Chris Jennings is a new pastor in a small Colorado town, and he’s desperate to prove himself to the people in the church because of his young age. However, this leads him to take drastic measures, including shunning an unwanted member of the church whom the other members don’t feel fits in with their demographic. Nevertheless, Chris is battling his own demons, and once he’s exposed, the religious people turn on him as well. Now that he’s down and out, will Chris ever discover God’s true call on his life?
Production Quality (.5 point)
As a 2019 production, it’s kind of hard to believe that this lower level of quality is still being tolerated. One of the most distracting part of this film is the shaky camera work that hardly ever stops moving and even goes diagonal at times. There are also a lot of weird camera angles and even some blurry video. Sets, locations, and props tend to be cheap, and lighting is fairly inconsistent. Audio quality is okay except for the background sounds. Further, the editing is poor as there are quite a few very abrupt and awkward cuts. In the end, though there’s some slight improvement throughout the film, this production is unfortunately very low quality.
Plot and Storyline Quality (.5 point)
The Unlikely Good Samaritan contains concepts similar to that of Confessions of a Prodigal Son, which was Clarkson’s freshman film, yet the sophomore effort surprisingly has more concerns than the first. In this second installment, there is a lot of blank and stale dialogue throughout the first three-fourths of the movie, which leads to a glaring lack of character development. At first, hardly anything happens except for wasted scenes that take up time but accomplish nothing; the interactions among characters seem unnatural and overly scripted. While this storyline is a commendable look at real issues plaguing the church, it loses most of its audience in the first half hour due to general boredom and unrealistic portrayals of life. However, by the last fourth of the plot, there’s actually some great flawed characters and a lot of potential in the central idea behind the story, but it’s all presented in the wrong way. The ending is actually fairly realistic and comes from a unique plot twist, but hardly anyone will make it this far into the film. In the end, this concept would have likely worked better either as a short film or as a series.
Acting Quality (1 point)
In the beginning of the movie, similar to other elements, the acting is fairly awkward and unnatural, but they also don’t have many good lines to work with. Some cast members are fine and would have been better with improved development and coaching. Many emotions throughout are very wooden and forced, yet the acting overall tends to get better as it goes, in keeping with the themes of this film. However, since there’s fairly significant improvement by the conclusion, it begs the question why it was so bad in the beginning. In the end, The Unlikely Good Samaritan is a mixed bag that doesn’t do enough to pull itself up from the mud.
There’s no doubt that Nathan Clarkson has a lot of good ideas. This fact is evident in his two films, but in this era of Christian entertainment, we need to see more. Collaboration is likely the only path forward for lone ranger creators; we can no longer afford to make movies on our own. God admonishes Christians to work together and to have each other’s backs, so if we accept feedback and ideas from others as well as ourselves, something great can happen. Clarkson’s concepts are creative enough to warrant remakes, so perhaps series-making is in his future once he’s able to work in a team approach. Many entertainment makers have the world at their fingertips if they will reach out and work together.
Final Rating: 2 out of 10 points