The Father’s Love (Movie Review)

Plot Summary

Sarah has always wanted the perfect relationship with a man, and for a while, it seems like Reece can fulfill this role for her. However, when things unexpectedly take a strange turn, Sarah is left asking questions about her real purpose in life. She’s spent most of her time trying to make relationships work so that she can escape previous pain, but how will she react when it’s all taken away from her and she’s forced to confront her past?

Production Quality (2 points)

For the most part, The Father’s Love sports a professional production, including good video quality and mostly fine camera work, even though there is some slight shakiness at first. Audio quality is also similar as there are some unnecessary background sounds though other aspects are fine. The soundtrack is good, but it sometimes covers up spoken words. Further, the sets, locations, and props are well-constructed and well-utilized, yet the editing leaves something to be desired with some very quick cuts and awkward transitions throughout. However, on the whole, the production gets better as it goes and does enough to get past the halfway mark.

Plot and Storyline Quality (1.5 points)

The Father’s Love is a rare look at the fake, surface-based dating scene and at how the family of origin affects adult relationships. Creative symbolism, implied scenes, and effective flashbacks are used to portray the narrative without narration and in a non-linear plot style. Dialogue is also effectively used to build character personality and motive, and conversations properly apply themes even though there is some slight sermonizing and message-pushing therein. Moreover, there are some concerns in this storyline, such as some filler scenes and sequences that tend to waste time. In a similar vein, the passage of time is a bit vague in the film’s middle third, and some time jumps are hard to reconcile with the plot’s flow. The ending is also a bit discombobulated as a handful of random scenes are tacked onto the conclusion, which finishes in a way that isn’t very logical. Nevertheless, this movie still possess a great idea and a very meaningful message about finding identity in relationships.

Acting Quality (2.5 points)

As a whole, the acting is the strongest factor in The Father’s Love. Though there are some slightly awkward moments, the cast members overall assume their respective roles very well. Emotional and line delivery are on point, and the culturally diverse casting is refreshing. In the end, this rounds out an above-average effort.

Conclusion

It’s a shame that films like this one, which have high amounts of potential, fall just short of the Hall of Fame, but it still provides great potential for the future. The Father’s Love would benefit from either a remake or a similar project that provides deeper characters, more substantial backstories, and clearer connections between the movie’s themes and the events of the narrative. Nonetheless, many audiences will find enjoyment in this screenplay.

Final Rating: 6 out of 10 points

April 30, 2020 by Box Office Revolutionary Categories: Drama, Inspirational, Movie Reviews, RomanceTags: 2014, 6 points, Abigail Sanchez, Allen Leong, Andrés Soto, Angela Lin, Annette Trucke, Drama, Erik McKay, Erika Howard, Inspirational, Jabari Gray, Jordan Turchin, Judith Perez, LoveLight Pictures, Mara Measor, Mary Grace, Raushanah Simmons, Richard Chew, Romance, Sharon Kon, SK Film Productions, Word Entertainment Leave a comment

Loving the Bad Man (Movie Review)

Plot Summary

Julie Thompson never dreamed that she would be raped by a stranger, but she and her family were relieved when justice was served. However, the story didn’t end since Julie soon discovered that she was pregnant with her rapist’s child. Although her family urges to cover up the shame with an abortion, Julie refuses and even takes steps to forgive her perpetrator. This take her and her new child on a journey they never saw coming, but they grow closer to God in the process.

Production Quality (.5 point)

After the long opening credits of this film, the production proceeds in very low-quality fashion, including a loud and invasive soundtrack that rarely takes a break and unacceptably sub-par audio quality. The lighting in most scenes is almost weird, and camera work is quite bad as evidenced by its shakiness and its too-close shots. While video quality is passable, this is the only remotely positive element of this production. Sets, locations, and props are quite cheap, and there is an overuse of cheesy special effects, wild flashes, and black\white\sepia tones. Some scenes come off as downright blurry, and many of them are abruptly cut off and poorly transitioned between. In the end, this is a basement-level production.

Plot and Storyline Quality (.5 point)

Even though Loving the Bad Man seemed to begin with an interesting and different idea, the execution is horrible, and some of the messaging seems questionable. For one, many of the Christian characters are unrealistically perfect while many of the non-Christian characters are strawmen who spout childish persecution dialogue. Flashbacks are present in the film, but they are poorly used; additionally, crazy time jumps and dizzying montages hamper any hope of a normal plot. Many importance scenes are glossed over with musical bridges, which hurts any opportunity for substantial conversations that would actually develop characters. As a side note, the portrayal of prison life is fairly realistic, and there is a good message in the end if the viewer makes it past the odd undertones at the beginning of the story.

Acting Quality (.5 point)

If other parts of the film aren’t bad, the acting is enough to send things over the edge. The cast members of this movie exhibit annoyingly extreme emotions and very forced line delivery. Clearly, no coaching is present as many scenes feature people talking over each other and trying way to hard as they yell and scream their lines. Nevertheless, there is ever-so-slight improvement in the last third of the film, and it goes without saying that this is one of Stephen Baldwin’s better roles to date (other than The Genius Club). In summary, however, this isn’t enough to save the movie from itself.

Conclusion

In the future, it may be a good idea to remake this concept with some professional consultation from real rape victims since this story deals with a highly sensitive topic that can be easily mishandled by inexperienced writers. It’s commendable to try different things, but when the delivery is this bad, the creators should really consider pushing pause on the production process. Just because an idea has been given doesn’t mean that it’s time for it to be made…sometimes, waiting is in order. Time can give you opportunities to grow as a creator, to amass better resources and contacts, and to see what God’s plan for your concept is.

Final Rating: 1.5 out of 10 points

October 29, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 1.5 points, 2010, Alexander Alonso, Andrea Conte, Antoni Corone, Arturo Fernandez, Arturo Rossi, Ava Tyler, Christine Kelly, Cree Kelly, David Hemphill, Drama, Erzsebet Salamon, Fabio W. Silva, Finesse Mitchell, Freestyle Digital Media, FS Films, George Smith, Giovanni Igneri, Inspirational, Josh Randall, Juan Bofill, Keith Hudson, Kevin A. Walton, Kim Ostrenko, Luis Da Silva Jr., Mark Yeh, Mike Benitez, Nancy Duerr, Natalie Miller, Nina Llopis, Olivia Tyler, Péter Engert, Pedro Moreno, Peter Cordova, Raeann Reinhardt, Royal McBee, Ryan Thor, Stephen Baldwin, Steve Lantz, Steve Zurk, Steven J. Brown, Stone Bridge Films, Susan Dean, Tim Ware, Tom Conigliaro, Wes Halula, Word Entertainment, Yagmur Kaplan, Zachary Reeves, Zsolt Varga 1 Comment

Rogue Saints (Movie Review)

Plot Summary

Nick and Dylan have always been best friends, but they lost connection for several years.  Now they have restarted their friendship after years of traveling, and they have a plan to pull off the ultimate heist to get rich.  Rumor has it that a valuable diamond is hidden beneath a certain church, so Nick and Dylan decide they need to be the one to unearth it and collect the prize.  However, they will have to invent a clever cover story in order to gain access to what they need to find the diamond.

 

Production Quality (2 points)

For a relatively small-time church film, Rogue Saints is a surprisingly efficient production.  This is most notable in the interesting and well-constructed sets, locations, and props.  Video quality, camera work, audio quality, and are also all what they should be.  The soundtrack is unique and creative.  The biggest issues to raise here pertain to some oddly unnecessary elements, such as an overuse of split screens and juvenile animation overlays throughout the production.  The editing is also quite wild and sometimes schizophrenic.  But on the whole, this is a one-of-a-kind production that is at least above average.

Plot and Storyline Quality (.5 point)

While this story is trying to be different in some ways, in others way, it is not so different.  There are slight attempts at creativity, even if the premise is somewhat flimsy.  The comedy is at least partially funny, even if it is somewhat formulaic and predictable.  The progression of the plot is also basically predictable and contains stereotypical characters that could use some upgrading through more developed and meaningful dialogue.  There aren’t really any twists as this storyline is basically linear.  However, there is definitely a lot of potential here, and Rogue Saints is certainly a good start in the comedy genre for future reference.

Acting Quality (2 points)

Though this cast mostly contains ‘amateurs,’ they are actually fairly professional.  They certainly have their quirky moments and can tend to overdo the comedy at times, but as a whole, this is a respectable performance.  Emotions and line delivery are each what they should be.  This completes an overall average effort by this freshman film effort.

Conclusion

There aren’t many films that are comparable to Rogue Saints, which is a fact that is both good and bad.  It is a unique film and shows a lot of potential for the future, if they choose to go further in film making.  This is where new film makers should begin rather than in the basement of Christian film.  Even so, this movie is a good blueprint for how to begin in Christian movie making, but hopefully it is not where creative teams will get stuck.

 

Final Rating: 4.5 out of 10 points

 

December 6, 2017January 3, 2019 by Box Office Revolutionary Categories: Christmas, Comedy, Inspirational, Movie ReviewsTags: 2011, 4.5 points, Adam Lubanski, Alex Craig, Bruce Weech, Christmas, Comedy, Daniel Bittner, David C. Brunk, Deanna Sarkar, Devin Rodger, Gavin Michaels, Henry Mark, Inspirational, Jan Brunk, Janet Hietter, Jason Pead, Jay G. Hill, Jennifer Lubanski, John Wu, Josh Rudolph, Joshua Morris, Joy Yaholkovsky, Judy Findlay, Julio Benito Cabrera, Justice Liu, Lacey Zayko, Matt Wiles, Melanie Grassi, Michael Vossler, Paul Eenhoorn, Sam Alvarez, Sharron Bonea, Surround Media, Synthiea Kaldi, Thomas Stewart, Word Entertainment Leave a comment

Journey to Grace: The Hansie Cronje Story (Movie Review)

Plot Summary

Hansie Cronje was one of the world’s best and more famous cricket players, and he used his sports platform to glorify God.  He was passionate for the game and for his family, but the pursuit of a better retirement for him and his wife consumed him.  He always wanted to do better and wanted his game to be better, but this got the better of him as Indian bookmakers relentless pursued him to pay off his team in a match-fixing scheme.  Hansie continually refused them until he could do so no longer.  In the aftermath of things, will he accept God’s grace for what he did?

 

Production Quality (2.5 points)

Though this is an early 2000s production focused on international locations, it is very well done.  Video quality, camera work, and audio quality are what they should be.  The soundtrack is culturally appropriate.  Sets and locations, though difficult to construct and capture, are executed well.  Also, sports props are well presented and constructed.  The only issue to raise here, of course, is the editing, as too much content—almost an entire life story—is shoved into this seemingly brief runtime.  But in the end, this is a production to be proud of.

Plot and Storyline Quality (1 point)

This account is a great true story and one worth bringing to the big screen.  Though the characters are mostly realistic, due to the rapid passage of time and the large amount of content dealt with here, they are hard to get to know very well.  They are accessible as people, but there are a lot of side characters that get left by the wayside.  Also, lots of otherwise important sidebar topics are introduced briefly and then forgotten about.  Yet this story is historically authentic and accurate and certainly has a lot to offer as a lot of complex ideas are woven together.  Epics are very hard to make, so this effort is commendable, and most audiences will enjoy it.  In the end, the story is very realistic and leaves an important lesson to be learned.

Acting Quality (3 points)

This historically and culturally authentic cast can hardly be faulted.  There are no glaring errors here as great care was taken to make sure each character was cast appropriately and realistically.  Line delivery and emotional delivery are impeccable.  This is a casting job to be proud of.

Conclusion

It seems like this creative team did everything they could do to make this movie the best it could be, yet they fall just short of the Hall of Fame, only due to amount of content that is taken on here.  Yet we know that a longer runtime was probably out of the question due to budget constraints.  In the end, however, is this an enjoyable movie that will be well-liked because the creators definitely put their full effort into making it quality.  It is definitely worth your time.

 

Final Rating: 6.5 out of 10 points

 

October 23, 2017January 4, 2019 by Box Office Revolutionary Categories: Historical, Inspirational, International, Movie ReviewsTags: 2008, 6.5 points, Alistair Moulton Black, Andre Jacobs, Anton Dekker, Brandon Auret, Candice D'Arcy, Chris van Rensburg, Dane Vilas, David Sherwood, Dawid Minnaar, Deon Lotz, Douglas Bristow, Dylan Ben-Israel, Epic, Eric Nobbs, Frank Rautenbach, Frans Cronjé, Global Creative Studios, Historical, Inspirational, International, James Borthwick, Jonathan Hearns, Kopano Thekiso, Leslie Mongezi, Linda Mpondo, Matthew Dylan Roberts, Nelson Mandela, Nick Lorentz, Rajesh Gopie, Rajit Kapoor, Ray McCauley, Regardt van den Bergh, Sarah Thompson, Sports, Stephen Hughes, Strini Pillai, Sybel Coetzee, Tinarie van Wyk Loots, Tshepo Mokoena, Word Entertainment Leave a comment

My Name is Paul [2013] (Movie Review)

Plot Summary

What if the story of the Apostle Paul took place in the near future, when the government cracks down on religious freedom and forces the true Christians underground?  Paul seeks out Christians to bring into custody to further his status among the government, but a profound experience causes him to turn around and change his ways by joined the very people he once tried to stamp out.  Now he is on the run from his former employers and the Christians are wary about trusting him.  Will the Way be able to prevail in the face of grave opposition?

 

Production Quality (2 points)

It is clear that many attempts were made in this film to craft a very professional action-based production, which is something we rarely see in Christian film these days.  Video quality is what it should be and camera work is great, especially in the action scenes.  Audio quality is mostly good and the soundtrack is intriguing.  However, sometimes there are some oddly lit scenes, as if the producers are trying to be too artistic, and the indoor sets sometimes suffer from lack of creativity.  Yet the outdoor locations are very well-constructed.  The editing sometimes leaves something to be desired, as some scenes lag too long while others are cut short.  But in the end, this is a commendable effort and one that will hopefully yield even better fruit in the future.

Plot and Storyline Quality (1 point)

It’s definitely not easy to take on such a large Bible-story-set-in-the-future concept, especially with all of the characters that are involved.  Sometimes it’s too awkward for the writers to try to force parallels; it might have been better to keep the associations looser.  However, there is still lots of good plot content—perhaps too much content for a film less than two hours long.  This is a highly complex story that sometimes gets lost in itself and may have been better suited for a miniseries, since there are a lot of ideas crammed into such a short time frame.  This is a good problem to have, yet it leaves too many disjointed subplots in its wake.  The characters are pretty good, even if they are limited in scope.  The biggest red flag to raise here is the very confusing and isolating ending that is hard to explain or understand.  In the end, this story desperately needed to be a series in order to be truly effective.

Acting Quality (3 points)

The casting and acting is clearly the strongest point of this film, as there are no errors to speak of.  This is a very large cast, yet they are all very talented and cast very appropriately.  Emotions are believable and line delivery is on target.  The cast members make this film as good as it is.

Conclusion

We realize it’s hard to make an independent series or miniseries, but with the PureFlix on Demand platform, things have been made easier.  More budding film makers need to take advantage of this resource to boost their brand so that we can see some actually worthwhile Christian series come to light.  Regardless, with some production tweaks, more funding, and continued casting success, this creative team is going to go big places.

 

Final Rating: 6 out of 10 points

 

August 7, 2017January 8, 2019 by Box Office Revolutionary Categories: Action Adventure, Biblical, Movie ReviewsTags: 2013, 6 points, Abigail Rose Cornell, Action Adventure, Adam Lee Ferguson, Andrew Roth, Bible, Biblical, Bill Rahn, Bonnie Johnson, Catherine Trail, Cranston Johnson, Crystal M. Craven, David Sweeney, Davis Osborne, Dystopian, Elijah Chester, Emmanuel Barbe, Gary Ray Moore, Isaiah Stratton, Joe Coffey, Johanna Jowett, Jurgen Beck, Karen Abercrombie, Kayli Maree Tolleson, Kendra Carelli, Mark Jeffrey Miller, Michael Joiner, Oliver Riera, Patrick G. Keenan, Quiet No More Films, Robert Crayton, Shannen Fields, Speculative, Suspense, Tara Lynn Marcelle, Tim Ross, Torry Martin, Trey Ore, Vanessa Ore, Word Entertainment, Word Films Leave a comment

Break Away [2012] (Movie Review)

Plot Summary

Francois is a hard worker, but when he suddenly loses his job in the struggling Johannesburg economy, he is at a loss as to how he is to provide for his family.  He feels like God gives him an idea to start his own bicycle delivery business, and he does so, aided by a friend.  But as his financial situation goes from bad to worse, out of desperation, he decides to enter a cycle race in the hope of winning money.  Will he be able to recover what he has lost and keep his family from poverty?

 

Production Quality (1.5 points)

Though a lot of good efforts were made with this production, there are still some pesky errors that hold it back.  Camera work and video quality are good, especially in the actions scenes, even though there are some odd camera angles throughout.  However, audio quality is sometimes poor, including a random soundtrack and outside noises.  Yet sets, locations, and props are quite good and authentic.  Also, the problem areas do tend to improve throughout, which is a plus.  The editing is also a mixed bag, with some good moments and some poor moments.  Overall, this is a good first-time independent production and something to build off of.

Plot and Storyline Quality (.5 point)

Break Away is based on a realistic and interesting story, even if it is somewhat boring at times.  There are unfortunately too many montages that fill up the runtime, thus hurting the development of the characters and causing dialogue to be shallow and stunted.  There are quite of few interesting subplots besides the main plot that warrant further explanation.  It’s difficult for this plot to hold the attention as it is, even though the struggles of the characters can be appreciated on some level.  Though it’s sometimes overly dramatic, it’s clear that this creative team meant well in writing this.  Once again, this is something to build off of.

Acting Quality (1.5 points)

As a semi-amateur cast, these actors and actresses do a decent job, even if they are a little stuffy and robotic at times.  Sometimes lines are mumbled, but emotions are mostly believable.  In the end, this is an average performance to round off a decent effort.

Conclusion

It’s never easy to make a movie of your own, especially since funding is hard to come by for international films.  Regardless, all that matters in this sort of situation is that you do your best, and it seems like, for the most part, this was done in Break Away.  It always feels like plots are suffering in Christian film, however.  Sometimes it’s better to use a plot that’s already written, but perhaps one day, the stories that are told in Christian movies will be more creative and engaging.

 

Final Rating: 3.5 out of 10 points

 

July 31, 2017January 8, 2019 by Box Office Revolutionary Categories: Inspirational, Movie Reviews, SportsTags: 2012, 3.5 points, Baroudeur Movie Production, Bruce Foulis, Dakota Theunissen, Eddie Barnard, Etienne Janse van Rensburg, Ewie Cronjé II, Frans Cronjé, Heinrich Dannhauser, Inspirational, Jacques Steyn, Julian Wiggins, Leoné Pienaar, Linda Alexander, Malcolm Lange, Marie Cronjé, Merlin Balie, Michael de Jongh, Morné Theunissen, Phil Liggett, Sheila Theunissen, Sports, Word Entertainment, Word Films Leave a comment

Find a Way [2013] (Movie Review)

Plot Summary

When a locally popular high school football player and role model is taken to the hospital with sudden medical complications, the entire small town finds themselves lost and confused.  The head coach’s family is having hidden problems and other families are suffering from hidden secrets and sins.  The school counselor tries to help wherever anyone will let him, but most people will not let him into their world.  However, slowly but surely, walls begin to come down so that healing can start.

 

Production Quality (2 points)

For the most part, Find a Way is a professional production.  Camera work is mostly good, even though there are some random moments of shakiness.  Audio quality is in the same boat, with some inconsistency and a stock soundtrack.  Yet sets, locations, and props are highly professional and well-constructed.  Editing is also fairly good, which is a change from the norm in independent inspirational films like this one.  Overall, this is a respectable effort that could be a stepping stone to greater things.

Plot and Storyline Quality (.5 point)

Unfortunately, Find a Way does fall into the typical pitfalls of independent film making when it comes to its plot.  This story is somewhat limited from the start, but it contains interesting ideas and realistic circumstances that need further development.  It sometimes has a one-track mind and wastes a lot of time on trite asides, which stunts character development and makes them one-dimensional.  Sometimes it is difficult to discern what this story is supposed to be about due to the multiple under-developed subplots presented here.  There are important issues explored here pertaining to broken families, but they are not handled very well due to lack of real focus.  Also, all the problems are basically solved in unrealistic fashions, which teaches the audience nothing.  It’s sad to see reality cheapened because this story could have been really interesting.  But once again, we are left wondering what could have been.

Acting Quality (2 points)

Though sometimes lines are mumbled and some actors and actresses are awkward, this cast posts mostly professional performances.  Emotions are believable and each cast member seems to fit their character well.  This is another respectable effort that could be a sign of greater things to come.

Conclusion

Find a Way is one of those frustrating movies that contain s creative and realistic ideas that will likely never really be seen by a wide audience because it will be lost in the endless swirl of independent Christian films that are constantly being produced.  It is not bad enough to be remembered for its badness and it’s not good enough to truly make a difference.  But perhaps this is only the beginning of good things still to come from this creative team.

 

Final Rating: 4.5 out of 10 points

 

July 21, 2017January 8, 2019 by Box Office Revolutionary Categories: Inspirational, Movie ReviewsTags: 2013, 4.5 points, Addison Sharp, Alexander Stevens, Andrew Riley, Ashlee Payne, Brent Mondel, Burgess Jenkins, Charis Jeffers, Chris Robertson, Cornelius Muller, Cornelius Muller Productions, Cranston Johnson, Dewayne Book, Donald James Moore, Elijah Chester, Heavenly Walker, Hosanna Gourley, Inspirational, James Molinari, James Patrick Freetly, Jennifer Russoli, John Tyner, Joseph Gray, Kathy Butler Sandvoss, Leckie Roberts, Matthew Willets, Michael Lee Kimel, Neil Wolfman, Sherri Dyer, Sports, Staci Newlin, Tara Gulledge, Thorne Winter, Tina Murphy, Ty Myatt, Vonii Bristow, Word Entertainment, Word Films Leave a comment

Chasing Grace [2015] (Movie Review)

Plot Summary

The wounds between two brothers are only deepened on one tragic day when the daughter of one of them is tragically killed in an avoidable accident.  The brothers and their families are immediately divided by hate and grief, which sends all of the family members spiraling and searching for answers in all the wrong places.  Secrets are kept and vices are sought, and the only way out is through confession, forgiveness, and reconciliation.  Will they return to the faith their profess with these actions?

 

Production Quality (2 points)

It is clear that a lot of time went into making this production, as most elements are fairly professional.  Camera work is mostly good except for some inconsistently shaky moments.  Video quality is on standard, but sometimes there is some randomly poorly-lit scenes.  Audio quality is fine and the soundtrack is intriguing.  Sets, locations, and props are all realistic and appropriate.  The editing is okay, but there are some confusing cuts and transitions and isolate the story.  But overall, these are all minor errors and the production as a whole meets industry standards.

Plot and Storyline Quality (1 point)

Chasing Grace depicts a very interesting story, even if it is too slow to develop.  It contains many realistic circumstances and accessible struggles, but it also has a lot of dead sequences that don’t hold the attention.  There are a lot of long and drawn out conversations, but the characters are fairly well-developed.  Yet there are too many under-developed and vague subplots due to a confusing and disorienting presentation of events that includes unnecessarily missing gaps of time.  Family problems are given a fair look, but many of the problems presented are fixed far too easily and in ways that would never work in real life.  The Christian message is good, though there are some moments of melodrama.  Overall, this is a really good plot effort, especially in developing the characters, but as usual, we strongly feel like it could have been more.

Acting Quality (2.5 points)

This is a highly professional casting job and lends the best elements to this film, as each actor and actress is cast appropriately and coaching well.  Even Rusty Martin Jr. posts a good performance.  There are only some minor errors among this cast, mostly of slightly overdone emotions.  Otherwise, this is a job well done.

Conclusion

Chasing Grace joins the ranks of middle-ground Christian films that stand out in the market due to their successful attempts at creating quality films.  However, it has a handful of small issues that hold it back from being all that it could be.  A character-driven story needs deep characters and a seamless plot that flows without confusion.  This is certainly difficult to pull off, especially when you have a lot of other elements to think about, but it is definitely possible and worth it in the end.  Films like this one are something to build off of for the future, so it will be interesting to see what the Catalyst team has planned next.

 

Final Rating: 5.5 out of 10 points

 

July 11, 2017January 8, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2015, 5.5 points, Abby Corrigan, Abigail Rose Cornell, Amy Dawidowicz, Ashlee Payne, Austin Filson, Billy Dec, Brandon Riley, Catalyst Pictures, Chip Lane, David Temple, Inspirational, Jamal Airoumi, Jim Conde, Joseph Gray, Ken Dopyera, Kevin Patrick Murphy, Kim Planert, Leon Pridgen, Lindsay Ayliffe, Marvin L. Winans Jr., Matt Stivers, Meg Lagares, Michael Joiner, Mitzi Corrigan, Patrick Fagan, Rusty Martin Jr., Suzie Jebo, Trey Ore, Vanessa Ore, Word Entertainment Leave a comment

Adrenaline [2015] (Movie Review)

Plot Summary

Joseph Jenkins is a hotshot drag race car driver, but when he is suddenly crippled in a wreck, he feels like his life is over.  As he sulks in a hospital room, he doesn’t want to see anyone, but his roommate pulls him out of his shell and gives him a new purpose in life.  Then Joseph suddenly reconnects with an old friend of his father, whom he never knew.  Joseph soon finds a new lease on life and a chance at redemption, but will he be able to make his newfound faith his own?

 

Production Quality (1.5 points)

Adrenaline is overall a mixed bag, including the production.  Video quality is fine, but camera work is too shaky, including a lot of odd camera angles.  Lighting is poor at first, but it improves as it goes.  Audio quality is fine, but the soundtrack is sometimes too loud.  However, sets, locations, and props are very professional.  Yet Adrenaline commits a common error of indie films—imperfect editing.  Cuts and transitions are very confusing and even sometimes spastic, thus making for a lot of choppy editing.  In the end, this is a good production effort, but some kinks still need to be worked out of it.

Plot and Storyline Quality (.5 point)

Unfortunately, though it has some good messages, Adrenaline is a formulaic sports redemption plot with a predictable sequence.  The characters are somewhat stereotypical, though attempts are made to develop them.  However, it would be better to see them deeper because they are intriguing characters.  This can be done by making the dialogue more creative and complex.  Elsewhere, there are too many (unfortunately expected) sports and training montages, as well as a lot of wasted time.  It’s too bad because it feels like this plot has a lot of potential that it doesn’t reach.  Perhaps things will improve next time.

Acting Quality (2 points)

Even as a slightly amateur cast (except for John Schneider), the acting isn’t really that bad.  Even John Schneider is better than he has been in the past.  The cast members embrace their characters well.  The only issue to point out is some overdone emotions, but that’s easily fixed.  This shows great hope for the future.

Conclusion

With some experience working under the Kendricks, this creative team did pick up on a thing or two that they will likely be able to use to get even better in the future.  First movie mistakes can easily be forgiven, so it will be interesting to see what they have planned next.  With some better production funding and a more creative plot, as well as a continuously good cast, this team will be going places.

 

Final Rating: 4 out of 10 points

 

July 10, 2017January 8, 2019 by Box Office Revolutionary Categories: Inspirational, Movie Reviews, SportsTags: 2015, 4 points, Alex Chatfield, Anthony Reynolds, Bill Clements, Bryce Neier, Cameron Arnett, Carol Anne Watts, Charlene Amoia, David V. Nelson, Deena Beasley, Del Baron, GiGi Erneta, Gregory Alan Williams, Inspirational, Irene Santiago, Jack Landry, Jason Graves, Jim Cody Williams, John Schlitt, John Schneider, Joseph Quinn Simpkins, Katherine Dudley, Living Water Films, Lizzy Musi, Malaika Washington, Mark Jeffrey Miller, Michael Rosander, Michael Warren, Myke Holmes, Pat Musi, R. Keith Harris, Robert Wagner, Samantha Katelyn, Sherida McMullan, Sports, Ted Johnson, Timmy Richardson, Word Entertainment Leave a comment

The Trail {Let God} [2013] (Movie Review)

What am I doing in this movie?

Plot Summary

When Amelia and Levi decide to head West to score a fortune in gold, they never anticipated the hardships they would have to face.  After Levi dies, Amelia is forced to survive in the wild alone.  Watch with bated breath as she tries to light fires, searches for food, arranges rocks to call for help, rummages around empty covered wagons, stumbles around the terrain, and breathes heavily in an attempt to fight for her very life.  You will be left in suspense as you are forced to endure long sequences without dialogue and wonder if there is really any talking in this film.  The drama builds as Amelia thinks back to days gone by and wonders why this is even a movie.  Who will outlast the other: Amelia or her bored audience?

 

Production Quality (.5 point)

So it’s clear that whatever this film is called is an attempt to be a creative and artsy Christian survival movie thingy.  But it just totally fails.  First off, production is very cheap-looking, including poor lighting, cheap audio quality, and a nonexistent soundtrack.  Camera work is shaky in an attempt to be dramatic.  Video quality is okay, and at least the sets, props, and locations are realistic-looking, but there is really not much going on here.  This was a very limited idea that required no editing—this film simply exists.  Since there’s not much else going for it, this production needed to be flawless, yet it fell short.

Plot and Storyline Quality (.5 point)

Believe it or not, if you last until the ending, there is actually an interesting idea somewhere here, but it’s not likely to be discovered by most viewers.  The trailer for this movie is better than the actual movie itself and sets up the viewer for huge disappointment.  The true bulk of this story of a woman performing activities of daily living in the wilderness—like, literally everything she does.  Aside from some pathetic flashbacks that do nothing to build the few characters there are, there is zero dialogue for a full hour of runtime.  Even when there is dialogue, it’s a one-sided conversation.  There is truly zero storyline here as the viewer is forced to endure fake drama and sequences of the main character staring and breathing hard.  This story was clearly written for the end, but this cripples any good idea that was had since no one will ever know what it is.  Creating movies for one tiny idea should always be a no-no, but apparently people keep getting funding for this sort of nonsense.

Acting Quality (0 points)

In a movie with so few characters, the few people that are cast are highly crucial to the film’s success.  Unfortunately, in this one, the cast members do not come through.  Their performances are amateurish and forceful, and have far too much heavy breathing.  Emotions are not felt or believable.  In short, this rounds out a pathetic effort.

Conclusion

As a rule, one-character survival plots should be greatly avoided.  Half-baked ideas that have no surrounding elements such as professional production and well-developed characters are always going to fail.  Even if your idea is small and limited in scope, you can still develop your characters.  But alas, this is another failed movie that represents more money flushed down the toilet.  2013 sure was a landmark year for Christian film, but not in a good way.  Let’s hope we can move past those dark days.

 

Final Rating: 1 out of 10 points

 

April 7, 2017January 10, 2019 by Box Office Revolutionary Categories: Movie Reviews, SuspenseTags: 1 point, 2013, A big puddle of coffee, Andie Nelson, Brianna Oppenheimer, Elevation Pictures, Historical, Jasmin Jandreau, Shannon Brown, Sunna Wehrmeijer, Suspense, Tommy Nash, Topher McFarlane, William Parker, Word Entertainment 11 Comments

The Perfect Summer (Movie Review)

Plot Summary

When Jake and his mom move from Chicago to Hawaii to start a new life with her father, Jake is less than thrilled about the change of pace.  He has to adjust to new surroundings and new people who do not always accept him.  He also has to endure his eccentric grandfather, who tries to rebuild their relationship.  Jake is ready to give up when he discovers that he has a thing for surfing and that his grandfather can teach him.  Perhaps the worst summer ever for Jake will turn into the perfect summer.

 

Production Quality (1.5 points)

The Perfect Summer is such a clean, stock made-for-television film.  From the opening sequence to the loudest soundtrack ever to lots of nature footage, this movie checks all the boxes of mediocre production quality.  While the video quality and camera work are fine, the poor audio quality is very distracting as it picks up all kinds of unwanted sounds.  However, the sets and locations are fairly professional and interesting.  Finally, the editing is standard and moves the plot along at a predictable pace.  In short, this production is average, but we’ve come to expect more from professional television channels.

Plot and Storyline Quality (1 point)

The Perfect Summer is a predictable inspirational cookie-cutter plot depicting a city character moving to a remote location and having to adjust to a different culture with limited internet access.  The constant jokes about the internet and other forced comedy gets really old.  The local characters are stereotypical; none of the characters are developed enough for there being so few of them.  This film’s premise is a fairly thin sports\training story complete with lots of music videos, empty conflicts, and a typical romantic subplot.  Unfortunately, the Christian message seems manufactured and plastic.  However, this story has a slightly realistic ending and sort of redeems it to a point.  But otherwise, if you’ve seen this kind of movie before, you’re probably not missing anything.

Acting Quality (2 points)

This cast is actually the best part of the film, even though Eric Roberts is involved.  He is strange and overdone as usual and singlehandedly holds this section back.  His presence poisons the entire film.  But the rest of the small cast is okay, though there are some slightly over emotions and cultural stereotypes.  In the end, this is a good effort, but we would have liked to see a little more from this professional team.

Conclusion

This plot has really been done before, may too often.  Channels like UP and the like need to be brave enough to take a risk with a different plot.  What’s it going to hurt?  They have the resources to make pretty much any kind of inspirational plot they want, so why not go for broke?  The Perfect Summer is one of those forgettable movies that you might watch while flicking the TV channels and then forget about in a few days.  With the money and abilities companies like this have, they need to set the bar higher for themselves and do something original and memorable.  It’s fine to make clean entertainment, but why get stuck in mediocrity?

 

Final Rating: 4.5 out of 10 points

 

February 23, 2017January 11, 2019 by Box Office Revolutionary Categories: Inspirational, Movie Reviews, SportsTags: 2013, 4.5 points, Adam Horner, David Eubanks, Drew Powell, Eric Roberts, Eric Tomosunas, Gary Wheeler, Inspirational, J.D. Banks, Jack Landry, Jason Castro, Justin Barnhill, Katie Garfield, Keith Neal, Keith Neil, Kenneth Lampl, Level Path Productions, Louis Mandylor, Nathan Scoggins, Prodigal, Sports, Swirl Films, Sydney Penny, Up Entertainment, Uplifting Entertainment, Word Entertainment Leave a comment

Rumors of Wars (Movie Review)

Plot Summary

As Roxy, a college student, witnesses the slow but sure takeover of a one world government, she chronicles her thoughts, beliefs, and discoveries in a detailed journal that is eventually discovered by agents of the new world order.  Shaw 408, the agent who discovers the journal, is unsure of his role in the takeover regime and finds himself intrigued by the journal’s contents.  As Zurn, the leader of the new regime, tightens his grip on the world by ordering everyone to receive a microchip inserted under their skin, the world descends into chaos.  Who will survive?

 

Production Quality (3 points)

It’s clear that the Bearfruit Films team has a commitment to high quality productions, as their effort on Rumors of Wars shows in every production element.  Video and audio quality are error-free.  The original soundtrack is effective and appropriate.  The apocalyptic sets, locations and props are excellent.  The action-based camera work, which is often difficult to execute, is done quite well.  Finally, there are no obvious editing errors, thus making this a perfect production job.  This is rarely found, so we greatly anticipate Bearfruit’s future work.

Plot and Storyline Quality (1.5 points)

Rumors of Wars is a unique brand of apocalyptic storyline that actually doesn’t bite off more than it can chew by trying to cover tons of apocalyptic high points.  Instead, the story stays in a controlled atmosphere to build a good dystopian premise without jumping through time too quickly or zooming all over the world.  The mixing of the past and present subplots is interesting and is done fairly well.  However, this overall concept needs a little more explaining and development.  The characters are most okay, but some of the villains are cheesy.  Surprisingly, the antichrist character is actually different and creative.  Finally, Rumors of Wars does commit a key apocalyptic error in creating a passive-aggressive this-might-be-continued-someday ending.  But otherwise, there is a lot of potential here and room to grow.

Acting Quality (1.5 points)

Full of recognizable actors and actresses, this cast is a mixed bag.  Sometimes they are over the top and other times they are very much on point.  For example, this is not T. C. Stallings’ best performance, but Ben Davies is better than usual.  It’s different from cast member to cast member, thus making this an overall average performance.

Conclusion

This whole idea would work so much better either as a series of films or as a miniseries.  There are a lot of creative ideas and concepts hidden in here that require further development, which necessitates more time and money to do this.  We hope that one day this movie concept can be continued or remade in some fashion.  Regardless, Bearfruit Films has a talented team, so it will be interesting to see what they have planned next.

 

Final Rating: 6 out of 10 points

February 21, 2017January 11, 2019 by Box Office Revolutionary Categories: Apocalyptic, Movie Reviews, Sci-Fi, SuspenseTags: 2014, 6 points, Apocalyptic, Bearfruit Films, Ben Davies, Brad Stine, Brian Hilburn, Calvin Williams, Cash Powell, Derrick Gilliam, Dustin Tavella, Eric Roberts, Jaci Velasquez, Jamie Grace, Jason Burkey, Jennifer Cooper, Joseph Scott Anthony, Jude S. Walko, Keith Seccombe, Kelsey Sanders, Ken Price, Lee Garrett, Lexi Johnson, Luke Jaden, Mac Powell, Michael Joiner, Michael Ulmer, Michelle Mallery, Morgan Ayres, Nise Davies, Paul Tomborello, Phillip Abraham, Sci-Fi, Scout Powell, Shannen Fields, Suspense, T. C. Stallings, Tom Sanders, Tyler Smith, Victoria Mullen, W. David Mallery, Wolf Pack Film Works, Word Entertainment, Word Films 3 Comments