Catastasis {Crisis Call} (Movie Review)

Plot Summary

Pastor Robert Peterson tells his congregation to do one thing, but does a different thing at home.  Everyone thinks he has it all together, but when a desperate man he once counseled comes back to haunt him, Robert is forced to look at his life in a very uncomfortable way.  The man has taken Robert’s son hostage and thus forces Robert to do a series of actions in order to get his son back.  Will anyone come out of this dangerous game alive?

 

Production Quality (1 point)

In a first-time production, it’s probably not a good idea to begin with the suspense genre.  It is difficult to pull off suspenseful scenes without taking production shortcuts, like the ones taken in this film.  Shaky camera work is one of these shortcuts, as are tight shots and poor lighting throughout.  While video quality is fine, the sets and locations are quite limited, probably on purpose.  Audio quality is mostly average and the soundtrack is a slight attempt to be interesting, but it falls short.  Finally, there is really not much editing to speak of as all content created appears to be included in the final cut.  In the end, we could almost pass this production off as a rookie attempt, but the shortcuts taken cannot be ignored.

Plot and Storyline Quality (-1 points)

The mind of Anthony Hackett is difficult to comprehend.  Similar to his later work, Love Different, Crisis Call carries an unusual brand or flavor that cannot be replicated.  Yet rather than a comedy, this dark thriller is full of bizarre insinuations and asides, as well as strange characters and rambling dialogue.  The premise is slightly interesting, yet it is also off-putting and somewhat offensive.  There are a lot of dark and brooding elements that offer a lot of hopelessness but not near enough redemption.  Though the ending tries to bring some redemption into the picture, it is too little too late.  We are not saying that Christian films should not deal with gritty and difficult topics—this is not the case at all.  The problem with Crisis Call is that it deals with them in a very incorrect manner, almost as if it is obsessed with being purposely dark.  While we definitely need different genre films in Christian entertainment, this is certainly not the way to go about this.  The offensive nature of this plot warrants negative points.

Acting Quality (0 points)

In a small cast such as this one, every little errors is amplified.  There are not enough positive elements to overcome to negative ones, which include overdone emotions and yelling, as well as many forced and overly practiced lines.  The villain actor is far too maniacal and seems to enjoy being creepy.  Unfortunately, we cannot award any points here.

Conclusion

Anthony Hackett is certainly not afraid of trying different things.  Both of his films are memorable—for all the wrong reasons.  If his goal was to get attention and leave a mark, he succeeded.  Now he needs to move past his first two efforts and seek to harness his creatively in more constructive ways.  Believe it or not, he really does have potential as a film maker, if he has the proper direction and a good team behind him.  It should be interesting to see what he comes up with next.

 

Final Rating: 0 out of 10 points

 

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Love Different (Movie Review)

Thug life.

Plot Summary

When a dippy white blonde named Jenn Gotzon Lindsay decides to take a job at an African-American marketing firm, she finds herself in the midst of a major culture shock.  So the head of the firm assigns his best marketer, Neque, to help Lindsay integrate into the new culture that she is completely foreign to.  Little do neither of them know that they are both in for a new look at life, not only their own lives, but also the lives of others.

 

Production Quality (2.5 points)

For the most part, Love Different sports professional production quality.  Camera work, video quality, and audio quality are all on par with what they should be.  The soundtrack is a little quirky, but it seems to work.  Sets and locations are adequate for this story.  There is really little to complain about here, except for some choppy editing as this film tends to jump from one supposedly funny sequence to another.  But otherwise, this is what productions should look like, even if the story is greatly lacking.

Plot and Storyline Quality (.5 point)

What. Is. Happening.  From one forced comedy scene to the next and from one quirky racial joke to another, there is no sense here and little method to this madness.  A lot of the time, it seems like these cast members were set free to ad-lib with no real direction except to act as juvenile and silly as possible and to make as many racial jokes as they can get away with.  This story feels like it has the zany influence of David A. R. White, Kevin Downes, and Tommy Blaze, but it does not.  As previously mentioned, this story is really just a loose collection of skits about racial differences with a few ‘meaningful’ scenes sprinkled in.  It’s hard to follow the arc of these characters as one is constantly distracted by the outrageous behaviors of Jenn Gotzon that simply have to be seen for yourself.  A lot of the dialogue constantly refers back to racial differences without truly building these characters beyond their skin color.  Yet believe it or not, there is a powerful message hidden somewhere in the midst of the zaniness, if you stick around long enough to find it.  But in the end, any movie that includes Jenn Gotzon trying to act like she’s African-American cannot be taken seriously.  It’s funny for all the wrong reasons and is simply too much to be true comedy.

Acting Quality (1 point)

Sometimes it seems like this cast has potential.  But then it doesn’t.  Jenn Gotzon is a self-parody in this film with all her antics.  Other cast members seem like they have potential and even have good moments, but they short themselves by acting like fools in attempts to be comedic.  They really seem like they are better than this, which makes this performance overall disappointing.

Conclusion

In the opening credits, God is blamed as an executive producer of this train wreck.  Can I just say, please don’t blame God for your disasters.  There is certainly a place for comedy centered around cultural differences and how we tend to isolate ourselves from different people, but whatever good Love Different was trying to accomplish unfortunately falls flat.  There are simply too many outrageous sequences and purposely over-the-top comedy elements for this movie to fully accomplish its goal.  There are so many memorable moments in this movie that are memorable for the wrong reasons.  From a class dedicated to teaching white people about African-Americans to Bon Quisha and Jenn Gotzon’s thug life, Love Different is one for the history books, but we’re not sure if its original intent will be remembered in the midst of the outrageousness.

 

Final Rating: 4 out of 10 points