A.D.: The Bible Continues (Series Review)

Plot Summary

After the death of Christ, His followers were lost and confused.  But following His miraculous Resurrection from the dead, He appeared to them and gave them new strength to carry out a new task: taking His gospel to all people.  After receiving the gift of the Holy Spirit, His apostles and other followers stopped at nothing to tell everyone of what they had witnessed in and through Jesus Christ, the promised Messiah.  Though opposition came at them from every side, the cause of Christ did not fail but only gained more followers.  Even as Christian persecution became a global event, even the ‘worst’ of sinners came to follow the Resurrected Savior.

 

Production Quality (2.5 points)

Following closely on the heels of mixed results of The Bible Epic Miniseries, A.D.: The Bible Continues uses similar production elements, yet improves upon them.  The surroundings are still gritty and realistic, allowing the audience to see that the events after the crucifixion of Christ were very real.  The camera work is exquisite—many things indicate that money was well spent in A.D.  The musical score is engaging and the special effects are used responsibly.  Really the only production complaint to raise is some slightly inconsistent editing—were more unnecessary parts cut and more essential parts amplified, production would have been perfect.  But there is still much to be proud of here; Mark Burnett and company definitely learned from past production mistakes and proved that they can do better in A.D.

Plot and Storyline Quality (2 points)

In contrast to the breakneck pace of The Bible, A.D. elects to follow a slower pace.  Since this is not an exclusively Biblical series, historical context is responsibly explored—it actually aids and enhances the Biblical narrative.  The political elements are intriguing—some of these characters are better than others—yet this portion of the series tends to eat up too much of the runtime.  Some screen time should have been taken away from certain political characters, such as Caiaphas’ unrealistic wife, and given to Biblical characters with more potential.  Yet there is still much to enjoy in the Biblical plot lines.  The events of Acts are portrayed very well; A.D. actually accomplishes the goal of bringing a part of the Bible to life.  Historical truths are introduced in slightly unexpected ways without compromising authenticity.  While the early Christians could have been developed better, they are pretty good as they are.  There are also peripheral characters that are intriguing, yet tend to get squeezed out of the picture.  Were it not for a good deal of wasted time, the overall plot of A.D. would probably have been perfect.  It is a pretty good example of what a Biblical-historical series should be and can serve as a blueprint for the future.

Acting Quality (2 points)

While British actors and actresses are still employed, A.D. does something revolutionary: cast diversity in first century Judea.  Some may consider African characters in this narrative to be inaccurate, and while there should still be more Middle Eastern characters, there is really no historical precedence to deny this.  In other areas, emotional expression and line delivery is fairly believable, allowing the audience to connect with the Biblical and historical characters as real people.  Overall, were it not for overuse of British actors and actresses, this portion could also have been perfect.

Continuity Quality (3 points)

The arc of A.D. is particularly epic.  The driving purpose behind the series is very clear.  There are multiple exciting character arcs that were just coming to full completion right before the series was cancelled.  But cancellation is not necessarily the fault of the writers, since we sincerely believe they were doing the best they could do.  Overall, the short time we were able to enjoy A.D. was well spent when it came to continuity, arcs, and driving purpose.

Conclusion

It’s a real shame that A.D. was cancelled, because it had nowhere to go but up.  It was progressing at an epic pace, had so many positive elements, adapted a historical approach to the days after Christ’s earthly ministry, and was ten times better than The Bible Epic Miniseries.  It had so much explosive potential, but it was cut off at the knees.  One factor that potentially led to the cancellation was trying to please too many people.  Perhaps if fewer edgy elements were employed and more family-engaging elements were used, then the show might have survived on Christian audiences.  But that may not have been enough.  Even still, A.D. was a key step in engaging even the Christian population in being more interested in the historical nature of the Bible.  There needs to be more of a bubble-up approach to these types of series, and independent means, such as on-demand series, may need to be used in order to make series like A.D. successful, since national broadcast ratings are often too fickle to sustain new concepts.  Future ideas for Bible series need to build off of the positive elements and the strong points of A.D. and to improve on its mistakes.  Such a series would be a thing to behold and something worth getting behind.

 

Final Rating: 9.5 out of 14 points

 

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The Bible Epic Miniseries: Old Testament (Series Review)

Plot Summary

In the beginning, God created the heavens and the earth.  He created everything, including humans.  But humans sinned against him and rejected His plan for them over and over again.  Yet despite human rebellion, God still had a plan to redeem mankind, and this plan was to be fulfilled through the nation of Israel, the descendants of Abraham.  But when the Israelites continued to disobey Him, He punished them and sent them into exile and captivity.  Nevertheless, God’s plan for humanity marched forward as those who loved Him awaited the coming of His promised Messiah, the One Who would save them all.

 

Production Quality (2 points)

Production is definitely the strongest point of The Bible.  With a strong budget, almost everything was left on the field—almost.  Camera work is excellent, including the video quality.  The sound quality is great and the musical score is compelling.  Everything about this miniseries was intended to be epic and dramatic, and production-wise, this is mostly accomplished.  Yet there are still concerns.  Special effects are overused and CGI usage is too obvious.  The editing is the biggest error that plagues this series.  From the beginning, Mark Burnett and company likely bit off more than they could chew.  Some episodes are edited within themselves better than others, but most of them are far too choppy for anyone to truly grasp what needs to be grasped.  As a ‘season’, the Old Testament is a roller coaster of plot and character confusion, as will be discussed next.  In short, big money requires big results, and things just did not measure up in the Old Testament.

Plot and Storyline Quality (1 point)

The Bible began with a great idea: telling a wide audience the main message of the Bible.  However, the message is lost somewhere among magnified violence, historical inaccuracies, ninja angels, inaccessible characters, hasty dialogue, and a long, winding labyrinth of time than attempts to span thousands of years in just six hours of television time.  The audience is tossed from one high point to the next without being able to appreciate the characters or even understand what actually happened in the Bible.  Just as one character is introduced, they are dispensed as time races forward to another popular story.  Narration and location titles attempt to bridge gaps of time, but it just comes off as lazy.  As previously mentioned, the characters look like real people, but they don’t act or talk like it.  Dialogue is swept along in a maddening tide of events and excessive violence.  The only positives that can be brought up here are the central concept of the series—bringing the Bible to life—and the fact that Biblical events are portrayed as real historical events, not interesting and fluffy ideas from kid’s books.  Yet plenty of historical license was taken with the plot in order to make it suit runtime.  Throughout the series, meaningful spiritual messages are stripped away and replaced with humanistic ideas that seem to indicate that stuff just happened without any real working of God.  In the end, in trying to do everything, not much was actually accomplished.  Cramming more than half of the Bible into roughly six hours was never a good idea.

Acting Quality (1.5 points)

As usual, The Bible commits the cardinal sin of Bible entertainment: British actors and actresses.  A few here and there is one thing—it’s hard to have a fully authentic cast—but when nearly every character is so obviously Caucasian, it gets silly.  For the most part, the acting is pretty good.  Some actors and actresses are better than others, and frankly, some of them barely get a chance to do anything.  But overall, the acting can’t be considered as anything more than average.

Continuity Quality (1 point)

The Old Testament already has a continuous theme and driving purpose, yet this was not adapted in the miniseries.  Each episode seems largely isolated from the others, like the events before Christ were just unconnected and random.  However, there is some mention of continuity, such as the nation of Israel and promise of the Messiah, that saves this section from being zero.  But we expect much more than this from a historical narrative that is already laid out.

Conclusion

The Bible is just another prime example of what could have been.  The money was there, but with such funding and a spot on a national network comes compromise, unfortunately.  However, one good thing does come out of this miniseries: it hopefully shows someone that the Bible is real and gritty, not a collection of nice stories that happened a long time ago.  Burnett definitely set the standard for realism in Bible entertainment.  Hopefully there is now no turning back from this point.  The Bible was a cultural phenomenon for a time, but it is hard to discern what its true legacy will be.  Had a more meaningful message been adapted, lasting good could have been accomplished.  Yet it is left as a below average series that could have been better.

 

Final Rating: 5.5 out of 14 points