The Christmas Card [2006] (Movie Review)

Love finds you in a Christmas card

Plot Summary

When Sergeant Cody Cullen receives a Christmas card from a church group, he is compelled to find the woman responsible for the project after he gets back to the States.  When he finds her, Faith Spelman, and her family, he never thought he would fall in love with her.  But little did he know that he is stuck in the Hallmark universe, where loves pops up in the most “unlikely” places and in the most unrealistic ways.

 

Production Quality (2.5 points)

As usual for Hallmark, the production quality is high, which is the main thing that sustains their brand.  Actually, The Christmas Card has some of the most complex sets and locations for a Hallmark movie.  However, they are still filled with lots of Christmas decorations.  Otherwise, this production checks all of the other boxes, including video quality, camera work, and audio quality.  It also includes a silly holiday soundtrack, but what else is new?  Finally, the editing is mostly standard and uneventful.  Overall, this is business as usual for Hallmark.

Plot and Storyline Quality (0 points)

The Christmas Card is basically the textbook Christmas Hallmark love story in all the usual cheesy ways.  Let’s see how it goes: a couple is thrown together through some ‘funny’ or ‘cute circumstance (in this case, a literal Hallmark card), and they find that they have a lot in common with each other only to discover some earth-shattering news that ‘tears’ them apart for like one scene.  Then they come back together, and everything is fixed.  The characters stepped right out of the Hallmark plot factory, and the circumstances they go through are manufactured, along with their stock dialogue.  The premise is trumped up, as usual, and the Christian message is forced into it to expand the audience influence.  Things happen because they need to in route to an inventible conclusion.  Once again, this is business as usual for Hallmark.

Acting Quality (2 points)

Though this cast avoids the usual plastic look of most Hallmark casts, they tend to be too stoic and practiced in their emotions and their line deliveries.  However, there are plenty of good elements here as the cast is overall professional.  At least this is a palatable cast, compared to other efforts from this channel.

Conclusion

Another day, another Hallmark Christmas movie.  The plastic Christian message is optional depending on who it’s targeting.  Films like this are the embodiment of click-bait, or rather watch-bait.  But the one thing you can say for Hallmark is that they almost always nail their productions.  Some Christian film makers could take a cue from this.

 

Final Rating: 4.5 out of 10 points

 

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December 4, 2017January 3, 2019 by Box Office Revolutionary Categories: Christmas, Inspirational, Movie ReviewsTags: 2006, 4.5 points, Alice Evans, Alpine Medien Productions, Amy Goldberg, Andrew Sanford, Ben Weber, Brian Robinson, Brooke Davis, Chad Michael Collins, Charlie Holliday, Christian Eric Billings, Christmas, Doug Dean, Edward Asner, Glorinda Marie, Hallmark, Jack E. Freedman, Joany Kane, John Newton, Judita Wignall, Kate Hamon, Kurt Johnson, Larry Levinson, Larry Levinson Productions, Lincoln Lageson, Lois Nettleton, Michael Moran, Nick Ballard, Nick Lombardo, Patricia Herskovic, Peter Jason, Rachel Songer, Randy Pope, RHI Entertainment, Robert A. Halmi, Roger Bellon, Romance, Sonar Entertainment, Stephen Bridgewater, Vaughn Armstrong Leave a comment

Love’s Enduring Promise (Movie Review)

 

 

 

 

 

 

 

Plot Summary

Years after Clark and Marty Davis settled into their new life together, their family is prosperous and successful.  Missy Davis is a young woman now with a job and a mind of her own.  All seems well until tragedy strikes—Clark receives a serious injury in a wood-cutting accident, which sends the entire family into a search for answers and hope.  While taking care of Clark and praying for healing, Marty and Missy must work the fields in order to have the crops done in time for harvest.  At the end of their rope, they suddenly receive help from an unexpected source.  Little do they know that God has been watching over them all along and will allow them to be a part of His special plan.

 

Production Quality (2.5 points)

Michael Landon Jr. and Hallmark, in this installment, continued to showcase production superiority over other Christian films of the era.  Love’s Enduring Promise has realistic sets and locations and great camera work.  The video and sound quality are solid, including well-filmed outside scenes.  The costuming is pretty good, with some minor issues regarding period authenticity.  The only other caveats to raise are some poorly created special effects and inconsistent editing.  At the beginning, the movie makes sense, but it becomes very rushed and choppy at the end, as will be explained next.  Nonetheless, the Love Comes Softly series, at this point, was still produced well.

Plot and Storyline Quality (1.5 points)

As previously mentioned, the first half of the movie is interesting and it feels like the audience will really be able to get to know Janette Oke’s characters.  However, once the major conflict is easily resolved, the plot meanders from there and comes to a predictable and forced conclusion.  Besides this, this film is an inaccurate adaptation of original novel that does not improve upon the original plot.  There are too many plot holes and unnecessary characters that only provide filler time.  The inevitable romance seems forced; it’s hard to really appreciate what’s going on because the characters are too shallow. While the dialogue is okay, the characters need to be deeper.  There is some real humor, but the Christian message is forced and not meaningful.  In short, this plot had a lot of potential to be different and interesting and to package a profound Christian message into a movie with authentic, accessible characters, but it only comes off as half-measures.

Acting Quality (.5 point)

The cast size increased for the second installment, but the quality decreased.  There are only a handful of good actors and actresses; the child actors are not coached well.  Line delivery is overly dramatic, like every line is supposed to be a deep spiritual truth.  But at the same time, emotions seem shallow.  Unfortunately, low quality acting derails an otherwise above average film.

Conclusion

Janette Oke’s beloved series has a mountain of good content where deep characters and realistic frontier struggles are concerned.  However, Michael Landon Jr. and team did not capture what they needed to capture.  Love Comes Softy could have been an epic saga, but we are only left to wonder what could have been.  Most audiences will be fine with Love’s Enduring Promise, mostly because of the era it was released in, but it needed something more.  In the future, we hope that this movie genre is redeemed from ‘just okay’ status.

 

Final Rating: 4.5 out of 10 points

February 28, 2016January 18, 2019 by Box Office Revolutionary Categories: Historical, Inspirational, Movie Reviews, Romance, WesternTags: 2004, 4.5 points, Blaine Pate, Cara DeLizia, Cindy Kelley, Cliff De Young, Dale Midkiff, Dominic Scott Kay, Douglas Fisher, E.J. Callahan, Fox Faith, Hallmark, Historical, Inspirational, Janette Oke, January Jones, K'Sun Ray, Katherine Heigl, Katia Coe, Kesun Loder, Kevin Kiner, Larry Levinson, Larry Levinson Productions, Lincoln Lageson, Logan Arens, Logan Bartholomew, Love Comes Softly series, Mackenzie Astin, Matthew Peters, Michael Bartel, Michael Landon Jr., Randy Pope, Robert F. Lyons, Romance, Western 3 Comments