entangled with an eccentric ‘con artist’ who blackmails him into letting her stay with him.  She quickly takes over his house and invites a bunch of random people over.  All the while, Jadin is trying to please his mother and argue with the booming voice in the sky.  Will they ever be able to make sense of their lives?

 

Production Quality (.5 point)

Though this was a relatively well-funded production, only the video quality can be considered professional.  Camera work is far too shaky and includes odd camera angles and annoying close-ups.  Audio is unnecessarily overdriven at times and even overdubbed in some places.  The soundtrack is uninspiring.  Sets, locations, and props are fairly limited.  Finally, the editing is confusing and is likely nonexistent, thus making for a disorienting experience.  In the end, we are continually flabbergasted at the productions that are churned out by Strong Foundation Films.

Plot and Storyline Quality (-.5 point)

Compared to all of their other sad efforts to write stories, The Takeover is hands-down Strong Foundation’s most laughable and nonsensical story to date.  From start to finish, there is no way to know or understand what is happening from one moment to the next.  Random things keep happening, as if this is depicting a dream sequence.  Many of the elements included in this rambling diatribe either cause you to roll your eyes or double over laughing, including the absurd booming voice in the sky bit.  There is literally nothing good to say about any of this, and it’s so ridiculous that it warrants even a small amount of negative points just for being this way.  As far a screenwriting goes, you really can’t go much lower than this (unless you’re Kirk Cameron).

Acting Quality (-1 points)

Josiah David Warren posts his worst performance to date, as do the other typical cast members included here.  They are absurd, over the top, and sometimes whiny with their emotions, including far too much yelling.  Also, reminiscent of FaithHouse, there is a lot of terrible injury acting throughout this film.  Basically, there is really nothing good to say here.

Conclusion

Strong Foundation has been in a constant identity crisis from day one of their productions.  What do they really want to do in Christian film?  If they mean well and want to make a difference, then they need to take some serious strides to improve.  They need to find a way to spend their funding more wisely.  They need to hire a real screenwriter.  Finally, they need to either stop casting the same old actors and actresses (Josiah David Warren has worn out his welcome) or figure out how to invest in some coaching for them.  They are at a crossroads as a company and have some tough decisions to make.

 

Final Rating: -1 out of 10 points

 

Seventy Times Seven [2012] (Movie Review)

Plot Summary

David and Brayden are best friends, but when David marries the woman Brayden always loved, their friendship is greatly strained.  Brayden buries his sorrow in a relationship of his own, but he still stews and lets his anger grow.  Eventually, he is unable to contain it all and acts in desperation.  In the aftermath, will David be able to show the forgiveness that his wife always talked about?

 

Production Quality (1.5 points)

As another well-funded low-key production, Seventy Times Seven at least appears to have some funding well spent.  Video quality and camera work are fine, as is audio quality for once, even though the soundtrack is mindless.  Sets and locations are limited like usual, but props show some improvement.  Finally, there is once again no editing present as pretty much all available content is presented.  In the end, while this production shows some better stewardship of resources when compared to other Strong Foundation Films, it still only comes out as average.

Plot and Storyline Quality (0 points)

Similarly, this storyline is really no better than other Strong Foundation attempts at plots.  The characters are still empty and one-dimensional due to be drive by juvenile and simplistic dialogue.  There isn’t really enough plot content to sustain a full-length film, thus there are a lot of filler scenes.  Random things seem to happen for no particular reason, including some strange and laughable asides.  Finally, the Christian message doesn’t seem authentic and the overall thrust of the film is uninspiring.  Though it’s likely that Sun Hui East and her team mean well, they need to invest in better screenwriting.

Acting Quality (1 point)

Though this cast shows some more skills than past Strong Foundation casts, Josiah David Warren’s constant screen-time dominance always puts a damper on things due to his very unsure nature.  There is a lot of forced drama among these cast members and not enough professional line delivery.  While there is some good here, it’s not enough.

Conclusion

The film-making model adapted by companies like Strong Foundation, the one that advocates putting out as many films as possible, can give the company experience making productions, but it certainly does not produce quality movies.  We don’t need more low-quality Christian films flooding the market.  It would be one thing if companies would make beta test films that were not released, but this is not usually the case.  Maybe one day companies like Strong Foundation will finally hit the mark they are aiming for.

 

Final Rating: 2.5 out of 10 points