The World We Make (Movie Review)

Image result for the world we make movie

Plot Summary

The Grove family has had their share of heartache over the past few years, but family friend Jordan Bishop has always been a constant support for them. However, the dynamics begin to shift when Jordan and Lee begin to develop a relationship after the grief seems to settle. Many discourage them from getting involved, and the small town seemingly works against their being together. Together, they experience unexpected prejudice and bias while discovering that they had more hiding below the surface than they previously realized.

Production Quality (2.5 points)

As a 2019 film, The World We Make is the type of respectable production we should be seeing time and again. There are very few flaws to point out here save for the slightly awkward editing near the end of the film (likely due to large story scope). Camera work, video quality, and audio quality are all basically flawless even though most scenes are filmed outdoors. The sets, locations, and props are extremely authentic and well-utilized; on-location shooting is definitely a big plus. Although the soundtrack could be a bit more than it is, this is a very high-level effort for a partially low-budget film, which goes to show what a little experience and proper collaboration can do for a movie.

Plot and Storyline Quality (1.5 points)

Brian Baugh has always been committed to developing raw and real storylines based on accessible characters (I’m Not Ashamed). While The World We Make is one of his calmer tales, it’s nonetheless refreshing and believable. While the scope of this story may be a bit narrow, it’s nonetheless true-to-life and demonstrates great understanding of real people. The central romance is deeper than what we usually see in these types of films because it feels more believable and everyday. There are some very important themes explored, including grief avoidance, small town prejudice, and racial ostracizing. Characters make realistic decisions based on personality and motive rather than on plot necessity, and the storyline has a few slightly unexpected turns. As a whole, this is a very enjoyable plot to witness, and while it could have been a bit better since the ending is fairly rushed and somewhat cutoff, it’s still great as it is, which is enough to push this film over the top and onto the Hall of Fame.

Acting Quality (3 points)

There are virtually no flaws in the acting department. Caleb Castille owns another starring role, and Kevin Sizemore adapts a unique character that suits him. Gunnar Sizemore is a supporting role, but he could be a new rising star. Further, Gregory Alan Williams demonstrates a much more effective role than he’s played in the past. Overall, there is clear acting coaching present here as emotions and lines are authentically delivered, which rounds out a very commendable effort.

Conclusion

Although The World We Make could have been a bit more dynamic than this, it mostly reaches its fullest potential as a film. There are a few nitpicks, but in the grand scheme of things, Brian Baugh is continually setting himself apart as a master of characters, which seems to give him a better proclivity for series writing rather than movie writing. Indeed, not counting this year, we’ve had a longstanding drought in Christian series, so with new opportunities coming available (VidAngel), we may be poised to seeing a breakout in creators like Baugh directing their talents toward series rather than only films. Regardless of what happens, The World We Make is another good addition to the Hall of Fame and is one you’ll definitely want to make time for.

Final Rating: 7 out of 10 points

Advertisements

Summer of ’67 (Movie Review)

Plot Summary

In the years of the Vietnam War, families faced many different unique challenges posed by the international conflict.  Milly and Gerald have recently been married, but they have been forced to live with Gerald’s eccentric mother due to financial challenges.  Milly’s sister Kate is torn between the pro-war and anti-war efforts due to her mother’s past suicide.  When Gerald and Kate’s on-and-off boyfriend Peter are called to the war front for various reasons, Milly and Kate must both live with Gerald’s eccentric mother Joanna as the world around them seems to be falling apart.  Together, they must rekindle the faith they were always taught in order to make it through.

 

Production Quality (2 points)

Sharon and Fred Wilharm of Mainstreet Productions have always had a commitment to building authentic productions.  Summer of ’67 is no exception, as they demonstrate a clear attention to specific historical detail in the props, sets, and locations.  Video quality and camera work are also quite professional.  Audio quality is mostly fine as well, although the soundtrack can sometimes be too loud and somewhat out of place.  As they are still transitioning from making silent films, some adjustments like this can be expected.  Also, the editing can be a bit choppy at times, which can cause the story presentation to be confusing.  Overall, with just a few more tweaks, the Wilharms are very close to mastering professional productions, especially those in need of historical authenticity.

Plot and Storyline Quality (.5 point)

Unfortunately, as Mainstreet Productions used to only make silent films, the plot of Summer of ’67 is not really what it could be.  It comes off as a loose collection of ideas that need better synthesis and organization.  The good thing is that the story does unfold without narration, but some of the dialogue is slightly expository.  Outside of a few interesting conversations, unfortunately, the dialogue does not do enough to build the characters as people.  Some scenes are too short and not explained very well, and time seems to jump from one thing to the next without very clear coherency or organization.  Thus, a lot of the characters come off as shallow, even though they have potential, and a lot of story ideas seem unfinished.  While the ending is very interesting and realistic, the lead-up is not quite enough to hold the attention of the audience.  Overall, it’s clear that the Wilharms really care about trying to making great films; they are just not quite there yet in the plot department.

Acting Quality (1.5 points)

Another adjustment from making silent films is obviously going to be acting coaching.  While this cast is mostly fine and has a lot of potential, there are one too many scenes where the cast members don’t appear to know what they are doing.  Some of the acting is too stilted and robotic in both line and emotional delivery.  As a good note, this might be Mimi Sagadin’s best role, but she needed a bit more screen time than she was given.  On the whole, this section is mostly average.

Conclusion

We know that the Wilharms really do mean well in their films, and the historical authenticity of this production has great value.  It’s definitely going to be an adjustment to move from silent to non-silent films, so growing pains are to be expected.  However, since the Wilharms have always been committed to improving however they can, we believe that Summer of ’67 is something that can be built off of for future improvement.  Perhaps next time, if a more substantial plot is crafted, the next Mainstreet film could be Hall of Fame.

 

Final Rating: 4 out of 10 points