2018 Box Office Revolution Book Awards

Every year, many Christian books are released, and writers of the same show off their creative talents. Across the many genres, novels are judged based on plot continuity and storytelling skills, character development, and whether or not a novel correctly addresses an issue that relates to current issues in American Christian culture. These novels are separated into roughly three groups of authors and their respective works of art: the exceptional, the potentially great, and those chosen by the votes of our readers. At Box Office Revolution, we believe it is our prerogative to annually recognize the entertainment creators who have the ability to bring revolution to Christian entertainment.

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Staff Choice Book of the Year: The Wounded Shadow by Patrick W. Carr (#3 of The Darkwater Saga)

Runners-Up: Legacy of Mercy by Lynn Austin, Looking Into You By Chris Fabry, Mark of the Raven by Morgan L. Busse, Judah’s Wife by Angela E. Hunt

Honorable Mentions: Shelter of the Most High by Connilyn Cossette, Isaiah’s Daughter by Mesu Andrews

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Reader’s Choice Book of the Year: The Wounded Shadow by Patrick Carr

Runners-Up: Legacy of Mercy by Lynn Austin, Looking Into You by Chris Fabry, Mark of the Raven by Morgan L. Busse

Honorable Mentions: The Masterpiece by Francine Rivers, Isaiah’s Daughter by Mesu Andrews


Staff Choice Author of the Year: Patrick W. Carr

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Lynn Austin
Image result for chris fabry
Chris Fabry
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Morgan L. Busse
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Mesu Andrews

Runners-Up: Lynn Austin, Chris Fabry, Morgan L. Busse, Mesu Andrews

Francine Rivers
Connilyn Cossette

Honorable Mentions: Francine Rivers, Connilyn Cossette



A Fair Assessment of Hallmark, Plus a Game!

This article is definitely worth a read, if only for the laughs.  If you want to watch Hallmark this holiday season, play this game!  Note: we don’t endorse alcoholic drinking.

What Audiences Want

Per the Calgary Herald, When Calls the Heart fans, also known as #Hearties, are very much in love with the Hallmark series because it’s family friendly and wholesome.  At the beginning of the show, there was an attempt to craft meaningful characters, and fans still hold on to this, even though character quality has significantly decreased since the inaugural season.  Michael Landon Jr. right hand man Brian Bird has said before that their show fills a deep desire in fans for wholesome entertainment.

So what does this mean?  It means that however cheesy and disappointing WCTH may become, they still have a devoted fan base because there’s nothing else. WCTH exists in a vacuum.  They were obviously trying harder at first because they had to, but now they don’t have to try because there’s no competition in their genre.  This is a sad reality, because there is so much potential in WCTH alone, but we firmly believe that this genre of TV series is largely untapped.  What if there were even better family-friendly weekly series on television and on-demand services?

Christian and inspirational viewers may like certain aspects of non-family-friendly entertainment (this definition is very broad and subjective), they still desperately want wholesome entertainment.  So where are the Christian creative geniuses?  Entertainment still remains to be another area where western Christians have allowed other ideas to fill the vacuum.  The inspirational genre is starved for quality creations.  Hallmark, despite their flaws, would likely approve any series that marketed well and was crafted for their target audience.  The vast world of on-demand entertainment remains untapped by Christians.

What we need is a generation of creative Christians to rise up and redeem entertainment by making better entertainment.  Due to financial constraints, they would obviously have to start out small, but it’s better to start somewhere than nowhere.  If God wants you to create redemptive entertainment, then He will provide.  We must be open to what God wants us to create, because as we have seen, entertainment has a profound effect on western culture and even the entire world.  Christian entertainment has too long been dominated by low-quality and propaganda-ridden sediment, and it’s time for that to change.

PureFlix Goes to Court (Updated)

According to multiple sources, Michael Landon Jr. and co-writer Kelly Monore Kullberg are suing David A. R. White and PureFlix, citing large similarities between their film Rise and the PureFlix film God’s Not Dead. Since God’s Not Dead has grossed over $100 million worldwide, Landon Jr. and Kullberg want $100 million in damages for White and company stealing their plot structure and movie idea and using it for their own good.

We’ve never seen the film Rise, so we cannot comment on the similarities, but if this is true, this is a huge setback for the Whites and PureFlix. Even if this comes to nothing, it should be a huge wakeup call for them to create original content and to avoid shady notions. It would be a blow to Christian movie marketing if PureFlix loses this full amount, since they have proven themselves to be effective in marketing Christian films. Yet it would also not be surprising to find that the Whites have been doing funny business all along. These are the kinds of things that can majorly hurt the image of Christian movies even further.

As for the plaintiffs…both of them claim to be Christians and Kullberg is an outspoken atheist convert to Christianity. Landon Jr. has multiple deals with Hallmark to generate his creative content. We can understand their frustration over a stolen idea, but the Bible does warn Christians not to sue other Christians (1 Corinthians 6:1-8). We in no way are ready to defend PureFlix of wrongdoing, but Landon Jr. and Kullberg need to tread very carefully and determine what kind of image this gives to the Christian entertainment world. Satan would like nothing better than to destroy and divide the progress being made in Christian film making.

UPDATE: According to our research, it looks like the movie ‘Rise’ never even made it to production. Instead, the plaintiffs claim that they know their idea was copied because they shared their almost-movie idea with people close to PureFlix while God’s Not Dead was being created. This may or may not strengthen their case, especially if they can prove that they definitely shared the idea with PureFlix while the movie in question was still being written and that they were not compensated for sharing their idea. Of course, they will also have to show that they have exclusive creative control over that movie concept and that their original idea was explicitly copied by PureFlix.