2018 Box Office Revolution Movie Awards

Every year, movies and series are released, and cast members show off their talents.  Writers and directors showcase their creativity. Films and series are separated into roughly three groups: the truly talented, the potentially great, and the others.  At Box Office Revolution, we believe it is our prerogative to annually recognize those entertainment creators and players who have the ability to bring revolution to Christian entertainment.

Staff Choice Movie of the Year: I Can Only Imagine

Runners-Up: Unbroken: Path to RedemptionPaul: Apostle of ChristIndivisibleAn Interview With God

Reader’s Choice Movie of the Year: I Can Only Imagine

Runners-Up: Paul: Apostle of Christ, God’s Not Dead 3: A Light in Darkness, Unbroken: Path to Redemption, Indivisible

Staff Choice Actor of the Year: Dennis Quaid

Runners-Up: J. Michael Finley, Samuel Hunt, James Faulkner, Justin Bruening

Staff Choice Actress of the Year: Joanne Whalley

Runners-Up: Merritt Patterson, Sarah Drew, Madeline Carroll, Alexandra Vino

Staff Choice Director of the Year: Harold Cronk

Runners-Up: Andrew Erwin, Jon Erwin, Andrew Hyatt, David G. Evans


Image result for terence berden

Staff Choice Writer of the Year: Andrew Hyatt\Terence Berden

Runners-Up: Jon Erwin, Brent McCorkle, Alex Cramer, Richard Friedenberg, Ken Hixon, David G. Evans, Cheryl McKay, Peter White

Staff Choice Soundtrack of the Year: I Can Only Imagine

Runners-Up: Unbroken: Path to Redemption, Paul: Apostle of Christ, Indivisible, An Interview With God

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Indivisible [2018] (Movie Review)

Plot Summary

Army Chaplain Darren Turner and his wife Heather feel that they are called to the life they live as they each minister to those who are connected to the military in different ways.  They are committed to each other and to their family, and they firmly believe God is always supporting them.  However, the months-long separation with Darren’s deployment takes a toll on their marriage and their family as they are apart for months on end with oceans between them.  When tragedy strikes close to home, they will have to decide if they will weather the storm and press into their faith or if they will let it all fall apart.

 

Production Quality (2.5 points)

It’s very clear that Indivisible was a well-funded and well-organized production.  This is evident in the flawless video quality and the great action camera work.  The sets, locations, and props are also excellent and appropriate for the situations portrayed, and it was smart for the creative team to stay within their budget and to not film too many complicated scenes.  There is a very realistic feel to the film, even if there are some slight audio issues.  However, there is a relatable soundtrack, although some of the editing tends to be a bit choppy.  Nevertheless, this production is still top-notch and demonstrates very wise use of funding.

Plot and Storyline Quality (2 points)

In keeping with the growing trends of using better source material in Christian films, Indivisible seeks to tell a very engaging and poignant true story that explores realistic everyday issues that need to be discussed in the context of film.  There is a very real-life feel to the film as the day to day struggles of military families are portrayed very accurately and in a way that many can relate to.  Although there are plenty of opportunities to develop true-to-life characters based on the real people of the true story, it feels like there were missed opportunities to take them a step further beyond the typical and into the dynamic.  An example of these missed opportunities appears to manifest in the middle of the plot as this part of the movie comes off as just a collection of loosely connected scenes en route to a conclusion it wants to get to.  Time moves too quickly at times, which is never helpful for character growth.  However, even though some chances for dynamic storytelling were left on the proverbial playing field, this movie still presents a very effective and accessible view of PTSD and its psychological and emotional effects on the victim and those around him.  As a whole, this plot is definitely good on paper even though there was the greater potential to go further.  Despite this fact, many audiences will still enjoy this film for its realism.

Acting Quality (2.5 points)

It’s evident that Sarah Drew drew on her past acting experience and on her experience with the Erwin Brothers in Mom’s Night Out to both deliver a great performance and to assist the rest of the cast in this same endeavor.  As such, the casting and acting are both very professional.  For the most part, line delivery is on point, and emotions are mostly realistic.  There are some slight issues at times when emotional delivery can come off as a bit forced and over the top, but overall, each cast member appears comfortable in his or her respective roles.  Though there are a few nitpicks in the various areas of this film, Indivisible still has the potential to reach many different audiences.

Conclusion

One can easily see why this great true story was chosen for a film.  There are many important messages in Indivisible that many people will relate to, especially those with close connections to the branches of the military.  The military life has never been easy for anyone, but for too long, this has been kept quiet.  Thanks to the courage of the Turner family, a great story is now being told that reaches out to families who may feel like they are alone.  While there is always room for improvement, there is still plenty of good about Indivisible due to a lot of hard work put into it.  Thus, it earns a rightful spot on the Hall of Fame.

 

Final Rating: 7 out of 10 points

 

Though None Go With Me (Movie Review)

Plot Summary

Elizabeth LeRoy grew up in a small town in the 1950s, but she considered her life to be boring.  That is, until the new young pastor came to town and began spending a lot of time with her.  They eventually fell in love, but as they were engaged, he was called off to fight in the Korean War.  Elizabeth waits for him, but when her father dies and she receives word of the death of her fiancé, she feels like she has no choice but to ask her lifelong friend Will for help.  With everything seemingly falling apart, will she be able to follow God’s plan for her life?

 

Production Quality (2.5 points)

Made in the era of collaboration among Larry Levinson, Hallmark, and Fox Faith, Through None Go With Me is clearly a quality production.  Video quality and camera work reflect this professionalism, as do historically authentic sets and locations.  Audio quality is fine, except for the stock Hallmark soundtrack.  There is really nothing negative to highlight here except for some editing problems, mostly pertaining to excessive time jumps.  But overall, this is a great effort.

Plot and Storyline Quality (1 point)

Based on Jerry Jenkins’ novel, the film is mostly fine, though there is a slightly altered plot.  However, since there are excessive time jumps, there is too much content that is passed over due to there being too much to start with.  Thus, information dump dialogue replaces natural plot progression.  Narration also serves as a crutch to bridge the gaps.  Everything is far too rushed as the story just hits the high points.  Character development is left in the dust as dialogue is empty and trite.  However, the plot does portray a somewhat realistic progression of life, even if the ending is slightly predictable.  In the end, it’s great to base films off of books, but don’t do it in such a way that the original point is lost.

Acting Quality (1.5 points)

Though None Go With Me is a pretty standard early 2000s Hallmark casting job.  As such, there are plenty of good elements but others that weigh it down.  Some acting is effective while some of it is overdone, forced, or lazy.  Also, some costuming and makeup are unrealistic, another typical Hallmark pitfall.  But overall, this portion is pretty average.

Conclusion

Jerry Jenkins is a gifted writer, and thus, his stories should be portrayed on the big screen.  But they should not be done in this fashion, so that they are compressed and chopped up in pursuit of fitting into a comfortable ninety-minute, made-for-TV runtime.  A life epic cannot unfold like this and characters cannot be developed properly in this time span.  So when bringing novels to life, consider that you might need to do so in two parts, not all at once.

 

Final Rating: 5 out of 10 points