Every year, many Christian books are released, and writers of the same show off their creative talents. Across the many genres, these novels are judged based on the presence or absence of plot continuity and exceptional storytelling skills, above average character development, and whether or not a novel correctly addresses an issue or issues that relate to current American Christian culture. These novels are separated into roughly three groups of authors and their respective works of art: the exceptional, the potentially great, and those chosen by the votes of our readers. Likewise, winning titles are listed according to their genre. At Box Office Revolution, we believe it is our prerogative to annually recognize the entertainment creators who have the ability to bring revolution to Christian entertainment.
Reader’s Choice Book of the Year: The Line Between by Tosca Lee
Staff Choice Authors of the Year: Rachelle Dekker, Tosca Lee, Morgan L. Busse, Patrick W. Carr, Susie Finkbeiner, and Jaime Jo Wright.
Staff Choice Honorably Mentioned Authors of the Year: Erin Bartels, Susan Meissner, Melody Carlson, Amanda Barratt
Congratulations to all the authors mentioned in this post on their wins and honorable mentions! Thank you all for being committed to producing high quality Christian entertainment and for glorifying God with the gifts He has given you!
Author’s Note: We were provided with a free copy of this novel in exchange for a fair and honest review.
Plot & Storyline Quality(3.5 points)
Patrick Carr is back and is trying out a new genre – Biblical fantasy. Biblical fiction is a literary genre that desperately needs creativity and new kinds of writers. Thankfully, Carr does both. His story, set around the time that Jesus Christ was born, is a revolutionary idea that paints the traditional, but historically and Biblcally inaccurate “three wise men” in a whole new light. Myrad is the adopted son of Gershom, a secret member of the king’s magi. The magi are an elite group who are advise the king and approve his decisions. However, this is only part of their job. As we all know, they’re keeping track of time to see when the Messiah will come. Myrad has suffered from a clubfoot all his life, and it has kept him one step behind (literally) everyone else. When he has a dream about the future, Gershom sees his gift and takes him to the palace to become a magus. But on the very day when he is to become such, Gershom and the majority of the other magi make a decision King Phaartes and his wannabe queen Musa don’t like. As punishment, the king orders the mass slaughter of all the magi, save for Myrad and a handful of others. Myrad escapes (mostly) and runs into a merchant named Walagash. The two join forces, and Myrad soon learns that life on the road is unpredictable, and the course of his life has been forever changed. After all, he’s following the star. To find out what happens to Myrad and the other characters, read the book!:) No really, read it, it’s actually worth your time.😃 The End of the Magi wades through this section with few errors. The plot is excellent, per usual for this author, and the storyline holds the attention from cover to cover. There are no continuity errors, and the story takes several unexpected turns up to the very end of the story. Additionally, there are several reveals throughout the plot that make for an exciting read, and the startling attention given to historical detail is impressive. The main error to speak of is minor – the eventual romance feels a bit tacked on, but the dialogue between the two characters in question is so good that there’s not much else to say. Other than that, there is a sequence that it is hard to believe the character lives through – but this is fantasy, after all – and a few dialogue sequences that are just a hair long. In spite of this, there is not space here to list the remaining positive aspects. Suffice it to say, Carr earns just short of a perfect score here.
Character Development(4 points)
In comparison, Carr’s character development is excellent. Myrad is an imperfect protagonist who learns from his good and bad decisions and – realistically – changes as a person throughout the story. Walgash is a great minor character and father figure who adds a lot to the plot, but in my opinion we could use fewer references to his hugeness and strength. However, as this is not an error, but an opinion, Carr isn’t marked off for it. Rashan is a surprisingly good character who gets better as the story continues. Additionally, the antagonist(s) are believable and the secondary characters make meaningful contributions to the plot. In short, there are no errors to speak of here.
Creativity & Originality (1.5 points)
Finally, Carr earns a half an x-factor point in originality for actually having the magi visit Jesus when he was a young child instead of an infant, because nobody does this. He also earns a full point in creativity for his unique depiction of the magi and his commitment to historical accuracy. As such, we believe this novel would make an excellent Christian series. The storyline would need very little alteration, and Carr must be involved in the screenwriting process if the characters are to be interpreted properly. Excellent novels such as these leave no excuses for filmmakers to continue to ignore this valuable moviemaking resource.