Trew doesn’t really like her life, but she lives with it anyway. She’s not interested in God, but when she wakes up one day to find that He wants her to do something for Him, she just wants Him to go away. However, He keeps pursuing her because He has something she wants to learn if she’ll ever listen. What Trew ultimately discovers is beyond her wildest dreams.
Production Quality (2 points)
For the most part, Trew’s Calling has a pretty good production. This is shown by good video quality and fine camera work. Sets, locations, and props are also professional. However, there are some annoying comedic zooms. Also, audio can be over-driven at times even if the soundtrack is acceptable. Further, editing tends to be choppy due to poor story structure. However, this is basically a standard production effort.
Plot and Storyline Quality (1 point)
It’s apparent that the plot of Diary of a Lunatic is meant to be purposely quirky and eccentric, which means it’s sometimes truly funny yet other times is either head-scratchingly bizarre or slightly sacrilegious. Some content seems a bit inappropriate and even somewhat blasphemous. A few aspects of the comedy and a handful of the themes are actually quite relatable and interesting, such as problems within the established church. However, there are still sequences that are extremely eyebrow-raising and appear to have no purpose or point whatsoever except to be purposely wacky and off-the-wall. The portrayal of God is odd at times but not all bad; some sequences are beyond explanation and seem totally out of place. The writers’ theology and beliefs seems to be very unusual and even borderline on new age philosophies. As a whole, the narrative is a giant mixed bag of potential combined with complete nonsense. Sometimes, the storyline pretends like it’s hiding a great secret that it never gets to. Its silly rushed conclusion and ending sequence are forced and basically fix everything without providing legitimate explanations for the stranger elements of the screenplay. In the end, if anything is to be salvaged from these ideas, they need a total rewrite in order to preserve the surprisingly worthwhile elements.
Acting Quality (2 points)
Surprisingly, the acting of this film is actually pretty good at times. However, it tends to be a bit over the top in some scenes despite some comedic elements. Emotions are forced at times yet other times are not. Line delivery is mostly even at times. As such, this section does enough to get above the average line.
With some worthwhile elements pulling Trew’s Calling in one direction and really bizarre aspects pulling it in the other direction, the movie’s score falls right in the middle of the scale. It’s very unclear what the screenwriters were going for except that they wanted to make a point about how organized Christianity often turns people away. However, this idea was packaged in such a wacky way because it feels like they just kept sticking random scenes together over time until they had a burgeoning screenplay. Also, it’s not like they just filled with vanilla content; many of the sequences are completely beyond explanation. As a whole, it feels like this movie had something going for it, but it gets completely lost in the shuffle of whatever vendetta this creative team had at the time.
Final Rating: 5 out of 10 points