Clancy Once Again (Movie Review)

Image result for clancy once again
An actual copyrighted screenshot

Plot Summary

If you thought that Clancy ended where the title character died, you thought wrong (unless this head-scratching sequel is actually a long dream). After they appeared to be on the right track with Reading Kate, husband-and-wife film-making duo Jefferson and Kelly Worthington Moore have create an unnecessary follow-up to a film no one really remembers about characters the audience can’t connect with. In this sequel, Nick Best and Clancy are back to…do things…like get involved in street fighting (see copyrighted photo above) and usurp the rule of law because they feel like it. Beyond that, it’s hard to pinpoint what this movie’s actually about.

Production Quality (1 point)

As a fairly recent production, we should be seeing Moore more from Kelly’s Filmworks than this. While they have a flair for some creative camera angles and establishing shots at times, there are too many dark scenes in this film as well as a lot of silent portions that lack adequate soundtrack support. While video quality is mostly fine, sets, locations, and props are somewhat limited in scope, which doesn’t really hold the attention well. The most glaring problems that negatively affect the entire viewing experience relate to the high amount of long, drawn-out sequences that reflect lazy editing and a desperation to squeeze runtime from the thin amount of movie content. As a whole, while this production isn’t glaringly bad, it’s just not enough coming from a film outfit that’s produced more than five movies, especially since the field has higher production standards these days.

Plot and Storyline Quality (1 point)

The sole point given to this plot is only because of the hilarious exchange between the two main characters about Hallmark cards and Fakebook. Otherwise, there’s nothing to offer here. After the riveting opening sequence about the previous movie’s events, which appears to suggest Clancy Once Again is actually an alternate ending for the first one or some kind of dream sequence epilogue within the former film, this rendition of the uninteresting Clancy story is full of awkwardly useless conversations and complete with a cheesy villain return subplot. As it desperately grasps for content and purpose amidst a confused landscape and forced premise, unrealistic happenings move things along in order to create an unnecessary suspense feel. Full of coincidences and convenient turns, Clancy Once Again advocates for vigilante citizens taking matters into their own hands rather than trying to wait for the authorities. Obviously, there may be a time and place for this type of action, but the reasons behind it in this film are absurd. When all else fails to keep the runtime above ninety minutes, recycled footage from the first film everybody forgot about is right there to extend your viewing experience. In the end, there’s little else to be said except that this is the most unnecessary sequel in the history of unnecessary sequels (and there’s lots of those).

Acting Quality (1 point)

Jefferson Moore’s unusual preoccupation with Christina Fougnie continues in Clancy Once Again, and her acting skills have not improved with age. In this film, she comes off as even more full of herself as her line delivery is shrill and her emotional expressions are off-putting. Other cast members are bland and vanilla with Moore taking on his usual persona, which wouldn’t be all that bad if he actually had lines to work with. Most cast members seem to be phoning in their performances. One standout issue with this section is noticeably bad makeup throughout the whole cast (but most notably on Fougnie). In the end, this rounds out a subpar film lost in a growing sea of Christian movies that’s leaving the old guard behind.

Conclusion

Jefferson and Kelly were on the right track with Reading Kate, but they’ve lost their way again with a useless sequel to a boring film no one cared about in the first place. Where are they headed as movie creators? It’s hard to say, but they certainly won’t accept dissent or any constructive criticism. They do have experience and some production\writing skills to bring to the table, but they will only find true success in a collaborative environment. However, we somehow doubt this will ever happen since they’ve been content to operate on their own all these years. Thus, whatever talent they have will likely continue to go to waste.

Final Rating: 3 out of 10 points

Pieces of Easter {Backroads and Lillies} (Movie Review)

Plot Summary

While high-power executive Alza Bennet is on her way to see her parents, her sister, and her niece and nephew for Easter, who car breaks down, which leads to a serious of disastrous events, including her being stuck with a reclusive country farmer as her only option for transport.  Since she has not seen her family in over a year, Alza is desperate to get there on time, but things keep happening that delay their trip, not to mention the fact that she and her driver cannot get along at all.  But slowly, Alza begins to see the joy of simplicity away from her fast-paced life, even though she hates to be inconvenienced.

 

Production Quality (1.5 points)

Over the years, Kelly’s Filmworks has certainly improved their production quality.  In Pieces of Easter, video quality and audio quality are what they should be.  There are still some trademark Jefferson Moore artistic camera angles, but that’s his brand at this point.  The soundtrack is also random and cheesy and is seemingly made up of free music.  However, sets, locations, and props, are authentic and more diverse than usual.  Finally, the poor editing mostly holds this production back from being better.  Thus, it must be rated as average.  Though this is an improvement from the past, we still feel that they can do better.

Plot and Storyline Quality (.5 point)

Pieces of Easter is a better version of the typical Jefferson Moore two-character conversation plot because things actually happen outside of the drawn-out conversations, and they are actually less drawn out than usual and are broken up by some attempts at comedy.  However, not all of the comedy is funny and some of it is quite forced.  Though this storyline is a stereotypical fish-out-of-water plot, it is presented better and is likely as good as this type of limited story is going to get.  This is likely because attempts were made to develop the characters through dialogue, although they could be deeper.  The biggest drawbacks to this plot are the overly-plentiful dead scenes and goofy montages.  There are too many slow parts that don’t hold the attention and too many references to off-screen content.  Overall, though this is a nice try, it really doesn’t make it far enough.

Acting Quality (2 points)

With some slightly different than usual cast members, the acting is the strongest portion of this film.  However, some lines are still mumbled and some emotions are still over the top.  However, most cast members are placed in appropriate roles.  This overall rounds off a decent performance.

Conclusion

The Moores and the Kelly’s Filmworks team certainly never gives up.  They have been on a steady upward trend throughout their career.  Pieces of Easter is a far cry from low-quality productions like The Perfect Stranger saga and Clancy.  It demonstrates real effort to improve, which is encouraging.  With just a little but more work done on production, some continued casting quality, and more creative plots, this team will finally make their mark on Christian entertainment.

 

Final Rating: 4 out of 10 points

 

Clancy [2009] (Movie Review)

Plot Summary

Nick Best is a down on his luck veteran of the military who has chosen to live on the streets due to his drinking habits and his emotional issues.  But he is given a so-called second chance when the corrupt mayor of the city he hangs around tells the chief of police to offer a substantial amount of money to Nick for him to keep, Clancy, a runaway abused girl for a week so that the mayor, who is losing his reelection campaign, can have a media field day.  Skeptical of this elaborate scheme, Nick decides to take the girl under his wing to protect her, but he soon finds that she is changing his outlook on life.

 

Production Quality (.5 point)

Why do Kelly’s Filmworks productions always look so drab?  It’s like they were all filmed in cloudy weather.  Though the video quality of Clancy is fine, the camera work is atrocious, including very tight shots and shaky camera work that looks like it was literally filmed in an alley with a camcorder.  Thus, the lighting is very inconsistent and there are constant loud outside sounds.  There is no soundtrack to speak of—just background silence.  Sets and locations are very cheap—no thought was given to making them look interesting.  Finally, there is absolutely no editing as all content is included—and we mean all content.  Every Jefferson Moore silent staring scene is here.  In short, the continual creation of Kelly’s Filmworks productions is baffling to us.  They obviously aren’t spending much money on these, but what is the real point if it’s going to look this bad?

Plot and Storyline Quality (0 points)

Clancy includes perhaps the most trumped up scheme possible.  Who really believes that a corrupt mayor (aka the most cheesy villain available besides Goliath from Timothy Chey’s David and Goliath) would pay off a random homeless guy to keep an abused girl ‘safe’ for a week in order to boost reelection chances?  In what universe would that work?  Most importantly, why do we need a movie about this?  Why do we need to be forced to see long sequences of characters (mostly Jefferson Moore) wandering around and staring into the distance?  There is no way this is going to hold anyone’s attention, especially when the dialogue is extremely void and lackadaisical.  The story is based on far too many coincidences to keep it going and there is so little content here that we can hardly believe the runtime lasted as long as it did.  All we can say is that we were glad when it was over.

Acting Quality (0 points)

Recycling the same old cast members from Kelly’s Filmworks (they weren’t that good in the first place), Clancy is much like the others from this company.  Makeup is bad, costuming is laughable.  The only emotions present are either deadpan or over the top.  The line delivery is beyond lazy.  One would think these cast members would get better with experience.

Conclusion

Jefferson Moore and company are experts at thinking up the most mundane movie ideas and then following through with them.  How have they made so many feature length films?  One thing you can say for them is that they save money—in all the wrong ways.  These movies are definitely easy and cheap to make, but why do we need them?  They are utterly pointless and contribute nothing.  Maybe they won’t make as many in the future.  But wait…there’s a sequel to this film????

 

Final Rating: .5 out of 10 points

 

Nikki and the Perfect Stranger (Movie Review)

Plot Summary

One night, while Nikki is on her way to Chicago, she has a second encounter with Jesus.  She knows she desperately needs Him again, but isn’t sure what to do.  She’s at a crossroads in her faith and needs Jesus to help her understand what to do.  However, as usual, Jesus does so in a way that even she could have never expected.  So the real question to ask here is can you sit through another film of Jefferson Moore sitting in a cheap set while monologuing?

 

Production Quality (.5 point)

One again, video quality is the only redeeming element of this very low-effort production.  Camera work is also fine, but there’s really nothing to it as the main sets are an SUV and a diner (lol).  Besides there being awful lighting in these sets, Nikki and the Perfect Stranger includes the Kelly’s Filmworks specialty of overdone soft lighting.  In addition, there is a cheesy use of special effects throughout.  Finally, even though this film is less than an hour long, there is tons of wasted time that is designed to make it longer.  This movie barely had justification as a short film, much less a fifty-minute one.  In short, this is just another pile of utterly wasted funding.

Plot and Storyline Quality (0 points)

Again seriously?  Why do we need a third installment in this already boring and barely justifiable series?  And why name it such a stupid title?  Didn’t we do this already?  Yes, we did, as we are reminded through heavy-handed narration and rehashing of The Perfect Stranger and Another Perfect Stranger.  This third film is full of more silly, meandering dialogue designed to kill time.  The ideas therein are quite simplistic and only exist because this film was forced to happen.   Any issues raised seem very trite and manufactured.  Though we now have a second movie of Jefferson Moore talking to this character for more than 30 minutes, we still don’t get to know Nikki all that well—she is a distant and vague idea that never materializes into a real character.  In the end, there is very little to note here since there is very little content to review.  It’s very easy to spit out fifty minute films about Jefferson Moore talking to people in close quarters, but what does it accomplish?

Acting Quality (0 points)

At this point in the saga, the acting has greatly digressed to where it seems like none of them are trying or they are trying too hard.  Jefferson Moore is slowly morphing into Bruce Marchiano.  The other cast members are very robotic and overly practiced.  No emotions can be felt.  This is really just another disappointing mess.

Conclusion

As it turns out, Nikki’s Second Encounter (this movie’s new title lol) is the worst one of them all.  With hardly anything going for it, there was never any justification for its creation.  Creating another saga installment for the sake of creating it is just the sort of thing Christian entertainment does not need.  The ideas behind this saga are noble and interesting, but execution is everything.  Even the best idea can be ruined by poor presentation and untapped potential.

 

Final Rating: .5 out of 10 points