2015 Box Office Revolution Awards

Every year, movies are released and cast members show off their talents.  Writers and directors showcase their creativity.  Films are separated into roughly three groups: the truly talented, the potentially great, and the others.  At Box Office Revolution, we believe it is our prerogative to annually recognize those movie makers and players who have the ability to bring revolution to Christian entertainment.

 

Reader’s Choice Movie of the Year: War Room

Runners-up: Woodlawn, Beyond the Mask, Old-Fashioned

 

Staff Choice Movie of the Year: Woodlawn

Runners-up: War Room, Old-Fashioned, Beyond the Mask

 

Staff Choice Actor of the Year: Caleb Castille (Woodlawn)

Runners-up: T. C. Stallings (War Room), Sean Astin (Woodlawn), Andrew Cheney (Beyond the Mask), Rik Swartzwelder (Old-Fashioned), Nic Bishop (Woodlawn)

 

Staff Choice Actress of the Year: Priscilla Shirer (War Room)

Runners-up: Karen Abercrombie (War Room), Kara Killmer (Beyond the Mask), Elizabeth Roberts (Old-Fashioned)

 

Staff Choice Directors of the Year: Andrew Erwin\Jon Erwin (Woodlawn)

Runners-up: Chad Burns (Beyond the Mask), Rik Swartzwelder (Old-Fashioned), Alex Kendrick (War Room)

 

Staff Choice Writers of the Year: Paul McCusker\Stephen Kendrick\Brennon Smith\Aaron Burns\Chad Burns (Beyond the Mask)

Runners-up: Rik Swartzwelder (Old-Fashioned), Jon Erwin\Todd Geralds\Quinton Peeples\Mark Schlabach (Woodlawn), Alex Kendrick\Stephen Kendrick (War Room)

 

Staff Choice Soundtrack of the Year: Woodlawn

Runners-up: War Room, Old-Fashioned, Beyond the Mask

Advertisements

2015 in Review: The Turning Point for Christian Films

2013 and 2014 were billed as the ‘years of the Bible’ in Hollywood, but this never panned out.  Unfortunately, barring a few exceptions, the Christian movies from these years were largely negative.  Yet they did signal a sign of things to come.  Before 2013, Christian movies were randomly and sporadically produced.  No consistent creators existed save for the Kendrick brothers and other Affirm creators such as the budding Erwin brothers, the PureFlix conglomerate, and the remnants of Fox Faith.  2013 and 2014 also promised Hollywood-driven faith based and inspirational films and many movies crowded to seize on this new label, presumably to capture a consistent Christian audience.  But in the end, little good came out of this push except for a promise of greater things to come and a blueprint on how to do it.

Fast forward to the year 2015, by far the best year for Christian films and the start of a new Christian movie era.  With a record-breaking four Box Office Revolution Hall of Fame movies, it was a year for the books.

 

Old-Fashioned

Early in 2015, rookie film maker Rik Swartzwelder burst onto the scene with a Valentine’s Day alternate to the grotesque Fifty Shades of Grey, which is a move that Christians need to take note of the next time they complain about or embrace all the bad movies in America.  Untested and unproven, PureFlix took a chance with Swartzwelder and cashed in big.  Swartzwelder brought a fresh look at Christian romance, driven by quality production and Jane Austen-like dialogue.  Old-Fashioned not only signaled the possible beginning of a new era for PureFlix distributed movies, but the beginning of a new Christian film era.

 

Beyond the Mask

In the underrated release of Pendragon, the Burns family showcased their ability to do a lot with small resources.  Now, with better funding, better support, and a better cast and crew, they broke out with a rare Christian action adventure screenplay.  Mask not only showcases a new genre but also demonstrates the ability to craft a complex non-typical Christian plot.  We expect it to be the first of many Christian films to break into new genres.

 

War Room

Following their blockbuster Courageous and their exit from Sherwood, the Kendrick brothers’ next release was highly anticipated and highly marketed.  It lived up to its expectations, both in quality and box office success.  War Room proved that the Kendricks are not done any time soon and remain the Fathers of Christian Film Making.

 

Woodlawn

The Erwin brothers have always performed ahead of schedule, with their only three films all being Hall of Fame rated.  They demonstrate expertise in assembling and directing highly talented crews and casts and in amplifying the strengths of individuals.  Not to mention that they write some great plots.  Woodlawn was heavily marketed as well and did not disappoint on the big screen.  The future is bright for these Alabama brothers.

 

 

Honorable Mention: Do You Believe

Following their first box office success God’s Not Dead, PureFlix sought to build on it with another inspirational film about the interconnected lives of individuals in a city.  With increased production quality and interesting plot potential, Do You Believe continued a new era of PureFlix films.  However, it still did not live up to Hall of Fame status.  Nonetheless, it was something to build off of.

 

***

In summary, 2015 was a year that unexpectedly brought Christian movies to a new level—setting new standards for the industry.  No one saw it coming, but it happened regardless.  2016 promises to bring films from new Christian creators to the scene, and we anticipate a fresh wind of creativity to blow across the Christian movie landscape.  It’s time for a new generation of film makers to stand up and redeem the field—the harvest is plentiful but the workers are few.

Old-Fashioned (Movie Review)

Plot Summary

Clay is a simple guy running a simple antique shop in rural Ohio.  He’s not looking for love when he rents out the upstairs apartment to Amber, an itinerant wandering woman about his age.  But when she becomes curious about Clay’s ‘theory’ regarding dating and marriage, Amber keeps coming up with reasons to talk to him, even though he will not allow them to be in the apartment alone together.  Eventually, she convinces him to go on a date with her, but she has no idea what she is in store for.  Beginning with a premarital counseling session, continuing by going over the premarital counseling workbook, and finishing with practice on feeding food to a toddler, their first date is less than typical.  As the two begin to spend more time together, their checkered pasts are exposed as they both try to come to grips with who they are in Christ.  Everything comes to a head when both Clay and Amber are forced to move beyond their sins of the past in Christ’s strength in order to embrace His new future for them.

 

Production Quality (2.5 points)

As a debuting film for Rik Swartzwelder and the Skoche Films team, Old-Fashioned is huge in a good way.  The camera work is excellent, as is the editing.  The film as an artistic undertone that is fueled by subtle camera shots, scenic overlays, and thinking scenes.  The musical score is engaging.  The only issue to raise here is that some scenes seem to last longer than they should.  Overall, this is not a cheap production.  It is simple yet profound.

Plot and Storyline Quality (2.5 points)

The plot is linear, straightforward, and somewhat predictable.  However, Skoche did everything they could do with it.  This is a very deep plot, rather than a wide and shallow plot.  Swartzwelder and team maximized on every opportunity to make this usually typical plot structure as good as it could be.  The dialogue is excellent and drives the plot, as it should.  It also develops deep, believable, and realistic characters.  There are no real plot twists and the only flaw of the plot is that it is fairly predictable.  Otherwise, the plot is highly professional.

Acting Quality (3 points)

There are no high-profile actors in Old-Fashioned, yet they are obviously well-coached and well-trained.  Absent from this movie is typical PureFlix acting, and it is replaced with professional talent that defies convention.  There are few characters in the movie, which perhaps gave the directors the opportunity to develop each actor well.  Fewer characters also keeps with the movie’s theme of having quality over quantity.

Conclusion

In summary, quality over quantity is the theme of the first box office installment of Skoche Films.  Box Office Revolution was pleasantly surprised that PureFlix discovered the rare talent of Rik Swartzwelder and gave him the space to create without intrusion.  His first movie is a rare gem in a desert of mediocrity.  Old-Fashioned can be reasonably christened a modern-day Pride and Prejudice with a Christian worldview.

 

Final Rating: 8 out of 10 points