Ruling of the Heart (Movie Review)

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Plot Summary

Judge Edward Morgan is known for being heavy-handed and for enforcing the letter of the law without taking personal situations into account. However, when he’s stranded in a coffee shop one night, he’s confronted by people whom he’s ruled against, which forces him to take a second look at his closely-held beliefs as well as the past pain he’s been hiding from. Will he be able to change his ways before it’s too late?

Production Quality (1.5 points)

For the most part, Ruling of the Heart is a fine production even if the sets, locations, and props are somewhat limited. Some of the lighting is also unnecessarily dark, and there are some cheap special effects throughout. Flashbacks also have an odd quality about them, such as inconsistently shaky camera work. The soundtrack is fairly generic, and although other production elements are acceptable, there really needed to be more here since this film was made in 2018. However, some of this may be due to the limited plot scope.

Plot and Storyline Quality (.5 points)

Unfortunately, whereas there was a somewhat interesting idea behind this film, its disregard for legal procedure and judicial realities doesn’t bode well. The courtroom situations depicted within the storyline don’t line up with real life, which really puts a damper on things. To make matters worse, the characters are quite bland and one-dimensional throughout the narrative, and the Christian message seems shoe-horned in. One of the saving graces is the use of flashbacks to try to develop character backstories, but they don’t go as far as they could have, and characters struggle to break out of their “issue” shells and to actually be accessible as people rather than as cardboard cutouts. The stock vanilla dialogue doesn’t help, and the fact that the plot forces things forward instead of letting things unfold naturally isn’t advantageous. Even still, the film seems to be long and drawn out despite the lack of substantial content. While there are some brief attempts near the end of the movie to craft character motive, it’s too little too late. Essentially, when setting out to create a narrative that’s confined without one set and based on a complex topic requiring further research, flashbacks need to be integral in developing characters, and accuracy of the depicted topic needs to be ensured.

Acting Quality (1.5 points)

Although there’s nothing specifically wrong with the casting and acting in Ruling of the Heart, there’s also nothing particularly dynamic or special about it. This section of the film is overall generic as there is some stilted line delivery and some average emotions that are balanced out by other better performances. Despite some unnatural and overly earnest portrayals, this portion of the movie is basically average.

Conclusion

In the end, Ruling of the Heart is a nice attempt to take a look at how personal experiences can unfairly influence a judge’s ruling, but in order for this concept to produce more of an impact, research needs to be done to make sure judicial situations are accurately portrayed. Further, characters need to organically developed beyond simply representing issues and should be relatable people via personality-building and backstory-revealing dialogue and flashbacks. Without realism of ideas and characters, a movie can’t properly get off the ground to make a difference, no matter how important the topic is.

Final Rating: 3.5 out of 10 points

Love, Kennedy (Movie Review)

Plot Summary

Jason Hansen has a seemingly perfect family life, but tragedy strikes when his oldest teenage daughter Kennedy is diagnosed with terminal juvenile Batten disease.  As their family grapples with this new reality, they soon find that there is hope even in the hurt and that God does have a plan for Kennedy even if her life will be shorter than usual.  Together, they find that God’s plans are always greater than people’s plans.

 

Production Quality (2 points)

T. C. Christensen has always had a commitment to professional productions, and Love, Kennedy demonstrates this commitment by having good video quality, above-average camera work, and fine audio quality.  However, there are one too many musical montages as a lot of the film is saturated with music.  Sets, locations, and props are realistic and appropriate, however.  The main thing that keeps this production from being all that it could be is the choppy editing that contributes to an awkward story-telling style, but for the most part, this production is above average and professional.

Plot and Storyline Quality (.5 point)

Though it’s basically obvious the T. C. Christensen pushes Mormon messages in his films, at least he tends to craft films about real life stories and events.  Regardless, the true story of Love, Kennedy is unfortunately stifled by unnecessary heavy-handed narration, which also stunts character development.  Since these characters are based on real people, we need a chance to get to know the characters better, but this chance does not materialize.  Unfortunately, this makes the slight Mormon message-pushing more noticeable since the dialogue is rushed and empty.  It seems like the characters get swept along in the predictable plot progression without any choice of their own.  Elsewhere, Christensen includes his typical magical elements that are a bit much.  As a whole, Love, Kennedy is a nice try but not quite good enough.

Acting Quality (2 points)

Overall, the acting of this film is mostly fine with no obvious glaring errors.  However, the acting is not dynamic either, and there are a handful of minor issues that add up over the course of the film, such as some half-hearted performances and some odd portrayals of cast members.  Moreover, as a whole, this section is mostly above average and is better than a lot of films on par with it.

Conclusion

Christensen and his team outpace many other Christian groups in film making when they make clear efforts to build professional productions and to coach above-average acting performances.  The Mormon message-pushing may be off-putting and not much better than other Christian message-pushing (see: Christiano Brothers), but at least it’s packaged in a semi-acceptable way.  Nevertheless, this still isn’t good enough to get past the halfway mark, so maybe it will be better luck next time for the Excel Entertainment team.

 

Final Rating: 4.5 out of 10 points

 

The Beautiful Beast [2013] (Movie Review)

Plot Summary

Isabelle Elliot is a spoiled heiress to a fortune that she has no idea how to manage properly.  She does whatever she wants with the money she has at her fingertips but always makes sure to keep her only normal friend close to her.  She convinces this friend to go with her on a spontaneous ski trip to Switzerland, but a disagreement leaves Isabelle stranded in the cold.  She wanders around until she finds a mysterious cabin and takes shelter inside.  There she meets a reclusive man who confuses her but also intrigues her.  Will he be able to teach Isabelle what really matters in life?

 

Production Quality (2 points)

For a SunWorld production, this one isn’t half bad.  Video quality, camera work, and audio quality are find, even if there isn’t enough of a soundtrack.  Sets, locations, and props are actually pretty good considering the source.  The biggest issue here is that the editing is choppy, as usual for this sort of film.  There isn’t much content to begin with, but to present it like this is unprofessional.  But in the end, we’ve come to expect these sorts of things from these types of films.

Plot and Storyline Quality (.5 point)

The Beautiful Beast is based on a very stereotypical and predictable idea that utilizes a thin, forced, and even juvenile thrown-together romance premise.  Though there are several somewhat interesting conversations, the characters still need deepening beyond their cheesy romantic story stereotypes.  We need to be able to feel like this is a real story and not some silly knock-off fairy tale that it’s lamely named after.  As it is, the character arcs and the predictable progression are too steep to be believable.  On top of all this, the Christian message is cheap and forced, like it was added in later to make this a “Christian film.”  In the end, the only way to fix this sort of plot is to build deep and realistic characters, but this did not happen in this film.

Acting Quality (2 points)

Though this cast is small, they are mostly professional in their performances.  Line delivery is on point, but emotions are sometimes over the top in attempts to be comedic.  But in the end, this is a decent casting and acting job.

Conclusion

Regardless, it’s really hard to see the justification for this sort of film.  The idea has been done before—too many times—so unless you’re going to improve an old idea, don’t use it.  This film is really just a representation of the need for an inspirational\quasi-Christian film, so somebody manufactured an overused plot and found some cast members to be in.  There’s nothing creative or innovative here—just pure business.  This is definitely not the way to make a movie that will actually make a difference.

 

Final Rating: 4.5 out of 10 points