Modern Prodigal (Movie Review)

Modern Prodigal (2019) - IMDb

Plot Summary

Brian Sanderson is an investigative reports who’s addicted to painkillers and never ceases in his quest to solve the mystery of his son’s untimely death to the same drug he’s hooked on. Even though his obsessions cause him to lose his dream job, Brian will stop at nothing to discover the truth of what really happened while also wrestling the demons inside his head. Ultimately, Brian will have to confront his dark past in order to face the future.

Production Quality (1.5 points)

After an odd opening sequences that seems to suggest Modern Prodigal is part of a crime series, weird gray lighting seems to dominate much of the film. Audio quality is also an issues as there are some obvious background sounds as well as too much dead air, even if the little soundtrack therein has some potential. Sets, locations, and props are are bit cheap-looking, and there are some unnecessarily tight shots and instances stationary camera work. Furthermore, the editing leaves something to be desired with awkward cuts and transitions, but the good news is that the production takes a turn for the better in the film’s second half that amends a lot of the earlier errors. However, this is only enough to raise this section to the halfway mark.

Plot and Storyline Quality (1.5 points)

Surprisingly, the characters are one of the strongest aspects of Modern Prodigal as some of them possess subtle characteristics that make them come off as relatable and human; their dialogue is also not all bad since it establishes them as imperfect people. However, while some conversations are quite good, others are too obvious and over the top. Nonetheless, the narrative makes fairly good use of mystery concepts throughout the plot progression and does a reasonable job at concealing important facts and revealing them bit by bit throughout the film. While there are plenty of positive aspects, there are also nagging concerns with this story, such as the fact that it’s trying to cover too much ground in one screenplay. Much of its content would have been better suited for a series, and a sudden massive time jump at the movie’s conclusion leaves the viewer somewhat confused. Nevertheless, Modern Prodigal offers a lot of hope for this writing team’s future potential.

Acting Quality (1 point)

Unfortunately, the good aspects of this film’s plot are detracted from by a lot of over-acting in many of the screenplay’s important scenes. This includes quite a bit of overdone emotional performances and forced line delivery. While there is some good in this section, such as some good supporting cast members and better acting in the less dramatic scenes, better coaching could have lifted Modern Prodigal to a better level.


This film joins a sizable collection of Christian creations that had a lot going for them but never made the next step in to greatness. Much of this shortfall is due to financial constraints, but a lot of it can be blamed on a lack of collaboration or a tendency to force something to happen before it’s time. Ideas were never meant to be carried out alone, and sometimes, it’s just not the right season for them. Nonetheless, it will be interesting to see what this creative team offers next.

Final Rating: 4 out of 10 points


The Borrowed Christmas (Movie Review)

More delicious cookies!

Plot Summary

John Dale is all alone this holiday season, so he wants to manufacture his Christmas by going to a random store and ordering them to buy all kinds of things that are necessary for him to enjoy an artificial holiday experience, including paying off people from the local ‘actors guild’ to play along with his games.  Will they be able to put together his borrowed Christmas before it gets too late?


Production Quality (1 point)

From the ridiculous opening sequence to the end, this production is very cheap-looking.  While camera work and video quality are fine, the audio quality has a lot of issues, including dead portions and unnecessary background noises.  The soundtrack is also a cheesy Christmas one.  The sets, props, and locations are also very limited and underwhelming.  Finally, there is really no editing to speak of as all of the content is just presented at face value.  In short, there is really not much good to say about this movie as a whole because it seems like most of the time that it is trying its best to not be interesting.

Plot and Storyline Quality (0 points)

Besides the absurd Christmas premise, The Borrowed Christmas is probably the most anti-conflict film we have ever seen, Christmas or not.  The story is very boring, childish, and extremely contrived.  Even so, there are strange attempts to be overly dramatic for no reason at all.  Also, the characters come off as extremely cheesy and plastic due to bubbly and overly happy dialogue.  It’s really hard to understand how this idea even came to be, especially due to the fact that there is basically no conflict to drive this plot.  Thus, the story really has no clear purpose and only comes off as a silly church play.  Even though there may be some good ideas here, they are not presented properly at all.

Acting Quality (1 point)

For the most part, this cast is dry and generic, as well as too theatrical at times.  While they are fine at times, there are also some laughably random outbursts throughout.  Another unfortunate negative to note is some poorly done makeup.  However, not all is bad here, even though this movie still lacks overall purpose.


The Borrowed Christmas is basically a lesson in how to make a movie that completely lacks conflict.  Even most Hallmark movies have more conflict than this one—it’s kind of a requirement for plot writing.  Alas, especially in holiday films, story writing continues to suffer as it is substituted for silly and trite holiday ideas.  The time has come to move past these sorts of conventions and truly make a difference in the film world.  At least Chip Rossetti and his team showed improvement after the creation of this film.


Final Rating: 2 out of 10 points