Bonhoeffer, Agent of Grace (Movie Review)

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Plot Summary

Dietrich Bonhoeffer didn’t want to get involved as the Nazis rose to power in Germany and demanded absolute submission from all institutions, including churches. However, after taking time away in America, he sensed God calling him back to his homeland. Then, the Nazi regime hit home as his twin sister and her Jewish husband had to escape Germany for fear of Nazi nationalism. Thus, when a close friend invited him to get involved in the underground working against Nazi power, Bonhoeffer felt he had to do something to stand against tyranny. Nonetheless, he never anticipated how far he would have to go and what he would experience as a result.

Production Quality (2 points)

For an early 2000s production, it’s clear that a lot of effort was put into Agent of Grace to make it historically authentic, which is evidenced by a great use of realistic-looking sets, props, and locations. Also, the video quality is mostly good except for some outdated-looking portions, and the camera work is standard. Audio quality is on the mark, but it would be nice if there was a more substantial soundtrack to enhance the emotional experience. At the beginning of the movie, the editing is commendable as it uses an overlaying style with effective out-of-order storytelling, yet this is discarded in the last two-thirds of the film and replaced with a very standard linear style. There are also some abruptly awkward cuts that put a damper on things, but overall, this is a respectable production, especially for the time period, and is good enough to be above-average.

Plot and Storyline Quality (1.5 points)

There’s no doubt that the story of Dietrich Bonhoeffer is an excellent and worthwhile one to tell, and in this endeavor, this storyline makes good attempts at character development via adequate dialogue. Where the beginning and the end are interesting, the middle of the story tends to sag a bit as it’s not very engaging and merely presents a collection of isolated and disconnected scenes where things sometimes happen without much lead-up. The good thing is that narration, while it would have been easy to lean on, is entirely avoided, and the conversations between characters are realistic enough. The quick passage of time in the narrative is often difficult to deal with, so it might have been better to frame the entire story as a flashback from the ending sequence since bridging large time gaps while also keeping audience isn’t an easy feat at all. Even still, many sequences are quite good and make the movie worth your time although the amount of off-screen content shows there’s too much in this story to cover in one film. In the end, Agent of Grace is a great effort and is one that was rarely seen in the early 2000s, so at the very least, it makes for a good historical experience.

Acting Quality (2.5 points)

The best part of this movie is the culturally correct acting and the culturally authentic casting. The costuming is also historically accurate. Besides this, the actual acting quality is very professional, including line delivery and emotional expression. There are very few errors to note here…there are just a few lapses, but this may be due to other elements. Overall, this strong section is enough to push the film past the halfway mark.


This historical account would definitely work better as a miniseries, especially since there are many side plots that didn’t have a chance for exploration in Agent of Grace. There’s a lot of interest and intrigue surrounding this period of history, so more time would have been good. Unfortunately, this film was made before Christian series were even considered outside the children’s entertainment realm; thus, a remake of Bonhoeffer’s narrative and the related elements would be pertinent. Nevertheless, this movie is still worth your time as it portrays a highly important tale that’s still relevant for us today.

Final Rating: 6 out of 10 points


Luther [2003] (Movie Review)

Plot Summary

Martin Luther was a radical in his day who wanted to see sweeping changes in the Catholic Church.  He was tired of seeing the poor oppressed and abused while the Church made money off of their fear by selling indulgences.  When he tried to make a difference, he received major pushback and was forced to go into hiding after posting his 95 Theses.  While in hiding, he sought God and translated the Word of God for the common people to read.  Though he was not perfect and struggled with despair, Luther was a man of God who truly changed his world for Christ.


Production Quality (2.5 points)

In this rendition of Luther, it’s clear that great care was given to historical authenticity, including excellent sets, locations, and props.  Other aspects of production are also professional presented, including camera work, video quality, audio quality, and an original soundtrack.  There is little to complain about here except for some slightly choppy editing as it seems like too much content is attempted to be covered in one film.  But nonetheless, this film is an example of what a historical biography should look like.

Plot and Storyline Quality (2 points)

The portrayal of Martin Luther as a real man who struggled with different issues is refreshing and realistic.  Other historical events are also portrayed properly, especially the follies of the Catholic Church in the Dark Ages.  There are understandably quite a few characters in this story, so most of them are not developed as well as others.  However, dialogue is effective and historically authentic.  While the first half of this film handles the large amount of content well, things begin to go downhill in the second half.  There is too much information crammed into the second half, and a lot of it is not very engaging to the average audience.  The story tends to hop from one high point to the next, yet this is an overall good effort and one that is worth your time.

Acting Quality (2 points)

This cast is overall fairly professional—each character is cast appropriately for historical authenticity.  They clearly know what they are doing, but sometimes they tend to be overly dramatic and theatrical.  Line delivery is on point and emotions are mostly good with some moments of being over the top.  But overall, this is a respectable effort.


This idea probably would have worked far better as a miniseries because it would have given the writers freedom to slow down and develop the characters better.  It would have also allowed them to more effectively convey key historical events instead of just jumping from one to the next.  Yet as it is, Luther is a good film many people will enjoy.  We need more films about historical Christianity, and they should be crafted in the mold of this one.  This sort of movie should be the norm, not the exception.


Final Rating: 6.5 out of 10 points