When Calls the Heart, Season 6 (Series Review)

We don’t speak of her anymore

Plot Summary

And once again we return to the fake small town known as Hope Valley for another fruitless season of people living in the dream world crafted by the series creators. Hardly anybody remembers Jack the Mountie anymore except for the fact that he and Elizabeth were married long enough to produce an instant child who’s coincidentally named after him. While Daniel Lissing willingly left the show, which was last season’s biggest news, Lori Loughlin was literally handcuffed, removed, and totally scrubbed from the show. The shadow of her scandal looms over the sixth season, especially with how Hallmark mishandled the whole ordeal and drew unnecessary attention to the problems. As a whole, Abigail’s awkward exit from the show and the subsequent complete rewrite of the show is the most interesting things that happened, but why are we not surprised? Michael Landon Jr. always planned to subject Erin Krakow to his favorite young-widow-starts-sort-of-dating-again treatment as he always has, so there’s nothing left to do but once again point out the same old flaws this series commits and count down the minutes for the Hearties to descend on my little blog post to vehemently defend all things wholesome in the face of such heartless (lol) criticism.

Production Quality (2 points)
What’s a Hallmark production without the same carbon-copy lineup of good camera work and video quality, acceptable audio quality, and that predictable, nauseatingly bubbly soundtrack? When Calls the Heart part VI checks all the proverbial boxes in this category, and it’s getting very difficult to differentiate any of the seasons from each other (except for the first two). Hope Valley still consists of the same old sets, locations, and props that are no doubt re-purposed for other Hallmark productions and are designed to make the audience believe this is a real Western town. Also, there’s still that tiny forest area Bill goes to dramatically reveal another part of his vastly complex yet noticeably cagey backstory. The only complaint for this section (besides their doing the same thing with no noticeable changes or improvements) is that we still don’t have a set for the beauty salon where the female characters get their hair done (although we might have gotten a quick glimpse at it in the finale).

Plot and Storyline Quality (0 points)
As we’ve said before, ever Hamilton took over Hope Valley, nothing has ever been the same. We just get the same old helium-infused characters spinning in circles as they retrace old plots steps over and over again. The only chances we have to get outside of the Hope Valley crossroads are Bill’s forest trips to tell us another part of his ever-fluctuating history, but now that we have a new Mountie, I guess we’ll have some trips to that bridge or something. Elsewhere, Elizabeth keeps us wondering why she’s even still in the series as her heart (lol) is passed around like a football and only exists for Michael Landon Jr. and company to continue their fetish of pairing a woman with a law enforcement character just long enough for her to get pregnant before killing said man near the end of the movie\series or even in between installments. Seriously, how is Elizabeth and Lucas vs Nathan any different from Charles vs Jack (except that Marcus Rosner was an essential addition to the show yet was stolen from us)? Elsewhere, the town is littered with many empty-minded side romances that they desperately want us to care about (although Aren Buchholz is quickly becoming one of the most important aspects of the entire series). Even Rosemary is losing her luster as a satirical comic relief who reminds us how un-serious the whole ordeal is as the writers are muting her character to go all dark and brooding because of [WHOOPS SPOILER]. And then there’s that whole situation with Abigail. Ironically, just before Lori Loughlin was led away by the police, her character made a hilariously funny reference to how Bill needed to bring some random bad guy to justice, and this is definitely the defining moment of the entire season. Loughlin’s scandalous shadow looms large over the poor town; even after the writers awkwardly tried to erase her from the universe’s memories, everything was clunky following the hiatus. Subplots awkwardly start and stop with no real conclusions. Scenes between Elizabeth and Lucas seem directly copied from Beauty and the Beast (yes, he gave her a library). Gowen is as uneven as ever (seriously, what do the writers expect from him at this point?). They all seem lost without Abigail to guide them in their everyday lives, but alas, she and Cody (awwww he left too!) has bigger fish to fry in court “back east.” Thus, with nothing really new to say here besides the same garbage we’ve seen from the past two indiscernible seasons, Hearties only have this incoherent stream of consciousness to parse through as they rush from Facebook to “own” the author of this post with zingers better suited for a clickbait news site.

Acting Quality (0 points)
For the most part, the acting of this season is as sappy as ever, but there are a handful of instances, especially near the end, that feel very muted and more scripted than usual. This is no doubt that this is due to some of the redone footage after Loughlin’s untimely exit, and the cast members were likely just emotionally distraught over her absence. Overall, there’s really nothing new to write home about (although Elizabeth does quite a bit of writing these days), and this section is award no points because we expect better than this after six seasons.

Continuity Quality (0 points)
As previously mentioned, some of this season’s subplots seem to disappear from the writing with no warning, which is a likely byproduct of the rework done following Loughlin’s arrest. Otherwise, it’s just typical plug and play romances as the writers introduce one after another to the point where you can’t hardly tell the different between them. Also, as a side note, at least a third of the subplots in season six relate in some way to the upcoming summer spinoff show When Hope Calls, which is possibly where many characters will escape to once When Calls the Heart finally runs out of steam.

Conclusion

Oh yeah, so there’s a seventh season coming up. MLJ has at least two more seasons to use Elizabeth’s indecisiveness and lack of personality as a carrot to dangle in front of his rabid fans, but sooner or later, they’ll get tired of this song and dance. With Loughlin’s scandal-ridden exit, this series is already running on fumes and has only been sustained by constant romance bait-and-switch. I mean, is anybody the least bit annoyed with how they treat Elizabeth? Anyhow, this has been another WCTH review from your favorite reviewer in which I didn’t talk about much substantial and just sort of rambled on about random things I thought of while I binge-watched this season. Begin commenting now……………………….

Final Rating: 2 out of 14 points

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When Calls the Heart, Season 6 (May 2019)

erin krakow, kavan smith, jack wagner

New episodes of WCTH are returning May 5 and 6, 2019, season 6 will continue to air on Sundays

Season 6 Revision Info

Writer(s): Brian Bird, Michael Landon Jr., Kevan Smith, Jack Wagner

Director(s): Brian Bird, Michael Landon Jr.

Producer(s): Brad Krevoy, Brian Bird, Michael Landon Jr., Alfonso H. Moreno, Neill Fearnley, Eric Jarboe, Susie Belzberg, Michael Shepard, Jimmy Townsend, Annie Brunner, Derek Thompson, Elizabeth Stewart, Lori Loughlin, Erin Krakow, Amanda Phillips Atkins, Vicki Sotheran, Greg Malcolm

Starring: Erin Krakow, Lori Loughlin, Pascale Hutton, Jack Wagner, Kavan Smith, Mark Humphrey, Erica Carroll, Carter Ryan Evancic, Eva Bourne, Chris McNally, Kevin McGarry, Rob Estes, Jocelyn Hudon, Morgan Kohan, Aren Bucholz, Martin Cummins

Plot Synopsis: Following Jack’s tragic, yet heroic death, Elizabeth finds comfort in her good friends Abigail, Rosemary, and the rest of those air-headed females whose names escape me at the moment. Michael Landon Jr. has finally filled his father’s large shoes by creating a romance-ending-in-husband’s-death-and-wife’s-convenient-pregnancy plot. As if this isn’t enough, the characters will find a way to inject each and every episode with feel-good platitudes, without forgetting to emphasize at every possible occasion that Elizabeth is a single MOM. Plus, there is the exciting and totally unexpected news that Elizabeth has not one, but two new love interests! Sigh, which one will she pick!?!?!?!

Our prediction:

Marcus Rosner Picture

Dedicated Hearties are looking forward to more of the same old thing, non-Hearties are looking forward to more mindless humor, and critics everywhere can’t wait for the many opportunities this season will bring for Hallmark parodies.

When Calls the Heart, Season 5 (Series Review)

Why are we still here?

Plot Summary

When Constable Jack Thornton returns from the North back to the nice little town of Hope Valley, everyone expects him to finally marry Elizabeth Thatcher, which the series has been building up for way too many seasons now.  Thus, the TV couple finally ties the knot and is married long enough for Elizabeth to get pregnant, and Michael Landon Jr. and company follow this up by the long-awaited and long-expected death of the male lead, which leaves Elizabeth (shockingly) free to love again.  Elsewhere in Hope Valley, the other characters are doing the same things they always did with no significant alterations in their character arcs (except Jesse is a good guy now or something like that), but when you have a rabid fan base and unlimited season renewals, why would you try anything creative as a writer?

 

Production Quality (2.5 points)

If anything improved in this season of When Calls the Heart, it’s that the production got slightly better.  Video quality is still crisp, and camera work is still professional, but the sets and locations seem to have improved somewhat.  Props are pretty much the same old stuff.  The soundtrack is that same recycled and very tired and uncreative score that can be found in pretty much any other Hallmark production.  Further, the editing is pretty standard in Season 5, and overall, there’s not much keeping this production from being nearly perfect (except for the soundtrack), which shows you that it pays to have a good budget.

Plot and Storyline Quality (0 points)

What was Season 4 about?  I already forgot.  The railroad?  Anyways, I challenge any Heartie to tell me what Season 5 is actually about except for completing Michael Landon Jr.’s favorite romantic chase storyline with the female lead’s marriage, pregnancy, and eventual husband’s death.  Shocking turn of events, I know.  Well, Hearties can be consoled that Michael Landon Jr. is known for rebuilding the romantic chase for the young widow by introducing a new love interest later in the series.  By killing off Jack and freeing Daniel Lissing from this nonsense, Landon Jr. and company opened up a whole new world of storylines to pursue for at least three or four or five more seasons, so you can rest easy!

Acting Quality (1 point)

Are we still here?  These same old tired cast members are still old and tired.  Erin Krakow, Lori Loughlin, Daniel Lissing, Kevan Smith, Pascale Hutton, et al. haven’t changed much since last season.  Michael Landon Jr.’s approach to casting, acting, and makeup is no better than it’s always been.  However, there are a few bright spots from some of the peripheral cast members that keep this section from being zero.  Nevertheless, most of Landon Jr.’s casting work seems like a plastic surgery pageant.

Continuity Quality (1 point)

At least this season creates a story arc that is somewhat interesting, which is the loss of Jack.  It was really the only card this show had left to play, so now this move opens up a whole new world of plot possibilities.  However, I don’t expect many of them to be any good.

 

Conclusion

As I predicted months ago, after wasting away at least two seasons kicking the can down the road ad nauseum and trolling with his typically pageantry and empty characters that are ripped off from a Janette Oke novel series that doesn’t even remotely resemble the dollhouse show this series has become, Michael Landon Jr. has finally come full circle with his favorite storyline of all: the young widow plot.  As can be seen throughout the Love Comes Softly series, including Love Comes Softly and Love’s Unending Legacy, Landon Jr. is infatuated with the chase of a romance, but once the couple marries and has some kids, it’s time to kill off the husband between movies and introduce a new romantic chase for the young widow.  It’s no surprise to see the long overdue exit of Jack Thornton from this series, especially since Daniel Lissing probably has better things to do.  Expect next season to introduce Elizabeth’s new love interest and her new chase after the grief has subsided (please bring back Charles).  Also, since we’re going to keep mindless renewing this troll-fest, let’s go ahead and experiment with some other cast members this show needs right now.  I vote for Erik Estrada, Morgan Fairchild, Kris Kristofferson, and Corbin Bernsen, to name a few.  Cast-member-guessing is the only thing keeping this show interesting at this point.

 

Final Rating: 4.5 out of 14 points

 

Hope Island, Season 1 (Series Review)

Plot Summary

As penance for his past indiscretions, Revered Daniel Cooper is sentenced to take over a small church on the small island community of Hope Island, off the coast of the northwestern United States.  Though skeptical at first, he finds a charming town of quirky people who accept him with open arms.  The days on Hope Island are not without intrigue and conflict, but at the end of the day, they all like each other and everything stays pretty much the same all the time.

 

Production Quality (2 points)

As a late 90s\early 2000s production, Hope Island can look archaic at times, but it’s not all bad.  On paper, the production is fine, including good video quality, camera work, and audio quality.  The soundtrack leaves something to be desired, however, and there are some dumb sound effects used throughout.  The opening sequence is long and boring, and most of the flashbacks have a very strange and almost un-watchable quality about them.  Further, the editing is pretty standard, and overall, this production is just above average.

Plot and Storyline Quality (0 points)

It’s really no surprise this vaguely Christian series on the old PAX channel didn’t get renewed.  It contains nothing creative and settles for many predictable small-town concepts, elements, subplots, characters, and tropes.  The storylines therein are very safe and pedestrian as each character fits perfectly into their molds: the main character with a secret past who comes to a new area for a new start, his obvious love interest (who doubles as the diner character) who doesn’t like him at first, the young white couple whose relationship we’re supposed to be interested in, the quirky self-seeking schemer and his clueless sidekick, and all those one-episode characters who appear only once in over twenty episodes, even though this is a tiny island with a couple hundred people on it.  Besides this, there are far too many attempts at comedy that aren’t even funny and are actually quite juvenile.  Also, there are some odd attempts at ‘edgy’ content that fall completely flat and feel out of place and desperate.  Christian themes are only used when convenient, and conflicts are easily resolved with coincidences and convenient turns.  Unfortunately, there’s not much good to note here.

Acting Quality (1.5 points)

As a professional cast, these cast members are mostly fine and typical.  However, they have some odd, head-scratching moments at times.  Other times, they are too awkward, especially when they are trying too hard to be funny.  However, there are enough good moments here to make this section average.

Continuity Quality (0 points)

Hope Island follows the predetermined inspirational series formula that rolls out one thing after the next.  Each episode is its own 45-minute bubble of time that has little effect on the following episode and receives little effect from the previous episode, except for the predictable romantic subplot arcs, which are the only notable story or characters arcs present here.  This series is basically a collection of shallow conflicts that are introduced and quickly resolved and never mentioned again, thus not warranting any points in this section.

Conclusion

PAX was trying to blaze new trails in Christian\inspirational made-for-TV entertainment before UP existed and before Hallmark rebranded themselves as a plastic dollhouse.  Now PAX has turned into that absurd channel called ION and has even more laughable content than Hallmark.  Hope Island is a microcosm of the late 90s\early 2000s attempts at mainstream Christian content that didn’t work out, not only because of its split personality of trying to please two different audiences or because of its underwhelming production and acting quality, but mostly because it’s so boring.  It was hard enough to sit through over twenty episodes of this; I can’t even imagine what another season would be like.  Alas, we never saw another season, which is a blessing.  Now, as I continually say, it’s time for a real, truly quality Christian series to be made.

 

Final Rating: 3.5 out of 14 points

 

When Calls the Heart, Season 3 (Series Review)

Plot Summary

Following the shocking proposal of Charles, both Jack and Elizabeth are left confused about the true nature of their relationship.  They must sort out how they really feel about each other, even in the midst of other controversies, including Bill Avery’s dark secrets, the constant schemes of Henry Gowen, and the town’s new adaptations to the logging industry.  Also, new and budding romances are aplenty in the newly christened Hope Valley, along with new colorful characters.  Like always, the people of Hope Valley will have to navigate each new challenge together and keep remembering that hope is just around the corner.

 

Production Quality (1 point)

So, for starters, the production quality of When Calls the Heart diminishes significantly in Season 3.  The camera work stays the same as always, but the sets and locations are severely limited, with obvious reuses of them.  The characters rarely do anything outside of the winding street of Walnut Grove Hope Valley.  As usual, the costuming and makeup is worse than ever, making it impossible for the audience to believe that these people are supposed to be low to middle class frontier people.  The musical score is abysmal and the editing is all over the map, mostly settling for an episode-by-episode approach.  There’s nothing wrong with this, but as will be discussed later, it disrupts the original purpose of this show.  In short, corners were cut in this season, demonstrating an overall lack of regard for quality.

Plot and Storyline Quality (0 points)

Not only is the Season 2 ‘cliffhanger’ resolved with lightning speed, it is quickly replaced with one mindless storyline after another.  People do this and that, Harriet Olson Rosemary schemes stuff, the town has events, people come and go, and Jack and Elizabeth continue a mind-numbing and painful dance of on and off romance.  The Hamilton characters are kicked out; we’re not sure if this was a blessing or a curse.  Bill Avery, once a promising double agent character, is reduced to a washed up guy who hangs around town.  Henry Gowen continues his usual bad guy stuff and generally accomplishes nothing.  Ever the town counselor, Caroline Ingalls Missy LaHaye Abigail acts like she’s doing things like running a diner and riding horses and taking care of orphans.  Elizabeth attempts to teach and play acts a hard working frontier woman while Jack does Mountie stuff.  Lots of things are talked about that happened off screen.  The Christian message is long gone by now, replaced with trite Joel Osteen sayings from Abigail and Pastor Hogan.  Shallow subplots are introduced and quickly resolved.  Overall, there is zero creativity in this season and the much-anticipated season finale climax fizzles out with the New Year’s fireworks at the beginning.  The writers give us no reason whatsoever to want another season, because there is no direction whatsoever anymore in this series.  But in the upside down world of Hallmark, Michael Landon Jr. and company trolled the ‘#Hearties’ for an entire season of false pretense and proved that they could do whatever they wanted and still get renewed.  The mind boggles.

Acting Quality (.5 point)

The acting has been on a downward trend since the first season, but Season 3 reaches new lows.  The starring cast demonstrates they have no intention to try to be good at acting, nor do they have to try.  Any air of professionalism demonstrated in previous seasons is gone, replaced with mindless line delivery and forced emotions.  Every scene seems very staged and fake, just actors and actresses saying lines they don’t really care about.  The only thing that keeps this portion from being zero is some slightly interesting acting from certain cast members.

Continuity Quality (0 points)

As previously mentioned, the original purpose of When Calls the Heart has been washed away in that flash flood or that mud slide.  The continuity collapsed along with the mine (again).  There is no driving purpose to Season 4.  Once this show’s strongest point, the continuity has been completely abandoned in favor of a mindless stretch if silly episode that accomplish next to nothing.

Conclusion

This was such a disappointing season to endure.  There was so much potential in this show, but it has been tossed by the wayside.  It’s so sad to know that an opportunity to create truly quality and far-reaching Christian entertainment has been squandered in favor of more fake and manufactured ideas.  We get that from Hallmark all the time—why not change things up?  The viewers are not stupid, so why treat them that way?  Creators need to think better of their audiences and give them shows that provoke the imagination and challenge the status quo, not lull them to sleep or incite undue laughter.  It is clear that they knew they could do whatever they wanted and still get renewed, and it is likely that Season 4 will still be heavily watched.  But we at Box Office Revolution are still waiting for someone to use Hallmark resources for a better purpose: to create a show or movie series that is dynamic and truly changes things up.  We sincerely believe this is what God has called some Christians to do, and we wait to promote and support whoever will accept the challenge.

 

Final Rating: 1.5 out of 14 points

 

When Calls the Heart, Season 2 (Series Review)

Plot Summary

With the high-stakes trial against the corrupt Henry Gowen’s coal company brewing in Coal Valley, Elizabeth Thatcher, Jack Thornton, and Abigail Stanton all have other issues of their own to deal with.  Just as she and Jack begin growing closer together, Elizabeth feels a pull from her well-to-do family in Hamilton to come back them.  She soon feels her relationship with Jack become clouded by an old childhood friend.  Jack’s troublesome brother resurfaces and forms an ill-advised connection to Elizabeth’s family.  As Abigail discovers the hard truth about Bill Avery, she also receives word of a family member she never knew she had.  With new and sometimes frightening things on the horizon, the people of Coal Valley must band together and be prepared to face the unexpected.

 

Production Quality (2 points)

Despite increased popularity and an obviously increased budget, Season 2 of When Calls the Heart does not gain any more ground in production quality.  For what it’s worth, it doesn’t lose any ground either.  Camera work is the same, including great angles and video quality.  Sound quality is the same, and unfortunately, so is the vanilla soundtrack.  The introduction of new surroundings—Hamilton—is both a blessing and a curse.  As they progress, series should change and do different things as to not get stuck in a location rut, but Hamilton also brings with it a license for Michael Landon Jr. and company to commit one of their favorite errors—pageantry and over-costuming.  Characters in both Coal Valley and Hamilton are transformed, almost into dolls.  It would be one thing to pose a distinction between rich city characters and frontier characters, but this does not occur.  In other issues, the editing does not improve in Season 2, as it is still equally choppy as Season 1.  In short, Landon Jr. and company once again fall into the typical Hallmark trap: pretty good production with overdone and unrealistic costuming.  This puts a damper on a series with huge potential.

Plot and Storyline Quality (1.5 points)

The season begins on a strange note by discarding an otherwise interesting wildcard character and by quickly and easily resolving the coal mine trial without any real suspense or appreciation.  It’s like the writers were just trying to rush to something else, but it’s not clear what they were rushing to.  The Hamilton subplots are intriguing, but it’s hard to feel like there’s any real meaning or purpose behind them.  Season 2’s central plot and subplots not only water down the original Christian message, but they also feel shallow.  For the most part, the original characters remain mostly intact, but the newer characters are not developed as they should be.  Bill Avery perhaps has the most interesting character arc and shows potential for the next season.  However, Season 2 ends on a head-scratching note with a slightly forced cliff hanger that only seems to be begging Hallmark for a renewal.  In summary, while there was great potential in a Season 1 follow-up for further character development, Season 2 falls flat and does not meet expectations.

Acting Quality (1.5 points)

Despite a largely similar cast to Season 1, Season 2’s cast takes the foot off the brakes, so to speak, and seems to not try as hard as before.  Several actors and actresses, including Erin Krakow and most of the Hamilton characters, seem to be overplaying their roles and forcing emotion.  Some actors and actresses remain the same, but the biggest issue here is that no one improves.  This should be the case in a television series.

Continuity Quality (1.5 points)

Within the season, Season 2 is fairly consistent as far as internal subplots.  It is hard to discern its overall arc except for indecision.  However, the relationship between Season 1 and Season 2 is disjointed.  The increased budget popularity seemed to make the writers think that they did not need to preserve the honest originality of Season 1, because they didn’t.  This was a disappointment.

Conclusion

There was much anticipation and expectations following the unprecedented success of When Calls the Heart, Season 1, yet Season 2 failed to meet these.  As a season itself, it was about average, and would have been fine as another pilot season.  But sophomore seasons should build of the successes of the first, eliminate mistakes, and overall improve, not start over at square one.  The writers have given themselves an interesting choice and framework to work within for Season 3, and it will be interesting see how it goes.  This concept has loads of potential in its corner—time will tell how it plays out.

 

Final Rating: 6.5 out of 14 points

 

When Calls the Heart, Season 1 (Series Review)

Plot Summary

Elizabeth Thatcher always dreamed of helping students in struggling western America towns, but when she arrives in Coal Valley, she realizes that her privileged eastern life has not prepared her for the task at hand.  Recently hit with the tragedy of the local mine collapsing and killing most of the men in town, the survivors, mostly widows, are still reeling and trying to come to grips with their new lives.  Elizabeth is tasked not only with teaching children who just lost their fathers but also with adapting to the new unfamiliar and rugged surroundings that stand in stark contrast to how she grew up.  She finds solace in her friendship with Abigail Stanton, the strongest of the widows, who is determined to bring the mine owner to justice for the death of her husband and son.  Elizabeth’s life is also complicated by her budding relationship with local Canadian Mountie Jack Thornton, who has been sent to investigate the nature of the mine collapse.  Elizabeth, Abigail, and Jack must not only grapple with the challenges in front of them, but must also discover that love is not what you expect at first.

 

Production Quality (2 points)

It’s definitely about time that someone started making good Christian television series.  There’s no better way to start than to adapt from a talented Christian author with established novel series.  As far as production goes, the first season of When Calls the Heart has meager beginnings but a lot of good honest and raw material.  The camera work is professional, including good angles and video quality.  For the most part, in a break with previous habits of Michael Landon Jr. and his crews, the costuming is mostly realistic to the time period and setting.  The setting and surroundings are realistic, even if the sets are somewhat limited.  The musical score is just average.  The editing needs some work, since there are unnecessary rabbit trails, but this is to be expected of these sorts of TV shows.  The main point is that for a pilot season in mostly uncharted territory, season one was mostly a production success.  With a few small things tweaked, it could have been perfect.

Plot and Storyline Quality (2 points)

Though season one slightly departs from the original plot structure crafted by Janette Oke, it is not a major mistake at this point.  The overall plotline stays mostly faithful to Oke’s original purposes.  Within the overarching plot, there are multiple subplots, as expected from a TV show, some of which are quickly resolved and others of which are intriguing.  Throughout this season, the main characters—Elizabeth, Jack, and Abigail—are fairly well developed through witty and believable dialogue.  The circumstances and events that the characters experience are realistic.  In the end, this section is held back from being, once again, by a host of small issues, such as underdeveloped or stereotypical supporting characters and subplots not reaching their full potential.  Even with this, the plots are very interesting watch and the end of the season makes the viewer want more.  In short, Season 1 ended on a high note and left the door open for greater things to be achieved.

Acting Quality (2 points)

The cast of Season 1 is a mixture of professional and semi-professional.  For the most part, the actors and actresses deliver their lines well and demonstrate believable emotion.  Unfortunately, some of the supporting cast leaves something to be desired and the main cast does not live up to their full potential.  As is the case with the remainder of the season, small issues plague the acting and keep it from being its best.  But despite these small problems, the cast shows great potential for future seasons.

Continuity Quality (3 points)

When it comes to within-season continuity, Season 1 achieves a perfect score.  The driving purpose of the season is to discover the truth behind the mine disaster, and this is not wavered from.  Character arcs are both static and dynamic, a perfect balance.  By the end of the season, it feels like the characters are different than they were at the beginning, without compromising personality traits.  This should be the goal of continuity.  Season 1 sets the standard for continuity quality.

Conclusion

When Calls the Heart, Season 1 has almost everything we can ask from a pilot season: above average characters, intriguing plotlines, realistic surroundings, a professional cast, and a driving purpose.  Small alterations to plot and\or character quality would have changed everything for Season 1 and would have made it Hall of Fame, something to truly be proud of.  But even as it is, Season 1 is enjoyable and will forever be a landmark achievement in the history of Christian TV shows and series.  It created anticipation of another season and proved that Christian shows can be quality.

 

Final Rating: 9 out of 14 points