The Holy Roller (Movie Review)

Plot Summary

Luke is a struggling pastor with no real congregation.  Thus, inspired by the rantings of a homeless man, he decides to take his ministry to the streets.  There, he crosses paths with a desperate bar owner, Simon, who’s in need of some quick cash to pay off his gambling debts.  Inspired by a prosperity-preaching televangelist, Simon convinces Luke to start a church in his bar to raise the funds he needs, using a message of prosperity.  However, things don’t go as planned, and Luke discovers what real ministry is about.

 

Production Quality (2 points)

The Holy Roller has a surprisingly fine production, including good video quality, camera work, and audio quality.  The soundtrack is also fine, although there are a lot of musical montages.  Sets, locations, and props are mostly realistic and appropriate.  The only other issue to point out here is the choppy editing that includes too much fluff content and too many odd cuts.  However, despite these issues, this is a pretty standard production that looks good on the surface.

Plot and Storyline Quality (0 points)

This obviously quirky premise is meant to be a comedy, but it really just comes off as very forced and dry.  The humor is too off-the-wall and awkward to be funny.  It’s really trying too hard to be something it’s not, and it seems like satire is purposely eccentric, even though it falls flat.  Besides this, there is too much forced drama as the story rushes along at a breakneck pace that leaves no room for character development.  This leaves the characters very shallow and empty.  The fast pace of things also stunts any sense of reality and leaves the viewer disoriented and confused, without any ability to relate the struggles of the characters.  Basically, this is a dramedy that skates on top of everything so quickly that it’s over before you know it.  Actually, that might be a good thing.

Acting Quality (1 point)

This amateur cast seems like they are acting purposely awkward most of the time as they struggle to get their lines out.  Emotions are either too dorky or too forced.  However, there are some good moments here, and there would have been more if there had been better coaching.  Some things just weren’t meant to be, I guess.

Conclusion

Small church films like The Holy Roller struggles for identity and specialty in a sea of a myriad small church films vying for attention and views.  Unfortunately, not many of them actually make it to the next level, and most of them get stuck where The Holy Roller gets stuck: in shoulder-shrugging mediocrity.  The status of these sorts of movies can only be ‘better luck next time.’

 

Final Rating: 3 out of 10 points

 

Love Takes Wing (Movie Review)

Plot Summary

Following the tragic death of her husband, Belinda Simpson travels to a small town in Missouri to both visit her medical school friend and to become the town’s doctor.  However, the townspeople do not know what to think about having a woman doctor.  Also, Belinda discovers that the town is currently embroiled in a cholera epidemic that they cannot seem to control.  Teaming up with a local blacksmith she might be falling for, Belinda also feels compassion for an orphan girl who reminds her of herself at that age.  In the face of adversity, Belinda must stand up and fight for what she believes in.

 

Production Quality (.5 point)

With an entirely different production team, the Love Comes Softly saga takes a different turn and loses its original intent to put a good face on poorly constructed plots.  There is a significant drop in production quality, with barely average video quality, unprofessional camera work, poor lighting, and inconsistent sound quality.  Props and costuming become obviously cheap in Love Takes Wing.  Historical authenticity hovers around the same level it has been throughout the latter half of the franchise.  The only thing that keeps the production from being terrible is the okay editing and the fact that the whole thing could really be worse.  At this point, with the complete departure of Michael Landon Jr., it is extremely obvious that Hallmark is just fulfilling a contract or some type of commitment to force movies bearing titles of Janette Oke books to happen.

Plot and Storyline Quality (0 points)

It has been stressed throughout this series of reviews that Hallmark and company took great creative license with Oke’s original plots, but Love Takes Wing hits a new low by replicating the basic plot structure of Love’s Unending Legacy.  This structure is as follows: the female lead’s husband from the previous film dies between movies, prompting the female lead to move to a different town, where she finds a widespread conflict to solve with a new broken male lead she will marry in the end after an empty and meaningless courtship.  Also, the female lead adopts an orphan girl.  At this point, it’s painfully obvious that Hallmark is addicted to itself and to its obsession for creating empty romances and courtships that inevitably end in a ‘fairytale’ wedding before the audience can even determine whether or not their basically empty marriage will even last (essentially, that’s the state of marriage in America).  But I digress.  In short, there’s really nothing else to discuss here—overtly copied plots get automatic zero points, especially when it’s contained within the same movie saga.

Acting Quality (1 point)

On a more positive note, the acting quality slighting improves in this installment.  The costuming and makeup is not so extravagant.  Dale Midkiff’s absence is refreshing.  However, there are still obvious problems, such as the poor Belinda replacement.  If you’re going to replace an actress, at least try to keep some measure of continuity so the audience doesn’t have to guess who’s who.  Overall, the acting isn’t really that great in Takes Wing, which warrants another low score.

Conclusion

It should be noted that avid Love Comes Softly didn’t even fully enjoy Love Takes Wing.  Hallmark apparently thinks people want to see the same exact plot over and over again.  In our opinion, production companies should think better of their audiences and not dumb entertainment down to such levels.  As the Love Comes Softly series sputters to an end, we offer this advice to Christian film-makers: please, please, please be original with your plots.  God has given us creativity, let’s use it wisely.

 

Final Rating: 1.5 out of 10 points