Love’s Unfolding Dream (Movie Review)

Plot Summary

Raised by her new family, Belinda Tyler is now ready to set out and make a life for herself, even though the culture she lives in frowns upon women pursuing professional careers.  She is finally and begrudgingly allowed by the local doctor to assist him in a small role, and she gets a ‘big break’ one day when a wealthy yet elderly woman has a stroke in the middle of town and is confined to bed.  Belinda becomes her nurse and physical therapist, but that’s not the only task on her mind—a young lawyer has come to town to ready some inherited property for sale, and the two of them clash over their views of women’s roles in society.  Little do either of them know that their carefully chosen paths are about to be altered forever.

 

Production Quality (1.5 points)

Another unnecessary installment in the Love Comes Softly series, another quasi-inspirational director.  The story of Unfolding Dream’s production is much like the latter installment.  The video quality and camera work are solid.  The sound quality, however, is sometimes inconsistent.  The historical surroundings are fairly well done, but they are obviously limited in scope, as the same sets are used excessively.  As will be discussed in depth later in this review, the costuming and makeup are particular horrible in this film.  Finally, the editing is uneven, pasting stock scenes together in an attempt to create a movie.  In short, there is really nothing new here—at this point, the saga settled into average production quality and awful plots and acting.

Plot and Storyline Quality (.5 point)

Though Michael Landon Jr. returned to the writing department, things did not improve.  It cannot be understated that the original intent of Janette Oke’s work has been completely abandoned and replaced with a shallow inspirational ‘plot’.  ‘Plot’ is relative because a collection of random empty sequences depicting silly stereotypical frontier characters is not a true storyline.  Characters go here and there, from one place to the next, with no real plot flow.  Dialogue is very hollow, thus forming plastic characters.  The “excuse for Drew to go to the doctor” device is highly overused.  While discussing the roles of frontier women is an interesting topic, it cannot be properly appreciated in the context of this film.  The only other thing that keeps this plot from being zero is the intriguing underdeveloped subplot between Belinda and Mrs. Stafford-Smythe.  Yet there are also other useless subplots shoved into the storyline, likely to increase the movie’s runtime.  Therefore, less than a full point must be awarded here.

Acting Quality (0 points)

It doesn’t really get any worse than this.  From exotic frontier hairdos to extravagant makeup to fake country accents, the overall acting quality barely escaped negative points.  The continued commitment of Dale Midkiff and Erin Cottrell to this franchise derails it.  There is no acting coaching employed; too many supporting characters come off as robotic.  Due to the poor acting, the audience cannot relate to these characters.

Conclusion

As the saga slugs on, it becomes increasingly apparent that the writing team didn’t have that many ideas.  Rushing up and forcing new romances and courtships into every new movie demonstrates lack of creativity and borderline obsession.  The question must be asked again: was the original Janette Oke plot really so bad that this was used instead?  We think not, and would advise future novel adaptations to do their best to stay faithful to the original story, unless they can find a way to improve it.

 

Final Rating: 2 out of 10 points

Love’s Unending Legacy (Movie Review)

Plot Summary

Following the tragic death of her husband Willie, Missy LaHaye moves back to the town her parents, Clark and Marty Davis, live in order to try to start a new life.  She is determined to insulate herself from anymore heartache by taking care of her son Matty and by quietly settling into another teaching role.  However, her carefully constructed world is disrupted when an orphan train comes to town looking for new parents to take in starving orphans and when Missy finds herself falling for the town sheriff, a broken man who also wants to protect himself from hurt.  Little do they know that out of sadness can come new beginnings.

 

Production Quality (1.5 points)

With the exit of Michael Landon Jr. from the franchise, the production quality diminished considerably.  While the camera work, video quality, and sound quality are still above par, there are other problems to contend with.  The sets are obviously limited as some things take place off screen and some surroundings don’t really even capture what they’re meant to capture.  The costuming is partially unrealistic as some characters never seem to get dirty and obviously have modern hairdos.  Furthermore, the editing can best be described as stop and start—the story does not flow well, as we will see next.  In short, Michael Landon Jr. still knows how to produce a film well, and his absence is felt in Love’s Unending Legacy.

Plot and Storyline Quality (.5 point)

At this point, the Love Comes Softly franchise completely abandons the original intent of the novel saga and begins to attempt to excessively replicate the original series storyline—a youngish widow falls in love with a hurting man who she really didn’t like at first and who likely had a ‘romance hurt’ in the past.  We really don’t understand why Janette Oke continued to rubber stamp this series since it undermines her better novels.  Love’s Unending Legacy is wrought with bizarre lines, forced dialogue, and unrealistic happenings.  There is really no good dialogue and the dialogue that exists is very head-scratching.  “[Dancing] is an excuse to get your arms around a pretty woman” is not exactly a wholesome Christian line.  Besides this, the end of the plot is predictable and neatly-fixed-up—yet it is not even accessible by audiences since there is really no feeling put into it.  The only positive to raise here is some potential with the orphan train story, but that’s it.  In short, we have to wonder why the original novel plot could not have been at least adapted in some small fashion when this is the alternative.

Acting Quality (0 points)

As previously mentioned, the costuming and makeup on the ‘good’ actors and actresses is unrealistic for the time period.  The actual acting is very unusual, like some characters were allowed to improvise most of their lines.  Other actors and actresses are left looking robotic because of an obvious absence of coaching.  There is really nothing good to say here.

Conclusion

The big question Unending Legacy raises is ‘Why?’  With the departure of Michael Landon Jr., who at least partially adhered to Oke’s original books and brought above average production quality, was it realty worth making four more movies that borrow characters and titles from the novels and use them with large creative license?  Unending Legacy doesn’t even have a good enough plot to justify the departure from the book—if it did, then this will be an entirely different review.  An eight-movie saga is hard enough to craft successfully; four movies was likely enough.

 

Final Rating: 2 out of 10 points