Be Still and Know (Movie Review)

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Plot Summary

Childhood friends CJ and Sophia have lost connection with each other due to various life circumstances, but they now have a chance to rekindle their friendship during a fall break getaway. Along with two other friends, they go off the grid in a family cabin in order to re-establish what they once had. However, things don’t go as planned, and their sort of vacation takes a turn for the worst, which forces them to rely on God for their help.

Production Quality (1 point)

After showing concerted production improvement in If You’re Gone, the Goodwin creative team has unfortunately gone backward in quality with Be Still and Know. This is due to many very dark indoor scenes and quite a few outdoor scenes that are dominated by background noises. Camera also tends to be shaky throughout, and some odd camera angles are used, likely for some type of dramatic effect. However, it doesn’t work, and the sets, locations, and props are fairly cheap. While video quality is one of the only bright spots of the production and although there are some good portions of this film’s presentation, there are many concerns as well, including a soundtrack that almost always plays in the background even though it doesn’t fit with the moods of the scenes. It goes without saying that many scenes are quite long and drawn out, which is due to random editing. In the end, while it’s not all bad in this section, it’s still a major letdown from a collaborative team that was headed in such a good direction.

Plot and Storyline Quality (0 points)

Unlike previous efforts from the Goodwin team, the plot of Be Still and Know unfortunately has no real potential since there’s barely anything to it. The characters are either blank or stereotypical, and the conflict in the story really makes no sense at all. Conversations and dialogue are very bland and uninspiring, which makes the viewing experience a drag. The premise is highly unrealistic and questionable as it tends to involve slightly illegal activity that’s nonsensically justified. Further, the Christian message feels extremely forced and contrived. In the end, there are either too many issues with this storyline or too much boredom to justify its creation; it’s rare to see a plot with no potential from a experienced creative team, but this is unfortunately the case with Be Still and Know.

Acting Quality (1 point)

In this small cast, errors are more obvious, and they tend to carry the weight of the movie on their shoulders. However, the cast members cannot be fully blamed for the lack of adequate lines to work with. Nonetheless, many of them come off as either bored or overplaying, yet they aren’t all bad. Most of the acting is very boring, unchallenging, and uneventful, and emotions are vanilla. Further, costuming is unusual at times, but this section isn’t completely lost, which rounds out a surprisingly low-quality attempt.

Conclusion

John and Brittany Goodwin definitely care about making an impact in Christian entertainment, and every creator must come to a crossroads in their career: will they choose to continue in mediocrity or step out with something even better than before? Some movie makers are better suited to be series makers (see Dallas Jenkins), so this may be the missing piece of the puzzle for the Goodwins. There’s also plenty of Christian fiction to explore, which can supply ample content for struggling screenwriters if permission is secured. In the end, one movie doesn’t define someone’s entire career, so Be Still and Know could be a rough patch before the breakthrough.

Final Rating: 2 out of 10 points

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Thomas, Close to Jesus {The Friends of Jesus – Thomas} (Movie Review)

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Plot Summary

Thomas followed Jesus for the three years of the Lord’s earthly ministry, yet Thomas always struggled with belief. His doubt was only compounded when he witnessed the brutal arrest of his Savior and heard how he was violently flogged and executed at the hands of the Romans. At the darkest hour of history, Thomas’ small faith would be tested like never before.

Production Quality (2 points)

As an early 2000’s production, Thomas, Close to Jesus is mostly respectable, including historically authentic sets, locations, and props. Video quality is passable, and audio quality is fine except that the soundtrack is somewhat generic. The camera work tends to be shaky at first but gets better as it goes. To round things off, the editing is fairly pedestrian yet isn’t bad. In the end, this is basically an above-average production that doesn’t make many positive or negative impact.

Plot and Storyline Quality (.5 point)

Lux Vide and TBN had interesting ideas in this early era of Christian entertainment to make a series of films focusing on different disciples, so a film centered around the less-emphasized character of Thomas is refreshing. However, like other Biblical films from this creative team (Mary Magdalene and Judas), the characters cannot be easily accessed due to stiff and pedestrian dialogue that feels like a Bible play. There are too many boring asides and vanilla conversations that waste time and focus on vague concepts without developing accessible characters. While there were good attempts to connect the films of the series together, there were some unnecessary alterations to the historical account. Further, the portrayal of Jesus is once again too ethereal and otherworldly, and too many scenes either contain forced drama or lag on. In the end, there was probably not enough actual content to sustain full-length movie without slid dialogue and flashbacks.

Acting Quality (1.5 points)

Unfortunately, the cast of Thomas isn’t entirely culturally authentic, but some attempts are made. Moreover, there are a lot of dramatic and theatrical performances as if this is a stage play. This brings overdone and unnatural emotions with it. Even still, the costuming is mostly historically accurate, and there are some good moments in acting, which is enough to keep this section average.

Conclusion

On a number of levels, creating Biblical fiction entertainment is extremely difficult to pull off, which is why it should never be done lightly. Since TBN’s early attempts at depicting the lives of Jesus and His disciples, Christian movies and series have definitely improved in how they portray these historical characters. They were real people, so when they are properly cast in this light, audiences everywhere can relate to them, which makes the message more powerful and meaningful.

Final Rating: 4 out of 10 points

Miles Between Us {Four Days Alone in a Car} (Movie Review)

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Plot Summary

Scott Dauer is a successful Hollywood agent, but an untimely accident prevents his ex-wife from driving their daughter across the country to the Christian college she wants to attend. Thus, Scott is forced to reconnect with the young woman he’s been estranged from for many years as they make the four-day journey across the nation. However, little does either one of them know that their time together will forever alter their lives.

Production Quality (1.5 points)

Especially in the beginning, the sets, locations, and props of Miles Between Us are fairly cheap and not well-thought-out. This include some sets that echo a lot of audio, yet most of the scenes have fine lighting and video quality. Camera work is acceptable for the most part, except for the shaky moments and the odd camera angles that sometimes appear. Audio quality is mostly okay, but the soundtrack leaves something to be desired. Finally, there’s virtually no editing in this film as many of the scenes are long and drawn out without proper cuts. In the end, though there’s some improvement as the movie progresses, the production still ends up average.

Plot and Storyline Quality (.5 point)

At the start of this heavily character-based plot, the characters seem to be grasping for things to say in order to fill time while the story moves along. Many of the conversations seem unnatural and don’t do what they need to do with character development even though this plot line heavily depends on them and their personalities due to its limited scope. On top of this, the Christian characters are both perfect and condescending, and many lines spoken by all characters are sterile and clinical, like they were crafted by AI. The progression of time is also unrealistic, no doubt confused by the riveting driving montages and clouded by sequences of sermonizing. One of the only ways to save this plot would have been to transform the memory-based dialogue (“I remember when you did that!”) into actual flashbacks that integrate into a non-linear storyline; this would have done something to breathe life into the dead characters therein. This would have especially helped the fact that an important concept is explored in the last quarter of the film that, while it’s kind of out of left field for the movie’s context, really does need to be discussed in Christian entertainment. However, many viewers will never make it that far due to absolute boredom of the story’s first three quarters. It’s too bad this intriguing idea was wasted, along with the somewhat ambiguous ending, but perhaps, one day, it can be re-purposed in a better way.

Acting Quality (1.5 points)

Throughout a majority of the film, the cast members seem understandably bored with their lot and sometimes awkward around each other. We can’t blame them since they were given such poor lines to work with. However, their delivery of them is still overly practiced and stilted even though there are some fine performances. Emotions are a bit lame at times, and hair and makeup is strange. Nonetheless, there’s some improvement in these areas as the movie goes on, which is enough to warrant and average rating for this section.

Conclusion

The creative team behind Miles Between Us is almost onto something, but they would do well to make sure their screenwriting is up to industry standards. With the growth of Christian entertainment and the collective improvement of productions, the bar has been raised, and there’s little room for vanilla or basement-level creations anymore. Thus, this can be a learning experience for them; in the near future, they may be able to redo this film or at least use some of its concepts with better characters. Overall, film making is always a learning process, so it will be interesting to see what they produce next.

Final Rating: 3.5 out of 10 points

Faith, Love, & Chocolate! {Live, Laugh, Love!} (Movie Review)

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Plot Summary

Following graduation from college, Jessica Miller and her two closest friends are forced to face the harshness of the real world that academia never prepared them for. They all have big plans, but they soon realize that no one in their respective job fields really cares about their dreams. Things don’t turn out like they’re supposed to, and the three friends are left scared and confused. However, this gives them the opportunity to realize that God sometimes has bigger plans for people than they can ever realize.

Production Quality (2 points)

As a whole, the production of Faith, Hope, & Chocolate! is fine for a creation produced from a university film school. They have their proverbial ducks in a row when it comes to video quality, audio quality, and camera work. For the most part, sets, locations, and props are professionally presented and utilized. The only major complaints to raise are some occasional backgrounds sounds and some cheesy flashback quality. Also, the editing is a bit generic, but on the whole, this is a respectable production that shows a creative team headed in the right direction.

Plot and Storyline Quality (.5 point)

Unfortunately, the plot detracts quite a bit from this film, mostly due to the incessant and unnecessary narration that greatly hurts the possibility of character development. As such, dialogue is fairly pedestrian but not awful; however, it doesn’t do enough to build the characters beyond their stereotypical molds and expected backstories. Also, the awkward attempts at comedy throughout the storyline don’t help matters, and the fact that some plot elements aren’t entirely rooted in reality isn’t helpful either. Since the central concept of this film is somewhat interesting yet at the same time slightly standard, this character-based story needed to depend heavily on the personalities of the characters, and this was something that wasn’t accomplished. Doing this would have added a necessary level of complexity to this otherwise straightforward idea; moreover, post-college issues need to be explored as this isn’t heavily discussed in Christian entertainment, but a more meaningful basis would have done better with driving the points home. In the end, the problems presented in the story are too easily fixed with a posthumous artifact, which seems to absolve some of the characters of realistic consequences or help them to avoid real lessons. Thus, this is a nice try that will hopefully yield better results next time.

Acting Quality (1.5 points)

Overall, the acting of Faith, Love, & Chocolate! is fine. It’s neither dynamic nor horrible–just average. At times, some emotions come off as forced and awkward, and line delivery could be a bit more meaningful, but this is the best that can be expected from presumably volunteer cast members. In this light, each cast members takes on their roles well.

Conclusion

In summary, the creative team behind this movie likely did the best they could with what they had available. The one thing we would have liked to see more of was deeper character development, which could have only been accomplished by banning narration and by spending a little more time on the dialogue. In cases like these, it’s sometimes better to base characters off of real people or to give the characters flexibility to fit the personalities of the cast members. Nevertheless, the people behind this film seem to mean well and likely have a lot of good potential for future projects.

Final Rating: 4 out of 10 points

Home-Schooled, Season 1 [2019] (Series Review)

Plot Summary

In just one moment, Sarah’s life is completely transformed and turned upside down. When she receives word that she has become the guardian of five of her youngest relatives–homeschooled kids in the Midwest–she has no idea how she will balance her big city life with her new, unexpected responsibilities. How will she manage this new lifestyle that has been chosen for her beyond her control?

Production Quality (.5 points)
Words cannot express how horrible this production is by 2019 standards. The only remotely positive element is the fine video quality, but otherwise, it’s a total wash. Even a $20,000 budget is no excuse for wildly shaky camera work, weird camera angles, and perspective that never stops moving around unless the cameraman sets the camera down in the most inconvenient locations, like behind a running sink. It goes without saying that the series intro sequence screams Windows Movie Maker. When it comes to sets, locations, and props, things are limited to the inside of a large, echo-filled house and blinding outdoor locations filled with incessant leaf-crunching. There are also plenty of loud background sounds, both inside and outside, and they aren’t mitigated by the extremely invasive soundtrack that’s meant to “balance” things out. Finally, the editing is as choppy as possible, including lagging scenes and abruptly cut-off sequences. Essentially, this is an awful experience.

Plot and Storyline Quality (0 points)
What exactly is the purpose of this so-called plot? First of all, there’s hardly any content to speak of, but whatever amount is there is dominated by typical family member squabble storylines and the most cringeworthy dialogue possible. This creates robotic, programmed characters that easily fall into homeschooled stereotypes. All this alleged story really has to show for itself is a bunch of awkward people hanging around a large house none of them can pay for and engaging in a lot of childish coincidences, forced drama, convenient situations, and infantile conversations. Further, the screenwriters completely bungled their portrayal of the child custody process (lawyers NEVER make home visits to check on custody situations), which makes us wonder if they did any research at all on how this transpires in real life. In the end, this “plot” has nothing good going for it.

Acting Quality (0 points)
For one thing, the cast of Home-Schooled is quite small, so errors are more easily seen. For another, the cast members are not coached very well at all, and many of them are intended to play characters who are younger than they actually are, which makes things very odd. Besides this, the acting is just generally awkward and forcibly dramatic. Line delivery is very stilted, and emotions are quite wooden. There are also some bouts of annoying yelling and screaming. In the end, there’s nothing good to highlight here.

Continuity Quality (0 points)
With such short episodes (many of them are ten minutes or less), it’s extremely difficult to justify even making Home-Schooled into a series. If you must make it at all, why not just make it a regular movie? This aside, there are no prevalent themes or overarching storylines that are even able to create continuity between the episodes. With such short runtimes, there’s really nothing to write home about in this section. The only other thing to add here is to ask the creators to not make anymore seasons without some serious changes being made.

Conclusion

The rule of thumb in Christian entertainment is this: if the story and budget aren’t there, can the project or at least put it on hold until you’re sure Jesus wants you to make it. Putting out low-quality projects isn’t being a good steward of what you feel like He wants you to do. Instead of rushing forward and clamoring to make something just for the sake of making a Christian series, wait and see what He really wants you to create because He’ll provide the budget if it’s for real. Moving forward with half-measures (or less than half-measures) is always going to be a problem.

Final Rating: .5 out of 14 points

HeavenQuest: A Pilgrim’s Progress (2019/2020)

Digital release October 25, 2019, official release in 2020

Website

Writer(s): Matt Bilen, Dan Mark, Rachel Tan, Michael Tang, Darren Wilson

Director(s): Matt Bilen

Producer(s): Jeremy Adams, Matt Bilen, In-Pyo Cha, David Kang, Ricky Kim, Dan Mark, Rachel Tan, Darren Wilson

Starring: Peta Sergeant, Alan Powell, Fernanda Romero, Karyme Lozano, Ricky Kim, Eric Tiede, Asger Folmann, Patrick Thompson, In-Pyo Cha

Plot Synopsis: A new take on the classic story from John Bunyan. A regal man named Vangel is thrust on a journey against his will when he is suddenly and mysteriously arrested. Injured and lost after escaping the dark king’s men, Vangel begins to have strange dreams and visions of a mysterious woman in white calling him from the unknown territory of the North. Armed with a book called “The Record of the Ancients” that he receives from a wise sage named Elder, Vangel embarks on an adventure that takes him through treacherous mountain range, unending deserts, the Lake of Doubts, and the Forest of No Return. Along the way, travel companions share about a fabled good king and his son in the North if he can make it there alive

The Griddle House (Movie Review)

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Plot Summary

Jack Benson never knew his birth mother, and this fact has always caused his pain. That’s why he takes the opportunity to run when he gets a vehicle for his sixteenth birthday. However, he doesn’t make it very far and ends up stopping at a local diner called The Griddle House. There, he meets an eccentric cast of characters that surprisingly helps him sort through his problems to find hope.

Production Quality (1.5 points)

For the most part, The Griddle House has a respectable production even though it’s mostly limited to a handful of sets. Even still, the props therein are realistic, and video quality is as it should be. At times, however, there is some shaky camera work as well as some odd camera angles. As a whole, the audio quality is on part with standards, even if the soundtrack is slightly generic. Further, the editing is fairly basic without any major concerns or significant positives. Therefore, this production is basically average since it’s neither horrible nor dynamic.

Plot and Storyline Quality (.5 points)

From the get-go, it’s fairly hard to understand the point of the story behind The Griddle House. While there’s some character potential, the dialogue isn’t enough to keep them from being generic and cardboard, even though it’s almost entirely made up of conversations. The forced comedy doesn’t help matters, especially since it’s very flat and awkward. Many scenes appear to drag on just for the purpose of filling time, and the interactions between the characters seem stiff and forced rather than natural and dynamic. The Griddle House draws a lot of comparisons with The Encounter, except with fewer Messianic characters. In the end, there’s not really that much to this movie’s plot as it’s hard to deduce the actual purpose behind the random conversations that fill the run time and don’t do enough to help us truly know the characters. This is one of those nice-try-but-not-good-enough efforts.

Acting Quality (1.5 points)

As a whole, the acting in The Griddle House is fine but not very dynamic. The cast is somewhat vanilla in their performances and safe in their acting. This doesn’t allow many major errors to surface, but it also doesn’t create an environment for standouts. Also, emotions are somewhat awkward throughout, and this section overall comes out as average.

Conclusion

Bearfruit Films typically likes to try different things (i.e. Rumors of Wars), but The Griddle House doesn’t quite meet these standards. It’s almost like there’s some kind of hidden idea in this film that was never fully disclosed or that there were pertinent scenes edited out that would help us understand better. The overall underlying tone is hard to grasp, which makes it difficult to discern the actual purpose. Perhaps future projects from this creative team will yield more lasting results.

Final Rating: 3.5 out of 10 points

Ruling of the Heart (Movie Review)

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Plot Summary

Judge Edward Morgan is known for being heavy-handed and for enforcing the letter of the law without taking personal situations into account. However, when he’s stranded in a coffee shop one night, he’s confronted by people whom he’s ruled against, which forces him to take a second look at his closely-held beliefs as well as the past pain he’s been hiding from. Will he be able to change his ways before it’s too late?

Production Quality (1.5 points)

For the most part, Ruling of the Heart is a fine production even if the sets, locations, and props are somewhat limited. Some of the lighting is also unnecessarily dark, and there are some cheap special effects throughout. Flashbacks also have an odd quality about them, such as inconsistently shaky camera work. The soundtrack is fairly generic, and although other production elements are acceptable, there really needed to be more here since this film was made in 2018. However, some of this may be due to the limited plot scope.

Plot and Storyline Quality (.5 points)

Unfortunately, whereas there was a somewhat interesting idea behind this film, its disregard for legal procedure and judicial realities doesn’t bode well. The courtroom situations depicted within the storyline don’t line up with real life, which really puts a damper on things. To make matters worse, the characters are quite bland and one-dimensional throughout the narrative, and the Christian message seems shoe-horned in. One of the saving graces is the use of flashbacks to try to develop character backstories, but they don’t go as far as they could have, and characters struggle to break out of their “issue” shells and to actually be accessible as people rather than as cardboard cutouts. The stock vanilla dialogue doesn’t help, and the fact that the plot forces things forward instead of letting things unfold naturally isn’t advantageous. Even still, the film seems to be long and drawn out despite the lack of substantial content. While there are some brief attempts near the end of the movie to craft character motive, it’s too little too late. Essentially, when setting out to create a narrative that’s confined without one set and based on a complex topic requiring further research, flashbacks need to be integral in developing characters, and accuracy of the depicted topic needs to be ensured.

Acting Quality (1.5 points)

Although there’s nothing specifically wrong with the casting and acting in Ruling of the Heart, there’s also nothing particularly dynamic or special about it. This section of the film is overall generic as there is some stilted line delivery and some average emotions that are balanced out by other better performances. Despite some unnatural and overly earnest portrayals, this portion of the movie is basically average.

Conclusion

In the end, Ruling of the Heart is a nice attempt to take a look at how personal experiences can unfairly influence a judge’s ruling, but in order for this concept to produce more of an impact, research needs to be done to make sure judicial situations are accurately portrayed. Further, characters need to organically developed beyond simply representing issues and should be relatable people via personality-building and backstory-revealing dialogue and flashbacks. Without realism of ideas and characters, a movie can’t properly get off the ground to make a difference, no matter how important the topic is.

Final Rating: 3.5 out of 10 points

The Unlikely Good Samaritan (Movie Review)

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Plot Summary

Chris Jennings is a new pastor in a small Colorado town, and he’s desperate to prove himself to the people in the church because of his young age. However, this leads him to take drastic measures, including shunning an unwanted member of the church whom the other members don’t feel fits in with their demographic. Nevertheless, Chris is battling his own demons, and once he’s exposed, the religious people turn on him as well. Now that he’s down and out, will Chris ever discover God’s true call on his life?

Production Quality (.5 point)

As a 2019 production, it’s kind of hard to believe that this lower level of quality is still being tolerated. One of the most distracting part of this film is the shaky camera work that hardly ever stops moving and even goes diagonal at times. There are also a lot of weird camera angles and even some blurry video. Sets, locations, and props tend to be cheap, and lighting is fairly inconsistent. Audio quality is okay except for the background sounds. Further, the editing is poor as there are quite a few very abrupt and awkward cuts. In the end, though there’s some slight improvement throughout the film, this production is unfortunately very low quality.

Plot and Storyline Quality (.5 point)

The Unlikely Good Samaritan contains concepts similar to that of Confessions of a Prodigal Son, which was Clarkson’s freshman film, yet the sophomore effort surprisingly has more concerns than the first. In this second installment, there is a lot of blank and stale dialogue throughout the first three-fourths of the movie, which leads to a glaring lack of character development. At first, hardly anything happens except for wasted scenes that take up time but accomplish nothing; the interactions among characters seem unnatural and overly scripted. While this storyline is a commendable look at real issues plaguing the church, it loses most of its audience in the first half hour due to general boredom and unrealistic portrayals of life. However, by the last fourth of the plot, there’s actually some great flawed characters and a lot of potential in the central idea behind the story, but it’s all presented in the wrong way. The ending is actually fairly realistic and comes from a unique plot twist, but hardly anyone will make it this far into the film. In the end, this concept would have likely worked better either as a short film or as a series.

Acting Quality (1 point)

In the beginning of the movie, similar to other elements, the acting is fairly awkward and unnatural, but they also don’t have many good lines to work with. Some cast members are fine and would have been better with improved development and coaching. Many emotions throughout are very wooden and forced, yet the acting overall tends to get better as it goes, in keeping with the themes of this film. However, since there’s fairly significant improvement by the conclusion, it begs the question why it was so bad in the beginning. In the end, The Unlikely Good Samaritan is a mixed bag that doesn’t do enough to pull itself up from the mud.

Conclusion

There’s no doubt that Nathan Clarkson has a lot of good ideas. This fact is evident in his two films, but in this era of Christian entertainment, we need to see more. Collaboration is likely the only path forward for lone ranger creators; we can no longer afford to make movies on our own. God admonishes Christians to work together and to have each other’s backs, so if we accept feedback and ideas from others as well as ourselves, something great can happen. Clarkson’s concepts are creative enough to warrant remakes, so perhaps series-making is in his future once he’s able to work in a team approach. Many entertainment makers have the world at their fingertips if they will reach out and work together.

Final Rating: 2 out of 10 points

Decision of Faith {365 Decision Time} (Movie Review)

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Plot Summary

On the surface, the Miller family is the model of success in Caucasian American culture, but behind the scenes, they’re coming undone. The parents are divorced yet maintain a tenuous relationship in order to aid their grown children. Their daughter is married to a successful political staffer who has his own secrets to hide. Their son is involved with a questionable crowd of people and suddenly has a child on the way with a girlfriend they’ve never met. In the midst of all the turmoil, the Millers have a chance to find the true peace they’ve never had if they will ask for help from the right people.

Production Quality (2 points)

At first, the production of Decision of Faith is somewhat rough, including weird, unnatural lighting, dark sets, and slightly random camera work. The audio quality is also quite inconsistent at first, along with the editing, which includes some abrupt cuts and transitions between scenes. However, the good thing is that the production improves as the runtime progresses, which suggests better funding was provided later on in the process. It gets better to the point that video quality, audio quality, camera work, sets, props, and locations are all passable and even respectable in some parts. The editing remains somewhat inconsistent throughout, but this section overall does enough to go past the average mark.

Plot and Storyline Quality (1 point)

In the beginning of the storyline, many disjointed subplots tend to come out of nowhere and meander around, but once things settle down, the subplot overlaying slightly improves even though it’s still somewhat poorly presented. By the middle of the film, one of the most interesting things about the plot is its exploration of realistic hidden issues in affluent Caucasian lifestyles. Before this point, the characters are extreme: either perfect, platitude-spouting Christians or horribly bad non-Christians. However, once things begin to change in the middle, the characters actually become authentic and believable with obvious flaws and issues that can be accessed by many people. One drawback is that large time jumps in the story are marked by time subtitles, and another concern is the unnecessary use of explicit language and edgy content in attempts to be realistic. Also, as the plot continues on past the middle, random things keep happening that have forced connections to previously highlighted elements, and in a seeming rush for time, there are quite a few very sudden conversations that seem programmed to happen at certain moments in order for the story to hit the high points it wants to hit. These types of dialogue devices create very steep and unrealistic character arcs so that things are fixed very rapidly by the time the credits come around. Overall, despite the intriguing themes that show good potential for future screenwriting, Decision of Faith tries to cover too much time and too many issues at once. Thus, it may have been better to present this story in series form to allow for better character refinement and plot organization.

Acting Quality (1.5 points)

Unfortunately, there is some poor makeup work throughout this film, and at first, the emotional performances are quite forced and un-earnest. However, like other elements of the movie, the acting tends to improve with time, which suggests a shift in leadership mentalities partway through the process. Nothing significantly dynamic occurs as a result, but the improvement is refreshing. Overall, the acting does enough to be average by the conclusion, which rounds off a mostly middle-of-the-road film.

Conclusion

First-time films like Decision of Faith are tricky because it’s difficult to get things started, but in the new wave of Christian entertainment we’ve seen over the past few years, standards are higher, which makes it harder for new voices to stand out. Thus, the planning process is key. Are you meant to make this film at this time? Has God given you the adequate funding to make it professional? Would it work better as a series? Should you collaborate with other creators? These are all great questions to ask that will help you rise above the fray.

Final Rating: 4.5 out of 10 points

Overcomer [2019] (Movie Review)

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Plot Summary

A random small town is apparently falling apart due to the local factory closing down, and this decimates a Christian private school’s basketball team and sends the coach spiraling. When he already doesn’t even know what he’s going to do about a team, his superior, the principal, forces him to coach a one-girl cross-country team even though she has asthma! Along the way, he stumbles into a random hospital room containing someone who has surprising connections to the plot! Will he ever learn who he really is in Christ beyond just being a coach?

Production Quality (2 points)

Okay, so, what exactly was this $5 million budget spent on? Much of the production is fairly uninspiring. As usual for the Kendricks, it’s fine and mostly professional-looking, but for reals…all we get from this dollar amount is a bunch of vanilla sets, props, and locations mostly pertaining to people’s houses, a school campus, and lots of running\training footage? The decade-plus career of the brothers who brought Christian film out of the dark ages culminates with this? Besides the overall blah-ness of the layout, tons of time is wasted on nothing special in this film, and the editing seems very disjointed and disorganized. However, much of this could be due to the lack of any substantial plot content…

Plot and Storyline Quality (.5 point)

…which makes us wonder what the story actually is here. What are we supposed to focus on? The less than half-an-hour treatise on small towns falling apart? Five minutes of basketball footage? Alex Kendrick getting angry and throwing things? A runner with asthma? A random guy in a hospital? In all actuality, the blind man in the hospital bed is the most worthwhile subplot of the entire film, and it keeps this section from being abysmal, yet we only hear this part of the story through spoken word rather than via effective flashbacks. The only way to fix this film would be the focus entirely on this part of the story (the past and present narratives of the blind man and his interactions with other side characters) through a non-linear plot style. However, we don’t get this in Overcomer as we’re instead left with a very disjointed and disorganized storyline that gives us no opportunity to get to know the characters except that Alex Kendrick’s character is an almost-perfect white guy who has to save a non-white girl. Therein, there are many disturbing themes, such as the white family being overly good as they help the ‘bad’ African American girl; it goes without saying that a very disturbing plot point involves the school principal telling the coach to aid said minority minor in going around and lying to her legal guardian in basically illegal fashions. These actions are painted as good and never receive any consequences because the white characters can do no wrong. It’s too bad that the cross-country athlete character never stood a chance with the poor dialogue written for her character…she’s essentially programmed to respond to the prompts of her Caucasian helpers with little thought of her own. Elsewhere, old Kendrick humor is dying a slow and painful death as cringe-worthy attempts at comedy litter the already-confusing landscape of this storyline. In the end, it’s very difficult to think this plot had any other goals besides pushing propaganda and some kind of weird suburban version of Christianity.

Acting Quality (1.5 points)

The Kendricks can choose literally anyone to be in their films; some cast members would do it for free, yet Alex insists on continually casting himself in lead roles he can’t pull off. He and Shari Rigby crowd out the runtime of Overcomer with bland and forgettable performances that drown out better skills from supporting (non-white) cast members who are barely given a chance to do anything. For instance, Priscilla Shirer and Cameron Arnett have plenty of acting skills, but we don’t see them as often as we see awkward white people. Aryn Wright-Thompson probably has something to offer if she was ever given a shot to do something besides robotically repeat stale lines. In the end, this section is fine, but it punctuates a surprisingly bad effort from the Kendricks.

Conclusion

Minus the unusual racial undertones and the bizarre condoning of illegal actions, Overcomer is basically a run-of-the-mill church film with a sports twist. Even without the glaring issues, however, this still wouldn’t be acceptable based on where the Kendricks are in the careers. They are basically at the pinnacle of success, coming off their most successful film (War Room), so their budget and advertising resources are clearly vast. They can hire and cast whoever they wish, including actual screenwriters, yet they decided to settle for a well-produced version of Flywheel combined with the worst racial stereotypes found in Courageous to create a blandly vague idea that focuses on forcing messages down the audience’s throats. In the end, it appears as though their refusal to reach out and try different collaborations is causing them to fade into the background of an industry they helped save from the brink.

Final Rating: 4 out of 10 points

The Reliant (October 2019)

Coming to theaters October 24, 2019 from Fervent House Media

Website

Writer(s): Patrick Johnston

Director(s): Paul Munger

Producer(s): Patrick Johnston, Elizabeth Johnston, Paul Munger, Brian Bosworth, Kevin Sorbo, Eric Jellison, Tim Schmidt, Doug Yeary, Betty Yeary

Starring: Kevin Sorbo, Eric Roberts, Brian Bosworth, Mollee Gray, Jenn Gotzon, Julia Denton, Kevin Wayne, Ian Lauer, Blake Burt, Josh Murray, Kiera Strauss, Brian Friday, Marisa Hampton, Tyler Sanders, David Benham, Jason Benham, Tim Schmidt, Nicole C. Mullen, Rusty Thomas, Nico Zahniser, Jesse Boone, Jonathan Bocinsky

Plot Synopsis: When the dollar collapses, widespread rioting and looting ensues, and five children tragically lose their parents in the chaos. Armed with a couple of their father’s weapons, they are able to survive in a stretch of woods on the outskirts of their burning town. Facing starvation and threats from encroaching gangs, they begin to doubt God’s love. Will God answer their prayers, or must their faith remain blind to facts?

Vindication, Season 1 [2019] (Series Review)

Plot Summary

Detective Travis always wants to bring the criminals of his small Texas town to justice. However, he’s not always right, and he can’t do it all on his own, despite what he believes about himself. Through every twist and turn of each case, the detective learns something new about himself and about life, but the ultimate challenge of his work and life involves his daughter and her checkered past. Thus, when she comes to stay with him and his wife, he’s sure she’s got something to hide. However, he could have never foreseen the end result of this.

Production Quality (1.5 points)
For a relatively low-budget series, Vindication is definitely trying when it comes to production. The video quality is great throughout, and the camera work is respectable. Sets, locations, and props are mostly fine, but the audio is sometimes too quiet. At first, there’s basically no soundtrack, but this tends to improve as the series goes on. While there are some creative story overlays and plot criss-crossing throughout, the editing can be fairly choppy at times. Sometimes, scenes start and stop at awkward places, and some portions seem unnecessary. However, this element also tends to improve with time. In the end, this is an average production that shows commendable effort.

Plot and Storyline Quality (.5 point)
What an absolute roller coaster of a storyline. It’s difficult to know where to begin with this; in the first two-thirds of the series, many of the cases are either fairly unrealistic or extremely simplistic. Some contain improbable circumstances just for the sake, it seems, of being unique and tricky. Others contain lots of coincidences and convenient turns; many of them include partially or mostly inappropriate content seemingly just because. While being edgy and realistic is a good quality to have in Christian entertainment (rather than white-washing humanity), there’s a fine line to walk between authentic and trashy. As a side note, some of the ‘crimes’ that are actually ‘twists’ are substantially questionable and borderline ‘vindicate’ the wrong types of behavior. Elsewhere, the suspense elements don’t seem to jive with reality even though there are some interesting psychological elements throughout. Besides the head-scratching partially objectionable content included, the treatment of police ethics and criminal procedure throughout the series would be offensive to many real police officers. Rules are callously broken with no resource, and while it would be one thing to portray a rogue cop in a negative light for the purpose of being realistic, it’s another thing to downright condone unethical practices in the name of doing the right thing, including mixing personal vendettas against certain people and in favor of family members with police work. The detectives’ time is spent on petty misunderstandings that would likely draw the attention of higher authorities due to their frivolous use of resources and questionable methods of arresting people with little reasonable suspicion. These two major problem areas (inappropriate content and offensive portrayal of procedure) are almost enough to totally derail the series from the get-go, especially when these issues are combined with a lot of blank and empty dialogue and cheap Christian messaging throughout the first two-thirds of the season. Odd portrayals of women and minorities throughout the series are also concerns to contend with, but the recurring subplot between the main character and his daughter keep the narrative on life support long enough to get to the final two episodes of the season, which almost save the writers from themselves. It’s clear that the entire series was made for this storyline, and the daughter is the only notably interesting character in the entire creation. The last two episodes are so starkly different from the other ones (except for the disregard for jurisdiction and other questionable practices in the name of being police with agendas) that it seems like an entirely different idea, yet the thinly-developed characters still shine through due to their lack of depth in the first eight episodes. Had they been properly built in the first two-thirds of the season via real cases and authentic circumstances, we would be looking at a totally different concept. As they are, the last two installments include very effective flashbacks that take a good look at hard issues effecting many people. In doing so, the final ‘villain’ is fairly realistic, and the partial conclusion of the subplot between the father and daughter is mostly authentic and believable. Nevertheless, despite the acceptable ending, it doesn’t cover over the multitude of sins committed by the rest of the storyline.

Acting Quality (1.5 points)
Acting isn’t a glaring problem throughout the series even if many cast members come off as very robotic and overly practiced. However, this is likely not a talent problem or a coaching issue because the lines they are given are usually uninspiring. This is evident since acting seems to improve as dialogue gets a slight upgrade in the latter third of the season. Although makeup is terrible at first, this seems to get better too. The key standout performance from every episode she’s in comes from Emma Elle Roberts as she sets herself apart as a truly talented actress with potential beyond this series. In the end, this is neither the best nor the worst acting from a Christian season.

Continuity Quality (1.5 points)
As previously mentioned, the only significant continuity throughout season one of Vindication involves the storylines of the central character’s family, especially his interactions with his daughter and her checkered past. However, these recurring subplots are fairly good in the midst of a mostly typical recurring crime drama style. Still, it would have been preferable to see some other interwoven subplots that were worthwhile to follow.

Conclusion

The creators of Vindication are trying to do something, but there are too many elements of season one that are way off base. The use of edgy content is commendable for a crime series, but it would be nice to see better standards of propriety when it comes to dealing with sensitive topics. For another, a lot of significant research needs to be conducted before anyone creates a drama centered around criminal procedure and police work because it can be easy to make careless mistakes. Further, there needs to be a better look at mental and behavioral health issues beyond simplifying them and reducing them to trite Christian sayings and prayers. In the end, this concept may work better as a larger-scale federal investigative storyline rather than confining it to a small town with unusual half-mysteries. To summarize, the creators have potential somewhere in here, but there’s too much blocking out the light.

Final Rating: 5 out of 14 points

China Cry (Movie Review)

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Plot Summary

Sung Neng Yee was glad when the Chinese Communists rose to power in her homeland to drive out the occupying Japanese, but she never anticipated the ultimate consequences this would cause. First, it cost her father his wealth and respect as a successful doctor, and then, the Communists began to tighten their grip on every aspect of Chinese life. However, she and her fellow people adjusted and went forward. Moreover, after beginning a family of her own, Sung Yeng Nee was accused of consorting with Westernizers and Christians. In the darkest moment of her life, she reached out to the God she had always shunned for the help only He could give her.

Production Quality (1.5 points)

As an early 1990s production, China Cry has a handful of concerns with it, such as a loud, outdated soundtrack and odd soft lighting at times. Video quality is also sometimes blurry even though the camera work is overall fine, including good establishing shots. For the most part, audio quality is average, and the sets, locations, and props are very realistic, culturally accurate, and historically appropriate. Although the film overall seems outdated and has a lot of quick cuts and awkward transitions due to time jumps in the plot, the production does enough to achieve an average rating, especially considering the time period it was made in.

Plot and Storyline Quality (2 points)

Right out of the gate, unnecessary narration tends to hurt the plot development, but once it ceases, things begin to unfold naturally without hindrances even though the narration does pop up here and there afterward. Had more substantial and qualitative flashbacks been employed to replace the narration, this plot would have been even better. This would have better helped to bridge the large time jumps throughout the story (non-linear plot structure is the only way to effectively handle lots of content), yet on its face, this narrative is still engaging and very intriguing due to the obscurely interesting portions of history it explores. Key themes are subtly introduced in order to let the character feel more authentic and real than they otherwise would be; the writers definitely did a good job at presenting people at face value rather than trying to push messages via strawmen. Even still, there are some lagging scenes that could have been better re-purposed to improve character growth even more, especially since the second half of the story tends to rush through a lot of content that would have been better explored slowly. This is why a non-linear plot style centered around the weak explanation for the narration would have been appropriate. In the end, China Cry still packs a very powerful message that’s still relevant for all Christians today. It’s too bad that’s is hidden behind poorly designed storytelling, but this true account is nonetheless engaging for all audiences.

Acting Quality (2.5 points)

Although many of the cast members tend to be dramatically stiff, the lead actress and lead actor are standouts for their comfortably real line delivery and believable emotions. Others tend to lack natural flair for acting, but it’s refreshing to see a culturally authentic cast. Costuming also reflects this commitment to cultural accuracy. In the end, the acting improves enough by the second half of the movie, and the lead acting carries it most of the way.

Conclusion

China Cry definitely deserves a remake, possibly in a miniseries form to further explore alternate subplots and to present the story in a more comprehensive and non-linear fashion. In the end, this film was made very early on in Christian entertainment, but it was onto something we don’t see in many newer movies: a poignant message about relying on God during difficult times and witnessing His miraculous intervention. Thus, many audiences will enjoy this movie, and maybe, new film makers will be inspired to try something outside the norm.

Final Rating: 6 out of 10 points

The Magician’s Nephew (pre-production)

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Currently in pre-production

Future Narnia TV series & film information

Writer(s): C.S. Lewis, Matthew Aldrich

Director(s): Joe Johnston?

Producer(s): Douglas Gresham, Mark Gordon, Vincent Sieber

Starring: TBA

Plot Synopsis: 
The first installment in the Narnia saga that’s to be connected somehow to the Netflix Narnia series.

Bonhoeffer, Agent of Grace (Movie Review)

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Plot Summary

Dietrich Bonhoeffer didn’t want to get involved as the Nazis rose to power in Germany and demanded absolute submission from all institutions, including churches. However, after taking time away in America, he sensed God calling him back to his homeland. Then, the Nazi regime hit home as his twin sister and her Jewish husband had to escape Germany for fear of Nazi nationalism. Thus, when a close friend invited him to get involved in the underground working against Nazi power, Bonhoeffer felt he had to do something to stand against tyranny. Nonetheless, he never anticipated how far he would have to go and what he would experience as a result.

Production Quality (2 points)

For an early 2000s production, it’s clear that a lot of effort was put into Agent of Grace to make it historically authentic, which is evidenced by a great use of realistic-looking sets, props, and locations. Also, the video quality is mostly good except for some outdated-looking portions, and the camera work is standard. Audio quality is on the mark, but it would be nice if there was a more substantial soundtrack to enhance the emotional experience. At the beginning of the movie, the editing is commendable as it uses an overlaying style with effective out-of-order storytelling, yet this is discarded in the last two-thirds of the film and replaced with a very standard linear style. There are also some abruptly awkward cuts that put a damper on things, but overall, this is a respectable production, especially for the time period, and is good enough to be above-average.

Plot and Storyline Quality (1.5 points)

There’s no doubt that the story of Dietrich Bonhoeffer is an excellent and worthwhile one to tell, and in this endeavor, this storyline makes good attempts at character development via adequate dialogue. Where the beginning and the end are interesting, the middle of the story tends to sag a bit as it’s not very engaging and merely presents a collection of isolated and disconnected scenes where things sometimes happen without much lead-up. The good thing is that narration, while it would have been easy to lean on, is entirely avoided, and the conversations between characters are realistic enough. The quick passage of time in the narrative is often difficult to deal with, so it might have been better to frame the entire story as a flashback from the ending sequence since bridging large time gaps while also keeping audience isn’t an easy feat at all. Even still, many sequences are quite good and make the movie worth your time although the amount of off-screen content shows there’s too much in this story to cover in one film. In the end, Agent of Grace is a great effort and is one that was rarely seen in the early 2000s, so at the very least, it makes for a good historical experience.

Acting Quality (2.5 points)

The best part of this movie is the culturally correct acting and the culturally authentic casting. The costuming is also historically accurate. Besides this, the actual acting quality is very professional, including line delivery and emotional expression. There are very few errors to note here…there are just a few lapses, but this may be due to other elements. Overall, this strong section is enough to push the film past the halfway mark.

Conclusion

This historical account would definitely work better as a miniseries, especially since there are many side plots that didn’t have a chance for exploration in Agent of Grace. There’s a lot of interest and intrigue surrounding this period of history, so more time would have been good. Unfortunately, this film was made before Christian series were even considered outside the children’s entertainment realm; thus, a remake of Bonhoeffer’s narrative and the related elements would be pertinent. Nevertheless, this movie is still worth your time as it portrays a highly important tale that’s still relevant for us today.

Final Rating: 6 out of 10 points

Crave: The Fast Life (Movie Review)

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Plot Summary

For years, Max has resented his father for leaving them. Now, this anger boils beneath the surface as he endeavors to make a big name for himself as a club promoter in the LA night club scene. However, when he’s faced with a lucrative offer he can’t refuse, little does he know that he’s sinking deeper into pride and arrogance. He refuses to turn to God as things seem to be falling apart around him, but a series of events begins to change his heart and remind him of his mother’s faith.

Production Quality (2 points)

Since it is a 2018 production, Crave: The Fast Life should have exhibited a bit more of a dynamic nature. As it is, the video quality is grainy at times, even though the camera work is mostly fine. At times, there is odd lighting throughout, but all production elements do get better as they go. Subtle camera angles throughout reveal well-placed recurring props, and settings are overall realistic and authentic. The soundtrack is also effectively integrated throughout, and the editing is mostly average. In the end, the production does enough in the second half to achieve and above-average score.

Plot and Storyline Quality (1.5 points)

From the get-go, it seems like the screenwriters have a fairly interesting story to share in Crave, which is evidenced by an effective beginning that contains a key character flashback. Other flashbacks are also well-done throughout the course of the plot, yet this technique isn’t used to its fullest potential as the storyline tends to jump around in time using only time stamps to keep the audience oriented. This method of storytelling isn’t the best, even though there are some good attempts to gradually develop character personality and motive. Even so, the time jumps can be a bit disorienting at times, and while the avoidance of narration is commendable, it’s still somewhat confusing for character continuity. Sometimes, dialogue tends to be a bit forward and forced, and the Christian message-pushing seems off-base as it’s portrayed as primarily a church-going habit combined with some behavior modification. There’s some sermonizing done by ‘perfect’ Christian characters who seem to assume that giving people verses without getting to know them is sufficient for a life change. However, one of the plot’s central themes is a hard, realistic look at how generational patterns repeat, which is good, but it tends to wade into some too realistic and slightly edgy content at times. The middle of the story lags and loses some focus and creativity as dynamic storytelling is exchanged for Christian platitudes and quick fixes. The character arcs in the last third of the film are too steep to be believed, and it all culminates in a very quick and rushed ending that easily fixes things with little to no consequences. In the end, there was a lot of potential here, so hopefully, next time, this creative team will be able to work out the kinks of their otherwise good storytelling.

Acting Quality (2 points)

On the whole, the acting in Crave is mostly average. It starts out a bit slow but improves with time like other elements of the film do. Some scenes can feel a bit awkward and have a one-take tone to them while others come off as quickly filmed. Moreover, emotional scenes can seem forced at times, but in the big picture, there is enough good here to outweigh the inexperience. The cast members appear to mean well and want to do their best, so this is a good way to approach things. In the end, this film has some positive marks, and it’s a good start for this creative team.

Conclusion

There’s no doubt that Christian entertainment creators are trying to expand the horizons of the genre with films like Crave that would have never been considered just under a decade ago. This progress is encouraging, so we hope to see more forward motion in this area. However, as creativity grows, we also need to see production, acting, and plot qualities grow with it, especially storyline and character growth. We’re just now getting to the point where Christian entertainment is depicting ‘flawed’ characters in the world outside the church, so now, as Christians, we need to get better at telling captivating stories that will truly reach people for Christ.

Final Rating: 5.5 out of 10 points

Dawn [2018] (Movie Review)

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Plot Summary

Carrie Saunders just wants to live her normal life as a businesswoman, but her recurring nightmares about a missing girl continue to haunt her night after night. Her visions cloud her judgment and cause her to begin to suspect her husband of wrongdoing. Police refuse to believe her tales, so she decides to investigate the matter on her own. Little does she know that the wild ride she’s about to experience will change her life forever.

Production Quality (2 points)

At first, the production of Dawn begins in a rocky manner as evidenced by inconsistent camera work and lighting and some slight background sounds. However, the video quality is stable throughout, and the sets, locations, and props are mostly fine. The camera work does seem to improve as the film proceeds, and it becomes quite professional in the end. Another inconsistent area is the soundtrack since it’s generic in some parts yet quite good in others. Further, one other drawback is somewhat dizzying and repetitive nature of some of the psychological sequences, but this is also sometimes an asset. In the end, the editing is good, and the production is a mixed bag that’s overall above average.

Plot and Storyline Quality (2 points)

Dawn dares to try something extremely different in Christian film as it takes on a very unique plot that’s often hard to quantify yet intriguing at the same time. The attempts at extreme creativity are well-noted, even if they can get a bit head-scratching at times. Although some may not like it, it’s good that the Christian elements of Dawn aren’t too in-your-face as it tries to primarily rely on good mystery plot content. However, the storyline does have a few flaws in that the characters could be a bit more developed than they are, which means the time could have been better spent on this venture rather than on repetition of key elements the audience is shown over and over again. Still, the characters are fairly good as they are, even if the villain characters are slight strawmen. The psychological elements of the plot are interesting, but they could use a bit more explanation as to why they are occurring. However, the ending isn’t quite expected, and Dawn is an overall very creative attempt at a complex mystery plot culminating with an actually effective climax that’s built throughout the entirety of the film. This is finally a real suspense plot worth watching, but it would be even better as a remake or a similar replication.

Acting Quality (2 points)

On the whole, the acting of Dawn is fine with only a few minor errors to contend with. There were definitely some opportunities for improved emotional delivery and more dynamic line delivery. However, the cast does enough to make this an above average performance, which rounds out an overall above average film that’s worth your time.

Conclusion

The potential that this creative team showed is very encouraging because it could be the start of something great for them. It’s highly possible that streaming series are in their future if they are allowed to collaborate with larger budgets and tighter writing. What we need is more psychological suspense and mystery stories, and seeing these in the context of Christian series would be awesome, so we can’t wait to see what they have planned next.

Final Rating: 6 out of 10 points

Ragamuffin [2014] (Movie Review)

Plot Summary

Rich Mullins never fit in as a kid, especially when it came to his father’s lofty expectations for him.  As a young boy, his father usually criticized him for not being the boy he wanted him to be since Rich much preferred the piano over the tractor.  Thus, when Rich had a chance to strike out on his own, he took it and sought to express his artistry wherever he went.  However, when his music became famous virtually overnight, he wasn’t able to handle the success.  In the end, he had to discover Who God really is in order to free from the past.

Production Quality (2 points)

As a whole, this is a respectable, above-average production, starting with the artistic camera work that serves to enhance the overall experience.  Although scenes are sometimes unnecessarily dark, as well as black and white, this isn’t too big of an issue since the video quality is overall clear.  The audio quality is also a plus, and the soundtrack is okay even though it could have been better due to this film being about Rick Mullins.  For the most part, the sets, locations, and props are well-constructed and well-utilized such that the story feels real.  Further, there are a few awkward cuts, but the editing is overall fine considering the large amount of content covered in this movie.  In the end, this is an acceptable production, especially for the time period, yet it could have done a little but more.  Even still, it does enough to make the film enjoyable.

Plot and Storyline Quality (2 points)

The life of Rich Mullins was definitely worth portraying in the context of film, and you could say this film was made before I Can Only Imagine started a new trend of Christian artist biopics.  Within Ragamuffin, there is an excellent exploration of real family of origin problems that exist in small town America as well as the emotional struggles of a performer while traveling on the road.  Thus, the plot contains great life philosophies and an artistic look at things, yet it’s bogged down with early and intermediate narration that tells us things without showing them.  Sometimes, expository dialogue is also used to save time due to the large amount of content that’s covered in this story, but there’s still a great exploration of relevant, authentic issues that many people struggle with.  Hence, the characters are raw and good even if they could have been better without so much narration, exposition, and time jumps that only allow a cursory glance at elements that need more focus.  Although some of the scenes could have been used better, Ragamuffin is still a believable journey of mental health, substance abuse, and relationship issues that come as a result of toxic family messages.  There’s also an honest portrayal of church problems in the 1990s that confused a lot of Christians, and the good parts of the dialogue are very worthwhile.  Near the end, there’s a collection of exquisite psychological sequences that make the entire film worth your time, but it would have been better to see substantial build-up to these.  In the end, this is a great film because of the topic it’s based on; there are plenty of opportunities for improvement, but it’s still enjoyable as it is.

Acting Quality (2 points)

Like other portions of the movie, the acting of Ragamuffin could be a bit better than it is, mostly by being more dynamic and less static.  There are some sequences of blank emotions, but on the whole, emotional experience is adequate.  The lead actor takes on the role of Rich Mullins quite well, and other cast members assume their respective roles with ease.  In summary, this film had a lot going for it that helped it rack up plenty of good marks, but there’s still more that could have been done here.

Conclusion

Basically, Ragamuffin is in desperate need of a remake because it was made before Christians were beginning to learn how to tell stories well in movies.  It’s a face value, here-are-the-plain-facts approach to things, but modern Christian entertainment demands more.  We can tell stories better than this; even so, Ragamuffin was ahead of its time for taking on an unpopular topic in Christianity in a time when everything was assumed to be fine, so for this reason alone, it’s worth your time.  We’d like to see the creators of this film collaborate with a good team because they could do great things together.

Final Rating: 6 out of 10 points

A Murder of Innocence (Movie Review)

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Plot Summary

When Albert and Aimee Anderson move to a small town to pastor the local church, they expect all the typical things of a small town church, but nothing in their lives ever prepared them for what happened soon after they arrived. After discovering the dead bodies of their two newest and closest friends, the Andersons are left reeling in the aftermath as they entire church turns to them for guidance during this dark time. However, answers escape them as the culprit seems elusive and the townspeople grow restless and anxious. Will evil ever be brought to justice? Will they be able to recover a sense of normalcy?

Production Quality (1.5 points)

As a whole, A Murder of Innocence has a mostly fine production, including good video quality and fine sets, locations, and props, even if they are a bit limited in scope. A lot of the time, the audio is extremely quiet and muffled, and the soundtrack is either lacking or overpowering. Also, camera work is inconsistent–sometimes shaky and sometimes fine. Further, the editing is a concern as there are many awkward fadeouts throughout after scenes have gone on too long while some scenes have very quick transitions that cut things off. It seems like there was more content or some that wasn’t usable, so a lot of it appears to relate to post-production issues. Overall, this is just an average production, which isn’t quite up to modern standards.

Plot and Storyline Quality (.5 point)

Although it initially was a good idea to use a true story to try something a bit different, yet much time is wasted on silent montages and clunky dialogue as everything feels very scripted and robotic, especially the ‘perfect’ Christian characters. Instead of actual character development, we’re just left with offensive gender stereotypes that paint women as less intelligent than men. Besides this, the plot is largely based on very shallow concepts and doesn’t appear to comprehend reality very well. Throughout the story, there’s a mysteriously odd tone like it’s concealing some great secret, but it all comes to nothing substantial. If you’re going to write mystery plot, you need to make sure you’ve done your homework to make criminal investigations realistic and believable. It feels like there’s too much going on here that the writers don’t quite understand, which creates the odd mysticism. Besides this, a vast majority of the scenes are slow and dour without much balance or adequate character engagement as the plot drags on and on and chases fruitless rabbit trails. After using up over an hour teasing a possibly forthcoming purpose via dramatic dialogue and randomly extra subplots, there’s little to show for the effort. While it’s commendable to try a suspense plot centered around mental health in rural areas, the very steep character arcs and magical fixes in the final minutes really do the film in, especially since there’s nothing to hold the audience’s interest or make the film worthwhile. Without a central focus, the movie meanders and flounders until a conclusion.

Acting Quality (1.5 points)

Much like the other elements of the film, the acting is a bit stifled and lifeless as it comes off as over-practiced. In conjunction with the audio problems, the line delivery itself is very soft and almost muted most of the time. However, the acting is at least average in most places without any majorly glaring errors or standout performances. Though there is some unnecessary drama, this section rounds out a basically vanilla effort.

Conclusion

The good thing is that Christian entertainment is becoming broader and braver as time goes on. There was a time when mystery suspense dramas like A Murder of Innocence would have been unthinkable in some Christian circles, but thankfully, there are at least attempts to be more creative and diverse. However, there are still things to work on, most notably plot and character content. This was based on a true story, so it’s not really acceptable to have such poor characters, along with an aimless storyline. Next time, before making a Christian film, it would be better to count the cost and make sure there’s enough creativity and purpose behind it. The only stories that will be transformative are the ones that feel like real life.

Final Rating: 3.5 out of 10 points

To Save a Life (Movie Review)

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Plot Summary

Jake Taylor is one of the most popular kids in school: he’s a basketball star on track for a big scholarship, and he has the girlfriend everyone wanted. He seems to have friends everywhere, but he’s chosen to ignore the only friend he had in middle school because it’s not cool to hang around him anymore. However, this appears to lead to his old friend becoming suicidal and bringing a gun to school one day in an apparent last-ditch attempt for help. In the fallout of the tragedy, Jake and his friends try to get back to normal, but they seem to sink deeper into their vices as a response to the trauma. What is the true purpose of life, and is it possible for high school to have meaning?

Production Quality (2 points)

As an early 2000s production, To Save a Life is good despite some minor missteps. For one, the flashback sequences, while great to include, sometimes come off as a bit disorienting and invasive as they tend to jump back and forth too much and use disruptive flashing effects. In a similar vein, some montages are a bit confusing and protracted in length, especially since they take up time that could have been used on other things. However, there are plenty of positives to note about this production, For one, the soundtrack is fairly good, and the camera work is professionally artistic even if there is some wild zooming and cutting during suspenseful scenes. Nonetheless, much of the production elements improve as time goes on, and video quality, sets, locations, and props are all great in each part of the film. As a whole, the editing is good enough considering how much content is in the story and how many characters there are, so overall, this is an above average production that’s mostly on the mark and improves with runtime.

Plot and Storyline Quality (2 points)

Even in the beginning, Brian Baugh was always a master of capturing the real human experience, especially of Millennial coming of age years, as he weaves complex storytelling via raw, realistic topics, effective flashbacks, and accessible characters. To Save a Life is a real and honest look at authentic problems facing teenagers both in high school and in the church. It’s a hard but necessary look at the factors leading to teen suicide and teen substance abuse, among other vices; in doing so, the plot unfolds fairly well without dumping too much information onto the audience in the beginning as plot points are developed gradually. The relationships among the characters are very easy to believe as they feel like real people who do real things with real motivations. The psychological material therein is used in very great ways, and the hard look at problems within the church is refreshing. To Save a Life has a very complex cast of characters that makes it feel more like a series than a movie; because of this, some of the characters arcs are a bit too steep due to lack of adequate development time. Even still, the dialogue is well-constructed as the subplots weave together, but the number of storylines is also the slight undoing of the film as we’d like to see some more backstories and more explorations of the issues rather than trying to cover too much in one film. Because of how many ideas are in one movie, the epilogue and the lead-up to it tend to fix things too quickly and easily without many tangible character consequences. The climax scene is also slightly contrived just to have one and only leads to expository dialogue designed to finish things off. In the end, To Save a Life is a massive mixed bag of content that is both rewarding and disappointing, yet Brian Baugh’s talents are still undeniable in his first movie attempt.

Acting Quality (2.5 points)

At first, the acting can come off as a bit awkward, but this also tends to work in the film’s favor. This is really the only nitpick to point out since the cast is overall really good despite its large size. There are quite a few standout roles…even Randy Wayne posts a good one. Due to the sheer number and diversity of cast members, they would have done so well in a series, but alas, this film occurred before the era of Christian streaming. Nevertheless, perhaps something similar to To Save a Life will be crafted in the future.

Conclusion

We would definitely love to see Brian Baugh make a series either like this movie or about something else because some creators are just too big for the big screen. Some creators (see Dallas Jenkins) are better the small screen because series provide much better forums to explore complex characters and subplots. No matter what, Baugh is consistently showing today that he has a profound understanding of people, and with two Hall of Fame entries after To Save a Life (I’m Not Ashamed and The World We Make), the sky is the limit for his creative potential.

Final Rating: 6.5 out of 10 points

The Shack (Movie Review)

Image result for the shack movie

Plot Summary

Mackenzie Phillips never really trusted God after the abuse he underwent at the hands of his father, but he really felt abandoned by Jesus when his youngest daughter was kidnapped, raped, and left for dead by a twisted man. Floundering in his faith, Mack receives a mysterious note signed by God telling him to return to the place where his daughter was found dead: a shack in the mountainous woods. Mack decides to return, thinking he can avenge his daughter’s death, but instead, he experiences an encounter with God beyond his wildest dreams.

Production Quality (2.5 points)

As a mainstream production, The Shack hits all the right notes en route to a nearly perfect score. This is due to great camera work, video quality, and audio quality. The sets, locations, and props are effectively utilized and authentic. Also, the soundtrack is very poignant and accessible. One minor nitpick to point out with this production pertains to the editing concerns, but this is mainly a plot issue that inadvertently affects this section. Overall, this is almost as good as it gets for a production.

Plot and Storyline Quality (2 points)

Based on William Paul Young’s slightly controversial novel, the film is actually a step above the book as it takes time to explain more about the characters and their motivations. Even still, there are still some issues that hold The Shack back from being all that it could be. For one, the narration right out of the gate from Tim McGraw’s mysteriously omniscient character is completely unnecessary and calls into question why his subplot even exists. This brief, irrelevant storyline, in conjunction with some rushed and confusing scenes revolving around law enforcement, waste precious time at the beginning of the film and make the movie feel like it’s two different ones put together. This squandered time at the beginning hurts this section and likely keeps it from the Hall of Fame, but once the middle of the film arrives, it’s definitely worth a watch. At this point in the movie, The Shack isn’t afraid to tackle very realistic and raw issues we rarely see discussed in Christian film, including child abuse in the name of Christianity and incorrect views of God as well as the connections between these two concepts. Sometimes, flashbacks are used in very effective ways to present the plot and the character motivations, but it would have been better if all narration and early plot points were replaced with flashbacks to make it more of a non-linear style. However, despite a slightly incomplete view of God, The Shack does an excellent job with showing how God will relate to people on a very personal level via good philosophical discussions about life and power emotional experiences. Although it could have gone just a bit further with theological grounding (but not too much), this is a good place for a lot of people to start if they have a warped view of God. Basically, from the halfway point until the part before the end, The Shack is a nearly perfect film. The beginning and the epilogue that fixes things too easily detract from this section and keep it from being all that it could be. Nonetheless, this movie is definitely worth your time and can be a great tool to use to introduce people to God if they are closed to Him for one reason or another.

Acting Quality (2 points)

Another major detractor that keeps The Shack from being Hall of Fame is Sam Worthington’s accent-suppressing. If you’re going to cast a British-Australian actor for an American role, either train him with a better accent or just make the character British or Australian. As it is, the way he delivers his line is very distracting and comes off as breathy and insincere because of the accent clashing. This really puts a damper on things as it makes his emotions seem otherworldly and causes unsure line delivery, which is difficult to watch since he takes up so much screentime. However, other cast members, most notably Octavia Spencer, work overtime to make up for Worthington’s shortfalls and overall post very professional and noteworthy performances. In the end, this section is above average and rounds out a very commendable effort.

Conclusion

Though many theologically astute individuals like to “debunk” The Shack for its inaccuracies (there are a few small ones), the film as a whole demonstrates just how out of touch many Christian thought leaders are with everyday people. The movie does a much better job of relating to everyone on a personal level than any theological debate ever will, and it shows that God really wants with people: a relationship. While it could have use just a hair more theological grounding, The Shack is a great place for many people to start who have been hurt by Christianity or who may have invalid views of God. It’s unfortunate that it just misses the mark of being Hall of Fame, but that doesn’t mean it’s not worth a watch. Hopefully, in the future, we’ll see more films that walk the delicate balance of being personal-emotional and grounded at the same time. Once Christian entertainment as a whole learns how to relate to everyone personally, the industry will be unstoppable.

Final Rating: 6.5 out of 10 points

A Champion Heart (September 2019)

Direct-to-DVD release September 30, 2019

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Writer(s): David de VosStephanie de Vos

Director(s): David de Vos

Producer(s): David de Vos, Stephanie de Vos, Fozounmayeh Michelle, Dana Risvold

Starring: Mandy Grace, Devan Key, Donna Rusch, David de Vos, Isabella Mancuso, Ariana Guido, Caris Kozak, Ryan O’Quinn, James Mulligan, Austin Brooks, Sonia Huffman, Joelle Mancuso, Candace Kozak, Michelle Fozounmayeh, Joe Mancuso, Ashlynne Mulligan, Jackie Kozak

Plot Synopsis: This film tells the story of a lonely teenager girl who finds love and healing through a relationship with a wounded horse.

Heavens to Betsy 2 (Movie Review)

Related image

Plot Summary

After Betsy had a unique experience in which God allowed her to live in an alternate version of her life due to her pleadings, she was able to return to her normal life and chronicle her journey under the guise of a fictional work. Her novel made her moderately famous overnight and even attracted unexpected attention from publishers and media outlets. However, this new popularity will come at a price as Betsy will have to decide if she’s going to come clean about the true origins of her story.

Production Quality (1.5 points)

Although it’s a 2019 production and should be higher quality than this, Heavens to Betsy 2 is a mostly average one. Video quality, camera work, and audio quality are all fine and standard, but the soundtrack is generic and cheesy. The sets, locations, and props are fairly limited and come off as cheap. The editing is very basic as it presents the content at face value without any complex techniques. As a whole, it’s a very pedestrian offering that is neither good nor bad, yet it really doesn’t have a place in the current entertainment field. To top things off, silly magical elements really put the nail in the coffin for this plot that was really doomed from the start.

Plot and Storyline Quality (0 points)

After a long rehashing of the previous film many people don’t know about, this unnecessary sequel launches into expectedly cringeworthy comedic sequences very similar to the ones we saw in the first one. Much of the dialogue is trying way too hard to be funny, and many of the scenes are downright pointless. As if it doesn’t have anything better to do, this installment decides to go down a localized media persecution rabbit hole in order to keep the story on life support. However, this idea comes off all wrong as the ‘villain’ character is actually remotely funny for the right reasons. It’s commendable for a Christian creator to want to create a universe of characters, but are these the ones people really want to know better? There are too many coincidences in this story-world as everyone knows about the main character’s book, and lot of the conversations feel dragged out and inflated for runtime purposes. The storyline is overall aimless and lacks substantial themes as it just presents a random collection of scenes that don’t seem fully rooted in reality. In a somewhat bizarre concluding sequence, the screenwriters appear to address the logical problems of the first film, but the explanations only create more questions and inconsistencies.

Acting Quality (1.5 points)

Like the production, the acting of Heavens to Betsy 2 is very run-of-the-mill and expected. Some cast members tend to overdo their roles and overplay their emotions while others appear unsure of what they’re doing. In the end, with no dynamic performances or standout roles either good or bad, this section also gets an average rating.

Conclusion

One big question we have to ask about this film is why it was even made. Rarely is a sequel justified, especially when the original film was so low-key. Sequels should be about exploring new horizons with characters who are already well-developed and deserve further screentime. Unfortunately, films like Heavens to Betsy 1 and 2 don’t rally have much to offer and will easily be forgotten as time goes on. If screenwriters are interested in trying to develop characters over time, a series would likely be a better forum for this venture.

Final Rating: 3 out of 10 points

The World We Make (Movie Review)

Image result for the world we make movie

Plot Summary

The Grove family has had their share of heartache over the past few years, but family friend Jordan Bishop has always been a constant support for them. However, the dynamics begin to shift when Jordan and Lee begin to develop a relationship after the grief seems to settle. Many discourage them from getting involved, and the small town seemingly works against their being together. Together, they experience unexpected prejudice and bias while discovering that they had more hiding below the surface than they previously realized.

Production Quality (2.5 points)

As a 2019 film, The World We Make is the type of respectable production we should be seeing time and again. There are very few flaws to point out here save for the slightly awkward editing near the end of the film (likely due to large story scope). Camera work, video quality, and audio quality are all basically flawless even though most scenes are filmed outdoors. The sets, locations, and props are extremely authentic and well-utilized; on-location shooting is definitely a big plus. Although the soundtrack could be a bit more than it is, this is a very high-level effort for a partially low-budget film, which goes to show what a little experience and proper collaboration can do for a movie.

Plot and Storyline Quality (1.5 points)

Brian Baugh has always been committed to developing raw and real storylines based on accessible characters (I’m Not Ashamed). While The World We Make is one of his calmer tales, it’s nonetheless refreshing and believable. While the scope of this story may be a bit narrow, it’s nonetheless true-to-life and demonstrates great understanding of real people. The central romance is deeper than what we usually see in these types of films because it feels more believable and everyday. There are some very important themes explored, including grief avoidance, small town prejudice, and racial ostracizing. Characters make realistic decisions based on personality and motive rather than on plot necessity, and the storyline has a few slightly unexpected turns. As a whole, this is a very enjoyable plot to witness, and while it could have been a bit better since the ending is fairly rushed and somewhat cutoff, it’s still great as it is, which is enough to push this film over the top and onto the Hall of Fame.

Acting Quality (3 points)

There are virtually no flaws in the acting department. Caleb Castille owns another starring role, and Kevin Sizemore adapts a unique character that suits him. Gunnar Sizemore is a supporting role, but he could be a new rising star. Further, Gregory Alan Williams demonstrates a much more effective role than he’s played in the past. Overall, there is clear acting coaching present here as emotions and lines are authentically delivered, which rounds out a very commendable effort.

Conclusion

Although The World We Make could have been a bit more dynamic than this, it mostly reaches its fullest potential as a film. There are a few nitpicks, but in the grand scheme of things, Brian Baugh is continually setting himself apart as a master of characters, which seems to give him a better proclivity for series writing rather than movie writing. Indeed, not counting this year, we’ve had a longstanding drought in Christian series, so with new opportunities coming available (VidAngel), we may be poised to seeing a breakout in creators like Baugh directing their talents toward series rather than only films. Regardless of what happens, The World We Make is another good addition to the Hall of Fame and is one you’ll definitely want to make time for.

Final Rating: 7 out of 10 points

The Islands (December 2019)

Coming to select theaters December 6, 2019 from RiverRain Productions

Website

Writer(s): Timothy A. Chey, Umi Perkins

Director(s): Timothy A. Chey

Producer(s): R. Julie Burnett, Susan F. Chey, Timothy A. Chey, S. Marc Clooney, Lehi Makisi Falepapalangi, David Galea’i, Todd Kim, V. Carol Rosenthal, Ichiro Tatsume, Angela Xiong

Starring: Teuira Shanti NapaMira SorvinoRicky Sua’ava, John Savage, Ichiro Tange, Malia Marquez, Michael Camp, Malia Mahi John Huser, Lehi Makisi Falepapalangi, Harry Walia, Ala’amoe Keolanui, Boyd Lauano, Andrew Sexton Iii, David Galea’i, Shawn McBride, Clifton Burchfield, Bill Stonebreaker, Yosef Kasnetzkov, Troy Husey, Wallace Del Rosario, Kealii Kuikahi, Craig Nahale, Jessica Kamalu, Vanessa Clay, Vanessa Cadang, Frank Cozart, Ikaika Jonathan, Josephine Kueva, Kae’o Kapani, Serita Liva, Yolanda Hiapo, Sanders Kapahulehua, Rebecca Sanders, Hori Bayani, Tracy Makuakane, Mailani Makainai, Alice Nakahara, Lev Kohn, John Danilewicz, Emmanuel Gomez, Angel Lemus

Plot Synopsis: Based on the incredible true-life story of Chiefess Kapiolani who descended into an active volcano to demonstrate her new-found faith and ushered in a new beginning in Hawaii.

The website above has a much more in-depth description that space does not permit inclusion.

When Calls the Heart, Season 6 (Series Review)

We don’t speak of her anymore

Plot Summary

And once again we return to the fake small town known as Hope Valley for another fruitless season of people living in the dream world crafted by the series creators. Hardly anybody remembers Jack the Mountie anymore except for the fact that he and Elizabeth were married long enough to produce an instant child who’s coincidentally named after him. While Daniel Lissing willingly left the show, which was last season’s biggest news, Lori Loughlin was literally handcuffed, removed, and totally scrubbed from the show. The shadow of her scandal looms over the sixth season, especially with how Hallmark mishandled the whole ordeal and drew unnecessary attention to the problems. As a whole, Abigail’s awkward exit from the show and the subsequent complete rewrite of the show is the most interesting things that happened, but why are we not surprised? Michael Landon Jr. always planned to subject Erin Krakow to his favorite young-widow-starts-sort-of-dating-again treatment as he always has, so there’s nothing left to do but once again point out the same old flaws this series commits and count down the minutes for the Hearties to descend on my little blog post to vehemently defend all things wholesome in the face of such heartless (lol) criticism.

Production Quality (2 points)
What’s a Hallmark production without the same carbon-copy lineup of good camera work and video quality, acceptable audio quality, and that predictable, nauseatingly bubbly soundtrack? When Calls the Heart part VI checks all the proverbial boxes in this category, and it’s getting very difficult to differentiate any of the seasons from each other (except for the first two). Hope Valley still consists of the same old sets, locations, and props that are no doubt re-purposed for other Hallmark productions and are designed to make the audience believe this is a real Western town. Also, there’s still that tiny forest area Bill goes to dramatically reveal another part of his vastly complex yet noticeably cagey backstory. The only complaint for this section (besides their doing the same thing with no noticeable changes or improvements) is that we still don’t have a set for the beauty salon where the female characters get their hair done (although we might have gotten a quick glimpse at it in the finale).

Plot and Storyline Quality (0 points)
As we’ve said before, ever Hamilton took over Hope Valley, nothing has ever been the same. We just get the same old helium-infused characters spinning in circles as they retrace old plots steps over and over again. The only chances we have to get outside of the Hope Valley crossroads are Bill’s forest trips to tell us another part of his ever-fluctuating history, but now that we have a new Mountie, I guess we’ll have some trips to that bridge or something. Elsewhere, Elizabeth keeps us wondering why she’s even still in the series as her heart (lol) is passed around like a football and only exists for Michael Landon Jr. and company to continue their fetish of pairing a woman with a law enforcement character just long enough for her to get pregnant before killing said man near the end of the movie\series or even in between installments. Seriously, how is Elizabeth and Lucas vs Nathan any different from Charles vs Jack (except that Marcus Rosner was an essential addition to the show yet was stolen from us)? Elsewhere, the town is littered with many empty-minded side romances that they desperately want us to care about (although Aren Buchholz is quickly becoming one of the most important aspects of the entire series). Even Rosemary is losing her luster as a satirical comic relief who reminds us how un-serious the whole ordeal is as the writers are muting her character to go all dark and brooding because of [WHOOPS SPOILER]. And then there’s that whole situation with Abigail. Ironically, just before Lori Loughlin was led away by the police, her character made a hilariously funny reference to how Bill needed to bring some random bad guy to justice, and this is definitely the defining moment of the entire season. Loughlin’s scandalous shadow looms large over the poor town; even after the writers awkwardly tried to erase her from the universe’s memories, everything was clunky following the hiatus. Subplots awkwardly start and stop with no real conclusions. Scenes between Elizabeth and Lucas seem directly copied from Beauty and the Beast (yes, he gave her a library). Gowen is as uneven as ever (seriously, what do the writers expect from him at this point?). They all seem lost without Abigail to guide them in their everyday lives, but alas, she and Cody (awwww he left too!) has bigger fish to fry in court “back east.” Thus, with nothing really new to say here besides the same garbage we’ve seen from the past two indiscernible seasons, Hearties only have this incoherent stream of consciousness to parse through as they rush from Facebook to “own” the author of this post with zingers better suited for a clickbait news site.

Acting Quality (0 points)
For the most part, the acting of this season is as sappy as ever, but there are a handful of instances, especially near the end, that feel very muted and more scripted than usual. This is no doubt that this is due to some of the redone footage after Loughlin’s untimely exit, and the cast members were likely just emotionally distraught over her absence. Overall, there’s really nothing new to write home about (although Elizabeth does quite a bit of writing these days), and this section is award no points because we expect better than this after six seasons.

Continuity Quality (0 points)
As previously mentioned, some of this season’s subplots seem to disappear from the writing with no warning, which is a likely byproduct of the rework done following Loughlin’s arrest. Otherwise, it’s just typical plug and play romances as the writers introduce one after another to the point where you can’t hardly tell the different between them. Also, as a side note, at least a third of the subplots in season six relate in some way to the upcoming summer spinoff show When Hope Calls, which is possibly where many characters will escape to once When Calls the Heart finally runs out of steam.

Conclusion

Oh yeah, so there’s a seventh season coming up. MLJ has at least two more seasons to use Elizabeth’s indecisiveness and lack of personality as a carrot to dangle in front of his rabid fans, but sooner or later, they’ll get tired of this song and dance. With Loughlin’s scandal-ridden exit, this series is already running on fumes and has only been sustained by constant romance bait-and-switch. I mean, is anybody the least bit annoyed with how they treat Elizabeth? Anyhow, this has been another WCTH review from your favorite reviewer in which I didn’t talk about much substantial and just sort of rambled on about random things I thought of while I binge-watched this season. Begin commenting now……………………….

Final Rating: 2 out of 14 points

Turbulent [2018] (Movie Review)

Oooohh scary

Plot Summary

When a man and his wife have a sudden plane accident in the middle of nowhere, they have to do whatever they can do to fight for survival. However, the strained relationship between them becomes a detriment to their quest as she believes in God while he resists her faith because of the tragedies they’ve endured in their marriage. Will they be able to overcome both the elements and the distance between them in order to survive another day?

Production Quality (-1 point)

With a production this bad in 2018, we don’t even know where to begin. It’s literally terrible in every way you can conceive: weird outdoor lighting, horrible audio quality with loud background sounds, and basically no soundtrack on top of this. Sets, locations, and props are extremely cheap and don’t line up with what they’re supposed to portray. There are also weird special effects and oddly chosen sound effects that contribute to the annoyingly bad quality of this production. Since you almost have to try to make a production this bad, it warrants a negative point. It goes without saying that the editing is very choppy, but that’s just white noise in the bigger picture because there are so many problems here.

Plot and Storyline Quality (-1 point)

In this storyline, there are no breaks in negativity or balanced scenes as everything is dour and dramatic in infantile ways. It has a very juvenile outlook on life as characters do things that have no grounding in reality and as the plot contains unrealistic survival elements. The majority of the film is painfully long and drawn out scenes that are like pulling teeth to watch. It’s obvious that the main agenda of the film is to scare the viewers into being saved (as if any non-believers would ever think about watching this garbage), yet there are a lot of fantastically weird magical concepts that don’t seem to line up with typical fundamentalist ideologies. These elements are connected to a really bizarre twist at the end of the movie that comes off in a very strange and off-putting way. In the end, there’s so much wrong here with so little to deal with, which is why this is a rare feat deserving of negative points.

Acting Quality (-1 point)

With such a small cast, everything stands out, and the acting therein is annoyingly horrible. Emotions are excruciating to watch as if the cast members are being tortured to say them…it’s like fingernails in the chalkboard to watch it unfold. Every little drama is extremely forced to the point of straining, and because of these issues, there’s no way to properly connect with the character struggles. It’s not like the cast members had good lines to work with in the first place, but they make matters worse with their agonizing delivery. Thus, in summary, if you’re looking for the exact opposite of how to make a Christian film, watch Turbulent.

Conclusion

Negative films are absolutely unacceptable in the modern era of Christian entertainment, and survival plots as a whole are worn out and should be used sparingly unless somebody actually has a good idea to share. Basically, from Turbulent, we can learn the same old lessons we’ve seen before: if you don’t have the money for your film, don’t even think about making it because the higher production standards in the field today demand better delivery. Also, even if you have the money for a decent production, please make sure you actually have a worthwhile plot to share and can properly coach your cast to be believable. The time for poor quality Christian films to go away is long overdue.

Final Rating: -3 out of 10 points

Blackbear {Submission} [2019] (Movie Review)

Plot Summary

Blackbear was a covert military operative tasked with secretly taking out terrorists in the Middle East, but an unexpected turn of events led to his unit’s capture. While a prisoner of war, they were subjected to cruel torture, and even though they were able to escape, they were each left with serious health consequences due to the drugs that were forced upon them. Back the US, their minds are still at war as they each try to find ways to cope with the pain. Blackbear decides he needs to take up boxing again under his old coach, but he never anticipated the journey he would have to go on to find healing.

Production Quality (1.5 points)

For a first-time, slightly underfunded production, Blackbear (formerly known as Submission) has some positive aspects but also some negative elements. For one, the attempts are constructing realistic sets, locations, and props, especially in the war scenes, are commendable and feel authentic. However, audio is sometimes unbalanced, and at times, the camera work is quite dizzying due to dramatic effect. While the video quality is very crisp throughout, a lot of spoken lines are obviously overdubbed, and there are some loud background noises throughout. Despite some cheap and disorienting special effects and one too many dark scenes, the soundtrack is quite good as it includes relevant NF songs. Moreover, the biggest drawback to this production is the poor editing; there are a lot of quick cuts and awkward transitions that make the viewer feel like things are rushing too quickly. For these reasons, the story comes off as choppy, but there are other concerns there as well. As a whole, while this is just an average production, there is potential here, and the complexity of the subject matter is definitely taken into consideration.

Plot and Storyline Quality (1.5 points)

All around, Blackbear is one big mixed bag. It’s clear that the creators really wanted to do something creative with this plot, but it got lost in its own head, so to speak. For one, the dialogue includes authentic military lingo that speaks to good expertise and research on the topic, but the plot itself moves forward too quickly as events occur without good reasons and as storytelling is overall disorganized. It seems like things happen because the writers need them to happen rather than natural events unfolding or characters making choices based on personality and motive. Moreover, there are still good things to note here, such as a good exploration of how self medication of military trauma comes to be and how secret government operations mistreat and abuse people for their own purposes. Nonetheless, all of these themes are just thrown into the proverbial pile since there aren’t any central purposes or focuses that keep the story grounded, which allows it to meander around various topics, like unethical value imposition in the medical field, cheesy portrayals of non-American characters, obscure boxing events, strawman sports villains, and vague references to abstract medical treatments that go over the audience’s heads. Throughout all of this spider-webbing, the dialogue isn’t enough to build believable characters, which is a shame due to the empty sequences of staring that waste precious time, not to mention some of the vague and understated subplots that need to be either integrated better or edited out. All of these issues are rolled in with typical sports movie tropes: training montages, impossible sports feat conversations, random local news reports, and unrealistic looks at heroin recovery; as a side note, this is the most addictive substance known to man, and nobody can just quit it cold turkey. Nonetheless, despite all of these complex issues, there is a surprisingly interesting and actually realistic twist at the end of the film that tries to tie things together in some fashion. The conclusion is very non-typical in most ways, but the monologue by one of the characters at the end isn’t enough to fix what could have been an interesting story. Characters all of a sudden become more interesting at the end, but it’s too late at this point; it would have been better to showcase the creative concepts throughout the movie rather than putting it all at the end. Even so, the way it ends still shows potential for future projects.

Acting Quality (1.5 points)

While a lot of the acting in Blackbear leaves something to be desired due to quite a bit of forceful and unnatural delivery styles, there are some good attempts at culturally authentic casting. Although there are a lot of blank and emotionless performances at key moments in the film, at least some of them can be explained by the psychological torture the protagonist underwent. In this vein, Scott Pryor is definitely good at playing a mind control victim. Elsewhere, some line delivery is very quick, and Eric Roberts is poorly cast as an incongruous character, but there are enough good performances throughout to keep this section average, which aligns nicely with the other sections of the movie.

Conclusion

No matter how convoluted it seems at times, on the whole, Christian entertainment is getting braver. New film makers are trying different things, and this is encouraging to see because it’s what we desperately need. The final sequences of Blackbear demonstrate creative ideas that can be used in more efficient ways, such as a series collaboration. This forum would allow the good concepts to be packaged in better ways that would reach audiences and get their messaging out there. The concept behind this film needs some type of redo, so hopefully, we’ll see more from this creative team in the coming days.

Final Rating: 4.5 out of 10 points

Heavenly Deposit (Movie Review)

Image result for heavenly deposit movie

Plot Summary

Peter Ranos has always tried to make the big break in Hollywood, but lately, nothing seems to be working out for him and his wife. They’ve hit every financial bump possible, and no one wants to cut them a break. When they just about exhaust all of their options and almost get by, something else hits them from the blind side. Peter is eventually brought to his knees as he realizes he can’t do it on his own anymore, which forces him to return to his childhood faith that he abandoned when his father suddenly died.

Production Quality (2 points)

For a first-time, low-funded production, Heavenly Deposit is able to at least breach the average line, which is something we’re seeing more of in more modern Christian entertainment. Though it begins a little rough with some roving camera work and abrupt cuts, it overall improves as the film progresses. The soundtrack is a bit inconsistent at times, and the sets, props, and locations are somewhat limited in the beginning, but it becomes clear by the middle of the movie that the creators did have something better in mind. They do the best with what they have, and the video quality is stable throughout as well as the audio quality. The camera work and the editing calms down, and the sets become better utilized in the second half. Though it does begin a bit rough, it’s encouraging to see that this production team can improve as the film goes on, which shows good potential for future projects. In the end, this production makes enough improvements to warrant an above-average rating, and this isn’t bad considering the budget and experience of the creators.

Plot and Storyline Quality (1 point)

From the get-go, the protagonist forces unnecessary narration on the audience, but it thankfully subsides until the epilogue. It’s great that the writers were able to base this story off of true events because, for the most part, it does feel like realistic circumstances everyday people would experience. This gives the plot a non-linear and non-typical feel, and the premise is down-to-earth. However, in the first half of the film, the dialogue comes off as a bit generic as it doesn’t do quite enough to deepen the characters beyond stereotypical roles. Since this is a character-based story with a handful of characters, we needed deeper personalities and motives for them rather than run-of-the-mill placeholders that feel swept along by the plot. Granted, we do see more authenticity from the characters in the second half of the film as the creators’ true intentions are revealed, but it’s difficult for most viewers to stick with it that long without something substantial to hold onto. Because the first 30-45 minutes tends to meander without major themes, the good messages and understanding of real struggles depicted in the remainder of the runtime may be lost to many people. In a similar vein, though the story does become more focused as it goes, there are a few too many slightly silly coincidences and head-scratching magical elements that tend to put a damper on things. Also, the last 10 minutes rush through a lot of content with the aim of fixing things, but as a whole, this story is good enough to make the film average.

Acting Quality (2 points)

Like other elements in the film, the acting does get better with time. It does feel like this cast really cares about doing their best, and they are willing to be coached in some ways. There’s nothing dynamic happening here, but it’s refreshing to see a cast that’s not trying to flaunt something. The main drawback to highlight here is some weird hair and makeup work in the beginning, but as usual, this gets better later in the movie. As a whole, Heavenly Deposit is a good place to start for film makers who have potential to do even better.

Conclusion

Some entertainment creators are better with series than movies (see Dallas Jenkins and company). It’s highly possible that George Vincent and his crew fit into this category as well, and with the growth of Christian streaming services like PureFlix and VidAngel, creative teams have a lot more options than they once did. Thus, with more time and better budgeting, we have high hopes for what Vincent and his team can produce next.

Final Rating: 5 out of 10 points

Breakthrough [2019] (Movie Review)

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Plot Summary

When Joyce Smith’s adopted son John falls through the ice one fateful winter day, she feels like she’s lost him forever. However, after praying over him in the intensive care unit, she witnesses a seeming miracle as her son is able to be stabilized into a coma rather than be on death’s door. Afterward, a battle for healing begins as Joyce faces perceived opposition on every side of her as her son keeps fighting for his life.

Production Quality (2 points)

Breakthrough falls in line with other inspirational productions DeVon Franklin has been involved with, such as Heaven is For Real and Miracles From Heaven. As such, Breakthrough hits all the right proverbial notes, including video quality, camera work, and audio quality. While the soundtrack is sometimes too loud and invasive, for the most part, the sets, props, and locations are fine. This film is really just a by-the-book, run-of-the-mill inspirational production with nothing to set it apart either good or bad. The biggest glaring error therein is the poor editing, but this is mainly due to its plot problems. As a whole, Breakthrough is a safe, non-dynamic film through and through.

Plot and Storyline Quality (.5 point)

On the surface, the message of the plot is fine as it blatantly panders to an inspirational audience, yet Breakthrough sets itself apart by portraying the main character in unusually perfect and un-flawed ways even though she has plenty of issues in her behavior. This premise is likely due to the original book’s content, but empowering someone who seemingly believes she never really did anything wrong and feels like everyone else in the world needs to change except for her is very suspect. The storyline and characters are required to change according to her (sometimes judgmental) standards, and she never really learns anything as she continues to live in her own little world. This is the real hidden problem with Breakthrough besides the typical spoon-feeding of inspirational messages to a hand-picked audience. While there were some interesting psychological elements in this film that had the potential to make an interesting story about the miracles of God, we are instead left with the miracles of Joyce Smith; in doing so, prayer is mis-handled and poorly portrayed as people deciding what’s doing to happen. Elsewhere, random subplots are thrown together that cause a lot of story confusion and disorganization. In the midst of the swirl, there aren’t any substantial characters to relate to because dialogue is bland and pedestrian. Even though this was a small, focused time frame, we don’t really know who these people are beyond the molds the main character puts them into. Had this story been more about miracles and prayer, we would have had another Miracles From Heaven, which was safe, standard inspirational movie designed to target a specific audience. Breakthrough tries to follow in its footsteps, yet the dictates of the main character decide otherwise.

Acting Quality (2 points)

It’s understandable that this mainly Hollywood cast is professional and appears to know what they’re doing. However, some cast members who have more potential, like Josh Lucas, come off as underwhelming and downplayed, which suggests they’ve been cast wrong. It feels like more could have been done with this cast even though there aren’t any glaring problems. With the money and expertise behind the film, the acting needed to be more dynamic than this, but it overall rounds out a mediocre effort designed as a quick cash grab.

Conclusion

DeVon Franklin loves to make money off of the inspirational audience, and he’s clearly good at it. He’s found something that works, so good for him. Nonetheless, with all the marketing and fluff of this film, there’s no real substance to back it up. We were promised a movie about a miracle, yet we can’t connect with the real story due to tainted views of the main character. What’s more, the disjointed subplots make for a confusing viewing experience as it mostly just boils down to a collection of platitudes you could find in a generic white Christian book for sale at Lifeway. There’s nothing special here, but then again, Franklin never intended to do anything further, so he’s sticking with his business model, which is at least upfront and honest. Regardless, Christian entertainment can do better than this.

Final Rating: 4.5 out of 10 points

Clancy Once Again (Movie Review)

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An actual copyrighted screenshot

Plot Summary

If you thought that Clancy ended where the title character died, you thought wrong (unless this head-scratching sequel is actually a long dream). After they appeared to be on the right track with Reading Kate, husband-and-wife film-making duo Jefferson and Kelly Worthington Moore have create an unnecessary follow-up to a film no one really remembers about characters the audience can’t connect with. In this sequel, Nick Best and Clancy are back to…do things…like get involved in street fighting (see copyrighted photo above) and usurp the rule of law because they feel like it. Beyond that, it’s hard to pinpoint what this movie’s actually about.

Production Quality (1 point)

As a fairly recent production, we should be seeing Moore more from Kelly’s Filmworks than this. While they have a flair for some creative camera angles and establishing shots at times, there are too many dark scenes in this film as well as a lot of silent portions that lack adequate soundtrack support. While video quality is mostly fine, sets, locations, and props are somewhat limited in scope, which doesn’t really hold the attention well. The most glaring problems that negatively affect the entire viewing experience relate to the high amount of long, drawn-out sequences that reflect lazy editing and a desperation to squeeze runtime from the thin amount of movie content. As a whole, while this production isn’t glaringly bad, it’s just not enough coming from a film outfit that’s produced more than five movies, especially since the field has higher production standards these days.

Plot and Storyline Quality (1 point)

The sole point given to this plot is only because of the hilarious exchange between the two main characters about Hallmark cards and Fakebook. Otherwise, there’s nothing to offer here. After the riveting opening sequence about the previous movie’s events, which appears to suggest Clancy Once Again is actually an alternate ending for the first one or some kind of dream sequence epilogue within the former film, this rendition of the uninteresting Clancy story is full of awkwardly useless conversations and complete with a cheesy villain return subplot. As it desperately grasps for content and purpose amidst a confused landscape and forced premise, unrealistic happenings move things along in order to create an unnecessary suspense feel. Full of coincidences and convenient turns, Clancy Once Again advocates for vigilante citizens taking matters into their own hands rather than trying to wait for the authorities. Obviously, there may be a time and place for this type of action, but the reasons behind it in this film are absurd. When all else fails to keep the runtime above ninety minutes, recycled footage from the first film everybody forgot about is right there to extend your viewing experience. In the end, there’s little else to be said except that this is the most unnecessary sequel in the history of unnecessary sequels (and there’s lots of those).

Acting Quality (1 point)

Jefferson Moore’s unusual preoccupation with Christina Fougnie continues in Clancy Once Again, and her acting skills have not improved with age. In this film, she comes off as even more full of herself as her line delivery is shrill and her emotional expressions are off-putting. Other cast members are bland and vanilla with Moore taking on his usual persona, which wouldn’t be all that bad if he actually had lines to work with. Most cast members seem to be phoning in their performances. One standout issue with this section is noticeably bad makeup throughout the whole cast (but most notably on Fougnie). In the end, this rounds out a subpar film lost in a growing sea of Christian movies that’s leaving the old guard behind.

Conclusion

Jefferson and Kelly were on the right track with Reading Kate, but they’ve lost their way again with a useless sequel to a boring film no one cared about in the first place. Where are they headed as movie creators? It’s hard to say, but they certainly won’t accept dissent or any constructive criticism. They do have experience and some production\writing skills to bring to the table, but they will only find true success in a collaborative environment. However, we somehow doubt this will ever happen since they’ve been content to operate on their own all these years. Thus, whatever talent they have will likely continue to go to waste.

Final Rating: 3 out of 10 points

Submit Your Blog Ideas!

Calling all writers and authors!

If you’re interested in a chance to be published as a guest contributor on Box Office Revolution, submit a writing sample to boxofficerevolutionary@gmail.com! You can write about any topic relating to the Christian entertainment world whether it’s about something you’d like to see happen, an opinion you have regarding something that’s already happened, or trends you’ve noticed in the field. We also welcome expert, insider takes on the nuts and bolts of the industry from producing, filming, directing, writing, and acting standpoints!

We look forward to hearing from you!

Guest Post on Our Blog!

This summer, we’re inviting all bloggers, future writers, and anyone else interested to participate in our Summer Guest Blogging! We want to hear from you, the audience, and let you exercise your writing voices on our site! If you’re interested, email a brief (about 1-2 paragraphs) writing sample to boxofficerevolutionary@gmail.com; your writing should focus on any topic in the Christian entertainment world…whether it’s something you want to see happen, an opinion about something that’s already happened, or overall trends you’ve observed in the field. Happy writing!

The Chosen, Season 1.1 (Series Review)

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Plot Summary

When Jesus first began His earthly ministry, He had already chosen those He would minister to and use to transform the world around them. They came from all walks of life: lower class fishermen, upper class religious leaders, well-to-do tax collectors, and lowly street prostitutes. Regardless of background or belief, Christ determined to use regular people to carry out His work…however, it couldn’t happen until they had life-altering experiences with Him.

Production Quality (2.5 points)
The highest independently crowdfunded effort in entertainment history has certainly paid off. There’s no question that a lot of hard work was put into making this first season, and it shows in nearly every aspect of it. Though the perspective camera work is a bit rough at first, it definitely gets better and isn’t noticeable at all in later episodes. Similarly, the lighting is realistically dark in many scenes, which was hard to perfect at first, but again, it greatly improves as it goes on. Other than the poorly animated opening sequence that has a great idea behind it, there are no other problems to point out in this nearly flawless production. The sets, locations, and props feel very realistic and authentic as the series creators demonstrate a clear commitment to looking at the characters in accurate cultural contexts. Video quality is crisp throughout, and audio quality is seamless, including a very engaging and creative soundtrack that reflects historical themes. As a whole, this production is a reflection of how this series is a much-needed breath of fresh air in the industry, and thankfully, the positive qualities didn’t stop with just this section.

Plot and Storyline Quality (3 points)
It would’ve been very easy to spend all the time on making the production worthwhile after all the money and time that was invested in it, but Dallas Jenkins and company refused to settle, yet the storyline is a major reason why this series will transform Christian culture and even reach outside the church. The reason why it’s so transformative is because it demonstrates a profound understanding of the real people who encountered Jesus and portrays them in very accessible, down-to-earth ways. These Bible characters are no longer “heroes of the faith”–they are imperfect people with backstories, motives, flashbacks, and personality tendencies just like us. Not only do they feel like everyday people, but the writers also wisely chose to focus on them in their cultural contexts as a heavy emphasis on Jewish tradition is subtly explored. The use of flashbacks to build character motive and backstory is also highly effective in helping us understand where they’re coming from and why they do what they do; this is often a missing ingredient in most depictions of Bible characters. Besides the characters being so well-developed, their subplots are interwoven very well as their stories realistically cross back and forth and creatively weave together to prepare for the next steps. Further, the psychological themes and artistic concepts of the series are presented in very natural ways without forcing too much on the audience while still being creative. In the end, there are many more positive aspects to highlight about this season (more than can be listed here), which is a very surprising feat in Christian entertainment. There’s no doubt that this is the best Christian series season to date, and it’s the first one to be inaugurated into the Hall of Fame.

Acting Quality (2.5 points)
The casting and acting of The Chosen show a commitment to cultural authenticity in more ways than one…where a fully cultural cast member couldn’t be used, correct accents were taught and coached, which adopted a model similar to the one used in Nativity Story. No matter what, dedication to effective coaching is evident as the cast members showcase subtle talent in their line delivery and emotional portrayals. While there are some minor costuming issues, it’s nothing much to write home about, and we can’t wait see how these recurring cast members will continue to shine in future seasons.

Continuity Quality (3 points)
Never before have we seen a Christian series (other than some parts of A.D.) that actually tries hard to interweave its subplots in ways that make them cross at appropriate times and keep the audience engaged in what may happen next. These are actually storylines you want to follow as the character arcs bend at realistic times and flow dynamically into each other. While it can be difficult to interest a Christian audience with familiar Biblical accounts, The Chosen sets up great backstories for well-known stories and provides great reasons for why things happen the way they do. In the end, there’s no question that this is the best Christian season to date.

Conclusion

Hence, The Chosen, Season 1 wins two x-factor points for re-watchability and for presenting important content in very audience-friendly ways. Dallas Jenkins and his team have established themselves as the future of Christian small screen entertainment, so your support of VidAngel is greatly appreciated (go to the link to watch the first season)! The more we support Christian entertainment that’s actually worthwhile and worthy of promoting to the people we know, the more likely it is we will see a real change in both the field and the culture as a whole. If you’ve already supported this first season, make sure to tell a friend that it’s well worth their time and money. We expect great things from this crew in the coming days.

Final Rating: 13 out of 14 points

The Chosen, Season 1.2 (November 2019)

Coming to VidAngel November 2019 (Thanksgiving Week)

Go to this link to watch the first part of Season 1!

Writer(s): Ryan Swanson, Tyler Thompson, Dallas Jenkins

Director(s): Dallas Jenkins

Producer(s): Chad Gunderson, Justin Tolley, Derral Eves, Ricky Ray Butler,
Earl Seals, Matthew Faraci, Dallas Jenkins, Ryan Swanson

Starring: Shahar Issac, Erick Avari, Jonathan Roumie, Paras Patel, Noah James, Elizabeth Tabish

Plot Synopsis: Season 2 of the groundbreaking new series follows Jesus and His disciples during his earthly ministry. Each season of the series contains four episodes.

God Bless the Broken Road (Movie Review)

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I need a loan from the pawn shop!

Plot Summary

When Amber’s husband is killed in an overseas bombing while on tour in the Middle East, her entire life seems to come apart piece by piece. She struggles to support her and her daughter in a small town because she obviously didn’t get any military benefits from the government. She also pushes everyone away and doesn’t go to church anymore, but thankfully, a semi-bad-boy race car driver has crashed in town because he needed some time off from doing whatever it was he was doing before. This gives him time to do stuff with all the kids in town, which is where he becomes obsessed with Amber’s daughter and eventually Amber herself. However, Amber still is struggling financially to the point where she needs an old-fashioned loan from the pawn shop. Will the madness ever end?

Production Quality (2 points)

As per usual for most recent Harold Cronk and PureFlix productions, God Bless the Broken Road has a fine, generic one to offer with nothing particularly special or negative about it. The sets, locations, and props are somewhat limited, but camera work, video quality, and audio quality are all fine. The vanilla soundtrack leaves something to be desired, and the editing is poor because of the nature of the story, but on the whole, this is a fine attempt. However, this brand of production is also becoming very common place in Christian entertainment, so it’s time for deep-pocketed outfits like PureFlix to show us a little something more.

Plot and Storyline Quality (-2 points)

Regardless, any good this film has to offer is totally negated by the total nonsense of this plot. At times, it feels copied from a Karen Kingsbury novel since this idea has been done so much before, but it’s actually worse because of the logical inconsistencies and flimsy premise. Too many unrealistic things happen that don’t appear to be rooted in reality, and this makes a mockery of real problems people may face in life. Most of the scenes are cheesily forced to convey a certain point in typical PureFlix Obvious style. An example of this is an old standby: awkward sermonizing of lessons they want the audience to be force-fed. Another instance is shown through the most generic dialogue and conversations that were surely purchased (or stolen) from Acme Stock Dialogue, Inc. The characters are just pawns in the inevitable progression of the plot as convenient turns happen to drive home certain agendas. Perhaps the worst part of it all is the fact that every horribly overused inspirational cliche is car-crashed into this one epic fail of a film…an exploration of how this is done would require a completely separate analysis. As a whole, God Bless the Broken Road is just another example of PureFlix Drama wherein every scene has to be an emotional climax as the characters are just extremely stereotyped caricatures designed to represent issues rather than people. If you’re looking for a corny Christian movie all-in-one deal, this one will be worth your money and time. Otherwise, avoid it like the plague.

Acting Quality (1 point)

While plastic white people take center stage to bore us with bland performances (in their defense, they weren’t given much to work with in the line department), better cast members are forced to take backseat as they watch the madness unfold before them and likely wonder when they’ll ever make a big enough break to no longer be trapped in PureFlix World. Main cast members come off as dead-faced and emotionally blank a lot of the time, which makes the forced emotional climaxes of the plot even worse. In the end, there’s some good here, but this sections rounds off an overall unacceptable effort in today’s Christian entertainment world.

Conclusion

If we wanted the sappiest, most unrealistic Hallmark film we could find, we would watch this film because it at least isn’t constantly interrupted by drug commercials. But who’s got that kind of time? Instead, let’s hope films like God Bless the Broken Road will become less and less commonplace as Christian audiences demand more quality from Christian entertainment creators. We’ve finally gotten to where above-average productions are commonplace, so it’s time to let the writers be the writers when it comes to screenplays.

Final Rating: 1 out of 10 points

Heaven’s War {Beyond the Darkness} (Movie Review)

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The magic of the cosmos…

Plot Summary

Senator Jonah Thomas is a rising political star who wants to be the good guy in Washington, but evil individuals, both human and spiritual, have their own plans for him. Jonah’s political career is pushing his family to the brink, and he doesn’t realize the evil devices that await him in one fateful meeting. As his soul hangs in the balance, he will be given one last chance to battle for his eternal destiny in a very poorly-animated CGI world.

Production Quality (0 points)

Imagine you have this great idea for a complex sci-fi plot that requires a lot expensive CGI and animation tools. Would you go ahead and make it even though you didn’t have the funding to make it on a level we see in theaters today? Essentially, Heaven’s War is a poorly funded attempt at a possibly good idea that will fall totally flat due to how bad the production is. The extremely cheap special effects and the cheesiest possible animation and CGI draw so much attention to themselves that they negate any possible good elements in other parts of the production. They affect everything and make it an unpleasant experience whether via disorienting editing, cheap flashback quality, weird sound effects, or wild and quick cuts between scenes. Even if other elements of the film are fine, the special effects failings are the types of issues that infect everything, which keeps this production rated at zero.

Plot and Storyline Quality (0 points)

Besides this, the plot is fairly confusing and hard to follow. Even though it’s an interesting idea to explore the spiritual realm, everything is too focused on American politics, which begs the question why the major spiritual battles highlighted here center around raising taxes and finding a vaccine for cancer. If this isn’t the intention, it comes off that way through expository dialogue and devices that move the plot forward, such as news reports and phone conversations. As the story wildly jumps from one random idea to the next, the slightly interesting flashback\psychological vision elements had something going for them, but the way they are presented is a disservice. Poor delivery and unclear direction doomed this plot from the start, not to mention the extremely cheesy portrayal of the spiritual realm that is almost a laughingstock. After lots of disorienting battle sequences and explorations of alternate realities, problems are suddenly quickly fixed at the end with no feeling or reality behind it, and by the time it’s all over, you suddenly realize that this film barely had any actual content in it. Hence, no points can be awarded in this section either.

Acting Quality (1 point)

Surprisingly, as bad as it is, the acting is the strongest point of this movie because it’s the only section that gets any points. Even still, the acting often comes off as un-earnest, overly practiced, and robotic. For the most part, emotions are black, forced, and unnatural. There are some good moments for some of the cast members that are basically just average, but as a whole, the acting is cardboard and the casting poor. This rounds out an unacceptably bad film in the new era of Christian entertainment.

Conclusion

Danny Carrales’ intentions to make different types of Christian films are definitely noted, but their application is way off the mark. It would have been better to make Heaven’s War fully animated so that more time could have been spent on making a real plot. Relying only on special effects of any quality level is never a good idea because they can’t write the story for you. Even the best sci-fi idea will fail if the characters can hold it up for you because the audience has no real connection to the concept without feeling like real people are experiencing it. Basically, better luck next time.

Final Rating: 1 out of 10 points

Following the Subplots of The Chosen (Season 1, Mid-Season Update)

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The Chosen has certainly been a transformative series already, and it’s barely gotten off the ground. It has grassroots appeal and will likely grow into a larger and larger movement as time goes on. As the first multi-season Bible series to be created, it has the potential reach beyond traditional Christian audiences and transform the culture both inside and outside the church. The series’ connections with real people in a Jewish cultural context as they encounter the Messiah are its biggest assets, so here’s a helpful guide to help keep up with the core subplots we’ve seen through episode four of the first season.

***WARNING: SPOILERS AHEAD***

Mary Magdalene

The series started off with a bang as Mary’s demonic bondage was explored from multiple angles while at the same time providing key flashbacks to her character’s core motivations. Her father taught her Isaiah 43:1, which she clung to during her darkest hours. After neglecting suicide to follow a bird to her only friend’s (Sol) eating establishment, Mary encountered the Messiah, Who quoted her favorite Scripture to her before setting her free. She then set her mind to helping her friend at the hairdresser shop and re-adapting Jewish customs in her new life, including preparing Shabbat for local outcasts. It was there that she encountered Jesus again and first learned His Name.

Thus far, Mary’s storyline has intersected with Jesus and Nicodemus. She has primarily been in Capernaum.

Nicodemus

Nicodemus’ opening scene–the journey to Capernaum with his wife Zohara–was interrupted by Quintus, a recurring magistrate character, who wanted the rabbi to assist the Roman Empire’s effort to stop fishermen who worked on Shabbat in order to avoid Roman taxes. Nicodemus is a very staunch interpreter of the Torah, which is why another Roman official asked him to cast demons out of Mary Magdalene, who was causing havoc in the Red Quarter, where she worked as a prostitute. Nicodemus reluctantly went, but his exorcism was unsuccessful. Nonetheless, Yussif, a local Pharisee, later informed Nicodemus that he witnessed Mary in her right mind, so Nicodemus paid her visit again to see for himself. He learned her true name and discovered that his work had nothing to do with her freedom. Mary told him of Jesus’ words to her, which prompted Nicodemus to wonder if his work as a rabbi was even honoring God anymore. After receiving word from the priests and rabbis of Capernaum that the radical preacher called John the Baptizer was speaking against the Pharisees and had been imprisoned by Herod, Nicodemus determined to ask the crazy man questions about the miracles he had heard about.

Up to this point, Nicodemus’ subplot has crossed over with Mary alone. He has primarily been seen in Capernaum.

Matthew

As an outcast Jewish tax collector, Matthew’s closest human companion is his Roman bodyguard Gaius; he also has a stray dog for company. Matthew was shunned by his family for supporting the Roman enemy, but he appears to be nonplussed by this. He is a very conscientious accountant who challenged Quintus’ scheme to relieve Peter’s family’s taxes in exchange for his turning in fishermen who worked on Shabbat to avoid taxes. Gaius advised against Matthew’s resistance to Quintus, but Matthew ignored the social cues and faced the powerful official anyway. Quintus was impressed by his courage and ordered Matthew to follow Peter to see if the fisherman was going back on his word. As Matthew spied on Peter, he was able to witness Jesus’ massive fish miracle from afar.

At this point, Matthew has also encountered Peter and Andrew; he has seen Jesus work from a distance. Matthew’s work has primarily been in Galilee so far.

Peter, Andrew, and Eden

Peter made a deal with Roman magistrate Quintus to turn in any Jewish fishermen who fished or Shabbat to avoid paying Roman taxes in exchange for his family’s taxes being cancelled, but Peter’s brother Andrew disagreed with this plan. Peter hid his secret source of income and covert tax evasion from his wife, Eden, but she was suspicious of his unusual work hours, including his work on Shabbat. Andrew has been continually trying to keep his brother from getting into trouble with his in-laws and from using schemes to get ahead in life. However, when he was assisting the Romans one night with patrolling for Shabbat fishers, Peter changed his mind when he saw remnants of Zebedee’s work since he and his sons were friends. Later, Peter confessed to Zebedee, James, and John what he had done and begged for their help to pay off his tax debts, but they refused. In midst of the turmoil, Peter had to tell Eden what was going on after her ill mother had unexpectedly moved in with them. Eden and Peter both agreed they needed a miracle to settle their financial situation, so he set out to fish all night. Eden asked Zebedee and his sons to help, so they brought Andrew as well to assist the colorful Peter with his bind. However, after catching nothing all night, the fishermen encountered Jesus on the shore, whom Andrew had already told Peter about. Jesus used Peter’s boat to briefly teach before telling people to put out the nets one more time. This led to the miraculous catch of fish, which gave enough revenue to settle the debts. Jesus promptly called Peter, Andrew, James, and John to follow Him from there on out.

Peter and Andrew have interacted with Matthew, Zebedee, James, John, and Jesus. Eden and the brothers have only been seen in Galilee thus far.

Abigail and friends

Abigail is a young, assertive girl who accidentally discovered Jesus’ makeshift carpentry shop in a clearing of the woods near her house. During the events of the first two episodes, Abigail took her friends to see Jesus each day, and He taught them rudimentary wood-working skills and reinforced His lessons for their lives. He shared with them some of His future teachings before letting them know it was time for His work to begin.

Abigail and her friends have only crossed paths with Jesus in the outskirts of Capernaum.

James, John, and Zebedee

Zebedee and his sons James and John are fellow fishermen with Peter and Andrew who heard of the Roman scheme to arrest fishermen who worked on Shabbat to avoid tax laws when peter confessed to his part in it. At first, they refused to help Peter, but at the pleadings of Eden, they decided to help Peter bail out his debts. In doing so, they witnessed Jesus’ miracle of the massive catch of fish, after which James and John were called to be His disciples.

Zebedee, James, and John have interconnected with Peter, Andrew, and Jesus and have only been seen in Galilee.

Other Characters and Notes

Blind man in Red Quarter: In the first two episodes, we saw other characters run into a blind man in the Red Quarter who is waiting for the Messiah to pass by, so we are likely to see this previewed storyline in a later episode.

Quintus: Quintus has been a recurring character who’s crossed paths with Nicodemus and Matthew already, so it’s possible we will see a larger role from him as the series progresses.

Gaius: Matthew’s bodyguard has the same name as the recipient of 3 John, so we may continue to see his character developed as more seasons are released.

Shmuel and Yussif: These two Capernaum priests have thus far been in the background of Nicodemus’ main storyline, but it’s possible that we will continue to see more of them as their subplots break off from Nicodemus’ to play the roles of future Pharisee characters who challenge Jesus.

Support The Chosen on VidAngel!

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This Easter season, as you enjoy your holiday weekend and spend time with loved ones, make time to support the new streaming series The Chosen on the VidAngel streaming service. This series alone is worth buying a subscription; the first four episodes are now available, and the last four of the first season will be available before the summer.

A full review of Season 1 will be posted here by May; have a great holiday!

The Christ Slayer (Movie Review)

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Plot Summary

Longinus was raised by the Magi, but he never fully believed the stories they told of the Messiah as he rose through the ranks of the Roman army. he was at the pinnacle of his career, but an injury led to blindness, forcing him out of service. As he languished in darkness with a servant to guide his daily activities, he never dreamed that his life would be forever changed when he helped end a seemingly meaningless crucifixion of the One they called the King of the Jews.

Production Quality (2 points)

Over time, DJ Perry and his creative have definitely improved their production skills as The Christ Slayer demonstrates good camera work, effective camera angles, and professional video quality. The audio quality is also fine for the more part, and the soundtrack is culturally authentic. While the sets, locations, and props are great, the outdoor scenes are better since some of the indoor shots are a bit too dark and disorienting. Some of the editing could have been more consistent and understandable, but on the whole, this production is adequate and shows commitment to improving.

Plot and Storyline Quality (1.5 points)

The Quest Trilogy has taken many different turns, and at this point, the ending is better than the beginning. At its inception, some parts were hard to grasp and a bit too abstract, but the unique turn in The Christ Slayer definitely helped things. This is a unique extra-Biblical plot that gives a fresh perspective on the events surrounding the Crucifixion and the Resurrection, and it sports the typical abstractly creative concepts of the CDI team. The spiritual elements from Forty Nights and Chasing the Star are included in this third installment, but they are presented in more accessible fashions. Similarly, the psychological themes of The Christ Slayer are fairly well-utilized, and integration of Biblical accounts is creatively woven together with the main plot. There are a few drawbacks, however, that keep this plot from being all that it could be. For instance, there are quite a few slow scenes that tend to be too artistic such that the audience has trouble understanding them, and some of the characters’ dialogue is a bit archaic and drawn-out. There are some expository conversations that replace better character development, and sometimes, the Jesus character is a bit too ethereal and inaccessible, but as a whole, this is a fine Easter plot that demonstrates unique storytelling.

Acting Quality (1.5 points)

Probably the brightest spot of this film’s cast is the awesome idea to cast a special needs cast member in a role that doesn’t over-emphasize his condition. Treating him as a regular actor is a huge step forward for disability rights, so this creative team’s decision to do this shows a deeper care for inclusion in the arts. Elsewhere in this cast, some of the main cast members are good while some could use more efficient coaching to avoid being too theatrical and dramatic. As a whole, the acting is average, but it could have been better if emotions were more accessible. In the end, The Christ Slayer is a good end to the Quest Trilogy.

Conclusion

DJ Perry and company have a lot going for them, so it will be interesting to see how they will be able to collaborate with other talent in the future. Throughout their careers, they have only gotten better as they have adapted and changed, which is encouraging to see. Sometimes trilogies end worse than they begin, so since the Quest Trilogy has ended on a good note, this will hopefully be a springboard to better things in the future for CDI entertainment.

Final Rating: 5 out of 10 points

Run the Race (Movie Review)

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Plot Summary

It seems like Zach and Dave Truett have always been dealt a bad hand in life. Their mother died, and their father soon after fell into alcoholism. Dave suffers from a medical condition, so when Zach tears his ACL at a party, his chances of a football scholarship, their only clear way out of their small town, are jeopardized. This forces Zach to do the soul-searching he had always avoided since their mother died, and it leads the brothers to unexpected places.

Production Quality (2 points)

As the first production funded and facilitated by the Tebow brothers, they have definitely shown that they can aggregate funds and put them to fairly good use. For the most part, this production is quite good and hits all the right notes, including good video quality, effective camera work, professional audio quality, and a great soundtrack. Sets, locations, and props are also adequately used and constructed. While the music is good, one drawback is the many dizzying sports montages that seem to eat up most of the runtime. Because of the time spent on this part, other scenes in the film are awkwardly and abruptly cut off with poor transitions. However, on the whole, this is an above-average production that is great for a first time effort.

Plot and Storyline Quality (.5 point)

Unfortunately, the money put into the production didn’t reflect well in the plot department. While something good is trying to be portrayed in this story, it doesn’t come through well at all, mostly due to the quick, clipped scenes that leave little room for proper development. Much of the dialogue refers to off-screen content or is very punctuated; this makes for awkward conversations that are inadequate in building characters effectively. While there are some attempts to take a real look at issues facing small towns in America and the people in them, too much time is spent on sports and training montages, which makes for a fairly choppy story presentation that doesn’t flow very well at all. There are too many missed opportunities as mindless sequences crowd the runtime, and many of the characters are too basic and one-dimensional. Difficult topics are mishandled with cliches, and unexpected time jumps leave the viewer disoriented to the story’s progression. Besides a handful of good scenes near the end of the film, this movie mainly talks about things without really showing them to you and fixes things without any heart behind them. In better screenwriting hands, this could have been a great exploration of relevant issues facing ordinary people, but we are left wondering what could have been.

Acting Quality (1.5 points)

On the whole, the acting of this film could have been good, and while there aren’t any glaring errors, it’s still a bit thin. Better coaching would have likely brought out the potential in the cast members, and even so, it’s not as bad as it could have been. However, it’s not really dynamic either, which makes this an average section that rounds off a middle-of-the-road film.

Conclusion

In summary, Run the Race is fine for a freshman film effort, but with higher standards being set in the Christian entertainment market, new film makers will need to aim higher if they want to make their mark. Good productions have become more of a benchmark than they once were, and acting should at least be above average. The films that will truly set themselves apart moving forward are those that have dynamic plots and effective storytelling techniques. Perhaps in the their next attempt, the Tebow brothers can wield their fundraising skills to support a truly talented screenwriter.

Final Rating: 4 out of 10 points

Grace and Gravity (Movie Review)

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Plot Summary

While on a business trip in the United Kingdom, an American man takes a photography hike only to be shocked by a man waiting on a bridge who intends to jump to his death. The American decides to awkwardly climb up the impossibly tall bridge with no other way to get on it, for he intends to share the Gospel with the British man before he ends it all. However, the American doesn’t know what he’s in for as the two men embark on the longest quasi-philosophical debate involving Bruce Marchiano since the original Encounter film.

Production Quality (1.5 points)

Since it has very limited sets, locations, and props, Grace and Gravity doesn’t make any major mistakes in the production category, but it doesn’t make any waves either. Video quality and audio quality are both fine accordingly, yet the soundtrack is very generic. Camera work is also adequate, but the presence of weird technological sound effects and other cheap elements put a drag on things. To cap things off, the editing is very basic and almost non-existent, which essentially gives us an average production.

Plot and Storyline Quality (0 points)

Did we really need another film that’s basically a long-winded conversation between Bruce Marchiano and another person? It’s bad enough that this movie is full of forced dialogue and long, drawn-out portions, but there’s hardly anything to this so-called plot. It’s intent on kicking the can down the road by wasting time as it grasps for content and produces menial flashbacks that give us little insight into character motive. While there are some slight attempts at talking about real issues, they come off as inadequate and empty. This idea is awkwardly forced to be something it’s not as there are a handful of totally dead scenes, which makes the story very fruitless as it slogs on. Further, the worldview is bit odd, and the ending sequence is highly unusual and unrealistic. In summary, with no characters to work with in a character-based plot, we’re left with a lame attempt to do something (not sure what).

Acting Quality (0 points)

With only two main cast members, they carry the weight of the film. Unfortunately, they fumble the ball often. While Marchiano is slightly better than past roles, his delivery still comes off as overly theatrical and practiced. The acting as a whole is very stilted and cardboard. There are too many scenes of only one or two cast members doing all the talking, and there are some cringe-worthy sequences of painfully forced emotions. In the end, this rounds out a very disappointing effort that had little going for it.

Conclusion

Grace and Gravity really is just another version of The Encounter, just without an obvious Jesus character. It seems like Bruce Marchiano always includes his contract that he needs a certain amount of speaking time in the film, including a hefty imparting of wisdom (see The Encounter 2 and Alison’s Choice). To many audiences, this delivery of content will be very off-putting and appear purposeless. There just isn’t anything substantial for this film to offer beyond half-baked philosophical explorations that do little to relate to the struggles of real people.

Final Rating: 1.5 out of 10 points

The Drummer Boy: A Musical (Christmas 2021)

Currently in pre-production from Lionsgate, the Erwin brothers, and the Smallbone brothers

Writer(s):  Ben Smallbone, Luke Smallbone, Joel Smallbone, Richard Ramsey

Director(s): Ben Smallbone, Luke Smallbone, Joel Smallbone

Producer(s): Kevin Downes, Andrew Erwin, Jon Erwin, Luke Smallbone

Starring: Joel Smallbone, Moriah Peters Smallbone, Josh Smallbone?

Plot Synopsis: A period musical accompanied by an original soundtrack that focuses on three Christmases during the Civil War. The film will depict two brothers fighting on opposite sides in the Civil War.

Apostles: Resurrection of Christ (pre-production)

Andy Erwin (far left), Kevin Downes, and Jon Erwin have formed a new faith-based filmmaking company, Kingdom, that will release multiple movies by different directors in what Jon Erwin calls a "leap forward" in faith moviemaking. Lionsgate will distribute them. Kingdom will announce its first slate of movies in March at the National Religious Broadcasters convention. Erwin Brothers photo

Currently in pre-production from Lionsgate, the Erwin brothers, and Kevin Downes

Writer(s):  Jon Erwin, Jon Gunn

Director(s): Jon Erwin, Andrew Erwin

Producer(s): Kevin Downes

Starring: TBA

Plot Synopsis: This film is the first in a trilogy aiming to create a new cinematic universe of Bible stories. The first installment follows the growth of the early church after the Resurrection of Christ.

Jesus Revolution (2021)

Coming in 2021 from Lionsgate and the Erwin brothers

Writer(s):  Jon Erwin, Jon Gunn

Director(s): Jon Gunn

Producer(s): Kevin Downes, Andrew Erwin, Jon Erwin, Greg Laurie

Starring: TBA

Plot Synopsis: This film tells the true story of a national spiritual awakening in the early 1970’s and its origins within a community of teenaged hippies in Southern California. The story follows the early life of nationally known pastor Greg Laurie.

Unplanned [2019] (Movie Review)

Plot Summary

Abby Johnson, a former Planned Parenthood clinic director and abortion rights advocate, was taken by God on an unforgettable journey of redemption and forgiveness that led her to reject her former way of life and trade it for a ministry of pro-life activism. Though no one could have ever dreamed that an abortion clinic supervisor would switch political sides and join her former enemies, there is no end to the power of prayer.

Production Quality (2 points)

As expected at this point from PureFlix, the production of Unplanned is above-average and hits all the right notes, for the most part. On the surface, it looks good due to high video quality, professional camera work, and adequate sets, locations, and props. Audio quality is also good. They’ve checked all the typical boxes, but there are some issues with the soundtrack as many of the songs don’t properly fit the situations they are played in. However, the most glaring problem is the horrific editing that takes the viewer all over the map of a story that could have been good but only ends up playing like an audio book, as we see next.

Plot and Storyline Quality (1 point)

At this point, it’s painfully clear that the current PureFlix team can’t even properly portray a great true story even if it hit them in the face like Abby Johnson’s story did. Even if the book is already written for them, you can count on PureFlix to fumble the ball at the goal line by falling back on their old tried-and-failed pitfalls of trying to be too obvious without trusting the audience to read in to the subtlety and of crafting too many climax scenes for dramatic effect. The obvious goal was the hit all the high points of the story in order to maximize the most shock and awe possible with the hopes of scaring people about abortion. There’s no doubt that there were many powerful parts of Abby’s story, but we’ll never really know as the demonstrative elements are over-emphasized in the movie while the potential for character building is simply replaced with incessant and heavy-handed narration. They seem like great characters, but it’s impossible to know them due to the narration and the wild time jumps that leave the viewer disoriented. Since there’s a lot of content in this story, it could have been effectively laid out via flashbacks that built character motivation, yet instead, we were left with talking-points conversations and overly emphasized strawman villain moments. The film is written for basically one good scene near the end where we actually get realistic dialogue uninterrupted by Bratcher’s narration, but it’s too little too late. Unfortunately, where Abby Johnson’s story could have been a powerful treatise on prayer and a change of heart, all we’re given is a smile-and-wave, run-of-the-mill experience dedicated to grossing people out about abortion whose R-rating is warranted due to lack of balance.

Acting Quality (2 points)

Surprisingly, Ashley Bratcher is a bright spot in this cast, which suggests her performance in Princess Cut was heavily controlled by the creators of that film. While the supporting cast might have been interesting, it’s hard to tell due to the famine of lines and dialogue in this film. Even still, the casting and acting are mostly good without many glaring errors…it’s just basically unfinished and left wanting, like the overall feel of this movie.

Conclusion

There’s absolutely no doubt that Abby Johnson and David Bereit played integral roles in bringing the pro-life movement out of the dark ages through prayer and expert leadership, and Abby’s story is an amazing one that deserved a movie of its own. However, PureFlix’s treatment of the story doesn’t do it any justice. Moreover, Unplanned, in a way, represents the current state of the pro-life movement: lots of well-meaning people who want to do the right thing, along with a collection of more influential people who believe that ‘gotcha’ talking points and graphic displays of the evils of abortion will change things. The early marketing for this film proclaimed it to be (another) death knell for the corrupt Planned Parenthood, yet we beg to differ. Any success the pro-life movement will find moving forward is by both listening to and telling actual stories of real people, not by falling into the trap of unleashing smoking guns that will ‘sink’ your opposition. There was a massive opportunity to tell a real story in Unplanned that could actually reach people, but once again, PureFlix proves that they can’t tell stories properly because this requires actually knowing people. Unfortunately, while the gory moments of this film can be powerful if packaged properly, when they are separated from an emotional connection with the characters, they can re-traumatize those who have been hurt by abortion, which doesn’t win any ‘converts.’

Final Rating: 5 out of 10 points

40: The Temptation of Christ (Movie Review)

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Plot Summary

After Jesus’ baptism and before his earthly ministry officially began, he went into the desert for forty days, where He was tempted by the devil to forfeit His work before it even began. Satan used many tactics to convince Jesus to fall, yet Christ remained without sin in the trials. As Jesus endured the hardship, He experienced human pain and suffering that prepared Him to relate to those who needed His power the most.

Production Quality (2 points)

While this film’s budget was somewhat limited due to its independent nature, resources were clearly allocated responsibly. Although there are some cheap special effects and sound effects, mostly toward the beginning of the film, there is plenty of positive to note here. The first thirty minutes of the movie are the hardest because these contain some poor editing and lagging scenes, but once the film progresses past this point, things begin to look up. There are some elements of shaky camera work throughout, but the outdoor locations used are very engaging and professionally shot. The perspective filming is effective, and the soundtrack is highly engaging in many parts as it adds to the viewing experience. Further, video quality is crisp throughout, and even though it takes a bit, the production slowly becomes a great one, which is a testament to what this team could pull off with more resources under their belt.

Plot and Storyline Quality (2 points)

Like the production, the plot is a bit shaky at first, mostly due to immediate and unnecessary narration. Jesus is also a bit too theatrical and inaccessible as a character at first, but He definitely gets better as the story goes on. It’s somewhat difficult to get through the first thirty minutes of the film because of these issues and because of some lagging scenes, so it’s possible that this idea may have worked better as a short film. However, once the thirty-minute mark has been passed, things change for the better since a really good idea is revealed. The use of flashbacks and flash-forwards is very effective to bridge time and to reinforce the psychological elements that the temptations are based on, which are very well-constructed. The core of the plot is based on a collection of very engaging and creative conversations that clearly show what the film was made for. Old Testament prophecies are integrated very well into the dialogue, which is something we don’t see enough of in Bible films. As a whole, this creative team’s take on the temptations of Jesus is very interesting and innovative, mostly due to well-executed psychological sequences that go hand-in-hand extremely well with the flashbacks, mostly because the viewer doesn’t always see the temptation coming. In the end, the use of symbolism and artistic elements are effective in presenting a familiar Bible story in a new, creative way, and the horror elements are handled well without being too sensational. Thus, there is a lot of potential for this creative team through future collaborations.

Acting Quality (1.5 points)

While the cast is not entirely culturally authentic, this can be forgiven due to the limited budget of the project. At first, the line delivery and emotions come off as too forced and theatrical, but they moderate as the film progresses and show concerted improvement. Due the small cast, they carry the whole film on their shoulders, and for the most part, they post good performances by the movie’s conclusion. This rounds out an overall refreshing independent effort, which plants promising seeds for the future.

Conclusion

It’s difficult to portray the temptations of Jesus properly without a good understanding of human psychology. As a whole, this creative team appears to have such an understanding. The Temptation of Christ is everything a first-time, self-funded project should be: as good of a production as possible, a well-written plot that demonstrates talent that can be developed in the future, and a good enough acting performance to carry the day. Thus, we can’t wait to see what these film makers have to offer once they are given better funding opportunities.

Final Rating: 5.5 out of 10 points

Mary Magdalene: Close to Jesus (Movie Review)

Plot Summary

Mary Magdalene lived a dark life before she encountered Jesus of Nazareth, and her bondage and past mistakes always tried to call her back. However, her experience with Jesus forever changed her life. She sought to serve Him and follow Him whenever she could, and her influence that came as a result of her time with Jesus had a positive effect on those around her.

Production Quality (2 points)

The early 2000s Bible films produced by the collaboration between the Trinity Broadcasting Network and Lux Vide were certainly well-funded, which translated to great attention to historical detail. Other production elements were also professional, including video quality and camera work. The sets, locations, and props reflected attempts at authenticity, and the editing was streamlined. However, there were a few issues with audio in Mary Magdalene. For one, there are a lot of very obvious overdubs that seem unnecessary. On paper, the audio seems fine, but the soundtrack is sometimes archaic and incongruous, and any presence of overdubbing speaks to sound problems. Nevertheless, this film has an above-average production that is good enough but not dynamic.

Plot and Storyline Quality (.5 point)

The story of Mary Magdalene is definitely an interesting Biblical account this isn’t focused on enough; however, this rendition gives an odd take on the story since there isn’t enough exploration as to how she became originally possessed. This is a central point in the story, so focusing on tangential content instead of this core concept is unusual at best. Lacking a coherent bondage storyline makes it hard for the viewer to appreciate Mary’s redemption arc. Elsewhere in the story, time seems to move too quickly, and there are some unnecessary alterations to the historical account. All of this hampers proper character development due to stunted dialogue and little continuity. While the portrayal of Herod is fine, John the Baptist is too nutty, and Jesus is too inaccessible and ethereal. There is also some unnecessary suggestive content that could have been shown more tastefully. In the end, while the movie’s plot had a lot of potential, it falls flat for a number of reasons and shows that unskilled screen writing can hurt any good idea.

Acting Quality (1 point)

Unfortunately, the cast of Mary Magdalene is not completely culturally authentic, which is manifest in unrealistic accents. However, the historical costuming is one of the stronger points of the film. Nonetheless, emotions among the cast members are often too forceful, dramatic, and theatrical. Line delivery is too robotic at times, but there are some positive elements that keep the acting from level zero. In the end, this section is still below average, and this movie is another not-good-enough Bible film.

Conclusion

The TBN\Lux Vide combo definitely tried to blaze some trails in the early 2000s with regard to Bible films, but they too often missed the mark. It wasn’t for lack of budget; rather, inadequate screenwriting held their Biblical accounts back from being all they could have been. Having the characters cross back and forth between the different films was a great universe-connecting idea, but it was in vain since they didn’t have wide appeal. For future learning, current film makers can take notes from these films on how to go about crafting Biblical epics without repeating the old mistakes.

Final Rating: 3.5 out of 10 points

Palau: The Movie (Movie Review)

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Plot Summary

Luis Palau, a world-renowned missionary, had meager beginnings in his life, but this did not hold him back from being all he could be for God. Under the mentorship of key people God placed in his life, Palau brought the Gospel to the countries and locations God laid on his heart and set an example for evangelism. Even today, the impact of his work is still being felt.

Production Quality (1.5 points)

While this is obviously a good idea on paper for a Christian film, it seems like the execution was only partial due to budget constraints. This fact is evident in the limited sets, locations, and props, even though they still demonstrate great attempts at historical and cultural accuracy. The lighting of the scenes is back and forth with indoor scenes mostly poorly lit while outside scenes are fine. The camera work is also acceptable, along with the audio quality. At times, there are background noises, however, and the soundtrack, while culturally authentic, seems forced at times. Further, the editing is somewhat choppy, but on the whole, this production is basically average.

Plot and Storyline Quality (1 point)

As previously mentioned, the story of Luis Palau is a great true story to base a film upon, but the way it was conducted with this rendition wasn’t adequate in fully communicating the important messages therein. From the beginning, the attention of the audience isn’t effectively held due to an overall feel of the film being a sort of docu-drama. This attitude is demonstrated by collections of boring scenes that simply depict characters sitting around or standing while reciting lines. As such, the dialogue isn’t enough to drive the character development to where we can relate to them; we don’t know character motivations well enough even though there are some backstories portrayed. It’s a nice authentic touch to use the original language, but it tends to cloud things when it the whole film already comes off like a collection of Bible study skits. Because of this dynamic, it’s hard to see the characters as anything but representations of ideas, which is a real shame since the movie could have been a true epic story. The time jumps are a disservice both to continuity and proper development of concepts, and it ruins any chance of having central themes or concepts to center the movie around. In the end, this film is mostly benign, which also means it’s not ground-breaking.

Acting Quality (1.5 points)

While the acting mostly means well, it tends to fall flat due to its vanilla nature. The attempts at cultural authenticity are definitely commendable, but each cast member would benefit from improved coaching. However, it has to be considered that the lack of good written lines puts a damper on their ability to deliver them well. Nonetheless, the smaller cast tends to amplify the errors, and in the end, this is basically an average performance overall.

Conclusion

In summary, it can’t be discounted that commendable effort was made to craft a film depicting an important true story that has impacted thousands of people around the world. Since it’s such an important account, we would have liked to see a much more substantial approach that did it justice and sought to produce a dynamic experience for the viewer. However, the film makers definitely meant well, so it will be interesting to see what they put out next.

Final Rating: 4 out of 10 points