2020 Box Office Revolution Entertainment Awards

Every year, movies and series are released, and cast members show off their talents.  Writers and directors showcase their creativity. Films and series are separated into roughly three groups: the truly talented, the potentially great, and the others.  At Box Office Revolution, we believe it is our prerogative to annually recognize those entertainment creators and players who have the ability to bring revolution to Christian entertainment.

I Still Believe Review: Christian Rock Biopic Tells Jeremy Camp's Tale |  IndieWire

Staff Choice Movie of the Year: I Still Believe

Runners-Up: Home Sweet Home, Lost Heart, Small Group

I Still Believe' Review - Variety

Reader’s Choice Movie of the Year: I Still Believe

Runners-Up: Home Sweet Home, Small Group, Lucy Shimmers and the Prince of Peace, Switched, Selfie Dad, Our Father’s Keeper, Love Me, The Job

Josh PERRY : Biography and movies

Staff Choice Actor of the Year: Josh Perry

Runners-Up: Sterling Hurst, DJ Perry, KJ Apa

Sarah Kim - IMDb

Staff Choice Actress of the Year: Sarah Kim

Runners-Up: Britt Robertson, Natasha Bure, Emily Dunlop

UTA Signs 'I Can Only Imagine's Andrew & Jon Erwin And Kingdom Story  Company – Deadline

Staff Choice Directors of the Year: Andrew Erwin and Jon Erwin

Runners-Up: Juan Mas, Jesse Low, Matt Chastain

Lesley Ann McDaniel (@LesleyMcDaniel) | Twitter

Staff Choice Writer of the Year: Lesley Ann McDaniel

Runners-Up: Jon Erwin, Jon Gunn, DJ Perry, Matt Chastain

Why It's Better Not To Know Who Jeremy Camp Is Before Seeing I Still  Believe - CINEMABLEND

Staff Choice Soundtrack of the Year: I Still Believe

Runner-Up: Home Sweet Home


The Farmer and the Belle: Saving Santaland (Movie Review)

Movie – The Farmer and The Belle

Plot Summary

Belle Winters is a model who’s been told that she’s aging out of the business. Thus, she decides to revisit a place from her childhood to find the secret to true beauty, which she believes was found on a bracelet she left behind. However, when she returns, she once again crosses paths with the pen pal she thought forgot about her. In seeing him again, what Belle finds is unexpected.

Production Quality (1.5 points)

Despite being average, The Farmer and the Belle isn’t quite good enough for a 2020 production. Video and audio quality are good, and sets, locations, and props are acceptable. However, camera work is randomly shaky at times. The generic soundtrack is sometimes too obvious for the situations it’s played in. Editing is quite choppy as some scenes cut off prematurely. Nonetheless, there’s some improvement as the film goes on, but it’s still just run-of-the-mill.

Plot and Storyline Quality (.5 point)

Surprisingly, this plot begins with good attempts to develop character motive via a flashback prologue. Though the often-expository dialogue leaves a lot to be desired, there’s actually a basic narrative focus, including obvious themes albeit slightly juvenile ones. The tongue-in-cheek comedy is sometimes funny and sometimes not. At times, things happen simply because the writers want them to, and convenient turns transpire simply to suit the story’s purposes. The middle of the plot wastes a lot of time, seemingly kicking the can down the road, and a few sequences seem too staged and forced to exist. Overall, there is some potential in this section, but the contrived nature of the narrative and the lack of strong characters holds it back from being all that it could be.

Acting Quality (1.5 points)

Due to the back and forth nature of this section, the final score comes out as average. At times, the acting is professional while other times, it isn’t. Line delivery and emotions are overall inconsistent. Some scenes are more dramatic than others, but it’s not all bad. In the end, this mixed bag caps off an mostly underwhelming effort.


Movies like Saving Santaland are neither bad enough to be remembered nor good enough to be upheld. In the end, this screenplay is likely to fall into the same bin with other forgettable Christmas offerings that clamor for the attention of audiences. It’s definitely possible that holiday films are more likely to be viewed, so why not give the watchers something to remember rather than forget?

Final Rating: 3.5 out of 10 points

Home Sweet Home [2020] (Movie Review)

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Plot Summary

What Victoria mostly cares about in life is going from one relationship to the next so that she can be whoever she wants to be without having too much commitment. However, when one of her attempts to get a guy’s attention doesn’t quite go as she planned, she stubbornly decides to do whatever it takes to make him ask her out. Thus, she volunteers at the non-profit her prospect, Jason, heads up and finds herself suddenly building a house for a single mother and her family. Little does Victoria know that she’s about to gain a surprisingly new perspective on life that she never considered before.

Production Quality (2.5 points)

As a whole, Home Sweet Home is a near-perfect example of what a 2020 production should look like for freshman Christian film makers. Not only did they wisely use their budget without over-extending themselves, but they also made sure that key production elements demonstrated good quality, such as video, camera, audio, and music work. The sets, locations, and props are also efficiently used, and overall, there are really no negatives to highlight here save for some minor editing concerns. However, some of these issues can be attributed to the plot; in the end, this is a very solid production effort.

Plot and Storyline Quality (1.5 points)

From the get-go of this plot, it’s very clear that the writers were inspired by very strong and worthwhile themes of people living behind false exteriors versus being comfortable with who God created them to be. Also, Home Sweet Home isn’t afraid to shine a light on fake romantic relationships that may exist in a Hallmark view of the world as well as the ease of finding identity in “scoring” relationships in the Western world. In doing so, the creators gave a lot of attention to detail to produce a truly funny comedy based on mostly good dialogue. However, while many of the characters are spot-on, some of them, such as the male lead, leave a lot to be desired in the personality and motivation departments because it’s hard to get to know him as a person. Elsewhere, secondary characters and subplots could have been a bit deeper than they are had they been provided with more adequate screentime. To make room for them, some romantic comedy cliches, such as the returning ex-love interest, could have been cut out. In the end, even though the narrative follows a basically predictable progression toward a somewhat forced and convenient ending, Home Sweet Home demonstrates tons of potential for future projects because the writers clearly know how to properly integrate themes into their stories.

Acting Quality (2 points)

Despite the small cast, there are not many acting problems to note in this film. One of the biggest drawbacks, however, is the lack of adequate coaching for the lead actor as he seems lost a lot of the time, but then again, his role isn’t very expansive. Elsewhere, Natasha Bure posts an above-average performance while Sarah Kim is also a standout. In the end, like the movie as a whole, there are just small problems that hold this section back from taking the next step.


The 5×5 Productions team is clearly onto something with this unexpectedly refreshing release. With just a few minor tweaks, Home Sweet Home would have easily made the Hall of Fame. Nonetheless, the themes of this film make it worth your time and give us great hope for the future of this creative team’s work. With a bit more funding and collaboration, they could be going great places with their next project.

Final Rating: 6 out of 10 points