Scarlett [2016] (Movie Review)

Plot Summary

Chase and Scarlett and two architects who are in love and are engaged to be married.  They love God and want to help people, which is why they open their home to a pregnant victim of domestic violence on the run from her evil husband.  But their lives are also changed when Scarlett discovers that she has an aggressive form of cancer.  Will they be able to hold on to what they believe despite tragedy?

 

Production Quality (2 points)

Though Scarlett has a smaller budget, it shows that Strong Foundation Films has finally learned how to put money to good use by having a semi-professional production.  Video quality and camera work are on standard, and audio quality shows marked improvement.  The soundtrack is also better as it flows more smoothly.  Sets, locations, and props demonstrate more professionalism than in the past.  The only negative to discuss here is the bad editing that keeps this production from being all that it could be.  Yet nevertheless, Strong Foundation has finally found a good production style.

Plot and Storyline Quality (.5 point)

Though there is some heavy-handed narration and though this story is just another repackaged downtrodden character plot, there is some better dialogue throughout that keeps this plot from being as bad as past efforts.  Yet the characters still need further development as they are only halfway there.  There is a lot of melodrama surrounding the disease plot and there are laughable product placements for The Prophet’s Son.  Yet it seems like the Strong Foundation team is trying, even though they suggest of a lot of childish fixes for problems.  There is at least some hope for this team.

Acting Quality (1.5 points)

The creative team did find some better case members and better coaching for this film, yet Josiah David Warren’s unsure performance is still front and center, and is thus distracting.  The presence of Stephen Baldwin is also an automatic detractor.  Some emotions are believable while others are not.  Line delivery is mostly okay.  In the end, this rounds out of a much-needed improvement.

Conclusion

We would much rather see a company start with a 4-point movie and progress beyond that, but it’s better late than never for Strong Foundation.  They have certainly had an odd existence, but perhaps they are finding their way now.  Josiah David Warren still needs to look over his past performances and see how he can improve so he doesn’t keep doing the same thing every time.  They also still might want to consider hiring a different writer.  Who knows where they will go as a company next.

 

Final Rating: 4 out of 10 points

 

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Without a Father (Movie Review)

Plot Summary

Two men, Jacob Taylor and Christopher Bauman, grew up with different lives, but they both grew up without a father.  Now they live different lives—one is successful in law but not in his marriage, while the other is successful with his family but struggles for work.  Though they have taken two different paths, the truth for them still remains the same: they both have a Father in Heaven Who wants them to turn to Him in their time of need and to put their trust in Him.

 

Production Quality (0 points)

Unfortunately, as a low-budget church production, Without a Father suffers on most production fronts.  Video quality and camera work are very inconsistent and mostly low-quality.  Audio quality is also poor, including a loud and uninspiring soundtrack.  Flashbacks are black and white for no reason.  Sets, locations, and props are limited and fairly cheap.  Finally, the editing is also bad, with very awkward and abrupt cuts and transitions that make for a confusing experience.  In short, though this church likely meant well with this film, the delivery is not very good.

Plot and Storyline Quality (0 points)

Though Without a Father has a good purpose (which is obviously messaged in the title), the plot completely lacks focus, as it is mostly a random collection of stories all jumbled together.  Though the agenda is good, it is still pushed way too hard in the audience’s faces.  Narration is also heavy-handed and provides more message-pushing.  Trite Christian answers are provided as unrealistic quick fixes for problems.  Also, the legal premise presented here is basically not believable.  Finally, there is no justification for this film being so long, since the runtime is only sustained by long and drawn out scenes depicting the empty characters doing random things and activities of daily living.  Basically, having a low production budget is one thing, but the least you can do as a struggling film maker is make a decent plot without heavy-handed messaging.

Acting Quality (0 points)

As an amateur church cast, some forgiveness is in order here, but it still doesn’t warrant these poor performances.  The cast members are overly practiced and stiff in their delivery.  Emotions are too extreme and there is far too much yelling.  In short, from start to finish, Without a Father is unfortunately how not to make a church movie.

Conclusion

It’s baffling to me how churches make films this long.  In my experience, it’s difficult for a church to even make a thirty-minute film, much less one that’s nearly two hours.  With all the effort put into films like this, what do they really have to show for it?  We can understand not having enough money for a first-time church production, but if you’re going to make a movie like this, at least try to write a good story with realistic characters.  Otherwise, what’s really the point?

 

Final Rating: 0 out of 10 points