The Mark 2: Redemption (Movie Review)

Eric Roberts as himself

Plot Summary

After jumping out of that plane to save their lives, Chad and Dao find themselves on the run for their lives in Thailand as they try to remove the secret chip from Chad’s arm while being pursued by agents of an all-powerful rising world leader.  The Rapture has occurred, leaving the world mired in chaos.  As they try to grapple with the God of the Bible, Chad and Dao find themselves involved in multiple international conspiracies, including a human trafficking scheme that involves Dao’s sister and Chad’s former employers.  As they fight for survival, who will prevail in this brave new world?


Production Quality (.5 point)

In keeping with the usual poor PureFlix production mode, clear video quality is all that can be found here that is remotely positive.  Anything else related to camera work is dizzying and annoying.  Much of the footage is recycled, both flashback footage and non-flashback footage, which demonstrates extreme laziness.  Other scenes of the film are extremely long and drawn out, trying to delay the inevitable to build up some kind of fake suspense.  Action sequences are over the top and poorly executed.  The use of special effects and sound effects is very amateurish and obnoxious.  For such a big plot, the sets and locations are quite limited and the surroundings are almost entirely confined to Thailand, PureFlix’s favorite international location.  There is little to no editing—I’m convinced that the production team just went with what they had from filming.  Basically, The Mark 2 is same song, different verse for PureFlix.

Plot and Storyline Quality (0 points)

Picking up where The Mark left us hanging, The Mark 2 is the most slow to development suspense plot ever.  Inevitable confrontations between ‘good’ and ‘bad’ characters are painfully dragged out over a ninety-minute runtime full of coincidences, convenient plot devices, information dump dialogue, stupid action scenes, and scenes of characters sitting around or pacing around and talking.  There is basically no purpose to this plot as John Patus once again shoves his apocalyptic opinions down our throats in the most awkward fashion possible.  Multiple scenes appear to be directly copied from the original Left Behind series, which is no surprise with Patus involved.  Only this time, the antichrist character is borderline unbearable and sports the fakest European accent possible.  In the middle of the film, a cheesy Christian message is shoehorned in, along with a random human trafficking subplot that tries to improve the runtime.  The mark of the beast concept, though slightly interesting, is only toyed with in the film and never seems complete.  In the end, as the characters tell us through narration what we’re supposed to learn, it is unclear whether or not the story is to continue—obviously not, since there’s no Mark 3, but what were they really expecting?  Did they actually have any ideas beyond the Rapture?  Basically, we learned nothing from this plot, thus making it completely useless.

Acting Quality (.5 point)

This typical C-grade PureFlix cast is complete with fake accents, lame attempts at diversity, racial stereotypes, and Eric Roberts.  Multiple cast members appear to have no place in the film, opting to pace around and talk about important things.  Other cast members appear to take themselves too seriously and try to be as serious as you can be in a PureFlix action plot.  At least not all of the acting is bad, but across the board, line delivery and emotions are very poor.  But what else is new?


Why are so many PureFlix action plots at least partially set in Thailand?  Also, if we are to endure so many apocalyptic Christian films on the market, can’t we at least see one that doesn’t involve the alleged ‘Rapture’ in some fashion?  Haven’t we seen that enough from the original Left Behind series, that horrible new Left Behind, the first Mark film, The Remaining, Jerusalem Countdown, In the Blink of an Eye, the Revelation Road series (with the exception of The Black Rider), Six: The Mark Unleashed, etc.?  With the money spent on this film and every other wasted apocalyptic film, you would think that it could have been saved for a truly groundbreaking Christian action\adventure or suspense movie that would have made a difference in the culture.  But instead, we are left with a littered collection of could-haves and cut-rate productions.


Final Rating: 1 out of 10 points


Love Finds You in Valentine (Movie Review)

Plot Summary

When Kennedy Blaine, a recent law school graduate, inherits her family’s Valentine, Nebraska ranch property, she is faced with the requirement to visit the property before she tries to sell it.  When she arrives, she finds two caretakers who loved her parents, even if the young man is a bit rough around the edges.  Kennedy also receives a treasure as a part of her father’s passing: the diary of her mother, which chronicles their story of forbidden love.  While in Valentine, Kennedy must not only face shady characters trying to get their hands on her property, but also long lost relatives who won’t give her the love she wants.  Before she knows it, Kennedy finds herself caught up in the excitement of her parent’s ranch—and the mysterious young caretaker who constantly haunts her.


Production Quality (2 points)

For the most part, Up Entertainment has mastered the art of creating a professional-looking made-for-TV film.  The camera work is excellent, as is the video quality.  The sound quality is good, especially in outdoor scenes.  Sets and locations are diverse, making for realistic surroundings.  The sad thing is that this otherwise perfect production is usurped by issues that are easily fixed by a team this professional: editing and soundtrack.  The soundtrack is quite silly and sounds borrowed from Hallmark.  As for the editing, not enough care is taken to generate interest from the audience.  There are too many wasted segments of scenery and horseback riding, especially when these parts could be used for better purposes.  But in the end, Up schools made-for-TV productions on how to do it right and they should be looked to for advice.

Plot and Storyline Quality (1.5 points)

As previously mentioned, if the scenery and horse segments had been toned down and used for deeper plot and character development, this movie would have landed on the Hall of Fame.  As it is, there is a framework of complexity that is rarely seen on television.  We only wish there had been a deeper utilization of the few yet intriguing flashbacks.  The characters are a little more than one-dimensional, but they struggle to make themselves special in a world of stock romance characters.  The dialogue is above average, but not much more than that.  There are several unrealistic elements in the premise and some odd plot holes.  There is a slight feel of a silly small town film.  The Christian message is too soft for this type of movie—it could have been more meaningful than this.  Finally, the end is forced and tacked on.  There was no reason to insert an unwanted ‘suspenseful’ climax into this film, especially since it’s not even realistic.  This is perhaps the biggest detractor to the plot.  In the end, Valentine left a lot of potential lying on the table.  Next time, Up needs to play their cards better.

Acting Quality (3 points)

With no glaring errors, the acting is the strongest element to Valentine.  Line delivery is professional and emotions are believable.  The actors and actresses enhance the characters they are given.  This acting job is better than some films that make the Hall of Fame.  Yet it also stands as another example of disappointment and wasted potential in this movie.


Up Entertainment has mastered the art of creating an inspirational romance movie that is more than a romance.  Now, it’s time for them to take it to the next level by being more innovative when it comes to the plot.  Charm came closer to crafting a complex plot, but this was partly due to its loose adaptation of Pride and Prejudice.  Romance writers need to take a page from Rik Swartzwelder’s playbook and create a romance plot that is deeper and more complex than usual.  Viewers desperately want this, even if they don’t realize it.  We need romance that means something beyond surface feelings.  Unfortunately, though it is more enjoyable and realistic than a Hallmark movie, Valentine misses the mark on this front.


Final Rating: 6.5 out of 10 points


Love Finds You in Charm {Amish Abduction} (Movie Review)

Plot Summary

When Emma Miller is given the choice to leave her small Amish community in order to help her recently widowed aunt in Charm, Ohio, she jumps at the chance to try something new in her life.  She longs to see the world beyond the confines of her Amish life, and even though her aunt is also Amish, she sees the small Ohio town as an opportunity to experience the world she has never lived in.  But as soon as she steps foot in Charm, she meets a quiet Amish man named Noah, who is also helping her aunt in her time of need.  Emma is both intrigued by Noah but also intent on exploring the English world.  Little does she know that she will soon be faced with a choice that will determine her very future.


Production Quality (2.5 points)

This movie saga based on Love Inspired novels has demonstrated an ability to create quality productions.  Love Finds You in Charm follows closely in the footsteps of Love Finds You in Sugar Creek in many ways, including production quality.  The camera work is very professional, including angles and the filming of outside scenes.  The sets and locations are considerably diverse for a small town plot.  There is an overall authentic feel to the surroundings.  However, the soundtrack is pretty typical for this sort of movie.  The biggest production error is choppy editing; this film was obviously forced to be made for television when the plot scope is actually larger than ninety minutes.  But this aside, Charm’s production is something to be proud of.

Plot and Storyline Quality (1.5 points)

In the same vein of Sugar Creek, Charm has a down-to-earth, average romance plot that is neither Hallmark-horrible nor Rik Swartzwelder-good.  Once again, Amish characters are portrayed in a realistic light without even a hint of shunnings.  Yet unlike Sugar Creek, Charm has a deep well of potential that was not drawn out.  Charm is loosely based on the plot structure of the classic romance Pride and Prejudice, yet it lacks the depth of this tale.  Emma is a pretty good character, yet she needed fleshing out.  Unfortunately, most of the supporting characters are a bit stereotypical and\or too black and white.  The dialogue is believable, yet once again not taken to its fullest potential.  The biggest arching issue is that, as mentioned previously, there is too much content crammed into a ninety minute runtime.  The plot and the characters had the potential to sustain at least a two hour feature film.  The end is too abrupt and does not fully appreciate the characters crafted.  In the end, Charm has a fine plot, but it is such a shame to see this sort of potential go to waste.

Acting Quality (2 points)

For a cast of relatively little-known and small time actors and actresses, the Charm cast pulls of the job quite well.  Line delivery is professional and there are no truly glaring errors.  The biggest issue here is that emotions are not felt as much as they should be felt.  Overall, the acting is above average, but it is not dynamic.  But in the end, it is a step above most romances.


It is highly likely that Charm was limited by both budget and the pressure to create a TV movie.  Were the creators given more space, it is highly likely that this would have been a Hall of Fame movie.  Regardless, despite our low expectations from the beginning of this Love Inspired saga, the series appears to be improving as it goes along.  This is a great accomplishment and we are intrigued to see what will happen next.


Final Rating: 6 out of 10 points


Love Finds You in Sugarcreek (Movie Review)


Plot Summary

Rachel Troyler loves being a police officer in the small town of Sugarcreek, Ohio, but she still carries emotional baggage from past hurts.  That’s why she suspicious of a stranger who comes to town with a broken down truck and a sick son.  She becomes protective of her Amish aunts when they decide to take the man and his son in at no charge except for repairs to their dilapidated inn.  Rachel senses that there is something more to the stranger than meets the eye, and she is right.  Little does she know that she is caught in the middle of a high-stakes mystery involving top sports figures.  Yet despite her suspicions and self-protection, she finds herself falling for the mysterious runaway.


Production Quality (2 points)

One consolation to this film is that the production is not terrible.  It is actually quite decent—the editing is professional and the camera work shows skill.  There are no glaring errors related to sound and video quality.  The main caveats to point out here are the cheap and limited sets, so it seems like the crew did the best they could with what they had.  Overall, the production is above average, but not perfect.

Plot and Storyline Quality (1.5 points)

Does this really have to be a romance?  The plot seems to work well as an average mystery.  Just because a fleeing athlete comes to town doesn’t mean that a local female police officer has to fall in love with him.  One breath of fresh air that this movie brings to the scene is a plot that includes Amish characters that don’t shun anyone or get shunned.  Surprisingly, most of the characters have some depth to them when it comes to their motivations and behaviors—many of them are authentic.  But unfortunately, the dialogue is just regular and the villain is very cheesy.  As previously mentioned, the mystery is just average but it seems like the most of made of it.  There are no real twists and turns—those looking for a straightforward Christian movie will find it here.  Overall, there are not overly negative elements in Love Finds You in Sugarcreek, but there are neither enough elements to make it truly creative.

Acting Quality (1.5 points)

Amish acting often comes off as stereotypical, but Sugarcreek tends to avoid these issues.  Overall, the cast is professional and seems to be semi-coached.  But at the same time, the lines and emotional delivery are a tad dry.  It’s already been said in this review, but the theme must be continued—the acting in this film is just average.


It is fitting that Sugarcreek receives a final score of five out of ten, a clean average score.  Box Office Revolution anticipated a much worse rating from any film associated with the stodgy yet empty novel saga Love Inspired.  The best was done with what was offered in this film, and it can stand as an example of how to make the best possible ‘Love Finds You’ movie.  But at the same time, we must still request that more diverse movies be contributed to the Christian movie scene.


Final Rating: 5 out of 10 points