The Islands (December 2019)

Coming to select theaters December 6, 2019 from RiverRain Productions

Website

Writer(s): Timothy A. Chey, Umi Perkins

Director(s): Timothy A. Chey

Producer(s): R. Julie Burnett, Susan F. Chey, Timothy A. Chey, S. Marc Clooney, Lehi Makisi Falepapalangi, David Galea’i, Todd Kim, V. Carol Rosenthal, Ichiro Tatsume, Angela Xiong

Starring: Teuira Shanti NapaMira SorvinoRicky Sua’ava, John Savage, Ichiro Tange, Malia Marquez, Michael Camp, Malia Mahi John Huser, Lehi Makisi Falepapalangi, Harry Walia, Ala’amoe Keolanui, Boyd Lauano, Andrew Sexton Iii, David Galea’i, Shawn McBride, Clifton Burchfield, Bill Stonebreaker, Yosef Kasnetzkov, Troy Husey, Wallace Del Rosario, Kealii Kuikahi, Craig Nahale, Jessica Kamalu, Vanessa Clay, Vanessa Cadang, Frank Cozart, Ikaika Jonathan, Josephine Kueva, Kae’o Kapani, Serita Liva, Yolanda Hiapo, Sanders Kapahulehua, Rebecca Sanders, Hori Bayani, Tracy Makuakane, Mailani Makainai, Alice Nakahara, Lev Kohn, John Danilewicz, Emmanuel Gomez, Angel Lemus

Plot Synopsis: Based on the incredible true-life story of Chiefess Kapiolani who descended into an active volcano to demonstrate her new-found faith and ushered in a new beginning in Hawaii.

The website above has a much more in-depth description that space does not permit inclusion.

Freedom [2015] (Movie Review)

Plot Summary

When Samuel Woodward and his family escape a cruel Virginia plantation one night, they are aided by Christians on the Underground Railroad.  However, they are also pursued by cruel slave bounty hunters.  When Samuel wants to give up on his faith because of what they are going through, his mother tells him the story of his great grandfather, who was a boy on board one of John Newton’s slave ships.  The two lives parallel as they each face their own struggle for freedom and discover faith in God.

 

Production Quality (2.5 points)

With a hefty budget and cable television backing, Freedom had many positives going for it from the get go.  For the most part, the money is well-spent, including great video quality, camera work, and audio quality.  Obviously, the standout feature of this film is supposed to be its historical live soundtrack sung by the characters like a musical, but this is an area that needs some further refinement.  There are also some lingering small issues in this production pertaining to some fake backgrounds and some slightly rushed editing, yet on the whole, this is a very respectable production that was helped by the money behind it.  The one caveat to point out is that with this kind of money, Freedom *should* have been flawless and likely would have been in the right hands.

Plot and Storyline Quality (1 point)

Freedom is an attempt at a historical musical epic, and it succeeds on some fronts, even though it fails on other fronts.  For one, there is a lot of unnecessary narration throughout that hurts natural character growth.  Characters are also not helped out by the fact that there are so many of them.  Also, the parallel subplots from two different historical time periods is an interesting touch, yet it is not handled very well as time tends to jump all around.  The sheet amount of content that is being handled here may just be too much for one film, and the dialogue is not substantial enough for the epic style this movie is trying to adopt.  However, this is a mostly realistic and touching story that has a lot of historical backing and interest.  It is extremely important for more Christian movies to be made about history, especially the Underground Railroad.  However, Timothy Chey makes a mistake in portraying most, if not all, the pro-slavery characters as atheists, which is not entirely accurate.  Nonetheless, the second half of Freedom does show improvement, even if the better parts tend to be squeezed out by the wasted time at the beginning.  In summary, Freedom is a good film, but it is frustrating to see the higher potential that it did not reach.

Acting Quality (2.5 points)

With professional cast members and fairly good coaching, Freedom had a successful acting run.  Line delivery is on point, and emotions are effective, except for some minor moments of unnecessary drama.  Also, the costuming is very authentic and historically accurate.  There is some odd makeup work in some parts, but as a whole, this is a job well done.

Conclusion

As a side note, John Newton died almost 70 years before the hymn “It is Well” was ever written, so there’s no way his fiancée was able to sing it in church.  Also, it’s also highly unlikely John Newton sang “Amazing Grace” at his own wedding since he wrote it almost 15 years after he got married.  This isn’t the first time Timothy Chey has disregarded historical facts in his films, but his ambition to create a Christian historical epic\musical is noted, even if it is misguided in the beginning.  Nonetheless, there are a lot of positive elements in this film, likely because Chey had assistance from other sources.  However, there were definitely areas it could have been improved in, especially since this was a rare chance for a film with a Christian worldview to show that it was a great historical epic on a cable television channel apart from it being a Christian movie.  There was so much going for this film, especially the budget, so it really should have achieved a higher rating.  Even so, many audiences will still find enjoyment and meaning in it.

 

Final Rating: 6 out of 10 points

 

The Genius Club (Movie Review)

Plot Summary

When a madman takes the White House hostage with a complex nuclear bomb he has built, he demands that the Secret Service assemble the world’s highest IQ achievers to solve the world’s problems in the President’s bunker before the time runs out on the bomb.  The madman poses a series of philosophical dilemmas and questions for them to solve so they can gain enough points for him to turn off the bomb.  Will they be able to play the game to win before time runs out?

 

Production Quality (1.5 points)

Unlike later productions from Timothy Chey, The Genius Club actually has average production quality rather than negative production quality.  Video quality is good and camera work is good, but there is some randomly poor lighting.  However, audio quality is unprofessional, although the soundtrack is interesting.  Sets, locations, and props are also somewhat interesting and creative.  However, the editing leaves something to be desired with some confusing cuts and transitions.  Overall, this is a middle-of-the-road production that is better than negative but is not what it should be.

Plot and Storyline Quality (.5 point)

Though The Genius Club has some shades of Timothy Chey wackiness, it also includes some thought-provoking philosophical concepts.  It has an interesting suspense storyline but it lacks flow and tends to jump all over the place in attempts to cover a lot of ground and information, even if it does so in an isolating way.  There are some typical philosophical regurgitations, but there are also some interesting and surprisingly well-thought-out points raised.  However, the characters, even though there are some interesting backstories, and the dialogue are not good enough to sustain a full-scale story as the conversations only seem to be used to fill time.  Finally, as with many suspense ideas, this story has a paint-yourself-into-a-corner ending that is hard to reconcile properly or creatively without being predictable.  But at least this was a reasonable attempt.

Acting Quality (1.5 points)

The acting is very inconsistent, especially with the over-the-top villain constantly manically tirading.  Stephen Baldwin is always a lazy actor, but his role somewhat fits him.  Other cast members post over-the-top performances, but others are realistic and meaningful.  Overall, like other parts of the film, this is a mixed bag.

Conclusion

Timothy Chey remains to be an enigma.  He is extremely hard to figure, except for the fact that he clearly hates lawsuits, noises, war, and oil companies, as these are constant themes throughout his films.  Yet despite his zaniness, there are some interesting thought-provokers throughout The Genius Club that actually make you think.  However, they are not enough to overcome the inevitable unprofessional elements that are almost always found in his films.  But this one is at least worth a watch.

 

Final Rating: 3.5 out of 10 points

 

Slamma Jamma (Movie Review)

Plot Summary

Michael Diggs was a college basketball star before he was dragged into a crime and framed for the murder.  After spending six years in prison, he has come back home to find his brother wayward and his mother in poor health.  His former girlfriend has also moved on.  Thus, Michael sets out to make an honest living and try to put his family back together, but he meets a group of street basketball players who convince him to try out for a slam dunk competition.  Michael decides to go for it, especially when a crisis hits home that forces him to rely on his faith to make it through.

 

Production Quality (2 points)

In a shocking break from Timothy Chey’s past production disasters, Slamma Jamma, though less funded that train wrecks like Final: The Rapture or David and Goliath, is on par with industry standards.  Video quality, camera work, and audio quality are all professional.  The soundtrack is effective, though it is sometimes too in-your-face.  Sets, locations, and props are highly realistic.  The only real issue holding this production back is the terrible editing.  There are too many disconnected scenes and sequences that make for a very choppy viewing experience.  Sometimes scenes abruptly and unnecessarily transition to another, even if it seems unfinished.  Needless to say, some editing kinks still need to be worked out, but this is a huge improvement for Chey and makes us wonder how this even happened, given his history.

Plot and Storyline Quality (.5 point)

Slamma Jamma is a typical marketable true story sports plot where all of the characters fit into perfect molds and follow predictable trajectories.  While this is a pedestrian idea for the market, it is an extreme departure for Chey, which suggests a need for funding.  Gone are constant bizarre and manic references to Chey’s wacky worldview as they are replaced with stereotypical inspirational sports constructs.  However, it is an interesting and engaging true story, even though its large amount of content is crammed into a confining runtime that likely does not do the original story justice.  While the characters are somewhat accessible, they are not developed enough as time speeds by.  The whole storyline is too neat and pre-planned, which is completely uncharacteristic of Chey.  But hey, everybody’s gotta start somewhere.

Acting Quality (2 points)

Unlike past psychotic casts (see Suing the Devil), this cast is actually semi-professional and seems to know what they are doing.  Some acting coaching is present, even though there are still a handful of very over-acted sequences.  But on the whole, emotional and line delivery are very respectable.  One thing is for sure: you never know what’s going to happen next with Chey.

Conclusion

When compared to past Chey works, Slamma Jamma is a major improvement, which shows just how bad it was for him at one point.  Now he needs to move away from market predictability and flex those creative muscles he claims to have.  It’s time to do something different, only the right way, and without blowing millions of dollars on north African field trips.  If Chey can harness his creativity responsibility, mute his worldview, and surround himself with a good team as he did in Slamma Jamma, he might become the most surprising film maker yet.

 

Final Rating: 4.5 out of 10 points

 

David and Goliath [2015] (Movie Review)

I AM GOD YOU ARE NOTHING!!!!!!!!

Plot Summary

Travel back to that historical moment when the British Jews in construction hats were hanging around in the desert waiting to fight the eye-shadow-challenged PhilistInes until they saw the guttural wonder known as Goliath and became too afraid to fight.  So they reverted back to standing around talking, wandering around in circles, and riding their horses around camp.  Then along came the pastiest white British man ever—Michelangelo’s David—who decided that he was going to fight the giant action figure across the valley.  After much deliberation, arguing, and talking, the pasty white man ventures forth to fight the giant.  If you made it this far into the film and haven’t been paid off by Timothy Chey, you know how bad it is.

 

Production Quality (-1 points)

With millions of dollars flushed down the toilet for this disaster, you would think that Timothy Chey and crew would be able figure out how to put together a professional production.  But apparently they wasted too much of their funding on the ‘dangerous’ international location to care about how to keep audio quality from constantly screeching and overdriving.  Despite the international endeavor, the sets are terrible and childish.  The soundtrack is very generic and loud, like much of the other audio.  Video quality is low for no reason and camera work is average at best.  A lot of the outside scenes are poorly filmed, with constant extras and horses walking around in front of the camera.  There are also a lot of poor special effects used, along with obvious animation to cover up production shortcuts.  In the end, the world of Timothy Chey defies reality in many ways, especially when he is somehow raising tens of millions of dollars to fund these outright calamities.

Plot and Storyline Quality (0 points)

In a terrible attempt to portray the Biblical story of David and Goliath, this plot is really just about delaying the inevitable.  As the whitest and most British man alive plays David, all the British characters waste time standing around (with horses and people constantly going round and round them) talking and arguing about what they are going to do and debriefing about what’s going to happen next.  It feels like the same conversations repeat over and over again, and the sayings of Goliath most definitely and literally repeat over and over again, like he’s a giant action figure.  Once it finally gets to the so-called climax, it really wasn’t worth waiting for.  Besides this, there are tons of the typical Timothy Chey bizarre elements, such as likening the PhilistInes to a Satanic cult and having Goliath literally drink blood from a cow head.  There is just so much here that cannot even be covered or explained, but needless to say, only watch this film if you don’t pay for it and if you need a good laugh.

Acting Quality (-1 points)

Besides this cast being extremely BRITISH, the costuming is among the worst.  They blew millions of dollars on international travel but couldn’t even put together a decent historical costume that doesn’t look like it was a repurposed construction uniform.  The makeup is also among the worst we have ever witnessed, with coal spilled all over the PhilistInes’ faces.  The cast members therein (especially Goliath) make all kinds of weird guttural sounds and mumbled lines, not to mention the constant yelling and screaming.  Basically, we could just go on and on about the twilight zone of Timothy Chey.

Conclusion

One only has to look to the International Movie Database user reviews of Chey’s films to see just how far his insanity extends.  He clearly has a following of paid reviewers that constantly extol his works in an attempt to ‘correct the record’ (lol) about how the only reason anybody doesn’t like his movies is because they are carnal Christians who stole the movie off of the internet and live in their parents’ basements.  Go ahead and check them out—you’ll see where a good portion of Chey’s budget goes.  But this notwithstanding, what was someone thinking when they enabled this train wreck to happen?  Needless to say, Chey hopefully will not be handed this much funding again any time soon, but stranger things have happened…

 

Final Rating: -2 out of 10 points

 

Final: The Rapture (Movie Review)

Making international calls on a deserted island

Plot Summary

In an instant, millions disappear in what Christians call the Rapture.  This leaves the planet in total chaos and unrest.  The lives of four people are followed as they experience the fallout from this cataclysmic event.  A rich football player in America wrestles with the fact that his wife has disappeared.  An atheist professor finds himself stranded on a deserted island after his plane crashes.  A girl from Argentina cannot remember what happened to her as she tries to piece the events of her life back together.  A businessman from Tokyo wonders if his Christian friends were right about the end of the world.  They will all have to struggle to survive in this new world.

 

Production Quality (-1 points)

It’s hard to remember the last time we saw a production this annoyingly horrible.  For starters, the camera work and video quality are medieval, like the whole thing was recorded on a flip phone.  The audio quality is perhaps the worst we have ever heard, from a loud soundtrack, to audio constantly cutting in and out, to distorted screeching dialogue, and to incessant background noises and cheap sound effects.  The sets, locations, and props are very amateurish and cheap-looking.  Finally, whoever edited this disaster should have quit to save their reputation since they had virtually nothing to work with.  The film is very choppy and jumps all over the place, sometimes recycled old footage and sometimes using black and white footage randomly.  The viewer is constantly reminded of the location and time through subtitles since there is no other way to understand what’s going on.  In short, this is likely one of the worst productions in the all-time history of film making.

Plot and Storyline Quality (0 points)

The plot can do nothing to redeem this trainwreck, since there is very little real content to speak of.  Filled with obvious dialogue and stiff, robotic characters, the storyline has zero continuity as random subplots jump all over the place and meander aimlessly.  The characters are either obnoxious strawmen or cultural stereotypes.  There are many bizarre asides, moments of unintentional comedy, and random things that just happen.  Also, as expected, Final copies the typical apocalyptic plot progression but makes it their own by zooming through it at breakneck speed before crashing with a nonsensical end that is somehow supposed to be continued.  In other words, this is Left Behind 2014 on steroids (or is it actually the other way around?).

Acting Quality (-1 points)

As these amateur cast members screech, squeal, and scream their way through this disarray, they either come off as lackluster or singsong.  They are generally very obnoxious and over the top, obviously lacking coaching as they forcefully deliver their lines and emotions.  We are unsure who is to blame for their ear-piercing delivery—the audio quality or the cast members themselves.  Any way you cut it, it’s a mess.

Conclusion

With such low quality everything, what possessed the creators to make this garbage?  Did they really think that they were going to make more of these, as this is presumably the first in an obligatory unfinished apocalyptic series?  This is hands-down one of the most absurdly low quality films of all time, to the point that it should have been made it through post-production.  The entirety of this wreckage should have been scrapped and never used again.  It’s things like this film that drive us crazy.

 

Final Rating: -2 out of 10 points